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#incredibly sus
justatalkingface · 7 months
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I saw your answer for the ua sending kids to danger, especially war, and I raise you a different possibility (100% speculation on my part) "can we say for sure the others schools were asked the same thing but said no?"
Yes. We dont know anything about the others schools. Maybe they offer and Hori never show as we saw them entering in the war part 2: the eletrical bangaloo....but to be fair, it would be hard for them to sit in class and doing homework as war is literally in their grounds, streets and so forth.
But on part 1. We dont see the others students there. So again, my especulation, what if they had put feets down and said no?
But Nezu said yes? I can think of a few reasons for that. (Keep in mind I dont think Nezu is a smart as Hori and the fandom wants us to think)
1) could have been a power play of sort. "Only mys students can handle this" which well...could work as Nezu is not human and doesnt seem to care about the students on a whole (remmeber Mina and Kami vs Nezu? How fair was that?)
2) he genuinely thought his students would be an asset to the heroes and said ok. Which makes me believe even more he doesnt care for his students's safety.
3) he was forced. Ok, what could have made him agree to this? Blackmail comes to mind but what secret is si damn important you are willing to send kids to war?
Those are my top 3 reasons. And not sure if is canon this but I think the class A1 didnt know they were sent to a war...if this is true, then is anothet adult(non human) who failed Izu.
Like MHA is an accidental dystopia.
The thing is with Nezu is the age old standard of Int/Wis; Nezu is book smart, he has a lot of knowledge, facts, and ability to apply those facts to make a thing happen. That's Intelligence, the ability to use your mind, and he's probably only has even faintest hint of competition in his sheer Int score with Dr. Diabolus Ex Machina.
Wisdom, on the other hand, is when you go, 'But should I do this'?
At a memetically extreme example, a High Int, Low Wis character could find a door somewhere, decide to open it, and make a siege engine out of, I don't know, hamburgers and coat hangers to bust it open. This is certainly a thing they could do, and it'd work because they are, in fact, that spot.
Meanwhile, the character with higher (any) Wisdom would walk up to the door... and then try to open it like a normal person.
Intelligence is ability to use your mind, and Wisdom is what tells you how you should use your mind, and when you look at Nezu, you only really see Intelligence, and then no one in story ever seems to question his decisions, really, because he's really smart, but there's a real question if he uses his intelligence well? Because there are a lot of 'I can do this, but no one, including me, ever asked if I should do this' kinds of choices in UA, and if we're not just blaming it on bad writing, all of that comes down to Nezu, in the end. The literal cities they just... have? The robots that probably have killed people? The Sports Festival? All of those are thing with very questionable elements that UA does anyways, seemingly because they can and no one's ever stopped them from doing it.
That's looking at the question from the angle of 'Nezu, while well meaning, made a bad call'. There is, however, one other major option, and it starts with this: why does Nezu run a school? On a fundamental level, I'm not sure Nezu's goal in running UA is for the students, so much as he views the students as a step towards his goal.
Unironically, he's a sadist who enjoys low-key torturing human beings because of past trauma, which... before anything else, begs a question: is it just low-key torture he likes? Or is he just practical enough to realize than anything more would be more trouble than it's worth?
But, beyond that problem, let's look at his position: he's the head of UA, the biggest, bestest school for Heroes, which is a job that comes with a lot of publicity/power, which, inevitably, rolls back to him. His job allows him massive amounts of control over the development of the cutting edge of heroism, who by dint of their fame and success influence other heroes, all of which collectively influences Japanese society as a whole by a pretty significant degree.
Meanwhile, Nezu is: brilliant, deeply traumatized, likes torturing, and through that defacto controlling, humans. He's also not a human, and takes pains at times to point out that others are humans and he's not, while also having assumably inhuman instincts and priorities; almost certainly he has some level of anti-human bias.
There's... there's an obvious correlation here. Fundamentally, Nezu is a character who seems to be made to be complicated, imperfect, with dark depths to him. The way he's written, Hori clearly doesn't want him to be, but, well, he writes a lot of deeply flawed characters we're supposed to find no wrong with.
