I want to make a longer post about this someday but: I think Arya's TWOW arc is going to include her coming to terms with her identity as a Lady. This has been an ongoing conflict with her since her first chapter and I think her flowering in winds is going to mark a turning point. The theory of her having an apprenticeship with the courtesans holds a lot of weight and the idea of Arya going through puberty among a group of unconventional women she's fostered a positive relationship with is just too perfect. It would really have an impact on Arya reconciling her personal idea of what a Lady should be. There's also a lot that she could learn from them in terms of courtesies, communication, appearances, body-language, etc. that would elevate her current skill-set and ways her relationship with them could push the plot.
Not to mention she will undoubtedly reclaim her identity as Arya Stark, and her being a Lady is inseparable from that. Arya Stark is a Lady Stark and being a Lady is a social position, not a measure of how well someone preforms feminine tasks. She shouldn't have to relinquish her position because she doesn't fit patriarchal standards. That's not to say that she's ever going to be the perfect example of a traditional Lady but what I think will happen is that she becomes capable of playing the part. She plays several identities throughout the series but she's always been Arya underneath, so I think it's appropriate that she learns to adopt a "persona" that's part of her. Her remembering Ned putting on his "Lord's face" (+ the various examples of other characters being separate from their ruling persona) makes me think that Arya will be donning her "Lady's face" when she makes a return to Westeros.
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It is kinda funny seeing people talk about Seungmin lately because he definitely has gotten more bold and confident for sure. He's also just getting opportunities to be perceived as an individual on his own as well for the first time in a while but it's still jarring to see people be like Aw he was always such a quiet goodie two shoes little nerd and it's like...... he was the one to leave and seek out his own vocal coach and blatantly talk about it, which of course lead to I.N and Lee Know also doing the same, he was the one to go on bubble and tell off sasaengs who used to camp outside their old dorm for invading members privacy but also because it effected other residents and staff at the complex, something that i'm certain upper management wouldnt have been happy about, and he wasn't curt or nice about it either. like he's never actually been a wallflower, he's always had a pretty strong backbone and seems to stick to his principals, its not really new.
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hi GT! thanks again for the great chapter—loved it (as usual).
just wanted to come on here to sing you praises with just how well you write touch/physical affection especially in the most recent chapter’s first half: draco & hermione being v touchy while entering hogsmeade vs. draco’s jealousy with ron + hermione, and how you depicted draco’s reaction to both (i.e., his awareness on just how not-platonic his actions were vs failing to see that ron and hermione might not be also sharing the same thing) and the way his jealousy flares up. it’s starkly real and engaging and you just leave us wanting more.
just wondering: would there be more platon-ish (or more) moments in the realm of Lionheart, since the books were PG?
hope u have a good day!!
Thank you very much! I hope you have a good day, too.
I think of Lionheart right now as a story that rides the line between PG-13 and R (for gore, and I guess also technically for swearing, since there's been more than one "fuck.") Those things will only scale up as the story goes on, to an extent that will soon surpass the books. If the original series can be split up into "children's / young adult" around the lynchpin of Book 4, I think of the volumes of Lionheart as "children's / young adult / new adult." New adult is, naturally, more capacious as a genre than young adult is, and I'm cautiously feeling out my comfort level in the new territory it opens up.
To be completely honest, I'm still making up my mind on how far to push past canon there. I know that explicit scenes are common and welcomed in the D/H fanfic space, to an extent even expected, but the jury is out on how much it will be relevant/necessary/something that I'll enjoy writing. (I'm aware that this is a totally confusing and not helpful answer. Friend, I also wish it was not like this.) Basically, I'm just trying to figure out what the story needs.
I guess the most I can say currently is that I'd definitely be comfortable writing it — I've written it before — and for the rest, I'll play it by ear.
