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#he has a cartoon ghost stitched into his breast pocket
starry-bi-sky · 9 months
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This is very inspired by @minnesota-fats post about Danny being Bruce Wayne's clone (which has been rotting in my brain for two days) but an au where danny isn't just Bruce Wayne's clone, but also not fully a ghost.
both ideas can be used separately honestly, the idea just came to me while thinking about the bruce wayne clone idea, and a lot of this idea is just "danny without his ghost powers. i might probably make a part two that delves into him being bruce wayne's clone.
Hear me out.
A Danny Fenton who has the ghost sense and the fangs and the pointed ears and the scary eyes and an increase ecto-essence, but does not have the ability to "go ghost". His accident occurred when he pressed the "on" button on the outside of the portal, and the button electrocuted him due to faulty wiring. He ends up miraculously surviving but not without some new additional abilities (and electricity-based trauma).
Since Danny no longer has a built-in alter ego with the invert wardrobe to match, he doesn't see the point to take ghosts back to the ghost zone. What the hell can he do anyways? All he has is a cosmetic add-in, a lower body-temperature with an impressive ability to hold his breath longer than a human realistically should, and a built-in ghost detector. Not very helpful if you ask him.
That is, up until he goes into the lab after his parents catch a relatively harmless ghost and sees them vivisecting it. He's horrified. He thought his parents were using hyperbole when he said they'd tear them apart molecule by molecule.
(Granted, he also believed that ghosts were unfeeling up until he saw this random ghost being absolutely terrified for its existence on the table.)
After an argument over his parents harming the ghost, Danny goes back up to his room and refuses to leave, not even for dinner. Later that night after his parents went to sleep, Danny steels his resolve and sneaks back down into the lab and releases the ghost back into the ghost zone.
This happens a handful of times, until, finally, frustrated, Danny tells the latest captured ghost to tell anyone inside that if they even think about coming through, he'll capture them and bring them back to the zone himself. It's for their own safety.
The ghost agrees, and goes back inside. Danny steals a "failed" thermos from his parents' stash of weapons. The next time that a ghost shows up, its the lunch lady from episode one. Danny manages to defeat her without being seen, but knows that if there's gonna be consistent daytime ghost attacks then he can't base his luck around fighting without witnesses.
So he fashions himself with a makeshift outfit. This really only consists of an old, nondescript hoodie and a plain black face mask. Its the best thing he can do at short notice, however. Later, for his nighttime ghost fighting, his outfit is only slightly better.
He considered using one of his parents' lab suits. But white sticks out at night and the material doesn't protect you from road burn. His outfit is pretty homemade, with knee and elbow pads under his clothes and multiple layers. A long sleeve shirt over a hoodie over a black denim vest he found on sale. He later on manages to make brass knuckles ghost-proof and manages to stitch them into his gloves. (he gets very good at sewing).
His favorite part of the entire outfit, is a Casey Jones-style full-face mask he found while thrifting. It allows him better breathability than the face mask he was using (calling Rule Of Cool law here), and he can use his scary eyes to make him look more intimidating. His gloves, his mask, and his thermos are the things he carries around with him constantly, and, later on, wears baggier clothing to hide the fact that he's wearing knee and elbow gear under his clothes.
Did I mention he has long hair? Danny has long hair (because GNC danny ftw, it goes past his shoulders) that he braids back. it's a bit sloppy but it keeps his hair out of his face well enough. He takes the fenton creep stick with him.
(He and Bruce have, ultimately, a more lean build than a bulky one. It helped Bruce with his Brucie Wayne persona big time when he had to look like a pretty skinny boy, he uses body language, optical illusion, and body armor to make himself look bulkier as batman)
He still goes by the name Phantom. He still has a bitter rivalry with his parents, who have no idea that its him. They think he's probably some other ghost with beef with the other ghosts (he still triggers their ghost sensors), and still want to capture him.
He doesn't talk around the living. He doesn't have any fancy voice changer and dropping his voice hurts and ultimately, he just uses ASL if he ever has to talk in front of people. The ghosts know his voice at night, but not during the day.
He hardly talks to the living. He avoids them like the plague actually. When he defeats a ghost and there's an audience, he barely sticks around to have a nice friendly chat. He tries to get away as soon as possible. He's paranoid over people finding out who he is. He doesn't have that ghost form to fall back on here.