If you look at Nezu that way, where he views students more as an asset, or an investment, than as, well, students, or as people, then your point takes on a different light. Looking at it with cold logic, the students can contribute to the various conflicts; even if they die, for the greater good of society (which he lives in and benifits from), heroism as a career (which he is in a position to benefit from greatly, as well as influenced greatly), and quite frankly as a living being on Japan/Earth, that cost is more than worth the price if they help support the status quo; its not like there's not going to be more next year, right?
And that's the thing that really interests me; what the hell was Hori thinking when he made Nezu? With Bakugou and Endeavour, for example, you can see where they started off one way, and went another? Nezu though? His entire point as a character seems to be firmly as the 'nice but somewhat manipulative' principal, but it's a waste of his fundamental characteristics. Did he have a different role in the prototype? Because if I was writing Nezu as a character, here's what I'd write him as:
An enemy. Not evil, not a villain, but a obstacle for Izuku to surpass in UA; it's not that he's bigoted, like Aizawa is (or at least to the same extent), he just well and truly doesn't care about people and what they do as long as his bottom line is met. And Izuku isn't there to be a new hero, like Bakugou, about fame and wealth, he doesn't fit. Worse yet, if we're working off of the original, 'Quirkless Hero' framework? Fundamentally, he is a threat to the concept of heroes that is established, that makes people want to think outside the box, and the thing is? Nezu likes the box. He's one of the people who designed it; he'd like everyone to stay in the box, please and thank you.
There's this epic story we're never going to get of Izuku being a little revolutionary, fighting against the heroic establishment to change heroism for the better and for the rights of the Quirkless, and his first major enemies are: Bakugou, the bully, Aizawa, the biased teacher who enables Bakugou and attacks Izuku, and Nezu, who enables all of them, and barely gives a shit about Izuku at all but would absolutely murder him in a heartbeat if he thought he could get away with it, but is resigned to fact he can't just kill people because they mildly irk him.
To your last point, though, fundamentally MHA is exactly a dystopia, by design; it's dystopian nature is one of the main causes for almost all conflicts in the story, from the villains, to the heroes, to Izuku's core personality traits, but for some reason Hori got really scared to admit that so he covered all the bars and locks with confetti... only after he got all the ways he purposefully made it a dystopia looking all harmless and fun, he missed all the ways he accidently made it a dystopia. To this day, I'm still not sure if he designed the heroic pay system, what little of it we know, to be purposefully that fucked up, or he just did some basic work to support what happens in the story and missed how deeply disturbing those implications were.
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qourmet · 3 months
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[ prev ] you guys will Never believe what someone asked me to continue LMAOO
c0mm'd by @micchikureshima & @thebiscuiteternal
+ an extra (cw for canon-typical violence & slight blood)
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fuckyeahisawthat · 3 months
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Paul/Chani battle couple falling in love while fighting side by side in a guerrilla war for national liberation felt like a gift to me personally for many reasons but mostly because comrades-to-lovers is SUCH a specific vibe and putting Paul Atreides into that dynamic is so so so so funny
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ink-ghoul · 10 months
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I got silly
Design: @marblegroves
Link to download the guy
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jaztice · 1 month
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you ever read a book and realize you aren’t alone in the world and that love is real and everyone including you deserves it
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amoschaos · 8 months
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The ISA - new AU
Yes, I've been gone again for a hell bit of a time and this is all I have to show for it.. Much apologies. I'm getting to asks and requests and ect and what the people actually want, but wanted to present these fellows. Painfully aware what their text logo looks like, yes they're definitely legit. I promise
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doobler · 2 years
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Steven Universe discourse still cracks me up like
Y'all got a show made by people who clearly love doing their job with explicit LGBT+ rep including non-binary rep and a majority female cast with a variety of body types and with multiple women POC voice actors regarding topics like mindfulness meditation, forgiveness, trauma, PTSD, establishing boundaries within relationships, compassion, with an overall message of forgiveness
And yet y'all seemed to wish for the series' demise at every moment and complained about the most insignificant details like that the storyboard artists had slightly inconsistent art styles
The messages and characters are so complex and compelling and the show gets you to think about difficult concepts and topics which flew over people's heads completely
People still think Steven should've idk wiped out the Diamonds? In the show where the whole message is that people are complicated representations of their experiences and trauma and people deserve second chances?
