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#i've got a lot to learn cause digital is so different from traditional but hey i'm getting there slowly
oneluckydragon · 9 months
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A single layer paint that I tried out ft. my girl Echo. I am very normal about her, I swear.
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enthusiastic-nimrod · 4 years
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Hey I'm Fred's fourth daddy anon! I sent that to you, and what felt like five minutes later you came in with that gorgeous sketch. Do you have any art tips or videos that have taught you cause I've been stuck draw trying to draw anything not resembling a lump for two years. Also yeah it was whirlwind episode, f*ck Rose, and Fred should have turned that loon in.
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Hey FD Anon, thanks so much! I don’t draw a lot of “horror” art so I’m really happy with it’s progress so far!
While I do agree with you that Rose is The Worst, I think she added in an interesting dynamic and I’d be happy if she became a recurring character in the Scooby mythos at large. As for Fred not turning his dad in... I agree, but I also understand why he didn’t. 
The episode went out of it’s way to show off how frightening and weird he is but Fred made it very clear that when he wasn’t wearing the mask he was a good parent, and that all of his crimes were shown as nonviolent. He didn’t seem to steal anything (unless I missed that line?) he just liked messing with people by confusing them. 
As for art tips, I... honestly never expected anybody to ask for advice from me? That’s super flattering wow. 
Okay, so I’m still pretty much a novice, but lemme give you some of my best tips and tricks:
1) Notice how my last sketch had a grey background? This wasn’t just for that sketch, this is how I use ALL of my digital canvases. I do this because the grey causes less strain to my eyes, and allows me to work longer and more easily. Being so close to a screen, especially a blue or white one, can make it harder to work for long periods of time. 
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2) If you want to do digital art, you need to learn “traditional art” (pencil and paper) first. It makes transitioning to digital more easy and it’s pretty much what any art teacher would recommend, for good reason. 
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3) Using one method of art not only limits you, but stops you from learning other techniques which can be incorporated into what you typically prefer. Not only that, but you can also discover a medium you really love that you never would have thought of before!
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4) Whenever you get the chance, work in black and white or monochrome. This is a great way to help yourself learn about values and intensity, and just looks cool in general. 
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5) Piggybacking on that last point, if you’re ever worried about your shading, values, etc becoming muddled either A] take a picture and use a filter to make it black and white, or B] create another, pure white layer on top of the others and change it from “Normal” to “Hue”. Doing this can really help change your approach to coloring (black and white effect may be different for every art program). 
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6) If you want to get better at realistic faces, I was taught using the grid system. You have squares on your reference picture, squares on your paper, and then match up the body parts to the squares. I personally didn’t like this method, but it’s a really solid style of learning. 
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7)  Start with the torso instead of the head. what you start with the head, the body may end up becoming wonky and having the neck stretched out at an odd angle or having a too small cranium. This is easier to fix in digital art but I suggest just remembering the importance of that rib cage (this is something I’m still training myself out of). 
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8) Asking for feedback can be an invaluable tool. For example, last year I had this really weird thing where I drew my eyes way too close together- I never noticed until I had it pointed out to me, and it took MONTHS to break this habit.
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9) References are very useful, and one fun technique I’ve found great use in is to draw a pose, first with no reference, and then following that reference very strictly. This can be helpful when you want to see where you are developmentally. 
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10) Every now and then while drawing, you want to put the pencil down, prop up your paper, and walk away so that you can see the full image from a distance. If you’re working digitally, you zoom out a great deal so that the image appears smaller. This is a GREAT tool for seeing which sections of the piece need the most attention and how those smaller details hold up. 
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11) If you have the opportunity, you REALLY want to participate in an actual art class. Having a teacher that can see what you’re doing in real time and knows where you’re at skill-wise is an INVALUABLE thing to have- these people were specifically taught how to teach you these skills, recognize your problems and how to fix them. Don’t be afraid to talk to them and ask for advice about non-classwork art, either! You can’t receive help if you don’t ask for it. 
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12) Flip your canvas! I know you’ve probably heard this before, but this is one of the best ways to check for anatomy inconsistencies.
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13)  When it comes to youtube artists, I don’t really actively follow any, but I do know of some! 
Mark Crilley: While I don’t watch his videos much now, I used to follow his videos RELIGIOUSLY. He’s got some really solid advice on how to map out comics and mangas, and he taught me the importance of silent scenes and keeping your work from getting too wordy. He mostly does the soft anime look, but he also does some pretty stellar realism. 
mikeymegamega: I’m not going to lie to you, anon- this man likes his cheesecake. This guy is all about the cute anime girls, so if you’re not looking for that, skip him, but I really can’t recommend his videos on hands, feet, and faces enough. 
Proko: Has a video about best drawing exorcises and is the guy you turn to when you want to know about figure drawing. He tends to focus on the more realistic anatomy, and while his videos may be long he’s got some good advice. I’d say to check out his studying anatomy correctly video, and then just kinda scroll through his pages. 
Ethan Becker: THE KNIFE MAN. The first time I clicked on him I thought he was making a troll video- but then he Got Into It and my dudes, my guys, he has some CRAZY good advice. The way he words things and shows you examples in his videos are amazing and I really can’t recommend him enough. He did a video called “Fixing PROKO's LAZY Drawings“ and while you’d think it would be a  bash fest his advice on shading in it is just so incredibly useful. Click on pretty much any of his videos and you’ll be entertained and learning. 
I'd also suggest watching speedpaints. Even if it was unintentional, I’ve learned several really solid art hacks from speedpaint and storytime videos- so always be aware that you have an option for that. 
…. Oh! And also, practice! I know you’ve probably been given this advice from everyone already, but it’s worth remembering. 
Sorry if this got a bit long, I just figured I’d try to give you some good hacks- and even if you have already heard of most of these, I hope I could at the very least entertain!
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