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#it’s like. ppl with significantly worse lives do more so why can’t I
higgs-the-god · 1 year
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Very cool for my aunt to ruin my good mood streak 👍 again
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actualsunflower · 3 years
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I have a huge life update to share rn--- My top surgery consultation is scheduled for July 5th!!!! I’M SO EXCITEDDDDDDDDDDD!!!!!!! I’ve also been vaccinated!! :D ANNNDDD MY LEGAL NAME AND SEX HAVE BEEN CHANGEDD!!!!! :DDDD kind of a lot has happened since I’ve been actually active around here But now I guess is the much harder part, my official surgery date will be set at the consultation, but there’s a required $1,000 fee to set the official date for my surgery. The $1,000 covers a portion of the surgery as well, and the base price for the surgery is $8,500. I’ll get the exact price on July 5th, but that’s their base rate. I need to earn or raise at least $1,000 of the total cost before July 5th to secure my surgery date!! I’m going to take commissions when I can, I have 1 almost entirely complete right now and then I can take on more! I’m gonna have a more detailed explanation of everything under the cut so this isnt super super long so pls read under there if you want all the deets Pls consider commissioning me or donating so I can get top surgery!! read more for more info and me being sappy abt my emotions--
I’ve waited so long for this and I’m fricken excited, it’s the last step in transitioning for me! It really means everything for me, I feel like I’ve been waiting forever and I can’t believe it’s finally happening !?!!! I am forever in everyones debt here and everywhere because I never wouldve even been able to start hrt if it wasn’t for the help here. I’m just so. Overwhelmed with emotion and gratitude I cant even tell how many times Ive cried and just felt like... actual gender euphoria since starting t..
So abt the appointment, I’m getting surgery with Dr. Javad Sajan, and I’m getting button hole double incision. Im serious his before and after pictures make me so emotional I am so happy and emotional for those people and I cannot wait to feel that kind of happiness and relief. But a big problem about this for me, is that he is in Seattle, and I live in southern Oregon. I can’t drive, so I have to rely on someone else, or take the train from a nearby city (Eugene). My consultation is over skype (which is amazing and a huge relief), but my pre-op appointment is in person, and of course so is the actual surgery. We’re planning on taking the train from Eugene because it seems to be the most reliable way to get there and back each time. Aside from my surgery, I’ve got to cover the price of the trip there and back (twice, once there and back for pre-op, once there and back post op,) and the price of a place to stay during the pre-op appointment. Right now my goal cost wise, is just the booking and base appointment price ($8,500, that’s including the $1,000 appointment setting deposit, which is just a part of the surgery cost and the base covers everything, surgery, the stay at the hospital, nips, anesthesia, everything). The full price is due at the pre-op appointment, and that’s the final bill. My insurance doesn’t cover anything because it’s out of state and county, and because its informed consent model. (which Im choosing because Id have to battle insurance for 2 years minimum if I was getting the surgery in Oregon, but I am very set on my surgeon after considering everything and calling many offices and looking through many subreddits and talking to ppl who’ve gotten it here and there) A lot of this information is on their site as well. As soon as I have my consultation, I will be right here to update everything and set the exact price, which I’ll also be including the price of transportation and staying there. As for paying, I’ve been applying to so many jobs, and even when I get interviews I never hear back from them. People keep telling me to stop admitting I’m disabled but I just can’t do that. Lying about being disabled doesnt make me abled and they don’t get that. I’m still trying though, and I am not going to stop trying until I get a job. But until then commissions and donations are my only source of income. I’ve been struggling getting help psychologically, because I have schizophrenia, and because I was diagnosed with adhd as a child, but I think I’m actually autistic rather than having adhd, and it’s been really hard trying to get diagnosed because I keep getting pushed off or told I cant have autism because I have paranoid schizophrenia or because its “just adhd”, but the medications are just making everything worse, and Ive tried more than one already. My medications for schizophrenia have started not working right, and when my schizophrenia meds get under control, it makes my adhd (?) significantly worse. Genuinely, I really dont know what’s happening. I really dont know whats going on with me right now and it’s hard and confusing and I keep swinging back and forth and it’s making everything deteriorate so fast I cant keep up with it. It seriously effects my ability to do anything at all, even art, and its been like this for the last 6 months. I am trying though, still trying to work, still trying to get a job, still trying to get a real diagnosis and help and Im not going to stop any of that. But I think getting top surgery as soon as possible is going to help me too, because dysphoria has just gotten so much worse focusing on my chest since t has started helping me pass and look so much more masculine. It’s like all my attention went from everything DIRECTLY to my chest and its almost unbearable. Even now since my sex has been legally changed I keep having the horrible thoughts of ‘why, why I am a man Im not supposed to be this way’ and shit idk. I’m getting too serious right now I have an appointment with the dmv to get a new updated driver’s permit with my name and fixed legal sex, and when I do that I can set up a bank account (I cant yet bcs I dont have a valid id/ id at all because I actually lost the other one and have been carrying around that paper one you’re supposed to destroy that is literally from 2016) and when I do, I’m going to set up a proper gofundme for my surgery and the travel expenses, but for now all I have is my paypal and online banking savings account. I’ll get that up asap once I have my id, though (Ive already been to the bank with my notarized judge passed papers and they wont take those yeah I know it’s stupid its like the same thing) But uhhh yeah! Thank you for reading this far if you did lol and considering helping me bcs my god, it literally means everything to me. pls share hehe
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brightblueinky · 4 years
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Long winded ramblings about a Bronycon video
So I’ve seen some hubbub about a YouTube essay going over the history of the Brony fandom up until the last Bronycon. (You can see it here: https://www.youtube.com/watch?v=4fVOF2PiHnc ) I just got around to watching it today and I was...somewhat confused by some of the stronger negative takes I was seeing floating around Twitter, and I’ve been in a “fandom discourse” mood lately so, hey, I thought...why not talk about it. The first part of this was originally going to be a Twitter thread until I realized Twitter wasn’t going to let me keep going on the thread so I gave up and decided to put it here instead (lol) so it’s probably going to be a bit choppy since I was trying to keep it readable for that format.
