#i chose not to include mentions of just the music video that didn't really talk about the song

[mieux-de-se-taire]

Honey, This Mirror Isn’t Big Enough for the Two of Us - MCR Interviews

89.5 WSOU FM Interview - 7/11/02

7:10-8:50

Interviewer: One of my favorite tracks is actually the second track. It’s the first full song: “Honey, This Mirror Isn’t Big Enough for the Two of Us.” Wanna get into that? I’m guessing, Gerard, you write most of the lyrics for it? Gerard: Uh, yeah. Do you got an edit button for that song then? Interviewer: Yeah, I known where it is. I’m all good. (Band laughs in the background) Gerard: We talked about that on the way up. We were like “I don’t think he’s gonna be able to play that,” but... ... Interviewer: Alright, so, let’s get into a little bit of the background. Gerard: Okay Interviewer: (Overlapping) This is the-- it’s not the opening track but it’s the first track where you actually get introduced to the whole album. And, you know, what was the reasoning for making this track the first full track? Gerard: This was the last song we wrote, I think, before recording the record. And, honestly, like, I had run out of stuff to talk about, so I asked everybody. I was like, “Does anybody else have a story they can talk about?” And, turns out Mikey did, so. Mikey goes, “write this about an ex-girlfriend.” So I did. And I wrote it for Mikey. Interviewer: For his ex-girlfriend or your ex-girlfriend? Gerard: Well, for Mikey’s ex, but like-- (Interviewer and Ray(?) laugh) I wrote it for Mikey. It’s for Mikey. Interviewer: Did he have any input on how the lyrics should be? (To Mikey) Did you have any involvement in the writing? Gerard: Mikey, did you? Mikey: (Very faintly in the background) Not really (Everyone laughs) Ray: He said no. Gerard: I think Mikey-- Mikey pretty much just lived it, and like, there’s lines in there like... (Band laughs). There’s lines in there like “You can’t keep my brother” and stuff like that. So that's kind of like me talking about him, and then it switches from like me to him.

/

Noise Theory Interview - 11/13/02

Paragraph 5

Interviewer: Even though ‘My Chemical Romance’ as a band have been together only a short time, the album displays some excellent and mature song writing skills. Were the album songs written after the band became complete? Ray: We started in October 2001, and had written 5 songs by January 2002. This was when the band was still a four piece. The rest of the songs came together a few weeks before we went to record. Honey This Mirror and Early Sunsets were written about a week before we left for the studio. We asked Frank to be in the band around the same time, so to get his input on those songs really helped them become what they are.

/

Rocksound #67 - April 2004

Paragraph 1

Gerard: Vanity is a big subject in our songs. I think without vanity - the band, to a degree, doesn’t work. There’s an arrogance and vanity to it, but it’s almost like a commentary on human behavior. The song “Honey, This Mirror Isn’t Big Enough for the Two of Us” was strictly about vanity. It’s about being vain enough to live your life and do what you want. Maybe I’m misconstrued, maybe it’s just confidence, but it’s always fun to dabble in vanity or arrogance. It kind of gives you the power that you have as a band but we’re, at the same time, keeping level-headed.

/

Kerrang #1476 - 7/23/13

Page 6, paragraph 1

On revisting Honey... recently, Gerard Way said, “My voice sounds so raw, untrained on this... all of us do and it’s great -- really fun to listen to.”

#mcr #my chemical romance #i brought you my bullets you brought me your love #bullets #honey this mirror isn't big enough for the two of us #mcr interviews #song interviews #i'm pretty sure the last one is from a tweet and not actually an interview #but i included it anyway #i chose not to include mentions of just the music video that didn't really talk about the song #also i never realized how hard transcription of people talking is #people use so many filler words and repeat themselves so much! #wish me luck on vampires they've talked about it so many times

[visualtaehyun]

Tagged by @thegalwhorants here, thank you dear ✨ I love musical tag games but this might be the first time I've answered one where the results are extremely telling about me lmao

Shuffle your On Repeat playlist and then list the first ten songs!

Next Love by BADMIXY

P'Mix's MVs are always super fun and unapologetically queer and I love her as a songwriter! This song is actually over two years old but I first listened to it after ฟ้ารักพ่อ (DILF) went viral and she came out with her debut album that included this song. But I'm pretty sure I became properly obsessed with it after hearing the RnB arrangement that (surprise surprise 🤡) ZeeNuNew performed during the DMDLand2 concert. Also wanna shoutout that time New and P'Erk Chrrissa covered it together during a live session because it made me hope P'Mix might one day write a song for New!

ไหล่เธอ (You've Got Ma Back) by Fourth Nattawat, Ford Arun, Satang Kittiphop, Winny Thanawin

I love this show and the entire OST! Could I have just linked the official MV? Why yes of course, but that wouldn't showcase the chaotic energy of the MSP gang as well lol (if the video doesn't start at the timestamp, it begins at 8:45!)

Get A Guitar by RIIZE

Now this one's a real wildcard lmao It is literally the only song on my On Repeat that isn't written or performed by a Thai artist! I came across it through a KPop random dance vid so obviously I had to link the Studio Choom performance. The choreo is so fun and, to this day, some of my favorite KPop songs are funky just like this one. I don't know who this group is btw (like I literally only found out through this tag game that they're an SM group lol) since I stopped following KPop artists and trends when I fell into my lil Thai and QL corner here so sorry if I sound like your typical clueless local now 😂

รักแท้ (True Love) by NuNew

He's performed this song countless times by now but I chose this one in particular because it was such a huge stage and opportunity for New 🥹 The official MV currently sits at 68 million views btw

ภาพสุดท้าย (Last Twilight) by William Jakrapatr

Y'all. I was so obsessed with this song. Like I literally know the entire lyrics by heart. Since Pal reminded me of Piano & i, I had to go with this performance! :) I'm really looking forward to William's upcoming series - I love LYKN and Est Supha and am sure the OST is gonna be incredible.

꽃이 피는데 필요한 몇 가지 (Blooming Just For You) by NuNew, Paul Kim

The first time he performed this song live 💕

How You Feel by NuNew

Have I mentioned NuNew is my favorite artist 555 This is the song that did me in - it's the first song by a Thai artist that I added on Spotify after getting into QL via KPop -> DKZ -> Semantic Error -> other KBLs -> "Oh, let's watch another popular BL on Viki"... and now I'm here waffling on about Thai language and music lol

ใจรัก by Zee Pruk

P'Zee recently said he didn't enjoy singing before he met New but that he's found joy in it after singing with him a lot. And he's improved so much! My favorite will always be when he sings ballads and love songs like this one though. (fyi this song is like 40 years old so you might have heard it covered by other artists before)

ประตูวิเศษ (Better Days) by Jimmy Jitaraphol, Sea Tawinan

Aaaand check for another song off the Last Twilight soundtrack that I was obsessed with! What can I say, I'm a P'Amp fangirl lol The lyrics are lovely, it's easy listening, and this show occupied my brain for months.

ก้อนหินกับดวงดาว (Rock & Star) by Fourth Nattawat

Love this scene, love Chinzhilla, love these lyrics, I'm repeating myself lol you get the gist, it's a banger!

___

To sum up- 7/10 are OSTs, 5/10 were written by Amp Achariya, and 3/10 are by NuNew (+2 more made me talk about him). So now that I've been publicly clowned by my own Spotify, I'm tagging (no pressure ofc): @zimmbzon @pharawee @airenyah @telomeke @rocketturtle4 and whoever sees this and goes Oh hell yeh an excuse to talk about my fav music!

