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#i suppose. we'll never know
lawyeryuri · 1 year
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why do you smell like a bean
because you put beans in my pillowcase
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sysig · 27 days
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Blood sugar levels (Patreon)
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genericpuff · 6 months
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Hey so I have a question-
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Is Rachel even contributing to LO's art anymore? Like, at all?
CAUTION: MILD FASTPASS SPOILERS AHEAD !!!
I've talked at length about the 'tells' of each assistant and artist, and while it doesn't guarantee that I can tell exactly who drew each panel, there's one thing there's been a lot less of in the most recent episodes that have caught my attention - things that I know Rachel would typically contribute.
And most of it comes down to her lineart.
The shading was always her, no doubt about that, you could tell with how consistently awful it is, how she would take actual decent flats from her assistants and proceed to butcher them with muddied shading.
AmyKim89's flats vs. after Rachel's gotten her hands on them:
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(seriously Rachel why tf did you darken Persephone's legs here, it looked so much better before ??)
But there was also her lineart which, at first, I didn't realize who was drawing it. It didn't show up super often in LO but it was always very noticeable when it did so I knew it had to be someone on the team doing it:
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The thickness of the lines and the extra little strokes added in along the knuckles and bends, that wasn't something that was really common in LO at this point... at least it hasn't been since S1:
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And when comparing it to the lineart she used to do in The Doctor Pepper/Foxglove Show:
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(look at the mouth in The Doctor Foxglove Show vs. Hera in the pilot version of LO, they're literally the same)
So yeah, it was certainly the revelation to discover that that one instance of "weirdly detailed lineart" wasn't one of her assistants having a little extra fun, it was Rachel herself. It was already so uncommon for her to contribute all the way back in S2 that her contributions seemed to be more of the exception rather than the norm.
And since seeing the art that's been in the newest FP episodes following the return of the series... is Rachel even drawing at all anymore? Because lately the lineart has felt very thin, in a way that I can't tell if it's her assistants just doing all the lineart now or if she's trying to emulate S1 LO more by using less lineart. But S1 didn't have thin lineart, it had very thick lineart, BUT only being used where necessary to emphasis shadows and depth.
Now the lineart feels very... dinky? Especially when you look at the eyelashes.
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That said, there are moments from S1 that had similarly 'dinky' lineart, so take this with grains of salt. It still didn't feel as dinky though as it does today where the lines are practically non-existent in how thin they are.
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There are also times when you can tell they're really trying to emulate that S1 look, the pieces are there but they aren't being put together very well:
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So yeah at this point I wouldn't even be shocked if all Rachel's doing at this point is scripting and roughs. And considering there are definitely times where she'll just draw without knowing what to write, the 'scripting' is also practically non-existent. It's just her leaving her roughs off to the last second for her assistants to whip out with very little time to pay attention to what's being submitted.
Once again it's Rachel fundamentally missing the point of the criticism that's being made of her work. She's trying to forcefully emulate something that she didn't even have a process behind. I can attest as someone who's been trying to do studies of her past work to recreate it as faithfully as possible through Rekindled, it's very difficult to achieve the 'old LO' look because 'old LO' was literally just Rachel slapping down brush strokes until they looked good, there was no specific process or guidelines that she followed, she just made things look textured and colorful. Everything else was basically up to her figuring out what actually looked good, with panels often having their own vibes separate from others in isolation of one another.
Now she's trying to replicate that look while missing the point entirely that it's not something she can really replicate anymore. Though we do get the odd panel that's way closer to the point, those panels have one thing that she's clearly not putting into the comic as a whole anymore - love and effort.
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(fr this panel is so gorgeous but I feel like at this point it was more sheer luck because of how rare it is to see panels like these nowadays, this feels like an accident LOL)
Case in point, this honorable mention towards Persephone's outfit which is literally just a color-swapped version of the sketch that Rachel posted to Blue Sky that got meme'd to death in the ULO sub:
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Did you catch that though? The weird dark patch over her boob and the gap in the lineart of her cleavage?
That's because they copy pasted the first panel and then erased out the hands, but missed the part of the hand shading that was overlapping the breast and the gap in the lineart.
I shit you not, Rachel coming up with memes on Blue Sky that she's scraped out of shows she watched 20 years ago is basically the full extent of her writing at this point.
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Haha take a thing and make it bigger! So funnyyyy!