So first of all, my background, so I can be completely honest about where I'm coming from and try not to portray what I'm saying as like...an end-all-be-all take here, because I don't wanna do that. I was never really an MLP fan. I watched the first season of FiM and really enjoyed it, but I didn't really engage with the fandom because by that point I'd gotten to where I didn't spend much time in huge fandoms. So I can't come at this from the perspective of an MLP fan. When I’m addressing the fandom here, I’m coming at it as an outsider in the sense that I am not a MLP fan/brony. What I AM going to do is come at this from the perspective of something of a "native" to fandom. I've always been a geek. I've engaged in online fandom in some form or another since I was about 8, which was in the mid 90s. I've been around the fandom block. Actually, I can even say that I used to lurk on 4chan a lot and I saw a lot of the early Brony discussions there. I also watch @JennyENicholson's videos, and yeah, there's been times where I've been bugged because we had a disagreement of opinions and felt like it was a little harsh. She's got a dry sense of humor and sometimes it's hard to read when she's joking and when she's being genuine. So like, I wasn't surprised when I saw some hubbub from some people online about her doing the video about Bronies. Not at all. But I gotta say...I am really surprised by some of the more INTENSE takes on the video after watching it?? The LARGE majority of the video is @JennyENicholson covering this fandom from an INSIDER'S perspective. She was an MLP fan before FiM, she was active enough in the fandom to be a BNF. A huge, huge amount of the video is positive and nostalgic. In fact I now wish I HAD been in the fandom! It seems like it was a lot of fun! The only thing I felt was maybe harsh in the video is I think she gave the impression that being "furry" is exclusively a sex thing, but by the end she talks about furries being a community that's a very inclusive, kind community with a lot of queer people, so even then I think if you're really paying attention to the whole video you're not going to come away with the idea that the furry community is bad. Just maybe could've had more nuance earlier in the video?  So from glancing through mentions of her in a Twitter search (which is definitely not going to be a perfect sample) from what I can tell there's like two things that people seem to be upset about with the video: 1, the idea that the fandom is "dead" and 2...just...Body Pillows. So let's talk about the dead fandom thing first. As I mention, I have been in fandom a long, long time. Although I (usually) shy away from big active fandoms now, I started off in bigger ones--Sonic, Pokemon, Digimon, LOTR, etc. The two fandoms I currently care about the most, though, are definitely fandoms that tend to be called "dead" and were never HUGE to begin with (Princess Tutu and Chrono Crusade). I think I can count on my hands the number of ppl who actively discuss or create fanwork for CC.   So I guess what I'm trying to say is, I've been on both sides of the coin here. And let me reassure Bronies: "Dead", while maybe too strong of a label for what it actually means, does not have to be a negative thing and you don't need to defend your fandom from it, IMO. I think the "dead" label simply means that interest in the fandom has cooled, the number of active participants is significantly down from the heydays of the fandom, etc. And I don't think that's an unfair label for brony fandom from what I know.   If there was a large scale replacement for Bronycon then maybe it'd be unfair, but...yeah, if you're losing your large hubs for the fandom community, if the flow of fanwork and discussion has slowed, I think "dead", as it's used, isn't an unfair label.   But again, I don't think this is a bad thing! I'd imagine that even the current state of the brony fandom is larger and more active than the Princess Tutu fandom at its greatest heights. It's a pretty relative term. It doesn't mean nobody cares, or that you can't still enjoy it! All the "dead" label really means is acknowledging the change in a fandom. It's not a bad thing. I might be 1 of ~30 writers for Chrono Crusade on AO3 but I still have fun writing fic and I still get hits and occasional positive comments. It's not bad. Just different. Okay so now let's talk about the body pillow thing and oh man, is this going to be a minefield, lol. Let's first talk about my personal lens I'm going to come at here... I've created NSFW fanwork. Some of it taboo. I'm also (somewhat) a part of the "proship" discourse on Twitter which is basically a community of people that push back against another community of "anti"-shippers who feel that some ships are problematic (because of character age, power dynamics, etc) and shouldn't be shipped. (I think that simplifies a lot of the discussion on both sides but it’ll do for the purpose of what I’m getting at here, I think.) At its worse this debate has lead death threats and suicide attempts. I have seen people get treated abusively for fanwork (sometimes NSFW but not always). (And I also want to add that while I think the major component of the pro-ship discussions on Twitter are anti-harassment, there’s been some ‘edgy’ types who think that it’s fun to harass antis with NSFW fanwork and the like and I want to make it clear that is ALSO ABUSIVE AND NOT OKAY.) Basically, I want to say I'm sympathetic to a knee jerk defensive reaction over NSFW fanart. Okay? I can get why people might want to push against criticism of stuff they enjoy/create, and that there’s an element of possibly being harassed for fanwork you create. But the thing is, I don't think this is really the attitude Jenny is taking in the video. She lightly mocks NSFW stuff and body pillows, but often describes it as "harmless" and "fine". The only time she's critical of it is when she notes that sometimes body pillows with suggestive poses could be on display at conventions where young kids were present--at a con celebrating a show MEANT for young kids--and that probably shouldn't have been allowed. She's not saying you can't buy a body pillow, or create one. She didn't even say that while discussing body pillows of characters who were 10! She expressed personal discomfort, but the only restriction she really suggested was "keep this out of the sight of minors." And I don't know why that would be a controversial take. I read lemons when I was younger so I'm not going to sit here and act like it's going to completely ruin kids lives or anything. But I ALSO think it's appropriate to have boundaries for sexual materials for kids (or anyone who doesn't want to engage for