#tag game #thai music #badmixy #nunew chawarin #zee pruk #william jakrapatr #bella and the blorbos

[moonshinemusings]

General John "Soap" MacTavish headcanons (Pt.1)

Warnings: slight mentions of canon typical violence, mentions of PTSD, anxiety and sensory issues

A/N: My head is full with so many dumb ideas but I kept it mostly serious here lol

• He flirts with everyone when he's drunk, and yes, that includes his teammates (once Price wanted to count how many times he hit on Ghost during the night, but eventually gave up)

• His favorite color is green

• Would totally own a motorcycle that he takes good care of. He has a knack for mechanical stuff and often repairs vehicles they use on missions

• Has a sweet tooth and others often tease him about it. If they let him, he could probably eat a whole cake by himself (and whine how bad his stomach hurts afterwards)

• Most of the time he's dealing well and he keeps himself together, but sometimes his emotions break through the surface. He rarely cries, but when a wave of PTSD or lethargy hits him, the tears flow without resistance. He powers through his emotions though, and he knows his teammates are always there to support him if he needs them

• His anxiety isn't as bad as some others, but from time to time he struggles with staying calm and rational. These incidents usually happen when he overthinks missions or panics when someone gets injured, but someone is always there to help him calm down

• Most likely he has some sensory issues too, but only with very specific things that he fortunately doesn't often counter every day

• Often takes pictures while working out. Mirror selfies are his go-to, but videos of him doing push ups or lifting weights is also in order

• He was never that good at school, that's partly why he chose to serve in the military

• His music taste is really inconsistent. He listens to rock most of the time, but then he suddenly switches to pop songs and country out of nowhere. The worst part? He knows a bunch of country songs and will sing along loudly. Ghost thinks it's atrocious, especially with his accent

• Hug lover, an enthusiast if you will. He's a touchy-feely guy to begin with, but he loves hugs more than any other kind of touching (bet he has the warmest and most comfy ones)

• He's afraid of spiders. He likes to say he's not afraid of mundane things like animals, but spiders send shivers down his spine (once Price had to take one out from his bag because he was too afraid to touch it. No, they don't talk about it.)

• In his younger years he experimented with different hairstyles and colors. For a while he rocked a mullet, then came the idea of the mohawk that stayed ever since. He's had green, red and blue hair once, but never kept them longer than a few weeks

• As much as he acts like it annoys him, he likes dad jokes and those really bad ones Ghost usually comes up with

• No musical talent whatsoever, but that won't stop him from singing when he's drunk or when his favourite songs come up

• Has thought about getting more tattoos, but couldn't decide what to ask for so he never got them

• His favourite meal of the day is breakfast. Don't know why, don't ask, I just feel like he would be a breakfast "I stuff my face with calories in the morning" type of guy

• A morning bird, which used to annoy the shit out of Ghost because he was too cheery for someone who was awake at like 5 AM

• He's a deep sleeper, once he's safe and asleep even a bomb won't wake him up. He can fall asleep anywhere too. Once he conked out on the plane on the way to a checkpoint and Ghost has never let him live it down ever since

• We know that he used to play football, but he was also good at every other sport (except maybe gymnastics). He loved basketball, but he was always teased about being too short to reach the nets. That didn't stop him from scoring though

• He used to go to a lot of concerts with his friends. He's totally the type of guy to have a girl on his shoulders so she can see better

• He's not a womanizer by any means; he's only ever had one serious relationship and that didn't last too long either. He had a few one night stands, but he doesn't really seek any relations outside of his work related ones

• As a kid he used to have those sticky glow in the dark stars on his ceiling/wall

• He can't keep plants alive for the life of him

• His favourite season is spring because he's not too cold but not too hot either. The weather is perfect for his morning jogs

• He might seem egotistical sometimes, but in reality he just loves basking in the attention he gets. And he knows he looks good, so why wouldn't he talk about it

• It's not easy to rile him up and he's good at keeping his cool, but when he's frustrated or downright angry you better hope he doesn't attempt to fix the situation with fists instead of words

• Others might tease him for being stupid sometimes, but he's actually smart. Not academically smart, but street-smart if you know what I'm talking about

• In the future, he wants to have children of his own. In the present he focuses on his job and takes it very seriously, since it's the most important in his life next to his family. But he doesn't shy away from the thoughts of retiring and settling down with his children and a wife

• He enjoys cartoons in some situations. He knows they are dumb and not even funny, but after difficult missions he likes to have them as a background noise or something that can take his mind off the things that happened

• He has two older sisters, so has a lot of experience living with women. Once they waxed his arms as a joke, but he kind of liked it. They settled on an agreement after that: whenever they were all home and had the time, they would do it for him again if he wanted

• Also, because of that his room is also one of the cleanest out of everyone. He keeps everything organized and tidy, and doesn't like when his stuff is out of order

#cod #call of duty #cod mw2 #mw2 #modern warfare2 #john mactavish #john soap mactavish #soap mactavish #headcanons #soap headcanons #john mactavish headcanons

[zendvyaa]

To All The Years I Had Before

A solo para written by Zendvyaa

27. That's where I am now. Not just 'what age' I am. But, where. I know that it might not make much sense, but, it's how I feel. You know what they say; "It's about the journey, not the destination." And that rings true for me. 27 years young today, and I feel like I've accomplished so much more than I could ever imagine.

It all started that the California Shakespeare Theater. If it wasn't for my Momma Bear, Claire taking the opportunity to become House Manager for Cal Shakes - that's what they call it -, then I might've just continued to be a quiet kid. I mean, I went from a shy kindergartener that had to repeat the grade due to just that, to a kid that found the spotlight, and never let it go. Thanks to my Mom being the trouper that she is, taking the job to support herself and my Dad as teachers themselves, I was able to pursue my theatre classes. If it hadn't have been for that, I don't think that I would be where I am. That's just one of the things that I'm so grateful for. I mean, I was even cast as Little Ti Moune in Berkley Playhouse's "Once on This Island" in 2009.

I did so much as a kid. From playing basketball at age six, to dancing in a hip hop dance group called Future Shock Oakland at the age of eight, and my theater classes that I took along the way at Cal Shakes. These things helped shape me into not only the kid that I would be come, but the woman that I would turn into. I can't have one without the other. Basketball, dancing, and acting is apart of me now. Even if no one sees me doing it as much.

'The Effect of Gamma Rays on Man-in-the-Moon Marigolds' was not only a monologue I used to audition for the Oakland School of the Arts, but it was the same one I used when I auditioned for 'Shake It Up' on Disney Channel. Not only that, but dancing helped me land a Sears commercial at an early age with THEE Selena Gomez in 2009. It's crazy thinking about this now, because Selena and I are good friends now.

Things came full circle because a vast majority of the kids that were in that Sears commercial went on to pursue a career in the entertainment industry. Ross Lynch included. And to top it off, my 2009 audition for Shake It Up was originally for Cece, but they called me back to audition for Rocky Blue. My first major network show. My first character I played on tv. I'm so grateful. I still find the working title of 'Dance, Dance, Chicago' is so hilarious. Thank GOD they chose 'Shake It Up' instead. I digress. I was talking about full circle moments, yes.

The biggest full circle was how I went from dancing in the Sears 'arrive lounge' commercial with Selena Gomez, to having Selena Gomez sing the theme song to the tv show that I later became a lead on within the same year. A show about teenagers wanting nothing more but to dance, and wind up dancing in a popular local Chicago show called 'Shake It Up, Chicago!' Not only that, but I was apart of Kidz Bop 15. Also in 2009. I was in the 'Hot In Cold' music video if you're wondering. I don't wanna talk about how they didn't really use my singing voice. Matter of fact, I don't wanna talk about it at all.

Proceeding SIU, I was overwhelmed as a kid. Being thrown into the spotlight like that, and the show doing well was both a blessing and a curse. I wasn't really ready for it. Not like I am now. I mean, I still get overwhelmed, but I think I'm better at tackling those feelings now than I was before. From being on other shows on Disney Channel like Good Luck Charlie, and A.N.T. Farm, to doing many music videos for SIU as well as my own when I started my short-lived music career. The 'Something To Dance For' and 'TTYLXOX' mashup video is still one of my favorites. Oh, and 'Contagious Love'.

My DFTS and ZSwag era…..that…I loved that era. Did I mention on top of being a dancer, actress, and basketball player, that I loved the arts too. I used to draw all the time. If you scroll down my Instagram feed far enough, you are sure to find my old drawings. Not only that, but I loved to sing, and modeling became yet another passion that I started to have. I really blossomed from this quirky, high energy kid to this woman that knows her angles, can flow effortlessly from one click of the camera, to the next. I mean, have you seen the behind the scenes shot of my Vogue Italia shoot in June 2022? Not to toot my own horn, but…going from fun poses as a kid to what I'm able to do now just blows my mind!!!

Anyway, I love fashion. Even when I was in my 'ZSwag' era. Where being a tomboy who could rock high heels was everything to me. I still love that photo I took of myself with a pair of Jordan's on and heels. I look back at it, and laugh. That part of me never left. One minute, you would see me playing basketball, or skateboarding, the next, I was making the most out of the clothes Law and I were given on the red carpet. Which, by the way, were slim to none. No one wanted to dress me. No one at all. Not even during the SIU era. We really struggled for a while. Something really shifted for Law and I between the end of SIU and K.C., because you could see it. I went from wearing clothes from Kmart, to high end couture before I knew it!!I mean. If younger me knew that I would go from being an 'easy, breezy, beautiful, Covergirl', to now being the face of Lancôme beauty, from being the face/ambassador of Valentino, to the House Ambassador of Louis Vuitton, from rocking Momma Claire's handmade jewelry - I still do!! -, to being the face of Bulgari jewelry? Like???? That's HUGE! And I'm now the face of Smart Water as well??? I think she would LOSE IT!!! Just….