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(seriously Rachel's 'humor' feels like it's stuck in 2010)
Yep, you're really earning that #1 NYT Bestseller label that you haven't even gotten since Volume 3, Rachel. Put your hand down, there are no high fives for you here.
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sergle · 8 months
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congrats on the boob reduction, condolences on the bizarre ass anons
lmaoooo thank you!!!
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nerdylittleguy · 1 year
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Transformers Earthspark theory - how Knockout could actually be Mr Smelt
....or ideas about it, anyway. Enjoy my observations!
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So uhh here's where the neurodivergent urge to consume media and hyperfixate on it has lead me! Please, feast your eyes on my flow chart/ mind map of madness™.
I know the text is really small, if you click and zoom it could be easier to read. I did try to split the original image into quarters, hope that makes it a little easier to read. However, if anyone needs a transcript I'll do my best to sort it out, my only concern is that I have no clue how to link ideas if they're just bullet points (the idea of having a way to link ideas is what lead me to make this in this format :) )
Perhaps a bit of an explanation as to what lead to this?
A few weeks ago, I saw the Earthspark season 1 part 2 trailer and hey... Who's that?? Breakdown?? Of course, I immediately wanted to watch what existed of the series so far, and imagine my pleasant surprise when I heard Knock Out's (tfp) VA voiced a side character!
Anyway, I started watching the series, finished it in 3 days, cried tears of happiness over Nightshade's pronouns (for those of you who say representation doesn't matter, it does. You probably just feel represented), fell in love with Megatron, etc etc. But imagine my absolute, brain-rotting madness when I couldn't find episode 7 on youtube!
Meh, like that would stop my theory brain. Using various episode summaries I found on youtube (first and foremost this one, as it was short and had good attention to detail! But if anyone has any recommendations for other good summaries feel free to let me know), I started to slowly make a mindmap. That evening I found @transformers-earthspark's blog and the where-to-watch resources... Firefly I cannot thank you enough!!! You're literally amazing!! You have no idea how happy I was to find ep 7!! You do so much, give yourself a pat on the back and a nice snack :))
Anyways, armed with my new access to ALL the earthspark episodes (1 - 10, anyway, as only they are available atm), I remade some of my mindmap, added to it, made more points. Over the last few weeks (aka less than two) I polished my mindmap, did some colour-coding, added images, links, details etc until it could apparently fit on an A3 sheet?? What??? So many ideas from silly old me??
Obviously, I don't think I'm completely right. As a matter of fact, I think I made many assumptions and links that were a very big stretch (blame this overactive imagination of mine. I keep thinking of potential plot lines and then forgetting that actually, I made them up and they're not canon). However, I hope I made a few points that will inspire someone to make their own theories, or just have fun thinking!
Apologies if this all sounds garbled or if it's difficult to understand, I am tired and I have two languages running around in my head (that I'm fluent in, I've also tried to learn 5 others. Lingual hell!!!)
Have a good day/ night and enjoy the theories!
Also a quick note and thing to add: I wrote this on Monday the 27th (I draft just about everything in my notes ok), before I woke up on Tuesday and saw the new images from the episodes, including the one with Breakdown!! AHHH!! /pos So I guess I was right about something? And I mean... Breakdown and a theme of racing in one episode? If this is a coincidence and Knockout is not chilling somewhere in the background then I don't know what to say.
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quirkle2 · 4 months
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who wants zombie au writing. don't answer that ur getting it anyway (1.6k words)
His shoes knock against the old flooring of the house, wood creaking under rubber soles that slide over the woodgrain. He drags them a bit, lifts his limbs up no more than he strictly has to, and they lead him to the nearest sittable surface.
The couch is old and dusty and has likely gone untouched for months, much like everything else nowadays, so he watches the thin cloud of dust billow off the cushions largely with disinterest. He collapses into the fabric heavily, feels the whole thing scoot back an inch and hit the wall behind him. The sound echoes, carried by lifeless rooms, while he unceremoniously drops his backpack to the floor by his feet.
The breath he lets out is slow and methodical and born of pent up muscles, aimed at the ceiling where he rests his neck against the back of the couch and relaxes every limb one by one. It’s a process he forces himself through, if only to rid the constant ache beneath his skin.
Slow, sweeping footsteps meander around the room in front of him, and Ritsu angles his gaze down from his craned back position to look at his brother. He wanders, like he so often does—seemingly aimless, but there’s something procedural about it that he’s convinced he just hasn’t figured out yet.