whatever reason). I want my stuff to be clearly labeled as NSFW, with tags being clear about the content, so people know what they're getting into. I’ve grown to care about this even more as I’ve gotten older. I don’t really want to know about minors reading my nsfw fanfic or anything. I’m not going to, like, parent them and shame them if they do, but I don’t want to engage with it, I want my stuff to be labeled, and I am DEFINITELY not going to put it on public display at a place where I know kids are allowed, ESPECIALLY not when it’s work based on stuff MEANT for children! I mean, I grew up in a fundamentalist Evangelical household and I will rant at you for hours about how damaging I feel that environment was, and that I don’t think kids and teens should be completely shielded from sex, etc. But that doesn’t mean that having boundaries in place is a bad idea, especially when minors are involved. I also think that boundaries are good just for the sake of consent, too? I’m not saying that someone accidentally seeing suggestive art is the same as them being raped, please don’t conflate it like that, but if people don’t want to see it for whatever reason they should be given the opportunity to make that choice as much as possible. The stuff that Jenny mentioned brony conventions would do (requiring stuff to be sold under the table, or having late night hours for the dealer’s room where 18+ merch could be displayed and sold) seem like really good policies and pretty similar to what I’ve seen at anime conventions I’ve attended (although occasionally some stuff that was maybe a biiit more suggestive than I’d be comfortable displaying in public...but hey, my local con allows kids but also makes it clear in their rules that it’s mostly geared for 13+ attendees and that it’s up to parents to decide what’s appropriate for their kids, and I think that’s fair). And yeah, I know, nothing that Jenny showed in the video being displayed at Bronycon was 100% explicit, just suggestive. She notes this in the video herself, saying that yeah, it doesn’t show genitalia, etc...and as I’m writing this I think I’ve maybe rambled too much about NSFW fanart when most of the stuff we’re talking about here is more “suggestive” than straight-up porn, since that’s probably muddying the waters a bit. But I gotta, gotta, GOTTA address the sentiment I saw multiple times on Twitter in response to her video: “Dakimakura/body pillows aren’t sexual and to say that is orientalist.” I...what? What the fuck? Okay, again, I’m going to make it perfectly clear what my background is here so that I’m not claiming to have some expertise that I don’t have: I am white. I am VERY white. My parents did the DNA test thing and the most “exotic” thing that came up is that my dad is 3% Spanish. Not latin american, I mean from Spain spanish. I am sooooo fucking white. I’ve studied a LITTLE of Japanese culture in college classes but that wasn’t even my field of study (Communication major on a Broadcasing track, minor in Theatre) so I’m not going to tell you I’m an expert on Japanese culture. I’m just a weeby geek that grew up in anime fandoms and never really stopped consuming Japanese pop culture. I have a very limited experience with Japanese culture. I am NOT an expert on what is and isn’t orientalist. I know I’m really hammering in this point here but I think it’s really, really important that I make it clear that I shouldn’t be used as an expert on this subject. But what I DO have a background in is someone who has engaged in Western fandom of stuff from Japan from a young age, I did spend a lot of time on 4chan, this is NOT the first time that I’ve seen some form of an “this isn’t sexual at all and you’re just a PERVERT” discussion about fanservice and...okay first of all, I highly doubt anyone saying this is any more qualified to define what is and isn’t orientalist than I am. I think this is bullshit and it feels like an attempt to make your opinions more legitimate by implying people that disagree with you are some form of bigot. (And look, I was a sheltered, insecure, stuck-up teenager in fandom, part of the reason I feel like I can recognize this is I totally pulled the same shit. I am not going to act like I have never tried to pull this and that I’m a pure innocent woke intellectual who’s never said something foolish, but that doesn’t mean I’m going to let it slide, either.)
While writing this I googled ‘dakimakura’ to make sure I was spelling it right and noticed that Wikipedia does note that the origins of this style of pillow are sometimes used by Japanese kids as something like a security blanket, which I’m guessing is where the justification for the argument is coming from, but let’s be intellectually honest here--body pillow covers being sold at a convention aren’t primarily meant to be a security blanket for kids. And, okay, maybe you have a body pillow cover with a character on it that isn’t exactly in a sexual pose, just laying fully clothed on what looks like a bedsheet background. But I don’t think it’s an unfair argument to say that even THEN it implies a sort of intimacy, right, possibly a desire for a romantic attachment? Like, sharing a bed with someone doesn’t have to be sexual or romantic, I used to share a bed with my brother in hotel rooms when we were kids, but I’m also not going to share a bed with my brother and then hug him closely to my body no matter how he’s posed or what he’s wearing??? And look, maybe a body pillow isn’t ALWAYS sexual but to say it’s NOT sexual, which kinda implies NEVER, is so disingenuous. The top result I got when I searched for “anime body pillow” is a shop that includes categories like “18+ body pillow” and “sexy body pillow” and also SELLS FAKE BREAST INSERTS FOR SOME OF THE PILLOWS SO YOU CAN SQUEEZE THEIR BOOBS (obviously, NSFW link: https://www.dakimakura.us/ ) Like, COME ON, I don’t think it’s orientalist to say that something is sexual when Japanese people are actually selling body pillows they label as 18+. The second result even has a second for pillows you can insert sex toys into. And yeah I saw the guy saying “masturbation isn’t sex!” and sir at BEST you have a very narrow and incorrect definition of sex as simply being intercourse and, again, at worst you’re just being straight up dishonest. In fact, I’ll straight up call myself out for this. There’s a fanart body pillow of a fictional character I’ve considered buying several times! (Not porn but still probably NSFW link: https://www.etsy.com/listing/701912275/dakimakura-hypnosismic-doppo?ga_order=most_relevant&ga_search_type=all&ga_view_type=gallery&ga_search_query=hypnosis+mic&ref=sr_gallery-1-4&organic_search_click=1 ) Is this porn? No. You can’t see