Idk I feel like a lot of "fans" who start discourse don't actually like the show, otherwise they'd actually absorb the basic premise of it
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groenendaze · 5 months
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snow wizard here ❄️ to ask you a riddle you will never know the answer to
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pumpkinrootbeer · 9 months
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i do think it is legitimately very funny whenever someone tries to make the claim that lavabending is inherently a very slow subbending and therefore not good in a fight. specifically when using that argument against Bolin's skill as a bender.
Sure, I feel like in very specific instances with Ghazan that could be a fair argument to make. It takes him a moment to destabilize the Ba Sing Se wall and for him to kick up enough lava to destroy the airbending temple. (to the point I would argue that if Bolin had been versed in lavabending like he was in s4 he would have swept the ground with Ghazan), but in moments where he's actually in a fight his lava is incredibly quick.
Just the lava frisbee on its own is an incredibly quick move
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But making that argument with Bolin in particular is absolutely batshit when outside of lavabending he is an incredibly quick fighter. I would say it is one of, if not the, most defining things about his fighting style. He moves very, very quickly and uncharacteristically agile for a earthbender. This is a known thing. Like
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I am not the first person to say this but no other earthbender does backflips like he does. And THEN with lavabending he is just as quick if not more so
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Bolin since season 1 has had an uncanny knack for bending incredibly fast, and his lavabending is no exception to that rule. It's honestly something that haunts my brain all the time because how quick he is with it low-key breaks the balancing? a little?? Like earthbending was always shown to be very strong but in turn it was slower than other types of bending, but with Bolin that doesn't really seem to be a hangup he has.
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vampirepunks · 4 months
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Higgs Monaghan, "Beach Babies," and mind control
We know that the Bridge Baby dolls that Higgs and the Homo Demens used function completely differently than the human BBs invented by Bridges. But did you know they're also otherworldly vessels of extinction itself?
The novelization of Death Stranding suggests that these BB dolls from the Beach ("Beach Babies," as my husband and I refer to them) warp the minds of their users and bend human will towards the goal of extinction.
So... how many of Higgs Monaghan's decisions after meeting Amelie are his own?
The first thing to note is that Bridges BBs react negatively to the presence of these Beach Babies, as seen here when Sam encounters terrorists using them.
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Lou does not like these things. Perhaps that's why she points the Odradek at Higgs during their first encounter with him?
The novel introduces us to a porter who visited the Evo-Devo Biologist (referred to as EV in the book) while equipped with one, a couple years before Sam's expedition. He was polite and overall pretty normal at first, but then on his next visit things get... weird.
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So... there are holes in reality that using a Beach Baby allows you to see, and that's how the tar leaks from the Beach into the world of the living. Speculatively, this might be how Higgs is able to DOOMS-jump so easily and frequently (and summon tar), without getting exhausted or needing much focus at all, in addition to his level 7+ DOOMS.
Oh, but it gets weirder. And scarier, as soon as Extinction Entities are mentioned.
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Wow... he sounds a lot like Higgs, doesn't he? Come to find out, Higgs gave it to him.
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But surely this is just him echoing the party lines of Higgs' organization and repeating Higgs' same sentiments... right? Unless...
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Important to note, this porter doesn't have DOOMS. He shouldn't be experiencing extinction nightmares, but his Beach Baby is showing them to him.
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Whether directly or not, this thing talks to him. Like some eldritch call of the void or an element of a Lovecraft novel, it tells him that extinction is the only answer, the only solution.
EV is, understandably, instantly alarmed when she sees Sam with Lou, relating this story back to him. Sam is quick to connect the dots between that porter, the terrorists, Lou's terror at encountering these other BBs, and Higgs himself.
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As they discuss further, a chiralgram recording from that porter begins to play, in which he takes credit for the voidout that killed Heartman's family and explains why he did it.