Shigeo’s empty eyes crawl along the hearth of the fireplace, explosions of ash sprayed out across the red brick. His head tilts up to trace his attention around the angular lines of the television, hung on the wall and screen grey with dust. He flits back and forth between the roundness of the bricked mantle and the sharp edges of the screen, like he’s taking notes.
Shigeo paws the television. Four lines of muck are cleared. The zombie blinks, paws at it again with dusty, curious fingers. Ritsu watches him make a mess of the television screen in silence, blinking tiredly.
He almost closes his eyes, but he fights against the urge and moves his fingers down his lap to reach for his bag. His middle hooks around the loop at the top and he lugs it up and into his lap, where he unzips it and peers into the shadowy contents.
Ritsu fishes out the water bottles. He finds the one with the messy R scribbled along the cap in sharpie and takes a big swig of it. It’s warm going down, constantly insulated in a bag of old, sweaty clothes. He feels like he can taste the odor in it, but it clears the grain in his throat from stomping all over dirt roads today, so he’s still grateful.
He holds out the one labeled S to Shigeo. “Thirsty?”
Shigeo looks at him from where he’s crouched down to the floor now, inspecting the soot along the hearth. Unfortunately, he sees handprints in the black already, and when his brother reaches a hand out to take it, his palm is covered in soot.
He lets him have his fun and settles his own bottle back in the mess of tangled clothes and rolls of bandages. Ritsu rakes his fingers through their stock with no real purpose—he knows exactly what’s in here, and none of it is useful.
They’d been searching all day; Ritsu doesn’t really know how far they’d walked, but it had to be a lot of miles. In and out of stores, up and down empty houses, weaving between warehouses—they didn’t really stop for a break. Not when Ritsu can hear Shigeo’s stomach from here and he himself has shaking hands. They can’t afford a break.
Nothing, though. Not a single goddamn thing worth taking. A settlement must have come through here long ago and swept the highway. They’re in the countryside, where houses are spaced out acres from each other and there’s entire cow pastures between properties. And yet every house they’d seen and entered provided nothing.
Ritsu stares into the negative space in his bag where there should be supplies. His stomach cramps and if he smells another whiff of that godawful sweaty, bloody sweatshirt he still carries, he’s going to throw up bile.
He leans away from the open pouch, eyes wandering to his brother who draws… something into the soot of the hearth. His water bottle sits on the floor, abandoned and still unscrewed. Ritsu leans forward with great effort and a grunt, leaning over his bag to grab at the top of it.
It takes him two tries to get Shigeo’s attention, and one more for an answer on where the cap is. It’s then placed in his palm, covered in soot and also saliva. Ritsu swallows down the nausea that rolls up his throat and wipes it off with his frankly already disgusting sleeve, and screws it back on.
He leans back again, succumbing to the urge to let his eyes rest, and he listens to the very subtle swipe of his brother’s hands across brick. There’s birds outside, chirping, and even though it’s still very much a common occurrence, Ritsu cannot help but feel nostalgic about it.
If he ignores the awful hum of silence, and the distinct lack of an electric thrum throughout the walls, and the fact that this is a stranger’s couch and not his, he can almost imagine normalcy. He can almost say this feels like those quiet moments after school, when he settles on the couch and scrolls through his phone in a house that only holds him and his brother because their parents simply aren’t home yet.
He can almost hear the creak of wood from Shigeo walking around his room upstairs. He can almost tap his fingers on the couch cushions to the pattern of his brother making his way down the steps. He can almost hear the fridge opening, and the sound of milk being poured into glass.
Almost. But Ritsu listens to sharp silence instead, and he tries not to think too hard.
He drifts for a while, feels himself truly sink into the couch and let the cushions claim him, and he thinks about nothings because if he doesn’t, then he’ll lose it. He carefully sifts through the nothingness of his mind, through the passing thoughts that have no bearing, and he focuses on that, on the lack of substance. His head is too full of things that have too much substance.
He misses boredom. He tells himself he misses boredom—the complete insubstantiality of it—because if he lets himself think of what he really misses, it’ll drive him insane.
The cushions move, and Ritsu peels his eyes open and lets himself get pulled from liminal mindspace. The cotton in his head recedes, and he blinks, and then he’s swiveling his head to look at his brother who sits in the cushion right next to him.