much. But on one side of the pillow he’s got his shirt untucked, you can see a bit of his stomach, and his fly is undone and you can see the band of his underwear peeking out. This is sexual. I’m not wanting it to like, get off on it, exactly...honestly it’s maybe a bit ironic, and a lot of wanting a body pillow in general is I like sleeping hugging onto something but I have a different sleep schedule from my husband I find him too big to hold all night and too warm in the summer anyway. But I’m not going to tell you that me wanting this PARTICULAR pillow case isn’t at all sexual, I know what I’m doing, I like the character and think the drawing is hot. I’m not saying don’t buy body pillows, okay? I’m not saying don’t sell them. I don’t think Jenny is either (she literally OWNS ONE that she shows in the video!!!). But don’t act like there isn’t ever anything sexual about it existing to try to defend their existence, okay? You don’t need to be a fucking coward about it, and you especially don’t need to say it’s racist if people call out something as being suggestive when, well, it fucking is. And I think it’s totally 100% reasonable for someone to say “hey I don’t think it’s a good idea to display suggestive art around kids, especially if it’s depicting young characters.” TL;DR -- Chill, guys. CHILL. Your fandom is getting smaller and the term people use for this is “dead” but that’s not a bad thing, you’ve still got the fandom, you can still enjoy it, there’s definitely no need to take personal offense over it. And enjoy your body pillows, but don’t be disingenuous about the fact that they can be suggestive and try to act like anyone that calls it such is racist, that is such bullshit. Like what you like, other people’s opinions of it is not automatically a personal attack on you, there’s no need to jump to being defensive every time someone says something vaguely negative about it. Chill, fandom friends. Fandom ain’t bad but it also doesn’t need to be the center of your identity and you don’t need to lash out against people for daring to have opinions about a thing you like. You especially don’t need to act like other people are perverts for noting something being suggestive. Chiiiiiiiiiill.
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excorcismic · 4 years
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ALRIGHT SO HERE’S THE DEAL ; if misa is my first favorite death note character , this angy kid right here is my second - i adore mello to pieces and he’s very close to misa in terms of how much i love him , but ultimately does she remain queen . but ! the cool thing is that in the series they never actually interact ( the closest being mello spying on her for a brief period of time ) which means i could play my two blonde fashion icons and voila , here they are . so here’s the gist on mello in canon & alucard and most importantly the plots i am digging bc my muse for him rn ?? is off the charts . LESGO !
IN A CANON NUTSHELL ( HUGE DEATH NOTE SPOILERS ) :��So Mello’s introduced during the latter half of Death Note ( or maybe it’s more the final third but either way there’s a part where it significantly breaks in two ) - or , the very end of the first half , takes center stage during the second . He’s from the original home of the detective L , an orphanage of gifted children known as Whammy’s House - and essentially , the goal of the children is to maybe one day live up to L , one person taking his place . Mello !! Is one of the candidates . But he has a permanent chip on his shoulder since Near - the other candidate - always managed to beat him at everything . So when Light Yagami gets his way & L dies , Near and Mello are told that L didn’t choose a successor between them . When the idea that they work together to do just that is brought up , Near ( who honestly really liked Mello ) is like ‘hey! let’s do it’ and Mello ( still angy that Near is always right in front of him ) is like ‘FUCK you I’m gonna catch Kira myself’ and leaves the orphanage . Five years later , he works with the mafia , even getting his hands on a Death Note & with the help of a shinigami ( that he scared the living piss out of ) concludes that a rule that states a human will die if they haven’t written in the notebook in thirteen days is fake . He also like , blackmails the president and orchestrates an explosion that Soichiro Yagami dies after but he gets a wicked ass scar afterwards so it’s okay . Now working with L’s third potential successor , Matt , he spies on Misa Amane and makes connections between the second L ( Light Yagami ) & Kira , deduces that Kiyomi Takada is an accomplice , and kidnaps her to try and expose Kira as Light Yagami - but . . . he dies in the process , and so does Matt . The cool thing is though his discoveries led to Near’s breakthrough in the Kira case ( as he and Near met one last time , where he gives Mello the photo he has here in Alucard ) and Mello kind of gets the last laugh post-mortem . And also a kind of neat thing , his last appearance is as the narrator in the Death Note prequel , the Los Angeles BB murder cases - I’m gonna quote the whole thing in my eventual intro but ! It’s an awesome book and Mello is an awesome narrator . ( dn spoilers end here tyvm )
IN AN ALUCARD NUTSHELL - So Mihael Keehl ( his real name in canon , mind you ) is a twenty year-old runaway from the foster system - also sometimes lived in an orphanage but when he wasn’t , the constant tossing around because of his rebellious tendencies wrecked him . He isn’t employed , not does he actually have an actual home - living in a beat down truck most of the time if he can’t get a motel / hotel room for a night or a few . He makes basic expenses and fills his basic needs by doing odd jobs in exchange for money or favors - stuff like ‘if I do this for you for x amount of days or I get this for you you’ll pay for my phone bill for the next two months’ and that stuff . Basic arrangements . And he knows he can like , maybe try to commit to a job or a home but he’s actually . . . way too fucking scared of being tied down or in a worse situation that’s somehow more stable so the nomad life is kind of what he sticks with . But he’s homeless & it’s not good for him . At all . He’ll never flat-out admit that though which is why he calls himself a drifter . His main reason for being on his own , and refusing any extensive help from anyone outside of these favors , is because he has a point to prove - because that inferiority complex kicks in because the other kids he grew up against are doing amazing things and he wants to do better , and not receive any large amount of help . He just ,,, doesn’t understand he’s not doin’ any good for himself .