Oh god this is getting so long, so i'll post another part soon.
Part 1 Part 2 Part 3 Part 4 Part 4.5 (Dani interlude) Part 5 Part 6 Part 7 Part 7.5 (Dan Interlude) Part 8
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readbookywooks · 7 years
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Directly in front of them, a row of twenty or so darkly tinged windows stretched across the compound horizontally, one after the other. Behind each one, a person—some men, some women, all of them pale and thin—sat observing the Gladers, staring through the glass with squinted eyes. Thomas shuddered, terrified—they all looked like ghosts. Angry, starving, sinister apparitions of people who’d never been happy when alive, much less dead.
But Thomas knew they were not, of course, ghosts. They were the people who’d sent them all to the Glade. The people who’d taken their lives away from them.
The Creators.
CHAPTER 59
Thomas took a step backward, noticing others doing the same. A deathly silence sucked the life out of the air as every last Glader stared at the row of windows, at the row of observers. Thomas watched one of them look down to write something, another reach up and put on a pair of glasses. They all wore black coats over white shirts, a word stitched on their right breast—he couldn’t quite make out what it said. None of them wore any kind of discernible facial expression—they were all sallow and gaunt, miserably sad to look upon.
They continued to stare at the Gladers; a man shook his head, a woman nodded. Another man reached up and scratched his nose—the most human thing Thomas had seen any of them do.
“Who are those people?” Chuck whispered, but his voice echoed throughout the chamber with a raspy edge.
“The Creators,” Minho said; then he spat on the floor. “I’m gonna break your faces!” he screamed, so loudly Thomas almost held his hands over his ears.
“What do we do?” Thomas asked. “What are they waiting on?”
“They’ve probably revved the Grievers back up,” Newt said. “They’re probably coming right—”
A loud, slow beeping sound cut him off, like the warning alarm of a huge truck driving in reverse, but much more powerful. It came from everywhere, booming and echoing throughout the chamber.
“What now?” Chuck asked, not hiding the concern in his voice.
For some reason everyone looked at Thomas; he shrugged in answer—he’d only remembered so much, and now he was just as clueless as anyone else. And scared. He craned his neck as he scanned the place top to bottom, trying to find the source of the beeps. But nothing had changed. Then, out of the corner of his eye, he noticed the other Gladers looking in the direction of the doors. He did as well; his heart quickened when he saw that one of the doors was swinging open toward them.
The beeping stopped, and a silence as deep as outer space settled on the chamber. Thomas waited without breathing, braced himself for something horrible to come flying through the door.
Instead, two people walked into the room.
One was a woman. An actual grown-up. She seemed very ordinary, wearing black pants and a button-down white shirt with a logo on the breast—wicked spelled in blue capital letters. Her brown hair was cut at the shoulder, and she had a thin face with dark eyes. As she walked toward the group, she neither smiled nor frowned—it was almost as if she didn’t notice or care they were standing there.
I know her, Thomas thought. But it was a cloudy kind of recollection—he couldn’t remember her name or what she had to do with the Maze, but she seemed familiar. And not just her looks, but the way she walked, her mannerisms—stiff, without a hint of joy. She stopped several feet in front of the Gladers and slowly looked left to right, taking them all in.
The other person, standing next to her, was a boy wearing an overly large sweatshirt, its hood pulled up over his head, concealing his face.
“Welcome back,” the woman finally said. “Over two years, and so few dead. Amazing.”
Thomas felt his mouth drop open—felt anger redden his face.
“Excuse me?” Newt asked.
Her eyes scanned the crowd again before falling on Newt. “Everything has gone according to plan, Mr. Newton. Although we expected a few more of you to give up along the way.”
She glanced over at her companion, then reached out and pulled the hood off the boy. He looked up, his eyes wet with tears. Every Glader in the room sucked in a breath of surprise. Thomas felt his knees buckle.
It was Gally.
Thomas blinked, then rubbed his eyes, like something out of a cartoon. He was consumed with shock and anger.
It was Gally.
“What’s he doing here!” Minho shouted.