His hands and the cuffs of his hoodie are smothered in black. Shigeo sits hunched, gaze still wandering even when there’s not much decoration in this house to look at. He studies the off-white walls, the chips in the paint, the holes drilled in where there maybe used to be photos hung.
Ritsu gazes at him quietly, chest instinctively rising and falling to match his brother’s rhythm. He watches the expansion there, under his hoodie, in the subtlety of the folds and the way they warp over the movement. It’s slightly quicker than what he’s used to, but Ritsu knows his brother’s heart rate is much slower. He’s felt it before. He’s listened to it before, with his ear against a chest.
Ritsu’s attention moves to his eyes, and the heavy bags underneath them, and the paleness of his pupils and the ghostlight of him underneath that. He stares into them, looks for stray, familiar thoughts that might enter his head. Looks for old memories that might shine through in the form of recognition when he sees furniture layouts, and candy wrappers, and ads for soda.
Ritsu looks for it all the time, that glint of familiarity. And he finds it, sometimes. And really, he thinks that’s keeping him going more than food ever will.
Shigeo turns his head, and looks at him. Sometimes, when his brother looks at him, there’s not much there. No substance, no anything. And Ritsu finds it a bit evil that he craves silence in his own head, and yet noise in Shigeo’s, and often times it is the other way around.
His brother looks at him now, though, with that comforting recognition. That growth of the pupils, that softening of the hard edges of his face where unknown stressors have gotten to him. Ritsu wonders what zombies get stressed out. He figures it’s the same deal with humans, considering they’re largely alike.
Ritsu wonders if Shigeo knows he’s sick. He wishes he could ask him. He wishes for a lot of things. Silence in his own head is one of them.
Ritsu swivels his head away and stares at the ceiling, if only to force the thoughts to pause. He studies the popcorn ridges above them, traces the peaks with his gaze. It calms him, gives him something to focus on. He looks for patterns in the shadows they make.
Shigeo shifts next to him. And then he shimmies down, settles into the cushions, and plops his head right down on Ritsu’s shoulder.
Static roars in his mind and his heart stammers. Ritsu swallows the lump in his throat but that just makes it bigger, so he clamps his mouth shut and breathes carefully through his nose.
The tears cut through the grime on his face. He plops his own head down against his brother’s, and lives in the noise.
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thefirstknife · 1 year
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Kraken Mare
And ANOTHER thing, from TWAB:
And we’re not kidding when we say we’re going under the sea…here’s a glimpse of one of the places you’ll be headed in Season of the Deep:
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There will be actual underwater sections! That makes me insane right away.
Also, this is a Golden Age facility. Why is it at the bottom of the ocean? Or in some sort of a cave? Well, we don't know, but we do know that they were investigating Titan's ocean(s) back in the Golden Age. Perfect time to talk about it!
I cannot recommend Last Days on Kraken Mare enough as a lore book, as it's not only relevant right now, but it's one of the only true and direct accounts of the Collapse starting and the devastation it brought. Last two pages deal with a scientist who was doing research on life in the ocean.
In The Water Sun, Part I, the scientist Maury Yamashita is diving to open a pen with creatures he calls swarmers in order to save them as the Collapse is starting. They were native to Titan and, from the way he talks, we know they weren't originally in the place where their cage is at.
Sorry, Mia, he thinks. It has to be worth my life, or I'm worth more than them, and I know I'm not. I put them there. It's my job to let them out.
He's always loved the stupid little swarmers.
When Titan gets pulled and released from the gravity attack, it causes a massive disturbance not just on the methane sea, but also in the ice shelf and subsurface ocean; yes, Titan has another, non-methane ocean under the surface:
"The tidal pull. The ghost mass. It just… left. The moon is collapsing back to spheroid shape. I'm detecting primary waves in the subsurface ocean—it's a quake. It's a quake! Maury, get away from the substructure! Get clear!"
Maury imagines 60-plus meters of bulging moon, Titan's mass hauled up into a teardrop pointed at the sky—suddenly released. Smashing and scraping and grinding back into equilibrium. Cracks in the ice spewing plumes of water and ammonia. Continent-sized shelves slamming and rebounding and calving like bergs. The whole vast inner ocean sloshing back into its shape.