And Law… I'm so grateful for his light. He has been through a lot. He got really sick one time, which I won't talk about, but, he made it through. We always talk about how I found him so fabulous when Law worked as a personal shopper in 2011 while I was on 'Shake It Up!'. Things really just fell into my lap. We had a mutual friend introduce us, and the rest was history. Law has been my Fairy God Motha since I was 14, and doing the met as Cinderella and The Fairy God Mother in 2019 was by far, my favorite moment. I got to share that with him. Like…. I wouldn't be such a sought after name in fashion has it not have been for Law. Let's keep it real. I may do my own makeup for events, but Law keeps me together with the looks. I'm so happy to have him as my Creative Director. I will always support him in his career. Whatever he decides to do. We are thee dynamic duo, after all. As much as I love fashion, and although I did style him for Canada's 'Fashion' magazine, I just don't think I could exist in fashion without him.

After Frenemies, Zapped, and the success of SIU, I started to make my exit as a Disney star. Disney Channel asked me to come back, and Ieveraged that in telling them that I would only come back to Disney if I would be made as executive producer in whatever tv show they wanted to do next. That tv show being 'Super Awesome Katy', being renamed to K.C. Undercover. There was no way I was going to be on tv being called 'Katy'. No. 'K.C.' was just fine.

Sometime after that, I was able to land the role of Michelle "M.J." Watson-Jones. Keeping the secret that I was about to become the new MJ of the Marvel Cinematic Universe was one that was very hard to keep. But unlike the guy who plays the friendly neighbourhood Spider-Man (yes, that was intentional. Yes, I'm still brushing off the London that rubbed off on me. Hush.), I was able to keep a secret. That to me was such a massive role to land. Even though I might not be an important character to some people, I'm speaking about it, because although I left Disney Channel to technically still work for Disney through Marvel, Spider-Man: Homecoming helped lead me from K.C. Undercover to Euphoria. Which, is the show that I'm apart of now.

Anyone who knows me, knows how much of a Beyoncé fan I am. Being in the 'All Night' music video in 2016 is the biggest accomplishment for me. I met someone whom I've looked up to for years, I got to star in her music video!! And I know y'all have seen my Yoncé car dance video. I was acting up with Darnell when Renaissance dropped. There are several videos out there with me cutting up and having fun with Darnell, my personal assistant since K.C. Undercover, or by myself. Don't play with me!! The set of the 'All Night' music video was also where I met Amara and Chloe. Even then, I knew those two were destined for greatness. If I could have Beyoncé as my mentor? I'd be fainting every time we spoke. They're so blessed. I love those girls. They're really doing amazing things as a group, and as individuals.

Immediately after HOCO, I stayed in New York to Film The Greatest Showman, aka, TGSM with Hugh Jackman and Zac Efron. I had the time of my life. I mean…. the training I had to do to portray an aerodynamic Circus performer was intense. I hate exercising. Which, is something I remember mentioning in my 'Zendaya' app when that was a thing. When it comes to work though, I suck it up, and do the training. I like learning new things, pushing myself, and making each role believable. Anne Wheeler was pretty scary though. Performing trapeze isn't easy, but I just know she's working her butt off in the air to this day with Phillip Carlyle by her side. Aerodynamics is scary, though. I won't lie. And the music in that film? Ugh! Phenomenal. Benj Pasek and Justin Paul really deserved all the awards for what they created.

Voicing Lola Bunny in Space Jam: A New Legacy was very fun for me. I got to voice my favorite character, who wasn't sexualized. I love Lola, I really do. I love that that made her more about her passion, which is basketball, then to make her this weird sexualized cartoon. Thank God that at least in that film, she wasn't. Focusing on her craft and passion for basketball was far more important and meaningful to me seeing as I was a basketball player when I was younger. Yet another full circle moment.

I won't go through literally every tv show or movie I've been in. My point is, I'm grateful and blessed to have experienced all of them. I however, am vastly disappointed that the two films I was a lead in, Dune 2, and Challengers have been moved up to 2024. I obviously am in full support of the writers and actors strike of course.

Especially as an actress myself. I just wish that I could've gone to the Venice Film festival this year. I miss Venice. That's all. I do think it's rather ridiculous that writers and us actors have to beg Hollywood for fair pay. It's disgusting, but I will talk about that another day. 2024 is going to be here soon, and I hope everything gets resolved by then. I don't really know where Euphoria stands. I could go without the show coming back for a third season, really. I miss the cast and crew, of course, but with the writer and actor strike going on, and the fact that we won't have Angus Cloud there…. I just don't know what's going to happen there. I don't think it'll be the same. And that's okay.

Getting to be apart of Project Backboard a few days ago really hit home for me. I miss playing basketball for fun. I hope that the kids at Oakland Middle got something out of that more than just a 'wow factor' of having 'a celebrity (or two) at their school'. I just want to help nurture the children of our future to become the people they want to be. Following your dreams should be at the forefront of all that they do. I just hope that I was able to help give back in some way. Oakland will always be in my heart. I grew up there, so I will always go back, wanting to help, wanting to be a light in some way.

I still can't believe that I won my first Emmy at 24! I was blessed with the award for 'Outstanding Actress in a Drama Series' for Euphoria back in 2020. That was the craziest night of my life, knowing that I could win or lose, and the people who had the awards were standing outside of my house, waiting for the announcement. And two years later in 2022, I won the same award again for Euphoria season two. I'm so blessed to have just been in the same categories as the amazing women on both nights!

Right now, I'm just chilling. I still have my home in California. I do miss London, and I will miss the home I picked out with my ex, but I sold that months ago. I moved on, and it's time to keep pushing, keep working, keep grinding. There are always projects being worked on behind the scenes. Most of which are modeling jobs as an ambassador for the businesses I mentioned like Lancôme, Louis Vuitton, Bulgari, and Smart Water, they keep the lights on. Aha. Some things that I'm working on, I keep to myself. My fans know how private I am. They know what's up. If they need to know something, they will. Some things I can't share due to NDA's and things of that nature, but some things I like to keep to myself, because I love the element of surprise. You'll never know what to expect from me.

As I said, it's about the journey, not the destination. Being so young, and accomplishing so much is just…sometimes, I can't believe it. It's crazy. I still have so many years to go, and I'm not stopping soon. 27 cycles around the Sun. Many more to go. So to all the years I've had before? You ain't seen nothing yet. Happy mother fucking birthday to me!!!

Xoxo, Zendaya/Daya

~ Archive Edition via twitter.

Alright. I know that this isn't your traditional 'para', nor, is it how one is "normally" written. I really tried my best to write a para almost story-like. But, it wound up being like a letter from Z to Z, from the older Zendaya, to the younger Zendaya. Or technically from me, about Zendaya and everything she's accomplished, really. However you wanna look at it. She has done so much since her career started, and I just wanted to showcase that she has come so far.

There's no secret how much I love Zendaya. If you read everything prior to this, you should know that she's my favorite (vegetarian) Virgo. As a Scorpio myself, I love me some Virgos!! I used to rp as Lauren Keyana "Keke" Palmer years ago, another Virgo, and I love Michael Jackson and Beyoncé as well.

A bit about me; I used to be a big Selena Gomez fan. But, I think it's crazy that Zendaya was someone I thought of as 'cute' while I was in high school during Shake It Up!, but I didn't realize until much later in life that she was one of the many kids chosen to be in the nationwide Sears commercial casting that happened. I remember hearing about that, wanting to go so badly, but I didn't have the money or transportation to make it to any auditions sadly. And looking back at the videos now, as I was pulling references left and right, it looks like they wanted actual kids, not teenagers. ;-; Anyway…

I do appreciate you all if you read this far. I really do. I may not talk much to anyone, but that's just because I'm so used to being a lone wolf and an outcast. That doesn't mean that I don't care for anyone of you that I follow. I hold a lot of you in my heart, and think about you often, I just, again, am so used to being alone/lonely/a loner….. bad habits die hard, for real. But I do make it my business to show love when I can. Because even though I may not talk much, all I wanna do, is show love, and give love in return, because it's what I desire to have the most. Love.