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I’m the anon from the post before and I understand what you mean! I guess I just took differently when I watched the show. I don’t think Charlie or Nick was upset about Ben being closeted I think they (especially Charlie) we’re just upset how Ben treated Charlie the entire. Also I’m not saying this to be rude or start anything this is just how I saw it:) I think Charlie was angry (as he should) about how Ben treated him through out the relationship they had and not about him being closeted. Because I do believe if Ben just communicated better and treated him better and didn’t treat Charlie the way he did it could’ve worked out. I’m just saying that I didn’t see them bashing Ben for being closeted only bashing him for treating Charlie the way he did without acknowledging how it felt for him.
Yeah I don't think Charlie or Nick is mad about Ben being closeted but weirdly I think the narrative is and that's what irks me. All his issues and bad behaviors are because he's closeted (you said yourself that it's because he's closeted that he treats Charlie the way he does) but the story doesn't seem interested in exploring that so much as punishing him for it by having both Imogen and Charlie yell at him and then throwing him out of the series before he can improve at all.
And when this show is so renowned for it's love and celebration of queer experiences and identity it will always feel out of place that Ben was left out in the dust seemingly because he and his experiences were too complex.
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[cws: starvation/food insecurity, fantasy racism, psychiatric abuse, ableism, and Upsetting Pictures.]
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one thing that fucks me up immensely about pericles before and after the asylum is how fucking skinny he is.
like. as much as obviously the two designs are Very Inconsistent in general which annoys me, look at him pre-timeskip. look at how he's shaped.
his head and face are way smoother and rounder, both in front and back, and the space between his cheekbones and his eyebrow ridge is filled in; his body is rounder in general and his belly is noticeably between his thighs when he's standing up; he has kind of a chubby butt; his chin and neck are softer and wider around, which you can really see with the width of the scarf compared to his shoulders and the angle where it meets his head. it comes up in front of his face more because there's not as much of an angle with his chin to hold it down.
now. compare all those things to this.
christ.
and like, you could argue some of these design differences are tiny things to zero in on in a show that's as loose with its models as sdmi is. but present-day pericles' design is pretty obviously supposed to be unsettling because he's physically built to be a Cute Roumb Little Mascot Creature--so much so that the framework has managed to stick around a little in spite of everything--and has become gaunt and haggard anyway. and you could also argue that the body type changes are just thanks to aging twenty years (and i don't doubt that's contributed).
except. he spent those twenty years in an asylum where the other inmates we see look like this.
christ.
(fun little fact that @thecottageinthedark pointed out also: remember how he literally got caught at one point because he couldn't stop eating sunflower seeds, even during a heist? a high-fat, high-calorie snack for birds? you know, exactly the kind of thing a starving person who finally has proper access to food would be wolfing down?)
(yeah.)
did i mention that this happened in a (fantasy) racially segregated prison, which is technically an asylum so the inmates can be kept there indefinitely, because in an actual prison you're required to have a sentence? did i mention that none of the human characters we see in human prison look any less healthy during or afterward, and on top of that are allowed to move around and socialize? did i mention the absolutely horrific treatment of the asylum inmates is implied to be despite the fact that the (physically abusive!) guard is playing up how dangerous and malicious they are? (you know. except for pericles 🙃)
did i mention the man who got pericles imprisoned--who he had not only done nothing to beforehand, but had helped--says he was there to 'live out the rest of his miserable parrot life in a cage, where he belonged,' and not only do none of the characters we're supposed to side with have anything to say about that, but the audience is clearly supposed to agree with him too?
(did i mention said man--who was in on the crime, singular, that pericles went to prison for!--spends those twenty years living a life of luxury in power while abusing the child he kidnapped as a baby and held hostage his entire life, and when we see him in prison he is not only chilling out and helping the authorities but reading a newspaper?)
did i mention the part where by the time we meet pericles he hasn't spoken in years?
like. man the 'ooooo scary evil abused asylum crazies' trope is bad enough, even when they pretend to lampshade it for a minute before playing it straight; i don't know how they added in All That and made him emaciated and expected no one to find it heartbreaking or even sympathetic. i don't care how bad he was before the asylum (and dear god was he ever), that is horrifying and no one deserves it. god damn.
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