“You’re safe now,” the woman responded as if she hadn’t heard him. “Please, be at ease.”
“At ease?” Minho barked. “Who are you, telling us to be at ease? We wanna see the police, the mayor, the president—somebody!” Thomas worried what Minho might do—then again, Thomas kind of wanted him to go punch her in the face.
She narrowed her eyes as she looked at Minho. “You have no idea what you’re talking about, boy. I’d expect more maturity from someone who’s passed the Maze Trials.” Her condescending tone shocked Thomas.
Minho started to retort, but Newt elbowed him in the gut.
“Gally,” Newt said. “What’s going on?”
The dark-haired boy looked at him; his eyes flared for a moment, his head shaking slightly. But he didn’t respond. Something’s off with him, Thomas thought. Worse than before.
The woman nodded as if proud of him. “One day you’ll all be grateful for what we’ve done for you. I can only promise this, and trust your minds to accept it. If you don’t, then the whole thing was a mistake. Dark times, Mr. Newton. Dark times.”
She paused. “There is, of course, one final Variable.” She stepped back.
Thomas focused on Gally. The boy’s whole body trembled, his face pasty white, making his wet, red eyes stand out like bloody splotches on paper. His lips pressed together; the skin around them twitched, as if he were trying to speak but couldn’t.
“Gally?” Thomas asked, trying to suppress the complete hatred he had for him.
Words burst from Gally’s mouth. “They … can control me … I don’t—” His eyes bulged, a hand went to his throat as if he were choking. “I … have … to …” Each word was a croaking cough. Then he stilled, his face calming, his body relaxing.
It was just like Alby in bed, back in the Glade, after he went through the Changing. The same type of thing had happened to him. What did it—
But Thomas didn’t have time to finish his thought. Gally reached behind himself, pulled something long and shiny from his back pocket. The lights of the chamber flashed off the silvery surface—a wicked-looking dagger, gripped tightly in his fingers. With unexpected speed, he reared back and threw the knife at Thomas. As he did so, Thomas heard a shout to his right, sensed movement. Toward him.
The blade windmilled, its every turn visible to Thomas, as if the world had turned to slow motion. As if it did so for the sole purpose of allowing him to feel the terror of seeing such a thing. On the knife came, flipping over and over, straight at him. A strangled cry was forming in his throat; he urged himself to move but he couldn’t.
Then, inexplicably, Chuck was there, diving in front of him. Thomas felt as if his feet had been frozen in blocks of ice; he could only stare at the scene of horror unfolding before him, completely helpless.
With a sickening, wet thunk, the dagger slammed into Chuck’s chest, burying itself to the hilt. The boy screamed, fell to the floor, his body already convulsing. Blood poured from the wound, dark crimson. His legs slapped against the floor, feet kicking aimlessly with onrushing death. Red spit oozed from between his lips. Thomas felt as if the world were collapsing around him, crushing his heart.
He fell to the ground, pulled Chuck’s shaking body into his arms.
“Chuck!” he screamed; his voice felt like acid ripping through his throat. “Chuck!”
The boy shook uncontrollably, blood everywhere, wetting Thomas’s hands. Chuck’s eyes had rolled up in their sockets, dull white orbs. Blood trickled out of his nose and mouth.
“Chuck …,” Thomas said, this time a whisper. There had to be something they could do. They could save him. They—
The boy stopped convulsing, stilled. His eyes slid back into normal position, focused on Thomas, clinging to life. “Thom … mas.” It was one word, barely there.
“Hang on, Chuck,” Thomas said. “Don’t die—fight it. Someone get help!”
Nobody moved, and deep inside, Thomas knew why. Nothing could help now. It was over. Black spots swam before Thomas’s eyes; the room tilted and swayed. No, he thought. Not Chuck. Not Chuck. Anyone but Chuck.
“Thomas,” Chuck whispered. “Find … my mom.” A racking cough burst from his lungs, throwing a spray of blood. “Tell her …”
He didn’t finish. His eyes closed, his body went limp. One last breath wheezed from his mouth.
Thomas stared at him, stared at his friend’s lifeless body.
Something happened within Thomas. It started deep down in his chest, a seed of rage. Of revenge. Of hate. Something dark and terrible. And then it exploded, bursting through his lungs, through his neck, through his arms and legs. Through his mind.