Maury gets tossed and tumbled in the methane ocean and has a fear that, with the ice cracking, he will fall over "into the abyss," meaning through the ice shelf:
"The swarmers," he says, and he jettisons his buoyancy tanks. Without that lift he is so much denser than the bad water around him that he plunges like a skydiver toward the cross brace below, where the swarmer pen is anchored. Titan's gravity may be gentle, but even gentle acceleration adds up. He hits hard, and the spinmetal surface blasts the air out of his lungs. He gasps and gags. Scrabbles for purchase before he slides off and falls into the abyss. He's going over—no! No! He is not going over! He will not fall!
In Part II, Maury saves himself with his hi-tech suit and finally reaches his swarmers. He gives us a description!
The swarmers seethe and pulsate in the perforated plastic sac. Not Titan's highest life, nor its lowest, they hive across the icy sea-bottom in enormous braided patterns that speak to Maury of intelligence. Not individually—not even at the hive level—but some kind of vast concert, conducted, perhaps, by leviathans down beneath the ice shell, communicating across the barrier by magnetic whisper that the swarmers receive via organic SQUIDs. An ecology spanning methane life and water-ammonia life. Why? How?
This is so cool! Not only does he describe the creatures, he also tells us that there's also life under the ice shelf and he calls that life "leviathans." This also means that there are probably ways to go through the ice which allowed them to study those creatures beneath the ice shelf. Maybe caves? Maybe the Golden Age facility is beneath the ice shelf. Not entirely likely, but still! Maury's theory is that the swarmers are somehow connected to those leviathans beneath the ice and that all life on Titan is a connected ecology of lifeforms that live in wastly different biomes.
These creatures predate the Traveler's arrival, which we know from the writing of Clovis Bray who specified that Titan, Europa and Enceladus were never terraformed:
Did the Traveler bypass Europa and Titan and Enceladus out of respect for their native life?
Or was it afraid to touch the things pulsating below the ice?
This is interesting now in context of the information that an "enemy of the Witness" is on Titan. Did the Traveler bypass the life or has that life always been a part of the Traveler as enemies of the being that seeks to destroy it? Or is it something more specific, like the Leviathan from the Fundament? Vibrating to find out.
Maury thinks about how he brought the swarmers up from the bottom and that he can't bear to see them all die because he captured them so he hurries to open their pen. Once he does, they all skitter back to the bottom.
The polymer shreds and the swarmers scatter, their tiny bodies siphoning liquid methane as they pump down and away. Safe. Safe.
And then:
The quake hits.
A hundred and fifty meters below, the icy basis of Kraken Mare rolls like liquid. The arcologies answer the low geological wail with a cacophony of groans and shrieks, joints flexing, tethers snapping taut, substructures soaking up unthinkable mechanical energy, trying to keep anything from—
Breaking.
Maury falls to the bottom from the blast and gets told to move it back up because the wave is coming. An ice shelf completely collapsed into Kraken Mare and the wave is going to be catastrophic and he has to reach the surface. Which he does! He manages not only to reach the surface, but also to fly out of the water with really cool Golden Age tech suit:
He makes it to the surface. He's up there in plenty of time. He can even see Dome 1, still intact, though a lot of the surrounding rigging is damaged. One of the creepy Exo soldiers stands outside, beckoning to him with a laser dazzle, guiding him in.
Maury opens his suit wings to their full membranous span. A single mighty stroke of paramuscle cups the air and hauls him up out of the sea. He's aloft! Titan air is thick, and Titan gravity is light, and like a huge bat he can fly. He puts his head down and starts building altitude, headed towards the beckoning Exo.
Alas, it's not enough. What follows is one of the best descriptions of just how utterly cataclysmic the situation was:
First, he sees the supercarrier, tragically buoyant, tragically light, built for seas with gentle one-meter tides but now riding the greatest wave Titan has ever seen, directly into Dome 2's crippled understructure. In 152 kilopascals of air pressure, the pandemonium sound of the collision has the gut-mulching power of a rocket booster.
The entire arcology collapses down onto the ship, into the sea.
Then he blinks past the devastation and recognizes the sheer scale, the utter speed, the complete imminence of that unthinkable methane wave coming down at him.
"Oh, man," he says.
This is easily in my top 5 lore books in all of Destiny. Honestly read the whole Last Days on Kraken Mare. But this final bit is so good. It's incredibly good. It was the first direct description of the type of devastation brought on by the Collapse and how incredibly impossible it is to survive it. No weapons fired, no armies involved, nothing. The moon was just squashed and then released, and gravity did the rest. Nothing short of immediately leaving the planet can help you.
