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#had no idea what to put for a caption but there’s a wizard of oz comparison to be made. also i think mallow’s lightning attack is hilarious
un-pearable · 5 months
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lightning and fire and beams oh my
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sttheorycraft · 3 years
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The Hole in the Roof of Hopper's Cabin
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Notice: there's sun streaming into Hopper's cabin now, after the Mind Flayer attack. This is Important. Let me get to why.
First, let's recap my current theory about what's going on. Everything in Stranger Things is happening in Hopper's mind. I'm not clear yet on why (I think there are multiple possibilities and it doesn't really matter yet, so I'm not committing to any one), but the important bit is: he's from our time, but he doesn't realize it. He's flashing back to his childhood, in the 1980s, and at least some of the characters represent him at different, earlier stages of his life (especially: Will (at least) represents his childhood self).
He also has sexual identity issues that he's never come to terms with. These are personified in the form of El. El is the girl that Hopper wishes he had been born as, if only to have a more normal love life, since he prefers guys (may be bi as opposed to gay - he sleeps with e.g., the librarian in Season 1, and the stork didn't bring Sarah). But he's very insecure about this, and so he's hiding it from the world.
He's hiding EL from the world. He tells El she can "come out" when "it's safe," but exactly when this is is ambiguous, which leads to the tension. (Hopper and El very much have an ego-id thing going on.) In the meantime, his rules are to stay in the cabin, OUT OF THE SUN.
El is not the only member of the Upside Down who dislikes the sun. Dustin, when describing Dart to the others, dislikes the heat and THE SUN. Contrast to the Upside Down, where it's cold, dark, and lonely. The Upside Down represents the closet, and the sun represents public knowledge of one's sexuality. (Being naked/exposed, as Alexei puts it.)
The sun streaming into Hopper's cabin is showing that his struggles with his sexuality (whether it's Hopper himself or his other parts) are likely to come to an end soon: he's going to come out. And the Wizard of Oz reference David Harbour makes in the caption? He's talking about coming to, coming "Back to the Future" to his 2016-2021 self. Probably accepting himself and ending the show.
Case closed? Paaartially... But there are still some loose ends I don't get. What about Sarah? What about a bunch of the other characters' storylines? What about this weird twin meme, and doppelgangers? What about the alternate realities that have been referenced multiple times? I think @strangerthings4theories might have some good ideas in this area. As usual of late, credit to @strangertheory also for bouncing things back and forth and also for reminding me of the twin/doppelganger stuff.
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aw-eather · 4 years
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Heather Watches SG1: s2ep22 Out of Mind and s3ep01 Into the Fire
Ah two of my all time favourites. Maybe even THE favourites. They’re just SO good. Also my shipper heart cannot take it but we love torturing ourselves here so lets go. 
I’m gonna try and do enough that y’all get at least one post a day and scheduel them to go up periodically :) 
This go very long so I hope it posts properly. 
Ooooh mysterious tank
I mean honestly this was suspicious from the get go
Don’t trust this guy
JACK
YOU’RE ALL WET JACK
Is he? 
Are they dead tho? Are you sure? Cause that sounds fake... 
You see, the year is now.............. 2077
CREDITS
Teal’c looks all big and scary but really he’s a precious boy
End credits
TERYL ROTHERY
honestly that device looks very Star Trek
Missed opportunity to make a 69 joke
Girl he has been asleep for 79 years he probably remembers shit all 
Good boy, answer nothing. Don‘t trust the random men that woke you up
thats not sarcasm, I don’t trust them either 
“the rest of the facility” riiiiiight
Wizard of Oz reference
38 teams is a lot of teams
MMMMMMMM sounds FAKE
DON’T TRUST HIM JACK
General whats his face just dropped something on the ground
STARGATE
Jack is handsome
Me: I’m gay
Jack O’Neill: Yeah sure ya bethcha 
Are ya just? What makes ya think Jack can help? he’s been asleep for 79 years
Tok’ra mind probe
Benefical alliance my ass, what did they ever really do for the Tau’ri??
Except promise to send a ship when they “had one available”
So thinking of Sam right now would be BAD Jack. 
NOX
I LOVE THE NOX
WHAT CUTIES
look at them, they’re so sweet
Jack stop thinking and showing them shit 
Could be a great weapon but the Nox are peaceful and beautiful and I love them
LITTLE GREY ALIENS WITH THE LITTLE GREY BUTTS
Thats a big ship
This is the only “look at all the shit we’ve managed to do so far” episode that is actually any good
Why don’t we meet the Furlings?
