I got too deep into the Schema Theory while writing the paper for one of my exams and it got me thinking about Apollo's coping mechanisms yk
Basically the gist of this theory is that, in the eventuality that their primary needs are not satisfied during their formative years, a child might develop a bunch of different behavioural schemes in their adult life (which are too many to be listed here oh my god) that are a direct reflection of how the parent failed them during childhood
For example, one of these schemes is emotional deprivation, which is a person's tendency to emotionally distance themselves from other people due to the fact that they believe they won't be able to comfort them, and it's a scheme that's formed due to the guardian not satisfying the child's emotional needs. Basically it's formed through a "If my parent couldn't do it, then how could others?" sort of mentality
Another one, which I believe is very relevant here, is the sense of failure, which originates due to the guardian's immensely overbearing nature and the continuous dissatisfaction with the child's efforts. As an adult, the child in question believes that they're inept at everything, even if evidence points to the contrary, because of the fundamental belief that they hold that they're a failure
(Does it remind you of anyone?)
Now, these schemes tend to go hand in hand with modes, which are essentially coping mechanisms that the person uses to deal with whatever life throws at them and whatever negative emotion these schemes bring on. One of these modes is the *squints* scheme overcompensation? Anyway what it says on the article I got the info from is that basically people who use this coping mechanism tend to do the opposite of what their behavioural scheme tells them to do. If they're ashamed, they put down others. If they feel like a failure, they boast. (Again. Who does this sound like.)
AT FIRST it seems like a good coping mechanism but it's actually not, because the overcompensation leads to this vicious cycle where the more a person overcompensates, the more the scheme worsens. In Apollo's case, the scheme we're examining here is his sense of failure; in his overcompensation mode, to avoid feeling incompetent he tries to constantly put himself in the spotlight, drawing attention to his talents. However, he does it in such a ridiculous way (perhaps actually in some form of self-sabotage?) that the people around him insult those talents, call him a failure, and thus worsen his feeling of worthlessness.
(This might be tied to the punitive scheme as well, maybe? Considering how keen Zeus was on punishment, Apollo might've developed this scheme as a result, though over the centuries it could've shifted its focus from everyone to just him idk. The change between "I'm punishing everything and everyone for being so stupid, even my own son + this Ptolemaic god who breathed wrong in my direction" to "Actually I'm chill" seems pretty suspicious to me tbh)
ANYWAY all of this is to say that everything he does is so intrinsically tied to the damage Zeus did to him that it hurts. All his behaviours all his coping mechanisms. Everything
The arrogance is not just a façade he built over the years to hide his feeling of unhappiness and guilt!! It's quite literally an abuse response!!!!
And yeah maybe Leto was the one who spent the most time with him and Artemis and who took the most care of them so technically she should be considered his figure of attachment instead of Zeus but then again. How much time did Apollo spend beside her compared to the time he spent at Zeus' side, after the twins became Olympians? What do a few moments with her in a year do against entire centuries with him?
Leto's influence never really mattered. He was doomed since the beginning
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I’m probably a little late to the party (heh) but there’s something I’ve noticed concerning color theory and Max, and Max in general
When she is introduced to us as MADMAX, her situation with Billy makes her feel lonely and angry. She’s wearing red clothes (with a white stripe!) and her hair is down (letting her rage roam free).
In here, she’s clearly annoyed. She’s just left Billy’s car, Mr. Clarke made her stand before the class and named her Maxine when she just wanted to melt into the background and get over her first day at an unfamiliar school, still not thrilled about having to move from California.
Still, she’s zipped down, since those people didn’t do anything especially hurtful towards her and maybe she’s a little hopeful about them.
When she’s mad after an interaction with Billy she’s wearing red:
Darker red! She’s at school where she won’t have to deal with Billy for a while. She’s cooling like lava but there’s still one streak of the anger in the back of her head.
When the boys approach her, her zip-up sweatshirt is unzipped to show some of the color underneath. She’s happy! She will not let her guard down completely but she won’t hiss at them immediately! Still, she’s ready for disappointment and snapping right back to being fully red.
Yellow is not a lighter shade of red, but it’s definitely close on the color wheel. Closer to white, too! She is showing she’s not only mad, there also is softness inside her! It’s still a shade connected to red (anger) but yellow by itself is more of a happiness color. She wants to make friends but is still scared because of the new environment and Billy.
In the car with Billy (the scene where he wants to run over the party), the entire scene is shot in a way that’s barely letting us see her clothes. It’s mostly covered by hair, too, but we can see it’s still at least a little unzipped as there’s a bit of the yellow collar visible.