I have a few fanstagrams dedicated to Zendaya. I even attempted to make a separate fan account on twitter that was actually a fan account and nothing more, just so I would look 'normal' to the Zendaya fans that follow me, but I simply couldn't do it.

'Zendvyaa' is my home, you know? It's where I show my love that I have for Zendaya as a fan, and as a writer who just wants to write; I choose to rp as Zendaya too. If you don't like it, can't get behind it, or whatever. That's fine. But if you can't understand that I too, am a fan of Zendaya, that just shows it in a different way? Then my account really isn't for you. I don't mean to be rude.

Anyways, I do plan on writing an actual para soon. I have these feelings that I want to write as Zendaya/Daya, that I want to get out soon. I hope that when it does come out, you all show kindness, love, and understanding.

Happy 27th Birthday, Zendaya!!! <3 Thank you, Daya's writer. <3

#rp #para #celeb rp #indie rp #solo para #TATYIHB #solo: to all the years I've had before

[defdaily]

‪[TRANSLATION] Arena Homme+ Magazine April 2021 Issue featuring JAY B

Translated by defdaily.

JAY B is free and starting again from scratch. That is what JAY B has in mind. GOT7’s leader announced that he would be leaving JYPE as the group stays together. JAY B is preparing to debut as a solo musician while planning to also release mixtapes and hold exhibitions as Def. We had a chat with JAY B, who has gained more freedom and strength, at the swimming pool about courage, depression, literature and aspirations.

Did you come here alone?

Yes. I took a taxi here. I was the type to go around freely even when I was in JYPE but catching the taxi to work this time around felt new.

All GOT7 members decided to leave JYP but stay together as a group. As a leader, you needed to make a decision, right?

Although we ended up leaving JYPE, we wanted to continue as GOT7. We all agreed to leave [JYPE] and try it between ourselves.The product made from me taking responsibility/taking charge was the single 'Encore’ that was released not too long ago. I was involved in the whole process with a new record label. I was happy to see a good response [to the single]. It was lacking in some areas but I was just very proud that we were able to show a different step. Since we showed through this single that “we did not disband”, what’s next is more important. When we left JYPE, Director Jung Wook mentioned "Your role as a leader starts now." I'm realizing it now.

”I wanted to learn everything about the process of releasing an album and how difficult it is. I wanted to start again from scratch.”

Your role as a leader actually starts now.

I used to find the role of a leader burdensome at times but now I feel a greater sense of responsibility. While supporting each person’s journey, I thought I needed to be the one to step up once we got back together. We also talk regularly in our group chat. Not long ago, Jackson went to China. When Mark went to the USA, I could see him off but when Jackson was leaving, we couldn’t be together because of a schedule. So I told him to have a safe flight, apologised for not being able to see him off and thanked him too. He replied saying he’ll take care and be back.

What motivated you to leave the large agency you've been working with for a long time?

The thought came to mind suddenly as we were promoting as GOT7. Am I taking all these benefits I get for granted? When a schedule is released I just do it, and when they ask me to confirm things I do, but what kind of long process has it gone through before it came to me? Who sends a request and how is it processed? Why am I only waiting until it reaches me and simply watching it unfold? I wanted to be directly involved in that process. I wanted to learn everything about the process of releasing an album and how difficult it is. I want to be humble and start from the bottom again.

Didn't you need the courage?

Of course I did. I was also afraid. My position has risen to all the way up here, but when it comes to my actual knowledge, I think I'm only down there. I was afraid that the difference would feel too big once I left the company. But I think I would have been more afraid if I stayed at JYPE. Since that difference would have grown bigger and bigger. My real self is here, so I should face it head-on a little faster. That's what I thought.

As JAY B or as Def. who releases mixtapes and holds exhibitions, you must have had the desire to do something new.

I want to do research and build it up step by step without haste. JAY B will show hip hop and RnB music that appeals to the general public and Def. will do activities that Def. wants to do. It could be mixtapes or exhibitions, or other different kinds of fictions. Def. is the nickname I used as a bboy before I became a trainee. It’s like air floating about freely. It could be house or soul or acoustic or even modern rock. In a way, you can say that Def. is close to my “main self” but since I debuted as JAY B, I’ll also show a devoted side of myself through JAY B. I want to be a person who can do both what he has to do and what he wants to do freely.

Listening to your mixtapes, and hearing that you like the styles of D’Angelo and Ray Charles, you seem to be attached to the Southern US rhythm and blues and soul music.

I do like them a lot. I like the entire hip-hop culture that originated from there. That culture also includes DJing, graffiti and even bboying. Since I started as a bboy, I would look up older videos to watch, study the culture and also look into what each dance move symbolizes, with my bboying crew and that's how I became fascinated. What captivated me the most was their obstinacy. I felt respect towards the conviction and obstinacy they carried with their culture.

Is that mood still incorporated in your music and dance?

Yes. For example, I don’t think choreography is dance. I think dancing is when music plays and you like the rhythm and start humming and bobbing your head and moving your body. I think dancing is a free act you do out of enjoyment.

What was the reason you joined an idol group after starting out as a bboy?

I gained an interest in music too, not just dancing. When I was young, I listened to D’Angelo’s music and wanted to become a singer like him. But I was rebellious when I first joined JYPE. Haha. I was even suspended for a month once as a trainee. I definitely said hello but they said I didn’t so they said "If you're going to be stubborn, then go home" and me with my young heart replied “Then I shall head home.” and left. Then I met up with my bboying crew after a long time, and in just a few months it turned into a different world. The crew members were above me and I was worried because I could feel myself far away by myself. Should I go back to bboying? Should I continue as a trainee? In the end, I wanted to do my very best in whatever I chose so I decided to focus on becoming a singer. Since I wanted to do music, it was a choice I made with no regrets.

You started as a dancer and ended up as a main vocalist. What was music to you back then?

It was a challenge. Trainees are divided into singing and dancing. I joined as a dancer but what I wanted to do was become a singer and not just do dance. But since I was put into the dancing division, I worked even harder with singing to break that prejudice. I often felt defeated. I still feel defeated with singing. Haha. But music is about endless research. Now it’s more about research than studying.

You grew up as an only child to your parents who did farming?

I was an ordinary kid. I enjoyed Haruki’s Colorless Tsukuru Tazaki and His Years of Pilgrimage and thought the “colourless” kid was just like me. I was a calm kid who helped his parents with their farm work. I don’t know if it’s because I don’t have any older siblings but they said I used to talk to myself a lot. My mother said there was a way she would know if I was home or not. If I was home, she would hear me talk to myself and be like “Oh really?” “Yes really” haha.

It’s extraordinary to read Haruki at that age.

There was an older friend that I knew and he was really cool. He looked really cool reading on the bus with his legs crossed. He said “Hey, Read a book and build up some knowledge.” As I was trying to be cool like him, I gained a favourite author and started reading more since I enjoyed it.

What kind of books do you like?

When I was a teenager I often read Kafka On The Shore. It felt like Kafka was just like me, and so while reading it, I even cried. The style of Murakami Radio was also interesting. The ending phrase “But I like that more…” was very witty. I’m collecting books from secondhand bookstores from authors who won the Young Author awards. I like Lee Jang-wook's short story Byeon Hee-bong. The main character knows the actor Byun Hee-bong, but the world doesn't know him. He would ask "Don't you know Byun Hee-bong from the movie The Host?" But no one knows. I like stories that don’t intend to be funny but they end up making me giggle.

What do you read these days?

I try to read poetry. I purchased and read the first volume that appeared on Moonji’s Poetry Collection, but it has too many Hanja characters. Haha. I started with Munhwak’s Poetry Collection. I have volumes 1 to 85. I also read poet Park Joon's collection of poems and poet Lee Eun-gyu's Affectionate Name. I even underlined and wrote things down.

Among the idols and musicians I’ve met, I think you are the most extensive reader.

We went on tours often and we would have a lot of time in my hotel room. When I went out I took pictures and when I stayed in my hotel room I read books. When I go on an overseas tour, I pack around 30 books in my suitcase. Then I bring back the books that left an impression on me, and those that didn’t sometimes I dispose of them there. These days, I look for independent publications too. I often look for independent publishing bookstores in Nakseongdae or Haebangchon. There are many books that contain honest stories that are not refined, and the power of those sentences is great.

How does reading influence your work?