It was also the first unambiguous proof that what happened on the Fundament was because of the Darkness. Last Days on Kraken Mare released in Season of Undying which was the first season of Shadowkeep. We'll wait for The Witch Queen to see the Witness admitting that it caused the God Wave of the Fundament and blamed it on the Traveler to deceive the Hive siblings, but Last Days on Kraken Mare was our first direct indication about it, as well as insight into how it's done. Our own God Wave that started the Collapse.
It's very cool that two celestial bodies with some sort of underwater leviathans linked to the Traveler were hit by cataclysmic waves to destroy them. I guess, it's the easiest thing to do to a water planet like that, but still an interesting parallel, especially now that we're very specifically going to be looking for a creature that's apparently personally an "enemy of the Witness." This lore book also confirms that the existence of some massive creatures in Titan's oceans predates the arrival of the Traveler.
So much text about that one picture, but to see a Golden Age facility at the bottom of the ocean is such a sight. I'm hoping for more Golden Age information in the next season and more about the research that went down on Titan, especially research into its life forms.
Interestingly enough, there was another important research being done on Titan, though it wasn't about Titan. But this research was the subject of the rest of the lore book and has relevance to the Collapse, as well as Ishtar and Braytech. The scientist in question was Shanice Pell who fled to Titan to build an interstellar probe. She wanted to send it to explore the universe outside of the solar system.
Both Ishtar and Braytech were interfering with her work so she went to Titan which was independent. Did Ishtar and Braytech interfere because they were also doing research on interstellar space and travel? Did they want to stop someone independent from learning more, especially about the strange anomalies in space that seemed to be coming over?
Very likely, because Shanice's probe discovered the anomaly as well. Initial data from the probe made no sense, obviously because it's paracausal, the anomaly being the Black Fleet. She continued to research and figured something is off and when she figured it out (as much as she could, we aren't sure how close she came to understanding it), she decided that her data must get out. Unfortunately, this is where Last Days on Kraken Mare happen; Shanice was being evacuated, but her evacuation was intercepted by Braytech Exos who came to aprehend her and stop her from publicising her research. She boarded the evacuation shuttle which was then shot down by Rasputin's warsat to stop her escape.
Ultimately, she died in vain. This was literally at the start of the Collapse so even if she had escaped, her data wouldn't have done much. There was no way to stop or survive the Collapse at this point. Her data may have alerted the people at the end, but nothing could've been done with it.
But it's super interesting how many stories are converging on Titan, especially now that we know more about Ishtar and Braytech and their involvement with predictive AIs, exodus projects and all the other stuff they did which ultimately led to Neomuna.
It's also been brought to my attention that the author of Last Days on Kraken Mare, Seth Dickinson, previously said that he wrote three times as much content about Titan. Titan was apparently supposed to be relevant in Forsaken, but there was not enough time in the existing crunch to get it done so it never got implemented. But he wrote a lot about it, and a third of his writing got implemented as Last Days on Kraken Mare in Shadowkeep. I'm sincerely hoping we'll see the rest of his writing about Titan in Season of the Deep. His comment:
It was supposed to be Titan content back in Forsaken but there wasn't enough time during crunch to get it all localized and hooked up. Even the chapters available in Shadowkeep are only about a third of the whole thing.
I'm looking at Bungie with the biggest eyes and hoping the rest gets released.
ONE MORE thing before we go and it's just a nice little detail about Last Days on Kraken Mare as a lore book; its "chapters" are named after various eschatological beliefs of different cultures aka beliefs about various ends of the world. Namely, The Sixth Seal from the Biblical Revelation; Tenth Avatar and Kalki's Burning Sword are from Hindu beliefs of Kalki being the Tenth Avatar of Vishnu who will appear to end the world; and the name of the final two chapters, The Water Sun, is from the Aztec myth of the Five Suns, or eras, in which each era ends with some sort of a catastrophe. The Fourth Sun (also known as Water Sun) ends with a great flood.
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it sucks when you have something veerrrryy Specific you want to draw but it hinges one one equally Specific thing you have no way of including
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nattikay · 6 months
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Neteyam, 20!
20. Which other character is the ideal best friend for this character, the amount of screentime they share doesn't matter?