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BUT OOOOOOOH YOU WANNA PLOT WITH MELLO SO BAD OHHHHHHHHHHHHHHH
so the biggest connection in the sense that it’s the most open , i mentioned that mello mainly pays for his own expenses ( or more so , gets other people to pay for them ) by doing favors or small jobs in exchange for either money or other forms of payment . so obviously , people he has these arrangements with - they can range from anything , mello is extremely smart ( a thing that comes up is that he has a shit ton of wasted potential ) in the books , technology , the streets and has a bunch of small talents he’s picked up over the years of living on his own ( saving money , sewing and mending / caring for clothes how else is he gonna keep that amazing fashion , cooking with very little ingredients , cleaning with little tools , fixing the kinks / souping up automobiles , ahem sexual stuff , tutoring , sometimes even mild illegal shit , you name it . ) so he can offer these talents / skills / etc . to other people who could use them ( most of the time repeatedly ) and in exchange , the other muses will pay him in cash or by doing things like paying his phone bill , car insurance , health insurance , food / groceries , hotel/motel room for a few nights , or even just offering him a place to use the shower or bathroom or even a bed for certain days of the week . This can also lead to many of the other plots I have listed here in the sense it’s a start , and it can happen with anyone , anywhere , for any reason .
literally the thing w/ mel is that he knows no limits and will do anything for anyone and is hardheaded as fuck about it because he’s got a point to prove and things to do and he won’t waste time refusing but the moment you offer your help in exchange for nothing or you’re trying to hold his hand a little too much and he catches on , the arrangement’s over and you’ll be lucky to see him again .
okay so uh . in that sense ?? maybe ppl who kind of helped him out and he did like . one thing for them and once he got his payment for that one thing he kinda bounced n they never heard from him again for whatever reason . nothing against them but he rly isn’t gonna make a habit of staying in one place for too long . 
obviously , those people that really think he’s gotta give up the ghost of trying to survive like this bc it’s wearing on his health & he doesn’t wanna admit it . and he’s tried shaking them off but he won’t leave and sometimes he’s forced to give into the help they offer but tries making them take a payment back .
old peers that felt whatever way about him back then but feel pity for his wasted potential ( at the moment ) , bc this dude was like . . . a straight-a student and was rly good at a bunch of things and now he’s living the way he is . whatever they wanna do and however they felt about him and how he interacted with them back then Differs but . there’s kind of like ‘damn u live like this’ now . gimme some kids who had crushes on him , kids he was rivals with , kids he got into fights with and maybe socked in the jaw a few times , kids who always admired him , kids who hated his guts - it always comes down to what life is like now vs. what life was like then .
i’d like some friends who were formed from the favors - and maybe they’ve stopped whatever they had with him but they still regularly hang out or something , maybe offer a place to stay for the night . 
just in general ?? people who keep their home open for him and whether he takes them up on their offer on a rare basis .
pls some folks trick him into accepting their help like leave him basket of chocolate candy and trap him or something like just . make it ‘wait what’ deal bc they all know he’s stubborn .
also uh . he’s been arrested for minor offenses a few times so some ppl who’ve bailed him out pls and he’s tryna repay him back .
mentor figures . mentor figures pls he’s trying not to accept their mentor-y guidance from .
so maybe the hero  . . . maybe the one person who was like the l to mello of alucard ( maybe even the Man himself ) that he just . looked up to forever and probably still does .
. . . favor idea ?? maybe he’s a stand-in boyfriend or date for events or somethin’ like mello kinda has that bad boy reputation but maybe he dated them for show on their whim at some point or they have that kinda thing ‘pls pretend to my boyfriend and i’ll let u use my shower every weekend for the next month’ or so .
also , one night stands or friends with benefits he uses only for the bathroom / a place to sleep . folks he’s dated for a period bc he did feel something and therefore he had them as an outlet but then broke up with them ( most likely ?? he was the one who ended it bc he has never known love stability & got spooked on it ending and just - did it on his own accord before he could further get hurt BUT THAT NEVER WORKS and he has hella commitement issues ) and tried to shrug it off as ‘ just another fling ’ even tho he’s highkey sad over it . ppl he’s slept with and then disappears with only a ‘thank you’ note as the evidence he was there . and do they accept it ?? are they pissed over it ?? that is up to You but it’s probably gotten around that mihael keehl has never had a stable relationship and never , ever stays . 
lots of ppl he probs has the above two arrangements or scenarios with bc again , gotta get shit done somehow .
enemies . . . he has an endless grudge with for some reason like maybe they screwed him over , 
i want . . . folks he can eventually get soft with and maybe actually seek that comfort in even tho u gotta chip at the five thousand concrete walls to get to that stage . i want to see him become better and that’s an ultimate goal for him in alucard ( even though it’s gonna be a bit more difficult with his memories returning ) to get better , commit to something , accept stability and get his life on a better track .
and yes , that includes an eventual ship ! really it can build off of any of these dynamics just . give me sneaking in through windows late at night , soft words and gentle kisses and protective hugs and please stay i know you never stay but please stay with me and the thought that maybe he should leave but he doesn’t and they wake up with him after a night and he’s still there and maybe there’s a scare he left like he always does but he made chocolate chip pancakes and he feels safe & alright which is . . . a rare occasion in his messy ass life . maybe something like friends to lovers , fwb to lovers , an old flame , anything this could be fun to do !! end goal though , i’d like something on the softer side that’s healthy and loving because that’s really what he needs . 