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So then, how is Higgs affected by his own Beach Baby? From his perspective, it doesn't sound good.
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We can infer a few things from this:
The Beach Baby acts as the vessel for Higgs' connection to Amelie and her Beach. By the nature of his powers, that's why he's able to DOOMS-jump constantly without getting exhausted, control BTs and timefall, and use telekinesis. Think of it like supercharging a battery; his powers are fueled by connection to the dead, and through Amelie, he's plugged into the dead of five mass extinctions, skyrocketing his DOOMS abilities to their maximum potential.
The Beach Baby (perhaps even Amelie directly, by using it) shows Higgs extinction nightmares beyond the scope of normal DOOMS nightmares, "speaking" to him and giving him forbidden knowledge that fills his mind with thoughts of extinction in terms of inevitability, even without Amelie telling him directly.
(Speculative): Higgs betrayed Fragile because of what the Beach Baby did to him, and perhaps doing so was Amelie's own will disguised as his idea. After all, he turned on Fragile immediately after connecting to the BB doll, severing his closest bond practically overnight. Further, Fragile states (at least in the book, I forget if she acknowledges this in the game or not) that it wasn't Higgs who prevented her from DOOMS jumping with the nuke in South Knot City, but "someone else," who she later determined to be Amelie. Amelie ensured that Fragile had no power in that situation, and that there was no way for her to escape without hating Higgs in the end. Personally, my reading is that Amelie wanted to be Higgs' only option and only remaining connection; she set herself up to be all he had left, the only thing he could focus on. It's easier to control someone who's isolated, scared, and alone otherwise, and would remove the risk of him having doubts about accepting extinction because he had nothing--and no one--left to lose.
(Speculative): The Beach Baby acts as a mind control utility. Whatever hopes, dreams, and beliefs a person has, this BB doll can override them and bend its user's will towards the goal of extinction instead, reshaping their ideology to fit the EE's goals. It's impossible to say how much of this control is direct and tangible, but it grants Amelie a high degree of influence over Higgs' inner world, removing any sense of rebellion against her or instinctive resistance to the concept of total human annihilation.
Established later in-text (too much content to cite and embed), Higgs experiences grandiose delusions surrounding his role in the extinction, falsely believing that he's the one in control, viewing himself as "the bridge that brings the extinction" and is destined to safeguard Amelie so mankind can meet its end. Despite the facts, he genuinely thinks it was all his idea, his plan, and he's the mastermind behind the whole thing, personally chosen by cosmic forces to deliver the apocalypse and usher in a new world after humanity is gone.
As soon as Higgs is disconnected from his Beach Baby by Fragile, his delusions completely shatter and he immediately reverts to cold, hard logic, albeit the kind steeped in self-hatred. His ego does an immediate 180 and he realizes, "it was all make believe,” and "a tale told by an idiot, full of sound and righteous fury. Signifying nothing." It hits him all at once: he was nothing but a pawn, a tool, a means to an end, played for a fool. Upon seeing the error of his ways, he can only lament how blind he was. The book decidedly doesn't kill him, instead leaving him on the Beach, "alone, without a person in the world to connect to," thinking, "this is how I'm meant to be," as he remains stranded "with nothing else to do but continue to confess his endless sins."
We'll never know how much of Higgs' mindset and atrocities were truly his own, while acting as Amelie's herald, and how much of it was solely based on Amelie's unseen influence. Just like Lady Macbeth, Higgs is both villain and victim to a greater evil, so to speak.
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houseswife · 6 months
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can’t get over house’s “fucked around and found out” reaction to realising that wilson is being 100% fr about his comphet-concealed attraction to him. this face journey…..hugh laurie your service to the lgbt community is IMMEASURABLE!
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forestmossling · 1 month
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somebody: who’s your favorite hannibal character?
me: it’s will graham
somebody: that’s such a basic fucking bitch answer
me: alright, you want a real answer? will graham’s unnamed defense attorney from season 2. look it up. that’s my favorite hannibal character.