Ooooh, for Neteyam? That's a tricky one. For Kiri it's clearly Spider, for Lo'ak it's clearly Payakan, but Neteyam...hmm.....I'm trying to think of which characters are even viable options here lol
I always assumed he would be friends with a lot of his peers back in the Omatikaya clan, though of course we never meet any of said peers, so that wouldn't count as a good answer here...Kiri, Lo'ak, and Spider kinda already have designated best friends...he does have a cute sibling relationship with Tuk but she's so young that it feels weird to have her fill the "best friend" role...and same thing but reversed for Jake, Neytiri, Norm, Max, Mo'at, or any of the other adults in his life; there's some good relationships there but the age gap makes it weird for any of them to fill that "best friend" role.
I suppose that just leaves the Metkayina kids. Hmm.....well, as much as I don't really like the guy, I might have to go with Aonung...IF he can get over some of his jerkiness. Neteyam wouldn't want to be friends with a bully. But on the flip side, Neteyam could be a good influence on him, so perhaps it'd work out. They could probably bond over their experiences as the chief's firstborn son or smth.
Rotxo also has potential, but we just know so little about him that it's really hard to say. He wasn't involved in the fistfight though, so I suppose he earns some points for that. Although...Rotxo and Aonung already seem to be each other's best friends, so would that disqualify them, like Kiri/Spider and Lo'ak/Payakan? Hmm...
Tsireya is an absolute sweetheart of course, and I'm sure she and Neteyam are friends, but best friends? Nah...that'd be a little awkward given that Tsireya and Lo'ak are clearly into each other 😅
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Zel: *giggling* awww Brosca you're so funny :) and your bicepsarehuge but most importantly you're deeply kind and. Hilarious. *Tank top strap falling down his arm a bit, more giggling* you're like, the funniest dwarva I know :)
Brosca: ? yeah i am not That funny *fixes his strap with one of those grabber things*
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trans-xianxian · 21 days
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I've really really loved this season of d20 but I do agree with the criticism that the combats have felt a little bit too low stakes. all of the battles have been really Fun and creative and d20 is first and foremost a comedy show, and especially with this season in particular, the conflict and stress wasn't supposed to be coming from the combats but I do feel like at times brennan gave the pcs some crazy insane advantage without matching the difficulty, so the battles often felt like there were no stakes
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dirtytransmasc · 8 months
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its so weird thinking about childhood best friends you don't know anymore. like. the girl and her siblings who lived next door for year, who I used to considered my sister, who now looking back on it was probably my first crush ever, who swore we would grow up together, who was only 'visiting' her family for a month, turns out her parents lied to us, I never saw her again. the girls I went to summer to summer camp with every year and now I can barely remember there faces.
like. how are they doing?
I still can't conceptualize that these people who mattered *so* much to me are just... gone... chances are that I will never see them again, especially my best friend who's back in Pakistan, and even if I did, so much time has passed that I would most likely not recognize them even if I did see them.
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ravenkings · 8 months
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with all due respect, why does m*ke fl*nagan feel the need to butcher established gothic horror classics instead of just making his own original material
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analyzingadventure · 9 months
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You know I actually never realized this before-- so you remember how tri. retconned Original Chosen fighting and defeating Apocalymon into them fighting the Dark Masters instead? (To be fair it is possible they could've ALSO fought Apocalymon afterwards but that isn't the Epic Final Showdown tri. decided to depict so it's borderline a retcon)
If the Original 5 Chosen fought and defeated the Dark Masters once in the distant past, doesn't that mean that
A) They survived and hid for just a few thousand years until they came back for a Round 2 at conquering the world
B) They died, were reborn, and THEN went for the Round 2
You know I've just DYING with curiosity, desperately wanting to know if any of the villians in Adventure would ever be reborn after Adventure, right. Because according to the lore they should, right (unless their data was like somehow absorbed by Apocalymon and destroyed along with him (though that would still leave Piemon as an exception (and Vamdemon but we all know what happened to him) and the sole survivor))
And what tri. has essentially done is confirm that most of them should, in fact, be reborn sooner or later
But that just raises the question of if Apocalymon was lowkey driving the Dark Masters nuts (as suggested by the novels), and if tri. was kind of about destroying the last remnants of Apocalymon's data (within Meicoomon), if they were reborn this time would they be free of Apocalymon's influence
