what if we 🥺👉👈 collaborated on a project together 🥺👉👈 inspired each other 🥺👉👈 built one another up 🥺👉👈 created something new and fun 🥺👉👈 while cheering each other on 🥺👉👈 and bringing joy and fresh ideas to our works 🥺👉👈 wouldn't that be cool 🥺👉👈 I will fall in love with you, to be clear
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also quite obsessed with karl being as detached from the story as he is. there's nothing that makes him have to be the detective that has to be involved, but he unknowingly dooms himself by agreeing to work with the KYAL cult. every other detective basically deals with elias head on except weissman, who only meets him right before he kills him. like he's right when he says "by my choices" because everything that leads him to being mixed up with the mannix cult is himself. it's the gambling debts and the choice to do the dirty work for an organisation he knows nothing about. he's the only one that doesn't encounter that body doing police work and it's specifically because he's told to cover it up. he gets himself into the mess and eventually fixes it but the fact that esther always dies in the doomed timelines and he's always too late even if he starts wanting to change things ("till this child. esther.") it just makes me very ill
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i've been rotating the "this doesn't make any sense!" response to boy and the heron in my head and i wonder how much of it comes down to like...the kind of audience that engages with ghibli movies vs the kind of audience that mostly only engages with weird art movies vs the kind of audience that only really engages with blockbusters and marvel movies, and the overlap of those groups in the theater.
because, like, the boy and the heron is far and away more straightforward, from a plot perspective, than a lot of other Weird Extremely Personal Art Movies i've seen and love, but it IS a Weird Extremely Personal Art Movie even so. usually the only people seeing Weird Extremely Personal Art Movies, especially in theaters, are people who like that and expect that and have seen those types of films before and are therefore capable of engaging with them even when things aren't as clear as they'd be in an average blockbuster flick. like, nobody who only cares about Cinema to the extent of marvel movies and MAYBE john wick is going to see beau is afraid, and if they did they wouldn't have the tools to engage with such a dream-logicy movie. it would just be a weird thing that doesnt make sense to them, at least until they worked their media engagement muscles with other weird films. there's a lot of self-selection to the kind of person who usually sees these kind of movies.
while boy and the heron is weirder and more complex than a lot of other ghibli movies, as far as weird art films go it is incredibly, INCREDIBLY straightfoward. every weird plot point is explained very clearly to the audience, very little is up for interpretation from a strictly "what was the plot" point of view. boy loses mother. father remarries and moves the family. boy struggles to contend with grief. boy is pulled into a magical world by an old man who wants to use him. time is weird and fucked up in the magical world, but the movie is going to go out of it's way to highlight who's who and make it clear how the time travel works and the characters' relations to one another. the boy refuses to take over the magical world because he wants to live in the real world with the real people he loves. boy leaves the magical world having learned an important lesson about moving on. but the boy and the heron trusts its audience, doesn't handhold, and expects the audience to engage seriously and with focus to its plot and characters and stories.
a lot of people never watch movies like that! a lot of people are used to uncomplicated superhero movies and romcoms and that's it. the difference is that those people were never going to see beau is afraid, so the discussion about that movie instead comes from people who have the tools to engage with it. but because of the aesthetic-ification of ghibli, a lot of people who don't Do art films but are really into the aesthetics of cute little guys and girls in pretty dresses went to this art film and were confused that it was weird and dream-like and dark and strange and requires more of its audience than just passively watching.
anyway there's nothing wrong with not having the muscles to engage with weird art films, though i do think everyone should challenge themselves with the kind of stuff they watch. there's nothing wrong with preferring simple straightforward uncomplicated plotlines. but it is really interesting seeing people talk about the movie like it's insanely weird and doesnt make any sense meanwhile me and the friends i've chatted with about who DO have experience with this kind of film all feel insane because the movie is SO clear and SO straightforward by the standards we're used to. its just a neat crossover re: the kinds of movie fans that exist
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wanted to share the sentiment here too but didn't feel like rewriting the whole thing lmao so here are some Thoughts i had last night on twt regarding my weird relationship with my art whilst being in fandom:
i know i've definitely talked about this kind of thing in the past but it's been a very recent development that i actually understand what's been going on with me and why i've picked up this habit of letting a fandom i'm in / a piece of media i'm really into fully dictate my creative drive. like, just because i'm very interested or invested in something, it doesn't mean i necessarily feel inspired by it or inspired by it for the duration that it holds my interest, and forcing myself to create relative art or fic or what have you for the vested interest(s) has both dampened my desire to be creative as well as my imagination. i know a lot of people can be super into something or a few random things at once and that can keep them going for ages without them running out of ideas, but in my case, things that hold my interest aren't always synonymous with my creativity and i'm just now learning that despite how obvious it seems!
i also imagine i'm not the only person who functions like this but i personally haven't seen it spoken about very often (if it even needs to idk), so i wanted to bring it up / talk about it a little bit :)
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You know what
I love it
I love when I do something because it makes me happy, because I like aligning my different interests and working with them together.
I love how I did the demon eye set because I really like Vox Akuma, been enjoying his streams for a while now (I actually wanna do more stuff related to his character design). And because I did the eye set and tried it on Vi, and liked how it looked on them, I decided to actually make custom eyes for them based on the ones I did but with a lil spin.
I love how that "branching" makes me improve on my own stuff later down the line.
I just really enjoy myself and what I do.
That's it, that's the post, lil appreciation for myself, what I do, what I like and how it makes me improve or want to improve 💜
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You know, I think a lot of the toxic parasocial relationships people have with celebrities could be solved if people told themselves this one important thing:
this person seems lovely. The part of them that we get to see publicly seems lovely, anyway. I hope they really are lovely. But I have no fucking idea in reality so I’m going to avoid making wild claims about their personal life.
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tumblr podfics 2
That was fun last time, so I made more!
If you want to spend a little time with coops this weekend, here’s two short and sweet podfics. Reading through @fruitcoops masterlist is always fun and it was so hard to choose. Your stories make my day brighter, Eve!
Hoodie Thief - 5 minutes, from the fluff masterlist
Pop Quiz - 12 min from the social media masterlist
Featuring @imjusthereforwolfstar reprising as Marlene!
Characters by @lumosinlove
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