The poetic expressions with poetic license help when writing lyrics. You read a new sentence and think “What is this expressing?” You receive inspiration from that image being expressed in a new way. I think of lyrics as poetry too. There are times I write how I feel honestly, but when I want to include a certain meaning I’d want to write the lyrics like poetry.

In your photo exhibition <ALONE> last year, you took pictures of objects and signs in the middle of the road.

Wouldn't it feel very lonely if you think about it from an object’s point of view? The camera captures just an instance but the object will stay there. I think each person has an insatiable loneliness. I like the artist Seonglib’s works, and I feel loneliness in his drawings. I don't know why I keep talking about loneliness, I guess I’m familiar with loneliness.

Seems like you take more pictures of objects and landscapes than people.

I don’t really like taking pictures of people. You can clearly see a person’s emotions in their eyes. I prefer hiding things rather than revealing them too much. I prefer objects, backgrounds, and natural objects rather than subjects that openly express 'It's me!'. Tranquil things, I like when you go past something and go “that’s how it was.” I try my best since my job requires being presented to people but that’s also how I am.

Who do you like as a movie director?

I like Woody Allen’s directing. My favourite is Match Point. It's a love story that goes beyond taboos, and it's electrifying. The face of the actor who secretly asks the reunited lover to give him her number remains in my memory for a long time. How could he direct such a real-looking, raw look in their eyes? When I was a theater and film major, I used to take directing classes rather than acting. If I were to direct a film, I would like to shoot an eccentric witty romantic comedy like Love Fiction directed by Jeon Gye-soo.

Are you self-conscious as an artist?

I’m interested in a variety of genres, and interact with crews often, but I think goofing off just because they are an artist is an arrogant attitude. Everyone is their own artist, no matter what they do, right? I'm not trying to be pretentious, I just think there's a difference in expression, and people who work in the office are also doing their own art. That’s why I’m a little shy about the title “artist.” Is there a need to be puffed up with pride because I’m an artist? I’m just a person.

While filming for “What's in my bag” and revealed your medications for depression and panic disorder. When did you face your depression?

I didn’t know I had depression. I thought I was being weak for a short while and let it pass. But on an occasion I got examined and found out I had depression. They asked how I lived by without going to the psychiatrist. I said I just thought I was the type to feel blue. Haha. I’m the type that doesn’t show [what is wrong] but they said I was in a state where I needed treatment. After going to counselling and taking medications, I’m much better now.

“I just wanted to talk about it. It may not show, but depression is both a common and dangerous illness.”

I think you’re cool for having the courage to talk about this.

I got diagnosed and looked at the people around me. There are friends who are ashamed of it and try to hide it, and there are friends who talk about it as if it’s insignificant. I just wanted to talk about it. It may not show, but it’s both a common and dangerous illness. A mental illness is an illness too. Among my fans, or those who read this interview, if there is someone who feels depressed, don’t be ashamed of it and I hope you receive treatment and overcome it. It’s not an embarrassing thing and it doesn’t need to be hidden. And I was filming content where I show what’s inside my bag; I can’t lie. I wish everyone would be healthy.

Are you bad at lying?

Yes. If I have to tell a lie, I think it’s just better to not say anything. Since I’m the type that’s honest and straightforward, I also don’t like beating around the bush.

Can you share a way one can take a step forward towards recovering from depression?

Look at the world in a broad view. Know that there are many places you haven’t been to yet and there are many things you haven’t felt yet. It's also good to take a walk and go off your usual route and take a path you've never been on. Small adventures can also be of great help. Just by leaving the house you’re already halfway there. I think there are more ways you can refresh yourself outside rather than inside. Also, I thought I was an honest person but after being diagnosed with depression, I thought I should be more honest with myself and more faithful to myself. At times like this, think of yourself before others.

What do you believe in?

I just believe in god. I don’t have a religion. I don’t know what kind of existence god is but I do believe that there is a god. When I’m thankful or am having a hard time, I pray. “Thank you.” “Please let me get through this wisely.”

What is the greatest motivation that moves you?

As long as I’m alive, I want to continue doing work that will leave a message. I believe that there is no next life. I think I should live this time diligently to the fullest. To have no regrets.

Translated by defdaily.

#jaebeom #def. #lim jaebeom #jay b #GOT7 jb #interviewtrans #jb trans #jb interview #defdaily:trans

[turnaroundroundround]

Morimyu in Classical reference

So, as for the fact that music in Morimyu Op. 3 resembles classical music in both progression and musical technicality, it's interesting how it's possible to keep coming up with different interpretations after re-watching the musical again and again.

I've made a thread on twitter about this before, but 1) word limitations and thread will never be enough to list all that I have to say lol 2) I'd prefer to have a fuller version noted down, especially one that I can edit and keep coming back over and over again when ever I come up with something new.

Either way, I am still (lol) not a pro in music theory and music history as well. All that is written here are based on my very very basic knowledge on music as well as something that I've picked up (and discussed) with my friends after watching Op. 3.

What's the point of this?

Why is it important? Lol I always need this to keep myself from writing off-topic but anyways. Why do the music sound good (except for the fact that because it does lol), and what do they represent? Surely there must be, and there always are, other things that are implied not only through the lyrics but also the music, and the flow in general.

Apart from the lyrics and the lines, it's also quite interesting to have a close look at the music - melody and harmony itself - to see how they portray the stories.

Most importantly, the continuality. How did Morimyu manage to insert so many songs and still managing to connect them as a whole? And how did they use music to go beyond what's on the pages? That's the most important thing about musicals - beyond the pages. We don't see stage or anime doing so very often, as they mainly focus on what's already there, bringing them to life as close as possible to how we imagine things might happen.

As for musical, they have the music. They have the arias and the songs. At some point, a character starts singing, and other characters followed suit. They have their very unique way of expressing the plot, and they have the orchestra, the arias where characters get their solo song, and the duets between characters with strong relationships, and the ensemble which emphasizes the plot, and so on.

A funny thing about duets in classical opera, they're often meant to show lovers' relationship because of the harmony but can also use opposition and all to show enemies' relationship. And in SherLiam's duet it's just both of them at the same time - thoughts connected while engaging in a chase, a hide and seek game of mystery. We'll go into that later.

Back to the topic. Morimyu follows the main plot strictly, but also uses their advantage with music to add all the side details that wasn't told in the manga to create a "complete" view of the plot. It is always available for musicals to do something unexpected (like how we never expected Lestrade's puppet show to be a whole 5 mins long piece lol). And where they did that they added arias and duets, they allowed moments where characters express and developed their emotions as well as going with the plan (yes Albert yessss). Of course there's both a good and bad side to this all the while.

💛 The good thing is they went all the way to show us sides of emotions that we don't see much in the manga or stage, the sides of the story that all of them have kept hidden while focusing on their grand plan. 💛 But then it does get too emotional at some point, especially those who came for the plot and the mind games behind all of it (like me - although I won't deny that I had a lot of fun picking out all the emotions behind the music here lol).

Musicals can always go beyond what we knew. As for Morimyu, their music is heavily influenced by opera and classical music, and it's shown quite clear. There is live music playing (instead of the entire orchestra we have a violin and piano duet), and they have distinctive arias and recitatives throughout.

So thanks to that, it's also possible to use a reference from classical music to interpret their songs.

A Sonata formation - The Narrative Series of SherLiam

Yes, songs arranged and analysed with reference to a Sonata formation, especially in the way they progress through the play.

Some notes before getting into the point

1 - Sonata = a piece of music consisting of several movements - very often 3, sometimes 4. First movement-Allegro: With the quick tempo, introducing the theme of the entire Sonata Second movement-Adagio/Largo: Slow tempo, can be emotional sometimes, as well as leading more towards the final movement Third movement-Rondo Vivace: The ending, quick-paced and vigorous, leading the Sonata to a close. A Sonata always has a general theme, a topic. The theme that I chose to write about is Mystery - the Hide and Seek game between the Detective and Lord of Crime

2 - Aria and Recitative = different types of songs used in an opera Recitative: Lines within a song that happens like a real conversation, as the characters sing they are also talking to each other Aria: A solo section where everything else is a freeze frame, while one actor remains and sing their own song about their thoughts, feelings, etc. In this post we're mainly discussing the arias of Sherlock and Liam, and the duet between them. But there's also some mention of recitatives here and there.

3 - Videos used To make it easier to understand which songs I'm talking about, I also arranged them in piano. And also to have a listen at how they might connect. Just in case the videos beneath don't work (they didn't work on my phone), the three songs discussed are Nazo, Liam's solo, Kokoro no Rondo, all piano arrangements.