If so, would their third (?) lives then turn out different? Would they still try to take over the world all over again for funsies (this time just without Apocalymon giving them power etc), or were they just the same as Ken was in Zero Two? I mean Apocalymon was supposed to be a spawn of Milleniummon and Ken was infected with Mille's malice directly, so while it may have been a bit filtered it was still the same source of malice and corruption, right
And like regardless of how their next lives would turn out, shouldn't the kids (OR AT THE VERY FUCKING LEAST GENNAI) like realize that this is going to happen eventually and like. Go and see if they can find them (either as their pre-Ultimate forms or even when they're still in their Eggs) and try to figure out what to do BEFORE shit hits the fan
I JUST
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#Sorry I'm rewatching the second half of Adventure while working (it improves my focus actually) and#Oh the brainworms are real#Text post#I'm sorry I'm just thinking about Pinocchimon. My sweet poor murder child just needed friends 😭#But even if he was reborn without the craving for blood- who would be friends with him. After all he did in his past life#Who would want to be friends with him. Who would forgive him#IS HE GONNA BE DOOMED TO BE ALONE FOREVER. I'M 😭😭😭#Meanwhile for all we know Piemon is still stuck in that other dimension 10 years later lmao#Depending on if tri.'s reboot ever affected him at all or not because god fucking knows we'll never find out#(Or if he even COULD be affected by the reboot to begin with. God knows Wizarmon seemed to be fucking IMMUNE to it)#(Even though it was supposed to reset EVERYBODY)#But also that could have horrifying implications too if Piemon was just left to cook overnight with a part of Apocalymon#Like Apocalymon is just a collection of grudge and hate from Digimon who've gone extinct right#What's stopping that part of Apocalymon from just restarting the collection of hatred and grudge all over again#This time using Piemon as a vessel to just contain it#Like Apocalymon came from beyond the Wall of Fire to begin with so it's not like dimensional barriers should stop him either#I mean the good news is that there probably haven't been that many Digimon species that've gone extinct after Adventure#But still kids. Y'all might have a timebomb on your hands#Edited to remove some of excessive cursing lmao. I was feeling very intense when writing this sorry lmao
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rotisseries · 2 years
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I am the number one mike gets vecna'd truther. I have damn near 100% confidence that mike gets vecna'd. there is no version of s5 that I can imagine where mike doesn't get vecna'd. he will be shown horrendous visions and he will scream and cry and veccy boy will get his homophobic dog moment and mike is gonna be shaken up and refusing to tell anyone what he saw and it will be the most important, impactful, and jaw dropping vecna scene of the season, and I will be pulling up the cristiano ronaldo gif
#stranger things#byler#mike wheeler#he is just like. the perfect target. how would he NOT get vecna'd?#bc like. I'm a firm believer that more people will get vecna'd next season#like yeah sure he doesn't NEED to torment and kill more people but he'll do it for fun#no way the duffers introduced a villain who can see people's inner fears and guilts and then they use it twice and never again right?#so obvs people will get vecna'd next season. and mike is a PRIME target#a. vecna's main targets are el and will. both of whom love mike and are really close with him#two birds one stone‚ if vecna wants to consider himself a good villain‚ that right there is reason enough to get Mike#b. while again‚ I do think multiple characters will get vecna'd and therefore we'll see a lot of different headspaces#we mostly already know what a lot of the characters fear and feel guilty about. whereas mike is still supposed to be a mystery to us#we're not being shown his pov‚ so when we finally ARE‚ it will have the most impact of any possible vecna vision any of the characters get#''why do you say it'd be most impactful rori?''#bc listen. they're gonna want another impactful vecna scene. a running up that hill part two. but you can't beat max's scene. it's too good#the impact in max's scene comes from her escape‚ from her choosing to live‚ for her loved ones#which means if you want another emotionally impactful vecna scene‚ it can't be about the escape‚ that can't be where the impact is#or it will just feel like a cheaper rendition of max's scene#so the impact MUST come from finding out what haunts the character#and I FULLY believe there will be nothing quite as jaw dropping as vecna visions revealing mike's sexuality and how he feels about it#the only things that would probably come close would be el or will getting shown more aspects of the supernatural plot#but I'm pretty sure we're at a point in the story where we have most of the information#and we won't be getting anything super insane on that front
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okay I know I made a post about quixis being terrified of Fable, but I'm also tempted to say that them stoping was just. a cruel realization, and acceptance, that they can't do anything to stop him. he'll do everything in him power to stop them, and they can't do shit about it. He'll do it it no matter what it takes, and they can't do anything to combat that. (Or maybe they are just terrified. Maybe it's a mix of both. We don't know.)
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