( some notes tho bc he’s only twenty i’ll sayyyy max i’ll do the more romantic / spicier stuff with in that aspect is . . . 23 - 24 ?? bc he’s almost 21 like if we put the fact we’re in october into account and his birthday is december 13th that isn’t too far away so . That’s That . he’s also pan as fuck . )
BUT , yes . the main connections / plots there are what i can think of . ik a lot of these are so wordy and i’m sorry bt as always ! i will take literally anything i love plots and i think with what i have for mello there is so much potential in what we can do here .
and as always . give me other death note characters . near or matt specifically would fucking make me cry and i’m here for it .
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moonmothmama · 5 years
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ok. so. The Princess Bride. i read it yesterday.
and right up front, before even a review, i’m gonna go ahead and list everything objectionable in the book that i can recall. please don’t take the length of the bullet pointed items to follow as an indication that the book was wildly problematic and offended me at every turn; it wasn’t and it didn’t. but there were some things that made me go: 😑 or 😒, and here it all is, presented with context, before anything else, because to be honest, i didn’t expect any of it. the film is relatively spotless, which is pretty rare for that era, and if any of you are thinking of reading it, you could do with being more prepared for this than i was.
first off, racism. two passing remarks. one isn’t even in the story proper; it’s in the first whole long intro bit from the author/narrator. that takes some explanation, i suppose: like in the film, the story is presented as a book having been written by “S. Morganstern,” except instead of a grandfather reading to his sick grandson, the narrator is interjecting with notes on the original text that he has abridged. the beginning is a whole long shpiel that, in my opinion, could have been significantly pared down with absolutely zero loss to the story (which! hey! the film did perfectly! go figure!). anyway, the first racist remark is an absolutely tasteless line in which the narrator pisses and moans about his fat son, making a crack about “painting him yellow” and making him a sumo wrestler. y i k e. the other passing remark is from Miracle Max (really, truly, the film version of this scene is miles better than the book version, but contains an important plot detail, so you should prob still read it, but i’ll give you the lowdown if you wanna skip). he refers to Iñigo as a sp*ck (rather bafflingly, i might add, bc Iñigo is a Spanish man... from Spain... not a Hispanic or Latino man from Latin America. so. i mean i’m certainly not an expert on slurs but... i have never in my life heard that term in reference to a person from Spain, and am virtually certain it was invented to refer to ppl from the americas) and in the same breath uses an objectionable term for a Polish person. sooo... again: y i k e. what gets me is that... these could’ve just been edited out? why weren’t they? i mean i know why but
fat shaming! see above. though to be honest, any true negativity about fatness is restricted to the author/narrator’s interjections; there are a few minor fat characters in the story and those depictions, without being too long-winded or spoilery, didn’t offend me (fyi: i’m fat). if you want the details, please feel free to message me about it.
if we can go back to the whole long beginning shpiel from the author/narrator, it’s just... eh. he comes off as kind of a jackass, tbh. not even halfway through it i found myself more than a little impatient for the story to begin, and that could be at least partly because the film spoiled me with a lovely, not annoying, not problematic scene of Granddad Columbo reading to Baby Fred Savage where no one made any racist remarks or ragged on fat kids. the basic gist, if you want to skip it, is that the author, as a kid, had this book read to HIM by his father, who was a Florinese immigrant, and nearly illiterate in English, but still labored over reading the English translation to his American-born son, who adored the book and requested it read to him dozens and dozens of times over the years, refusing to read it himself (though he read plenty of other books). as an adult, he buys his son the book, and is crushed when the son doesn’t like it. he then reads it for the first time, and realizes his father skipped over huge, boring blocks of text. he read his son only The Good Parts. so he decides to edit that shit out himself and release the abridged version he loves so much. add into that some complaining about his wife and some extra blah blah, and that’s pretty much it.
you remember the scene in the movie where The Man In Black/Westley almost slaps Buttercup for what he believes is lying? in the book he actually slaps her. not that his actions seem supported or endorsed by the text, but still, there you are. Buttercup does push him off a cliff soon after, though, so. i wouldn’t call that ‘even’ exactly but, shrug
Vizzini, in the book, has a fucky leg and his back isn’t quite straight, and he’s referred to repeatedly as a “humpback” or “hunchback” which needless to say is Not Kosher
that, as i recall, is it. i hope i’m not forgetting anything. now onto content/trigger warnings:
alcoholism. this shouldn’t be a surprise if you’ve seen the movie: Iñigo has some, shall we say, issues
Fezzik’s parents were... terrible. CPS would be all over them. spoiler: basically they emotionally blackmailed their son into fighting professionally, which they knew he hated, by telling him they’d abandon him if he didn’t
Buttercup has some kinda messed up (read: unsettling but in no way graphic) nightmares after leaving Westley when they’re found by Prince Humperdinck at the Fire Swamp, mostly involving bearing children to the Prince who she once again is set to marry
the slurs and whatnot i mentioned above
violence, obviously. nothing worse than the film as i recall.
that’s it i think. 
okay. all that said. did i enjoy the book? yes i did. a lot.
now, you might be thinking: jesus, Kathleen, after all the shit you just listed? and to this i reply: listen. there is no Unproblematic Media, so you either enjoy some things that are flawed, or you enjoy nothing at all. there is plenty of objectionable shit in Lord of the Rings and The Hobbit! fucking plenty! and i love those books! and so do plenty of other people! in my own humble opinion, the good story is worth the shitty bits, because the shitty bits aren’t like, fundamental to the plotline. the story isn’t built on offensive humor or nasty, bigoted attitudes. and they’re also not the most egregious examples of Objectionable Content i’ve come across- not by a longshot. there are levels to offense. there are tiers of bullshit. this is on a far lower tier than a whole host of other things i could mention. but if any of this stuff i’ve listed crosses a line for you, i totally understand and respect that. that’s why i’ve bothered to list it at all. imo, how you respond to objectionable content is important: you don’t ignore it or excuse it, you acknowledge and criticize it. and if you still enjoy whatever the thing is, you allow yourself to enjoy it, without getting hissy or defensive with people for whom the objectionable content ruined the book/movie/whatever. 
there you go, there’s my disclaimer for having enjoyed the book. your mileage may vary.
okay. so. review time.