I wanna meet them 
They sound fluffy
I love the baby asgards look at ‘em so cuuuuute
Kathrine! You’re great girly
“Touch it” *Jack touches it without knowing what it does, could die*
Jack waving his gun to touch the molecules seems like a bad idea
Yeah let him rest stop bullying him
purple goop
stop the pruple goop Jack
purple goop is never a good thing
Oh look... ANOTHER tank
DANNY BOY
Please cover your nipples
I don’t wanna see your man nipples
A third tank... funny that
SSSSAAAAAAMMMMMM
Funny how none of them are ACTUALLY dead
LIES WE’VE JUST SEEM THEM
Get these people some clothes
leaving her wrapped in a blanket is rude
Blanket looks like a mat tbh
BRATAC
SKARRA
Daniels hair is so bad in this episode I’m not sorry its HORRIBLE 
He has a SHIELD Jack
FUCK YEAH JACK THROW THAT KNIFE YAS
HATHOR
I love Hathor hosts
She’s great honestly
Sam and janet and the girls kicking ass is the best
RIP Hathor 
No seriously Daniel’s hair is BAD
Teal’c
JANET
ah yes, unusual 
Teal’c is so passionate and caring about his friends I love him so much
THREE FUCKING WEEKS?!?!?!?!
janet is such an angel you can’t convince me otherwise
Are they tho? 
Yeah he would but Teal’c with do anything for his F A M I L Y
Well he will leave
Aw Teal’c I love you with my entire heart
That zoom in on the patch is nice 
YES JACK STOP THE GOOP
Nice kick! 
BYE TEAL’C I LOVE YOU
AWW THIS EXCHANGE IS SO NICE 
AW THE SALUTE BABE NO THAT HURTS MY HEART ITS SO SWEET
#SorryNotSorry but Jack looks so fucking good in this outfit 
Like... he looks sooooo good
God I am questioning my sexuality left right and centre today
But seriously can he dress like that more often? 
Go get ya girl, Jack!
Oh look... not the SGC 
WHO WOULD HAVE EVER GUESSED
Serpant and Horus guards! :O
STOP THINKING BABE
THEY GONNA FIND YOOOOOU
SAAAAAAAAAM
BEAT THIS GUYS ASS AND SAVE. YOUR. GIRL
O U C H THAT WOULD FUCKING HURT
SHOULDER TOUCHING 
SHOULDER RUBBING
SHOULDER TOUCHING 
SHE IS TOUCHING HIM
I THOUGHT YOU WERE DEAD FOLLOWED BY A MEMORY OF HIM NEARLY DYING 
SHE’S STILL HOLDING HIS SHOULDER
STARING AT HER NAKED BACK
TRYING NOT TO STARE AT HER NAKED BACK
HE IS SO IN TROUBLE 
HE FANCIES HER SO MUCH 
I MEAN SAME
she also looks good but like he looks better???
GRABBING
WALL HOLDING
HANDS TOUCHING SHOULDERS
PINKY CURLED IN SO HE DOESN’T TOUCH BARE SKIN
COULD HAVE MOVED BUT ISN’T MOVING 
THEY WANNA HOLD EACH OTHER
DEAR GOD
sorry I’ll stop with the caps
I just physically cannot with those two
i love them so much
and i hate how they were treatd
Hathor you idiot, 
SUANNE
LOL Jack 
Servants in the royal court? Yeah sounds great
Rude Jack
lol the pat on the shoulder Jack you dick
uuuuuuhhhhh didn’t notice before how HOT IT IS WHEN HATHOR RUNS THE IDC REMOTE UNDER SAMS CHIN AND THE LOOK SAM GIVES HER I-
ACK SNAKE
I hate them the same way Jack does tbh
they make me squirm
Give it to Daniel. Why is Daniel the only one that never has a snake in him... wait... 
sorry but I just wanna talk with the national captions institute... 
Alright! On to Into the Fire! 
DAVIS
MAJOR DAVIS I LOVE YOU
MY FAVOURITE
I LOVE YOU SO MUCH EVEN IF THINGS DO FALL TO SHIT WHENEVER YOU’RE THERE
Dramatic zooooom on Hathors name for E M P H A S I S 
CREDITS
I love how Hammond is like EVERYONE is saving SG1
How DARE you, Daivs. They are THE team, rude!