All of the songs noted in this section are arias and duets from Op. 3 - the Ghost of the Whitechapel. The additional "series" that Morimyu has added spreading throughout the play, Sherlock and Liam's narratives, which portrays both their emotions and the chase between the detective and the Lord of Crime.

First Movement - Allegro: Nazo(謎) song

Starting from Lestrade's exit after his puppetshow and proceed to the scene, Sherlock's aria introduces the theme of the imaginary hide and seek game that the Lord of Crime has started. The song repeats the word (mystery) over and over again with a continuous rhythm.

Ends with Sherlock just mumbling the word Nazo (mystery) and exiting the stage - no conclusions, just like a mystery that leads into further mysteries with no answer.

♛♛♛ In regards to a Sonata formation, this is the beginning of the entire piece. Quick in tempo, written in 3/4 time and introduces the theme of the entire piece - Mystery.

Uso ka Shinjitsu ka - Lie or Truth song

Starting after Sherlock learns the truth behind Jack the Ripper, wondering if Lord of Crime is a good person after all.

Now I had a really hard time thinking whether this piece should be included or not. For one, it's not an aria. It can be viewed as a Da capo Aria, a development section of the Nazo song, repeating the theme that is introduced, coming and going rather quickly. So, for continuality.

It also does not fit into the series as a whole, being 1) a recitative. The lyrics focus entirely on Sherlock's deduction and whether he should expose the truth or not, etc. so on. 2) The lines in here, unlike the other arias, are taken directly from the manga, so it's not entirely an 'added' element to this chase. 3) Also because if we compare this to a Sonata form, this doesn't really fit anywhere

However, among Sherlock's arias, this song can also be seen as an interesting development as I have mentioned above, so I've decided to have it here, still.

There's another thing about almost all of Sherlock's arias throughout the 2 stages - they never have a conclusive end. The detective's mind is always running, mysteries after mysteries.

Most of the other characters' songs ends with some kind of closing lines, and piano continues to conclude the piece with a strong end, and then goes on to start another piece. All of their problems in the songs are concluded. They made up their minds in some ways.

But Sherlock, his songs always end with him repeating the melody, a capella, and exiting the stage. Piano waits for him to exit, then starts a new song. Or in Op. 2's Mindgame case going straight into the next conversation. We never get to know how Sherlock's songs end, because they didn't really end at those points. There's a hanging sense of waiting for a resolution, a conclusion. Sherlock never seems to have his problems solved within the songs, they just go on and on.

An idea initiates, then something happens and he is once again in the dark. And he spins around within his own mind.

Screenshot from Op. 2. Even if we look back to his aria Mindgames from Op. 2, this song doesn't really have a conclusive ending as well. He just starts singing, the music stops and he starts shooting and going on, resuming the play. It kind of has been a thing for Sherlock's arias?

Second Movement - Adagio/Largo: Liam's solo

♛♛♛ The "second movement" - the 'slower' piece - of the series, Liam's aria lol but actually the piano part of this song isn't slow at all but ok. The other side of this hide and seek game. The "development" section of the sonata series, where we see things in a much more emotional way.

This aria is much richer in harmony and melody. Not only Liam's melody, but also the piano's part which plays a beautiful melody in harmony.

I recall an interview where the stage director mentions how the "orchestra" - piano and violin are representations for Liam and Sherlock. It kind of applies here, where his music is created mostly by piano.

There is modulation, emotions rising and elevating quickly and strongly. But the harmony is beautiful, overflowing and rich with emotions. The song repeats certain lines, emphasizing aspects within Liam's thoughts.

Unlike Sherlock's train of thoughts that circles with no destination, Liam's solo has a definite ending in harmony -> Even with all his emotions in mind, Liam still has a goal already set before him. He has a brief moment of slowing down, pausing and sung about his feeling, before resuming the story.

Leading us to the final stage - Kokoro no Rondo.

Third Movement - Rondo Vivace: Kokoro no Rondo

Rondo formation: Rondo is a type of dance that revolves around a pattern, often ABA, ABACA, or ABACABA - where A is the ritournello ("meguri - kimi ni omou - meguru kokoro no rondo" section) that is repeated over and over with B, C parts in between. Rondo can also be combined with sonata form - this case applies to this song which begins with a key other than the tonic (Fm) before resolving to the tonic key (Fm) to put an end to the entire sonata series. For reference purposes, the last movement of Beethoven's Pathetique or the very typical Fur Elise is also written in a similar format. I also referred to Pathetique quite a lot when brainstorming this post.

♛♛♛ The "final movement" of this Sonata, the final scene of their "Hide and Seek" game. The song's tempo is vibrant and rapid, combining with the dancing sense, all the while strictly following the structure of a Rondo as mentioned above.

This is the stage where Liam and Sherlock's line interacts and reply to each other, as if in a real conversation - just like how the connection between them are now much stronger than what they had before.

In the ritournello, we have Liam and Sherlock's lines intertwining and chasing after one another, emphasizing the "Hide and Seek" element between the two of them.

The song comes to a definite ending, concluding with a strong tonic (Fm) chord. At this stage, there is no more question to be left open, for Sherlock at this point has already made up his mind to take the next step into solving the mysteries regarding the Lord of Crime.

Their imaginary game of Hide and Seek is coming to an end, as Sherlock came to a decision to take the next step - going to Durham.

That's the end of my first draft.

So far that is some of my thoughts noted down right after watching Op. 3 stream a while ago, with some edition made just now.

On the side note, at some point during my discussion with a friend, we also came up with the idea that a Suite may be a better reference. A Suite consists of 4 parts and a prelude, each of them having their specific characteristic. But we didn't go all the way analysing that idea, as 1) we couldn't find a 5th piece that can be added into the series. 2) Even if we did, the Truth or Lie song still would not really fit into the "aria" vibe of this series, as mentioned above.

But then quite interestingly, after a while, I've found another interesting fact that should have been quite obvious but I've missed for (lol) like ages.

The game of Hide and Seek between the detective and the Lord of Crime has begun ever since after Hope's case - that being said, ever since the end of Op. 1

And what is it that we have in Op. 2? "The Mind games of the Lord of Crime". The one where Sherlock went maniac rapping about all the thoughts he has and end up shooting randomly into the wall.

At first it begins like another recitative, but in the later half, the harmony starts to become more harmonious, written in 3/4 time flowing like a dance.

In that section, the melody of the piano and violin part resembles the one we have in Kokoro no Rondo, the Ritournello section, only that the melody of the violin in Op. 2 and the melody that SherLiam sung in Op. 3 are kind of reversed.

Coincidence much?

So now we have a collection of songs from both Opus, it becomes tricky. How do we connect them? And what's the story?

At this point, all these recitatives, aria and duets all in the theme of the Hide and Seek game. And they all connect to each other through harmony, progressions in harmony.

We know that the Mind games of the Lord of Crime has begun from ever since the end of Op. 1. We know that Sherlock keeps wondering about that in Op. 2, and then he wonders even further after he has been tested by the Lord of Crime. "また俺だけのメッセージなのか?" - Is this a message just for me?, as he wondered in the Truth or Lie song. We knew all of that. But Morimyu didn't let that stop them from emphasizing on this subplot even further.

They didn't let the gap between Op. 2 and Op. 3 stop them from making a smooth flow in plot either.

Correction, they didn't simply create a flow. They established a connection, all the while showing a strong progression of Sherlock's thoughts that goes on from Op. 2 straight onto Op. 3.

Very often, what makes a good plot is how their plots and sub-plots intertwine with each other. Morimyu has a main plot that follows Moriarty gang in the plan of changing society. And they have a smaller plot told from Sherlock's side of things. And they have this sub-plot told by harmony of how Sherlock is connected to Liam, or the Lord of Crime, by an invisible thread. A connection that is only expressed that clearly in Morimyu.

We have so many things going on, so many songs throughout the play. But each of those elements are all connected to something else, creating a sub-plot that enriches the main plot.

There is no loose connections. For everything that connects to the main plot, they're also linked to other elements. Each scene and every song has their own meaning not only in regards to other songs, but also to the plot as a whole.

Also, did I mention how Morimyu feels like a grand piece of music?

Opus -> What classical songs had that basically shows the order in which they are written. Morimyu - a title piece itself - has 3 Opus, 3 different parts with the same theme.