He let go of Chuck, stood up, trembling, turned to face their new visitors.
And then Thomas snapped. He completely and utterly snapped.
He rushed forward, threw himself on Gally, grasping with his fingers like claws. He found the boy’s throat, squeezed, fell to the ground on top of him. He straddled the boy’s torso, gripped him with his legs so he couldn’t escape. Thomas started punching.
He held Gally down with his left hand, pushing down on the boy’s neck, as his right fist rained punches upon Gally’s face, one after another. Down and down and down, slamming his balled knuckles into the boy’s cheek and nose. There was crunching, there was blood, there were horrible screams. Thomas didn’t know which were louder—Gally’s or his own. He beat him—beat him as he released every ounce of rage he’d ever owned.
And then he was being pulled away by Minho and Newt, his arms still flailing even when they only hit air. They dragged him across the floor; he fought them, squirmed, yelled to be left alone. His eyes remained on Gally, lying there, still; Thomas could feel the hatred pouring out, as if a visible line of flame connected them.
And then, just like that, it all vanished. There were only thoughts of Chuck.
He threw off Minho’s and Newt’s grip, ran to the limp, lifeless body of his friend. He grabbed him, pulled him back into his arms, ignoring the blood, ignoring the frozen look of death on the boy’s face.
“No!” Thomas shouted, sadness consuming him. “No!”
Teresa was there, put her hand on his shoulder. He shook it away.
“I promised him!” he screamed, realizing even as he did so that his voice was laced with something wrong. Almost insanity. “I promised I’d save him, take him home! I promised him!”
Teresa didn’t respond, only nodded, her eyes cast to the ground.
Thomas hugged Chuck to his chest, squeezed him as tightly as possible, as if that could somehow bring him back, or show thanks for saving his life, for being his friend when no one else would.
Thomas cried, wept like he’d never wept before. His great, racking sobs echoed through the chamber like the sounds of tortured pain.
CHAPTER 60
He finally pulled it all back into his heart, sucking in the painful tide of his misery. In the Glade, Chuck had become a symbol for him—a beacon that somehow they could make everything right again in the world. Sleep in beds. Get kissed goodnight. Have bacon and eggs for breakfast, go to a real school. Be happy.
But now Chuck was gone. And his limp body, to which Thomas still clung, seemed a cold talisman—that not only would those dreams of a hopeful future never come to pass, but that life had never been that way in the first place. That even in escape, dreary days lay ahead. A life of sorrow.
His returning memories were sketchy at best. But not much good floated in the muck.
Thomas reeled in the pain, locked it somewhere deep inside him. He did it for Teresa. For Newt and Minho. Whatever darkness awaited them, they’d be together, and that was all that mattered right then.
He let go of Chuck, slumped backward, trying not to look at the boy’s shirt, black with blood. He wiped the tears from his cheeks, rubbed his eyes, thinking he should be embarrassed but not feeling that way. Finally, he looked up. Looked up at Teresa and her enormous blue eyes, heavy with sadness—just as much for him as for Chuck, he was sure of it.
She reached down, grabbed his hand, helped him stand. Once he was up, she didn’t let go, and neither did he. He squeezed, tried to say what he felt by doing so. No one else said a word, most of them staring at Chuck’s body without expression, as if they’d moved far beyond feeling. No one looked at Gally, breathing but still.
The woman from WICKED broke the silence.
“All things happen for a purpose,” she said, any sign of malice now gone from her voice. “You must understand this.”
Thomas looked at her, threw all his compressed hatred into the glare. But he did nothing.
Teresa placed her other hand on his arm, gripped his bicep. What now? she asked.
I don’t know, he replied. I can’t—
His sentence was cut short by a sudden series of shouts and commotion outside the entrance through which the woman had come. She visibly panicked, the blood draining from her face as she turned toward the door. Thomas followed her gaze.
Several men and women dressed in grimy jeans and soaking-wet coats burst through the entrance with guns raised, yelling and screaming words over each other. It was impossible to understand what they were saying. Their guns—some were rifles, other pistols—looked … archaic, rustic. Almost like toys abandoned in the woods for years, recently discovered by the next generation of kids ready to play war.
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