Buttercup is a far more interesting character in the book than the movie, for which the movie can’t be faulted all that much, because you can’t easily translate a character’s inner monologue/unspoken thoughts to the screen, especially not with the time limit that comes with the medium of film. but watching her struggle with her feelings and life choices (and... lack thereof, since her choice is between marrying the prince and being put to death, which isn’t much of a choice, even if she tries to reason it out later by telling herself she COULD have said no... and initially did) creates far more of a bond between her and the reader in the book than, personally, i felt watching the movie. also she has a great line after Westley calls her beautiful at their reunion- she says something like, ‘everyone’s always calling me beautiful, i have a mind too, why don’t you talk about that’
Both Westley and Buttercup are immature, naive, and foolish in the beginning, and if Westley strikes you as Extra Dickish, a) rewatch the film! he did act like a bit of a dick, there, didn’t he? b) remember that in the story he’s a young man between the ages of eighteen and twenty five, which in my considerable experience is the age at which young men are generally at their peak of Asshole. sorry dudes
and not that Buttercup herself is a complete peach! she deals very poorly with her emotions in general and acts kinda shitty herself once or twice. i won’t say too much lest i spoil everything that’s different between the film and the book.
Prince Humperdinck is also a more three dimensional character; still a rat bastard tho.
onto Fezzik and Iñigo.
as i have said in other blog posts, these boys are... pretty much the whole reason i sought out the book. and... jesus. 
you get all the way into the tragic backstories that were only hinted at in the film. okay, Iñigo’s backstory was more than hinted- but of course you go so much deeper in the book- and Fezzik’s was less than hinted, reduced mostly to a peek at the insecurity that Vizzini exploits and preys upon to keep him in line. not that you’d have to expend a great effort to him to keep him in line; his personality is docile and non-confrontational. truly not the slightest bit aggressive by nature. he’s also kinda clingy and needy, which is a thousand percent understandable given his childhood, and tbqh doesn’t need to be browbeaten for Vizzini to keep him on his short, cruel leash. which makes it all the more painful! hurrah! 😭
also you actually get to meet Iñigo’s father, Domingo Montoya, in a flashback, aaaand... i kinda love him. probably predictable if you know me.
anyway. tragic backstories. which further illuminate the emotional and psychological issues that make them so dependent on Vizzini, and turn them to lives of crime in his employ. poor boys! oy gevalt. sympathy abounds; i honestly don’t know how you could go through the book and not fall at least a little bit in love with this duo, whose friendship is precious and adorable and a balm to the soul that is aching from their painful life stories and unhealthy coping mechanisms. they’re each, very plainly, the only friend the other has in the world, and are constantly helping and bolstering one another. it’s heartbreakingly sweet. i think those boys will be alright as long as they stick together.
and now, the repeated theme of the book, that is presented with far less intensity in the film: life isn’t fair. which, one supposes, is true. but while the narrator’s framing of that assertion may give you the same misgivings they gave me- bitching about his fat son and his less than ideal relationship with his wife- you can also step back and appreciate it as a wee pearl of wisdom. life is often unfair, but that doesn’t mean it’s altogether bad or that you can’t enjoy it. idk, that’s my attitude, man. 
i could talk about the ending here, but i won’t. at least not too much. not to spoiler-ish-ly. if you don’t want to know anything about the book’s ending at all, feel free to not read the last bit here, except for the very last lines which are bolded.
ready? yes? no?
...
the ending to the book is different than the movie. there is a more philosophical, open ended conclusion than you could really get away with in a movie. at least this movie.
just throwing it out there: i believe in happy endings. ones in real life. but i kind of disagree with the author a little bit, in that i don’t think happy endings necessarily have to be perfect and unblemished to qualify as happy endings. that may be the way “happily ever after” is generally presented, but to me, “happily ever after” means, maybe some shit happened, but none of it was completely devastating, and in the final analysis, life was satisfying. that’s the kind of real life happy ending i’m aiming (and hoping) for. this might sound vague but i hope it’ll make sense if you read the book.
if you wanna do that, btw, i read it for free online at allnovel dot net.
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jacewilliams1 · 6 years
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Never fly in New Jersey
One of my most memorable flights was my long solo cross country during my PPL training. Leaving from my home airport of Heritage Field in Limerick (KPTW), my first planned stop was Lancaster (KLNS). Taking advantage of a nice tailwind, I planned to then head to Somerset (KSMQ) across the river in New Jersey, before heading back to Limerick to wrap up the 162 nm flight. The two hours that I spent in the cockpit of my little Cessna would turn out to be two of the most valuable hours in my flight training.
All of my standard, student pilot pre-flight activities went smoothly. The weather briefing looked good. Winds were reasonably calm; visibility was amazing. All things being equal, it was a near-perfect day to fly. At 9:00 am local time, I pushed the throttle to full and rolled down runway 28 at Heritage. So far so good. The Cessna 172 climbed out at Vy beautifully and, before long, I had reached my cruising altitude of 3,000. The sky was glass. Once I had trimmed the aircraft and adjusted my mixture properly, I could have taken a nap. The air was that smooth.
When the weather is this good, it’s easy to get lulled into complacency.
At ten miles out (after getting the current weather), I called Lancaster tower and he put me on a straight in for runway 26. At three miles, he cleared me to land and I absolutely greased it—a landing that my instructor would have been proud of. Remaining on the tower frequency, I taxied back to 26 for a left downwind departure out to New Jersey and the second leg of my long solo cross country. Everything up to this point had been mind-numbingly routine.