Classical music very often had all the different elements in it -> Morimyu had an overture, the song they sing just before the main theme song, just before introducing the stage. Then arias, ensembles and choruses. All of them are connected by similar harmony.

Classical music always had a big general theme, with each section having a smaller sequence connecting to each other. Subplots within a big plots. A Sonata piece has 3 movements, each having their own "sections" of development - expositions, development, recapitulation. -> Morimyu does the same to their plot and subplots, as discussed above.

Also, Opera reference

While Opus 2 used an opera reference to tell the story, I feel like Opus 3 has become an Opera itself. During Op. 2 the arias were mostly very loyal to the manga, taking their lines from the original work, like the Mind Games song. Their story progresses steadily but logically.

However starting from Op. 3, the aria became more independent. They developed and expressed even further what wasn't said in the manga. For instance, the 3 songs mentioned in the "Sonata" above. And there's also Albert's solo, and Patterson's solo and Milverton, which I haven't got the chance to discuss all.

But either way, they spring out of the original story, adding more emotions and "colours" to the characters. The aria became more original, all the while also much more expressive. We get to see new sides of the characters that we haven't seen anywhere before.

Anyways, it's probably time to go back to the main question: How Morimyu used music to go beyond what's on the pages.

-> Musicals aren't simply about music added to acting. The characters on stage don't just simply starts singing for no reason. All the songs are meant to express something, and while they do they also establish various connections to the plot's progression.

We don't get to see much of the characters' emotions in the manga. And we don't see much of the side story, the finer details behind each arc. Every time, Morimyu adds something original to enrich their plot. They express and develop what's already known to all the viewers, especially regarding the emotional and motivational side of the characters.

-> The manga shows us the entire plot, with details related, back stories that lead to the present, and all. But it doesn't give a lot of hint into how characters might feel. Surely, reading between the lines, it's up to the readers to interpret them.

But Morimyu gives us all of that, and they leave it to us to read between the music.

And even if we didn't, that's fine. Then the purpose of all of them linking together would be to create a performance where everything is connected harmoniously, allowing us to be emerged in the world of Yuumori.

-> The purpose of having a stage, primarily, is to allow the audience to engage in, experience and feel the emotions along with the characters they see on stage. The point of having a live stage, a plot, and the music, are all to let us emphasize with the characters on stage.

In Morimyu, we aren't just watching a plot between our favourite characters happening as we know it from the manga. We see a combination of mysteries unveiling slowly, the stories on the side of each characters as they slowly progress forward, as well as emphasising with their emotions in the story.

That's what I really like about Morimyu.

So, WHAT'S THE POINT OF THIS?

So I had to scroll back to the top (lol) to quote this and make sure I haven't gone too far from the main theme.

Regarding musical Yuumori, there's always so many things I'd like to talk about. And if I start going on about it then it only gets harder to focus on one single topic.

Since the topic here is Morimyu and their music, especially in classical reference, I've tried to keep everything I've discussed relevant. But whenever I start on something, there would always be something that comes to mind. Like how other songs might also have certain connections, or how they used stage directions and lightings, etc. I really want to look more into stage directions in Morimyu as well, but that would have to wait...

Anyways, I tried to keep this as simple as possible. When I sent the first version of this to my friends, I keep having the feeling that I got too technical with all the theories about harmony and structure lol

And once again, this is only some of my own interpretation of the series that I've picked up.

If something else came to mind... well. Either way, for the purpose of engaging in their wonderful music or for the purpose of watching a beautiful stage just for enjoyment, Morimyu definitely is worth watching. And to watch over and over again. I've said this for Op. 2 but I'll say this ten times as much for Op. 3. Truly magnificent.

And, that's pretty much it that I have for today, I guess.

Thanks a lot to all my friends who gave me lots of inspiration and motivation to complete this ヽ(・∀・)ﾉ Lots of love to @rikaaki as well ヽ(・∀・)ﾉ

#Youtube #musical moriarty the patriot #musical yuukoku no moriarty #yuukoku no moriarty #sherliam #random thoughts idk why #didn't mean for it to be this long but still just random thoughts I'd like to get down #still love this series too much although I feel like I've watched it too many times #harmony analysis I'd like to call it but there wasn't a lot of harmony analysis going on either #morimyu #morimyu and how their music is just extraordinary

[nighttimepixels]

Just wanted to let you know that... I'm trying to learn the little sign language, at least a little bit with your comic. It's always been a language I wanted to learn, both ASL and my native language, in fact. Say, why snd how did you learn this language ? If it's okay for you to respond, of course, I don't want to urge you or step in a line I didn't know was there

Oh, that’s awesome-!! I’m so honored you liked it ;v;

To answer your question - I’m not fluent in ASL, not at all! But I’ve picked up bits and pieces over the years for a lot of reasons. Some of it was media I enjoyed, more came from having a few friends that were struggling with selective mutism and wanting to be there for them even with a few signs, and more yet was just… personal interest!

I’ve learned everything I know of ASL online, but I of course rec joining a class or even just community group if you have access!

There are several wonderful sign dictionaries out there - with videos, picture sequences, and GIFs of the signs in action - and that’s a great place to start just picking up a few that are most important. Also… videos on Youtube, allllll the way. The great thing about ASL too is that even if your sign vocabulary is still small, if you learn your sign alphabet, then you can make tough spots work by spelling out words - and asking for the official sign by spelling the word out!

The thing to remember about ASL too is that… it isn’t just a ‘modifier’ to English.

There’s a lot of ease and benefits to the obvious crossover, but… there’s culture, there’s tics, heck, there’s different grammar rules! A lot of ‘extra fluff’ is left out of ASL because it’s absurd to leave it in, it’s not needed, and it’s just not part of the language for good reason, and more importantly, without detriment.

For example- in Part Two of the comic, I show Brick signing along to the dialogue as in-fic, “seems like I…. made an impression.” Now, in spoken English, we can envision the tone used, and so on, really easily, right? And the signs translated to that sentence. However… the actual signs used strictly translate to:

seem

I

impression.

A big reason why I chose those, in that order, is because part of Brick’s story is that he isn’t yet fluent in ASL - he’s still learning, and is actively searching for words & their corresponding signs! I get the feeling he’s ‘thinking’ in spoken English, and is translating in sign as best he can. (but idk, @popatochisssp is obviously the best one to ask on that front, I’m just interpreting and checked a few details with her as I was working on it X) )

I considered adding the sign for “big” in there before impression, but for space & dialogue translation reasons I ended up leaving it out - even though, tonally, that might well be what someone signing would choose to get across the same impression - or just emphasize ‘big’ using their body language!

That’s one of the things I love most about ASL- that it is just as expressive as a vocal language, despite what it seems like a lot of people think. Maybe it’s bc I’m an artist & animator, but the use of the body beyond just the ‘hand motions’ is just as important… and relays a lot about personality, just like someone’s voice and basic, more simplified body language might.

(On top of this, consider ASL’s different grammatical structure - you can read more here, it’s really cool - but basically, commonly you’ll see Subject-Verb-Object or Subject-Verb order; and if time is involved, then you might see something like “WEEK-PAST I WASH MY CAR” or, depending on the user’s vernacular, they’ll favor the subject-first style, and sign “MY CAR WEEK-PAST I WASH”. Point is, there’s variation just as in spoken language, and reasons behind those choices!)

.. okay I’ve rambled too long XD

Basically, I myself started learning bc I was interested for several reasons, both personal and bc I’m a nerd who happened across ASL content online (a couple bloggers, a few stories). I recommend just keeping it in your personal orbit as much as possible if you’re interested in learning! Read comics with sign, check out shows/movies with characters who sign, and definitely check out bloggers/youtubers who sign (and I always rec people who are HoH/deaf and/or mute most of all!)

TL;DR, if you get nothing else outta this post but are curious about Sign Language here’s some video-based Signing Content to get you interested/follow!

Things Not to Say to a Deaf Person (feat lots of BSL - British Sign Language - actually! But it applies across the board and is cool to see signing folk bust some bs)

I Can’t Hear Myself Speak! [CC] by Jessica Kellgren-Fozard, who is a lovely disability advocate & queer lady who is also Deaf/HoH! She talks about how she can’t hear herself speak in this video, and the varied ways deafness/being HoH can be manifested, and a bunch of other related things. (Link includes the playlist she has for her videos on Deafness - she signs in BSL, so don’t worry if you know only bits of ASL and don’t cotton on to her signing!)