In the scene, she’s defending Hawkins saying, that it’s not that bad and that she can’t see any cows (yellow). She’s scared of Billy, so she’s trying to cover up her sympathy towards Hawkins and towards the boys (with red and her hair, Billy saw her get out of the car with the sweatshirt zipped up and hair down, now she’s covering her softness with what is familiar to Billy, so that he doesn’t see anything has changed, notice that softness and hurt her. That’s exactly what she does when she says she doesn’t know the boys trying to protect them from getting ran over).
Yellow! Fully yellow :) She’s happy to be shown weird pollywog-like creatures with the rest of the Party!
Right after Will gets possessed, her question as to what “true sight” means gets brushed off by all of the boys. She’s hurt and feels excluded, but her hurt makes her angry again. Next time we see her, she’s all red again.
“Party members only! This is non-negotiable.”
“I thought you guys wanted me in your Party!”
At the arcade! She’s already acclimated to Hawkins, and the arcade is her favorite place.
Alright, I’m getting tired and my third eye is slowly closing, so I’m going to wrap this up quickly, since I think I presented what the gist of the idea is.
In season 3, yellow, patterns, colors! She is now fully a member of the party! She has friends, she knows the secrets, El is back. This is the happiest she’s been.
Clothes are important in both of the girl’s characters! (El changes from murky colors to vivid patterns when she finds herself and there’s a post about El shedding layers of blue in season 4. I’d link it but can’t find it, I’m sorry!) There being a scene like this, with them fooling around with their clothes is basically the peak of happiness :)
Here Max gets really worried because of Billy. She’s feeling a bit guilty ‘cause that’s her step-brother that’s sowing chaos and hurting her friends. El is straining herself. The situation is looking BAD. Blue!
Beginning of season 4
Blue - she’s grieving and feeling guilty, Black coat - she’s hiding herself in a shell. She’s not particularly hiding her grief but she can close off at any moment.
(Btw Lucas is also wearing a blue shirt with some coats. I’d say he is sad because Max dumped him and doesn’t want to tell him things but the coats have a couple of colors because he’s hiding away his nerdiness in order to be cool :)
Now, the overcoat is blue with yellow elements - Max is being honest about her grief. She’s targeted by Vecna, the Hawkins gang knows she is SAD. It’s her last day, she can unfurl. The sweatshirt is unzipped and showing red and white underneath, the same colors we’ve seen her wear when we first met her. The girl that slammed the door of Billy’s car. The one that was scared of him. That girl is still inside Max.
Sometimes, she’s wearing this. Grief covered up with brownish-reddish... Red. She’s going back to her previous self, she is talking to Lucas again and he SEES her... But to get that shade of red you go more towards black on the color wheel. She’s not that vivid, fiery red anymore. There are bits of that girl deep inside her, but she’s too tired to make it her entire self. She’s tired.
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how do you get your colors pallets to be so united while also having accents?
i love you all so much and i will try my best to answer this but i am not the person to go to for art advice. NEVERTHELESS. i will try.
when it comes to color palettes i'm a large proponent of unabashedly stealing the palettes of other paintings/drawings you stumble across. really dissect and study why you like the art that you like!! adjustment layers & other overlay effects can be your friend too
i personally like using a textured brush + a soft muted color as an underpainting in order to help set the mood & color for a piece, the texture that seeps through is also really nice to have on what would otherwise be a plain background
^ small process gif of my last drawing, maybe it'll help (?)
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So! I've been working on the My Home(TM) kitchen in Design Home, and I've got it juuuuust about perfect (or as much as it can be within the limited options of design home), but I keep going back and forth on which rug I want. And then I thought, why not ask tumblr? So, behold:
Option 1:
I've always wanted a yellow kitchen, but there was no option to make the walls yellow in design home, so a nice bright yellow rug seems like a good compromise. However, my yellow/multicolor floral accent chair doesn't shine as well against this background.
Option 2:
The blue complements the rest of the kitchen well and gives my table and chairs a solid background to pop against. However, I worry it makes the room too dark and the color palette too cool for my goal of a bright, sunshiney kitchen.
Option 3:
Purple is my favorite color (quelle surprise if you know me at all, lol) and it's a good inbetween tone-wise I think. However, I worry the pattern of this rug is a touch busy.
If you pick the fourth one, you're legally obligated to tell me what rug you're thinking of. Also legal disclaimer that I am not bound by the results of this poll and I'll probably make up my mind on my own eventually, but I'm curious to see how things shake out, and also I lowkey wanted to show off my home designing.
Yeah I'm a gamer (*spends hours playing a home design game on my phone*)
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