A lesson drilled into my head from day one: never get complacent. Always fly the airplane… don’t let the airplane fly you. Mercifully, those words stuck with me throughout my flight training (and still to this day). For the remainder of my flight, complacency might have led to a markedly different outcome.
Taking off from 26 at Lancaster, I noticed a slight crosswind; nothing more than a slight drift to the south after rotation. The Cessna climbed beautifully—they always do when there’s no instructor in the right seat—and I made my left turn on course toward Somerset. After reaching cruising altitude (again, 3,000 ft) I settled in for the long leg of the trip. My timer ticked, ticked, ticked, and I kept nailing checkpoints within 10 seconds of my flight plan. This flight was as easy as I could have imagined. The next checkpoint was the Delaware river: the border between my home state of Pennsylvania and New Jersey. Tick… tick… tick… boom. Checkpoint nailed. I was good.
The first bumps came about ten seconds after crossing into New Jersey. Nothing huge; just some moderate chop. A gentle hand on the yoke kept my aircraft on course and my pulse normal. A few more miles in, just north of Flemington, the chop got worse. Much worse. A pocket of turbulence forced me into a 15 degree—although it felt a bit more like 60—bank to the left. I corrected gently and maintained straight and level as best I could. Another jolt pushed me to the right. I could feel the plane yawing hard about five degrees left and right from my intended course. As judiciously as I could, I applied opposite rudder to correct. Now the pulse was quickening.
As a rational human being, I reminded myself that never in history has a Cessna 172 broken up in flight. And I was sure that Cessnas had been flown in worse weather than this. The pulse slowed. THUMP. The pulse quickened again.
For a moment, I thought—yes, I legitimately thought this—that a skydiver had hit the roof of my plane. My flight bag jumped out of the seat and nearly hit the ceiling. I imagined that I dropped about five feet in altitude, although it felt like 500. I had to fight the urge to slow the plane down. I don’t know why I instinctively wanted to fly slower, but I knew that it wasn’t the right thing to do. I was now at my descent point, according to my sectional chart. But I will freely admit that I was now using ForeFlight on my iPad to get where I was going. I had kept it off until the THUMP. Now I needed all the help I could get with navigation, because my focus had shifted to controlling the aircraft.
The descent was choppy; not the worst I’d experienced, but enough to feel. Soon I reached pattern altitude. The weather at Somerset was clear, but a bit windier than I had expected. I was setting up for runway 30, and the winds were out of 310 at 12, well within my envelope. I entered on the 45 and turned downwind. I accidentally extended my base a little and needed to correct. About a half mile from the threshold, I had my Cessna on a solid final approach. More words from my instructor resonated: when in doubt, a little high and fast… you can always go around if you’re too high or too fast… not when you’re too low or too slow. High and fast it was, then. Normal final approach speed in this particular aircraft is 65 mph. I was traveling about 70. On short final, the pulse quickened again as I had my first experience with wind shear.
Not all bumps come from thunderstorms.
Now I’m sure that most (if not all) of my readers have encountered wind shear at one point or another in their flying careers. For the small percentage of you who have not, imagine an invisible hand pushing your nose into a dive at a couple hundred feet above the ground. At least that’s what it felt like to me! High and fast saved my landing (and perhaps my life) that day. I applied not-quite-full power and brought the aircraft out of its divinely-inspired dive. A quick correction to the right brought me directly over the threshold at 70 mph. Power to idle… and… touchdown. I now realized how much I was sweating. I would have to change my shirt when I got back to Limerick.
Once clear of the active, I started to taxi to 30 for a westerly departure. My hands were a little shaky and very sweaty. Before I could get to the runway entrance, two aircraft (a Piper and a Cirrus, if memory serves) had to perform go-arounds. My ego puffed up a little bit, seeing these (presumably more-experienced-than-I) pilots falter in such chop. Mercifully, takeoff and climbout were both uneventful, apart from some moderate turbulence. A twinge of panic began to set in as I reached cruise: would I experience the same severe bumpiness that I had felt coming in? I gripped the yoke a bit tighter than I should have and turned on course. The Delaware River grew larger in my windscreen and the turbulence continued.
Once across the Delaware, the heavens calmed down; some light buffeting here and there, but nothing significant. Once again, the pulse returned to normal. I approached Limerick from the northeast, entered on the 45 for a right downwind to 28, turned base, turned final and touched down with little-to-no fanfare. Equally as uneventful was the taxi to the ramp where I completed my checklists and shut my little Cessna down. I had made it.
So how did this flight affect me? In several ways. First (and without question most significantly), always remain vigilant. No matter how calm and routine things seem, the world can change very quickly. Had I approached Somerset with the same level of attention that was necessary to tootle into Lancaster, there is no way I would have landed safely. Second (and without question my instructor’s favorite lesson), always remember what your instructor told you! The little lessons drilled into my head from my first discovery flight onward kept me safe during this flight. Controlling your emotions during periods of stress is critical. If you are not in control of yourself, you are not in control of the aircraft! Third, don’t be afraid to err on the side of caution. Had I not taken the approach into Somerset high and fast, I may not have been able to land safely. By erring on the side of caution, I was able to keep control of what would have been an uncontrollable situation.
And finally, don’t fly in New Jersey. Pennsylvania air is much smoother.
And if you do fly in New Jersey, bring a spare shirt.
Editor’s Note: This is the latest article in our series called “I Can’t Believe I Did That,” where pilots ‘fess up about mistakes they’ve made but lived to tell about. If you have a story to tell, email us at: [email protected]
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from Engineering Blog https://airfactsjournal.com/2018/07/never-fly-in-new-jersey/
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