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#how to start watching doctor who
zazrichor · 5 months
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B A D W O L F
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mwagneto · 7 months
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aq2003 · 9 months
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ten
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shadow-the-crow · 2 months
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I think i finally understand how the Distortion works. I mean, i don’t think it’s possible to ever fully understand it, and i don’t know the whole picture yet because i don’t know what Helen will be like, but i feel like i’ve just been granted a glimpse at the lovecraftian (as in ineffable) thing that is this being.
It’s not a person and a creature fighting inside one mind. There’s no Michael clawing himself to the surface to express his emotions and get his revenge.
Michael Shelley is dead. The Distortion became Michael. It sounds so simple, yet a least in my opinion it’s hard to fully understand.
I think what provides the best metaphor is a small thing the Distortion says after becoming Helen: "without a proper mind." The Distortion does not have its own mind. It’s only a what, but in order to really exist in this reality, it needs a who. It needs a body, but also a mind.
So if i understand this right, it’s like this: Michael Shelley is dead. His conciousness is not there anymore. And the Distortion got forced into that mind, an empty mind of a dead person. This doesn’t make it human, it’s still able to understand the impossible, it’s still the thing that was created to scare and kill. But in the mind it’s living in… the previous owner’s furniture is still there. It gets the dead person’s memories. It becomes Michael, in the sense that it has to be someone. Its existence got tied to being Michael, although Michael Shelley is dead.
When Michael got "emotional", that wasn’t Michael Shelley coming through. It was the Distortion grappling with the side effects of being someone - of living in a mind with all the memories and the human emotions that a human mind can’t fully turn off, even when the thing inhabiting it isn’t human at all.
The Distortion was Michael in the sense that it was thinking with Michael Shelley’s mind. When it became Helen, its consciousness, its being stayed the same, but it needed to adapt to this new mind. It could see clearer now, realizing that the windows of the previous house had been dirty, realizing that the wirings of the previous mind had driven it to do something that it actually didn’t want to do. The throat of the Spiral itself getting caught in the spiralling of its own, borrowed mind.
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i-like-media · 2 months
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Beware the blorbo rabbit hole
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variousqueerthings · 8 months
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I think it's also interesting to see how things change depending on the time in which they're being engaged with. so I see things about rose today that point out that she's written to be 19 when she meets the doctor and that's a big age difference (which... I understand the point is it's a big age difference because billie piper was 23 and eccleston was 40, and then dtennant was like 34/35 when he started which isn't so big of a shift but anyway the optics I get what people are getting at, but also I think it does oversimplify a lot of what's actually going on in the written dynamic, anyway-)
and also that the rtd run's Themes start coming together properly around s3 (although they are present from day one), and in some ways at this point, because nu!who has been running for... fuckn. actually quite a few years, which is wild to me as someone who started watching as a kid, and I wonder if classic!who fans felt the same way about their show and anyway -- she shifts from being Literally The First Companion You'd Seen For 17 Years (not counting the movie and fan things and the sketch) Who Was Defining A New Era For A New Generation to... a companion
comparable to other companions, comparable to the rest of the show
we sift through the writing to see what worked and what didn't (in our opinion), and we know how the ten-and-rose storyline Really ends, and how the ten storyline ends (sort, of because now that doctor and donna are Back), and we know what happens afterwards, and we talk about tenrose with a 2020s eye, and rose is "just" one of the people that travels with the doctor, one of several, and notably the one who gets most of the sunshiney doctor that buries a lot of the (wonderfully portrayed) angst of the latter half of the rtd show, and doesn't have as much lore as everything after that, so the story is "just" more simple overall
and to me she's kind of incapable of being just that. doctor who was still a risk that first season, it wasn't a done deal that it would have legs at all, never mind that it would continue for as long as it has. rose was created to be the Face of what nu!who was, moreso than nine/eccleston, because even with the extra angst and the eccleston gravitas, we know the doctor, the doctor is established, it's not actually the doctor that needs to sell what the new show is going to become and what the Feel of that new show is going to be (I mean, partly ofc, but-)
rose was doing so much heavy lifting and she succeeded! she was the face of who before dtennant or any other doctor or companion of his era and subsequent eras. she was created to appeal to a demographic of girls who wanted someone relatable in science fiction, because rtd wanted this to be for the girls, and billie piper came into it off the back of being a popstar and it changed her entire trajectory (for the better I think/hope -- there's a lot of bad shit in billie piper's past and I'm always sending her a fond thought)
nine/ten-and-rose were It! not calling it romantic or platonic or any secret third thing (haunting the narrative), but simply It! that's why it has so much staying power as a ship (which, my opinion on shipping has been somewhat *eh shrug* in later years, but in early-days when that was how you engaged with dynamics that got to you, of course it was going to be massive). it's so hard to properly describe how "for the time in which it was made" that this dynamic was written for, and how successful it was. it was rose that breathed doctor who -- and the doctor's character -- to life, as much as herself
she sets the stage for everything that comes next, both within and without the show proper
and I'm always so pleased that rtd at the time was thinking about what was needed to create this character and he opened with a shot from a girl on the estate with messy hair, clumpy eyeliner, and a minimum wage job, and went "that's the girl who's going to go on the adventure of a lifetime, that's the girl we're seeing the story through and relating to, because that's what girls (and uh... those who were girls at the time - and their parents and the boys) should be seeing."