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spineless-lobster · 1 year
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I actually about to go insane!!!!! Upon rewatching the “I say, Havers” scene; I noticed that before he says the line about the operation, the Captain rapidly blinks and subtly shakes his head
The Captain actively thought about confessing to Havers, but he decided against it at the last moment. He was this close to saying something, and we can see those thoughts running through his head, but we can also see him repressing those thoughts
I… I need to lay down…
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Me, walking to my college campus through a commercial area: *minding my own business*
Some Random Dude in a White Sedan, pulling up beside me: Hey are you a student?
Me, still walking, completely taken off guard: Yes?
Some Random Dude: Do you students feel safe walking through here?
Me, walking faster: I mean, I don't know? I'm good!
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torgawl · 2 months
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continuing my crepus posting, can we just talk about his delusion for a second? because even dottore thought it was unique. dottore was surprised for seeing someone wielding a delusion, sure, i assume it's not everyday you see that especially in that situation. that's normal, but saying specifically that it piqued his interest, calling it "perfect and utterly peerless", encouraging diluc to grow stronger and saying "i can see a bright future ahead of you"? a bit weird. so this got me thinking, what if this delusion is different than other delusions?
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as we can see from the webtoon panel of crepus wielding it, there's two things about the delusion that we haven't seen associated to any others so far: chains and what seems like an alchemy circle. this delusion doesn't just hold elemental power, it can create something (or transform/manifest the power into something physical). we read somewhere someone referring to the delusion fire as "black flames" so probably the chains are embued in that power but the chains themselves don't look like fire. another curious detail about crepus' delusion is the way it interacts with ursa the drake, besides being the only thing able to drive the dragon away, it changed its eye colour from yellow to red! when the delusion finally backfired onto crepus, we can see that the air and diluc's hands after touching his father seem to fill with black dust. and maybe this is nothing, i mean, fire burns and what is burnt generally releases ashes but dust can also be tracked down to alchemy, more specifically the art of khemia (an advanced form of alchemy that sustained the underground kingdom of khaenri'ah). and do you know what's also different in crepus' delusion specifically? the symbol that appears on the orb.
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unlike other delusions, it isn't the fatui symbol (or the elemental symbol, like the one visions have) but instead a big circle with a small circle inside it. that's literally the symbol that appears in alchemy tables!!! if you look at it attentively, it looks like a big circle was parted into three and they go around it like orbits. and is it a coincidence that three is a constant number appearing in genshin, including associated to three beings that are always drawn with similar symbols everywhere across the game, three moon sisters - a representation of the moon?
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because there's other instances of circles within a circle drawn in the game. it reminds me of an eclipse like the one shown in abyssal moon spire (easily connected to the eclipse dynasty of khaenri'ah where the crimson moon was replaced by a black sun), the moon depicted in tsurumi island (that from what i understand got its hole after kapatcir descended) and the crimson moon that became an eye in perinheri (book about the crimson dynasty in khaenri'ah - the one that preceded the eclipse dynasty). khaenri'ah and alchemy possibly being tied to crepus' delusion doesn't sound so crazy anymore, right?
the insistence that crepus was a "mere businessman" by eroch and that being the reason they couldn't let the people know he saved everyone from ursa the drake (which led to diluc's resignation) also sounds like the perfect little detail to throw for some sort of plot-twist. yes, this is mostly my wishful thinking but also, what if crepus really wasn't just a business man? diluc got his "red dead of night" outfit from his father who had a ceremonial uniform tailored for diluc in advance and diluc modified it for battle. maybe that's where the resemblances with the fatui come from, as a way to go unnoticed or mix in during his time hunting the fatui. at least it's easy to discard it as something deeper that way. but i don't think it's such a crazy idea anymore to think of something crazier when we consider the ragnvindr's connections to the hexenzirkel (the teapots and diluc's jacket patterns being the same as the ones in the hexenzirkel cutscenes) and the fact kaeya was left purposefully at dawn's winery. again, maybe it could just be because the ragnvindr are a prestiged family but also, what if there's something else here? is it that impossible?
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