ASL time - Top 10 Basic ASL Phrases for Beginners by Nyle DiMarco! You might’ve seen him around - he’s that super nice deaf model who went viral in the past few years on a few videos! He’s got a short series about basic ASL (and him being cheeky) that’s actually a big fave of mine bc he phrases it like a conversation, not just disjointed phrases.

How I Learned Sign Language From My Deaf Boyfriend by Sign Duo! Honestly, their whole channel is great. Tons of vlogs, they both sign the whole time of course - and they’re just really relatable, they feel like conversations - plus they’re both just really likeable. I strongly recommend any content that actually features two+ people fluently signing, but these two are great and informative. Also, I recommend their video My Deaf Boyfriend: Why He Doesn’t Use His Voiceif you want to know more about that cultural choice/inclination. Remember to turn on closed captioning if you aren’t fluent in ASL! :)

How Do Deaf People Experience Music? an interview featuring Shaheem Sanchez, a stellar deaf dancer and actor. Like I said earlier, I really really recommend learning about Deaf/Signing culture alongside the signs themselves. The context is incredible, and honestly, broadening your understanding of any marginalized group by learning their stories as told by them is a good thing in my opinion.

Dos and Don'ts of Interacting with the Deaf Community [CC]by The Essential Sign. Again, turn on CC if you’re not fluent in sign - her videos are great! This one’s a great cultural one for those new to signing/who want to learn about deaf culture. She busts some common misunderstandings and shows some course corrected alternatives that are actually positive, and encourages you how to move forward without stumbling over insensitive landmines! Similarly I super recommend her video What is Concentration Fatigue? (with RIKKI POYNTER) [CC]which talks about something you don’t see mentioned as often, I think - precisely what’s on the tin.

… aaand I’ll leave it there for now, I think those are good starting points and a variety of styles! Deaf/ASL-fluent vloggers are a great resource and way to, even if you’re isolated/don’t have a practice community, get regular exposure to sign as well as actual first-hand (heh) accounts from people who sign in their everyday life!

#night answers #about the Tangles comic #about sign language (but yeah disclaimer I'm not Deaf/HoH and am just attempting to learn as I go!) #I'd have to say that Sign Duo probably have the best ongoing vlog channel of this list (for ASL - Jessica's channel feats BSL so I rec that #but all these are good #idk just - stoke that curiousity! #that's always my stance #the fact that you're interested is so so good #hopefully this helps! most of all the videos i'm guessing pfff #thanks for your kind words ;v; #kyonesan

[loudestcloud]

BNHA Character Theme Songs!

PT 1

PT 2: Class 1-A! This part is in class seating order so it's easy to remember.

Part 3

Aoyama - This is from a kids movie called 'Monster in Paris' and is a funky little song and their love of the The Seine but can be taken as just a romantic song in general. It has a nice dance rynthem and is generally a good time. Not a lot of people know this movie from my experience and it reminds me that not a lot of ppl seem to like Aoyama and I don't know why cos he's wonderful.

Mina - it's a nice dance beat, nice and good vibes, relaxed lyrics and positive. I was considering Dancing queen by ABBA but it felt a bit too feminine and not all the lyrics fit so I went for my original choice I have last year. Ngl hers is one of the only ones I've kept the same 😅

Tsu - She give he huge Kero Kero Bonito vibes and I choice Flamingo because it's the most popular one of hers so it's iconic and super recognisable. I was considering Trampoline but that was a bit more of an Uraraka vibe in some places and the others just didn't fit as perfectly as Flamingo. It's a song about being very accepting and it very high energy.

Iida - Originally, I had Little Dark age for him because it reminds me of his thought process over Stain. Then it was Born to Run by American authors but it sounded a bit too rebellious for him so we have this choice. Mostly because 'Its in my blood' but over all it shows hjs determination.

Uraraka - My place holder for her was Gravity by Against the current but it sounded like X Jiro cos its romantic so I chose this new one as it was the first one that came to mind. It's about growing confidance and learning to relax a bit but also talks about gravity and starts a lot. I also like that it's the same album as the DekuSquad song because she's a big apart of that.

Ojiro - His was a struggle to find because I couldn't find one that I liked. When I think of him I think loyalty, pride and martial arts. I would have liked to find something more about his personal but no song jumped out at me so I decided on a lofi background style for him that has a Japanese style to it. Ojiro doesn't get much spotlight so I think a relaxing background song is great for him. You can listen to lofi on it own if you want but not a lot of people do. It's a background sound.

Kaminari - Buttercup makes no sense at all but it's a wonderful vibe and a good time! It made me think about him all short circuited but also just because he's fun to be around. I was going to have 'My name is...' by Once monster but it sounded too intense for Kaminari so I stuck with this one.

Kirishima & TetsuTetsu - Okay so as you can see by there being 3 songs from it, I love this album. So much. Every time I hear 'Gotta go hard' and 'My strength and my honour is trusted by children' I think about Kirishima. TetsuTetsu is included because of the hype man in the back, 'You gotta chose a side' and 'I ain't got no time to be hangin around' makes me think of him and honestly, I think they'd enjoy having a song together.

Koda - This one is usually used for him and I've always agreed so much so that I can't think of anything else. Koda is such a sweetheart and I do just wanna see him be brave. I wanna see his confidance grow more and more each day 💖

Sato - Okay so hear me out. When you play it, it sounds like it should be in a superhero movie fight scene. But, it's from Bake off: The professionals. That's it, that's the reason.

Shoji - I took a long time to find his too because I wanted to find a song that had hard base but was able something sweet. Instead, I found a Lofi sunflower cover because Shoji is also in the background a lot and not a lot of people talk about him so it's he's a lofi but he's sunflower because he's still a hero but also he is quite a gentle boy and actually had quite a bit of anxiety once you get to know him.

Jiro - The lead singer of Against the current is the one who sang Hero too so I knew her song had to be by them because it'd be exactly her. I looked at all of them and it was better Legends never die and this one and as iconic as the latter is, I chose Brighter because 'i want something more' reminds me of her wanted to do hero work over music and is a very powerful song.

Sero - It's a Spiderman song so that's a link but also i can't unlink it to him once I made a joke about it being him ages ago. So it's here now.

Tokoyami - It's a pretty emotional part of the movie so you get that emo feel from that but also it's pretty clear as why it him when you play it. Also Dark shadow is the 2nd and 3rd voice for sure!

Todoroki - This is not a joke. I think it fits him very nicely. Yes, it is MRC and classic emo but I feel like the beginning is about Endevor 'asking' him to be the next top pro and 'sometimes I get the feeling she's watching over me' feels like it's about Toya. Then you have then 'We'll carry on' that's about carrying the memory but also working to become the best without Endevor

Hagakure - This is such a funny sing to follow that but I chose it because it's peppy, super positive and it's 2000s pop and that's her main vibe.

Bakugo - I was gonna use 'The best' by AWLNATION but it didn't have my quirk related parts and felt like everyone talking about why they want to be the top then Bakugo saying 'na, I just want to cos I can' and while that is really good, On fire it's solo about him, his determination and has mentions of explaotions so like 💥

Midoriya - I found this this one from this video and I can't think of anything else so all credit to them but damm is it perfect. Sure Deku could have something more powerful or something like a 'Zero to hero' type song but this one is more about him and who he is with added punch for that chorus and it kinda sounds like he's talking to further heros.

Mineta - This bitch took 2hs to find one for and it was horrible to have to think of him for so long but here it is. I didn't want to skip him because like, it'd mess up the list and I didn't want to used a super annoying joke song because it's mess up the flow so I found this one and it's pretty near perfect for him. Nasty fucker that he is

Yoayorozu - This was a heat of the moment choice last at night but I woke up and read my notes that said 'Classical, recognizable, powerful & Feminine' and I mean, yeah, you right. It's The ride of the Valkyrie I don't think a better choice can be made here. The Valkyrie are powerful and smart women and the song it's while it can be played in the background isn't the type you can ignore, it has to be heard. Not because it's loud, because it's strong!

#bnha #yuga aoyama #mina ashido #Tsuyu asui #Tenya iida #Ochaco Uraraka #denki kaminari #eijiro kirishima #tetsutetsu tetsutetsu #koji koda #Mezo shoji #kyoka jiro #rikido sato #hanta sero #fumikage Tokoyami #shoto todoroki #toru hagakure #Katsuki Bakugo #izuku midoriya #Minoru Mineta #momo yaoyorozu #mha #boku no hero academia #my Hero Academia #character theme songs #bnha illegals #bnha playlist