I know rose isn't the first working class companion including classic!who, but she set the tone for nu!who and her family and background are important to why she is who she is, and is explored
"I've got no A-levels, no job, no future-" said the girl about to see the universe
she was very much for teenagers, and so she reads differently when you're an adult watching it back (much like those "teenager saves the world," novels you loved as a kid), but that's why she's 19 at the beginning. that's why she's billie piper (who does a perfect job). she was there to bring a new generation into this story, and it was perfect. and then she grows up. and we grew up. and she had adventures and it was brilliant and she survived and she made a life for herself. that's her story
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demigodishniss · 3 months
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My watch through of classic Doctor Who is going so well (I'm even more attracted to old men now compared to before--)
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whispers-of-gallifrey · 6 months
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Five: so this android is programmed to kill anyone with human physiology
Five: but my physiology is quite different
Five: the question is, will the android know that?
Five: Let's find out!
Peri: Doctor nO-
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joycrispy · 6 months
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One sentence review: the way they handled All That in the last DW special was deeply stupid and I liked it so much.
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corallapis · 7 months
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<3
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sporadicfrogs · 5 months
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Just finished my series 4 rewatch (specifically Journey's End) and I genuinely can't believe they Did That to us and just. Left the ending like that. For more than a decade.
For years I have been emotionally damaged by Donna's fate and I'm so fckn happy we got the 60th anniversary specials to fix it, but omfg?? Like. Little kid me had to watch that and just. Live with it. I'm sure that didn't affect my development at all
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doverstar · 2 months
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an absolute wave of homesickness for Doctor Who (2005) series 1-2 just about knocks me over at the quietest moments of my little life
#it was such a specific time. I was just a kiddo#still living with my parents with a giant bedroom downstairs all to myself#it used to be a hair studio or something for whoever lived there before us. and I had this massive room with a table to draw and write at#and a tiny twin bed and I used to set up a projector against the opposite wall and hook it up to my laptop and watch DW to fall asleep#enthralled. couldn't believe the show I'd found. couldn't believe how much I loved Rose and loved the Doctor#you could not drag me away from it. I could not stop talking about it or thinking about it. Matt Smith had just become the Doctor and I-#-had so much content left to consume. and everything was simple. I didn't have a job at the time and every day was creativity#I used to write so much I'd forget to eat. and Doctor Who was the background music of my life back then#I miss winter nights swearing I'd only watch one more episode before I went to bed. all by myself. my family hadn't discovered the show yet#in that small single bed with four blankets and Doctor Who on the wall. drooling over timepetals and pausing and rewinding constantly#that time of my life was so safe and so secure and my imagination was so hungry and DW was feeding it and it was my first time seeing it#I miss that. I miss knowing it couldn't be ruined and there was more yet to see on live television with Eleven when I got caught up#and meeting Matt Smith's Doctor on my own while my family had just then started watching it themselves with Nine? magic#nostalgia#dw#doctor who#bbc#timepetals#dr who#rose tyler#doctor who 2005#tenth doctor#tenrose#elevenrose#ninerose#nine#ninth doctor#ten#eleven#eleventh doctor
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happy bomb in a tribble tuesday 
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tea-earl-grey · 5 months
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there's something so dismal about how so much of tv fandom's energy nowadays seems to go towards trying to prove to big corporations that their show is good enough to save. like whenever a new episode or series comes out it's "remember to watch it all in 24 hours or it won't get renewed!" "play it on repeat for a month or else it'll become another piece of lost media!" "don't stop talking and posting about it during the hiatus or else this season that's already in production might not air!" "if this tag trends on twitter for long enough we might get eight episodes instead of six!!!" it feels less like we're enjoying a show that so many people worked hard on and more like we're trying to create rituals to please the gods (which replace gods with The Algorithm and you're not far off).
like i haven't even been involved in fandom for that long but even just seven or so years ago if a show did well enough that it was nominated for awards and trending on twitter and having well attended comic con panels then it would be renewed for at least a season or two. and back then being renewed for another season meant "we're for sure going to get a new season next year!" with almost no possibility of cancelation. and even shows that did just okay ratings wise would easily get 5+ seasons.
and it was more fun. when i was watching Doctor Who or Arrowverse or whatever in 2014 i could enjoy and critique the media itself instead of constantly being nervous about whether the next season will be cashed in for nostalgia bait or have its episode count cut or be postponed for three years or just outright canceled because it was slightly less popular than last year. like the fandom would still stress out over potential bad narrative choices or whatever but we would also get excited about the future.
maybe it's just my own perceptions but i just tend to find myself favoring fandoms for shows (or at least eras, i'm looking at you Doctor Who) that have been completed. i like Good Omens and Our Flag Means Death and Strange New Worlds and Percy Jackson and the Olympians and the latest Doctor Who era but i just find it hard to get invested when there's so much anxiety around if there will be a future to those shows and so much of the fandom activity revolves around that anxiety. and then as a result when the show does end for good (whether through cancelation or design) the fandom starts to fade away too because so much of it was based on the temptation of The Future.
and i'm also quick to admit that production in pre-streaming era shows had their own problems (once popular shows running for 15 seasons and jumping the shark just because it's a cash cow, tampered down diversity in the interest of "popular appeal", the whole quantity over quality issue, etc) but at least the fandoms were more optimistic and focused on the story itself instead of just being angry about the eternal potential of cancelation or outright deletion.
(also there are obviously much larger issues to the streaming model re: residuals and everything else brought up during the wga and sag strikes but that's all been said much more coherently so i'm just speaking from my own perspective as a fan. and even then there's still definite overlap between the fandom anxiety over renewal and the real world economic anxiety for people involved with production over "will we have a job/be paid". it's far too early to tell but i really hope the strikes will help to solve this problem.)
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cctinsleybaxter · 4 months
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my personal tragedy is that i don't care for the tropics, which is of course where all my favorite animals (bugs) like to hang out
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so was anyone ever going to tell me that watching doctor who would make me cry this much? i just watched the finale of season 9 (the 12th doctor) and i am a crying mess
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