I love that everyone steps forward because everyone loves SG1 but also everyone knows you don’t leave anyone else behind. 
I love Hammond
MARTIN WOOD :O
He is a great director
Ew snake
Jack still looks fucking good 
Jack now is not the time for sass 
Give it to Daniel. No one cares
Sam is like “I’m not scared bitch bring it”
Of course it wants Jack
Poor Jack
Why is it always him?? 
You tried, buddy
Sam’s hand on his CHEST PLEASE JUST GET MARRIED
TEAL’C 
BRATAC
Sam literally hates watching Jack in any pain 
Poor Jack
Hathor fuck off
What exactly was the point of ripping his shirt? It makes no difference to the snake going in the back of HIS HEAD
Ew
oh gross
i hate it
I hate it so much
ugh the chills I currently have
Suanne Baun is super pretty though
YAS TOK’RA LADY
WE RESPECT AND LOVE YOU
Another Wizard of Oz reference 
Sorry Daniel looks so bad
its the hair honestly, the little dorky fringe
Sam’s hair, on the other hand *chefs kiss*
Yeah but he’ll be fine, Tok’ra lady saved the day <3 
YAS GIRL
NOOO Poor Tok’ra lady
Sorry fam, I forgot her name lol 
Sam pulling that jacket on, Sam in a jacket thats a little too big for her , Sam in a white shirt.. Sam
Yeah they are Teal’c. 
Dead and false and dead... or is he???
Hand dance
Energy barrier is in the way, boys continue to shoot
oh no shooting towers of death are never a good sign
And of course Daniel got hurt so we have to baby him for the rest of the fucking episode jfc just sit him down somewhere and Sam and the rest of the teams can do the hard work... again
Cool Tok’ra tunnels are Cool
Lol Daniel being sassy (oh its just a deep, bleeding gash, it’ll be fine) lol sorry he is funny when he’s sassy
I’m sick of your army already, Hathor
OOOOH a barrier 
Hammond is awaiting 
Why do they give them such short time periods to do shit? Like they know things go wrong literally ALL THE TIME 
Like “hi you have 24 hours to go into a SECURE, GOA’ULD FACILITY, RETRIEVE THREE SG MEMBERS AND GET OUT. PIECE.OF.CAKE”
6 hours is a long time to sit on your hands and do nothing tho. Ah well might as well go and save the boyfriend
The president can suck a rotten potatoe
Davis, you can’t really argue with him, he outranks you about 4 times
Sam’s sleeves are too long and baggy and its SO CUTE
GO SAM
SAVE THE DAY
BUT SAVE YOUR BOYFRIEND FIRST 
Hammond visiting Chulak 
because he’s an angel baby
and the best dad ever to his four kids; Major Dr Science Space Baby, Sassy Grumpy Fruit Loop and Sam Carter Loving Space Baby, Warrior Gentle Giant Space Baby and Annoying, Doesn’t know shit, Archaeologist Space Baby.
Yas Teal’c, spill that tea
I will join you, bb
Hammond in a toga will also join you cause he a babe
and he needs your help cause Davis said No. 
HAMMOND OF TEXAS IS MY FAVOURITE THING EVER I LOVE IT 
Sam: I’m gonna go and shut this shield down
Sam: but not until I have tried to save my Future Husband. 
Poor Tok’ra lady
Hand on chest again
Fucking Hathor man
Go away boo, you’re ruining the moment 
Stop hurting Sam
YAS JACK FUCK YES I LOVE THAT
I love his response to it too
Like the shock and fear
This hug goes on a long time
I know he’s cold or whatever but like... 
and I know he’s in shock and so is she a bit
he’s doing it for her as much as him
but they’re STILL hugging
They literally never do this again
Its so sweet because after this its just... nothing? Like POV happens and then Upgrade and Divide and Conquer and they go ah fuck we can’t hug anymore so all we get is platonic shoulder holding and using shoulders as pillows. The closes we get to a hug is Death Knell and emotional trauma Threads. I want a REAL hug
And he holds her arms for ages and helps her up
Wow they’re so fucking in love this hurts
“Found ‘em” Jack stop so cute
C4! Who’d have thought it
Ah shit they’re surrounded 
He still looks good
They BOTH look good 
They make a great couple 
Nope, not really but its what ya got so you’re gonna have to deal with it
This general guy is a bit of a dick
Thats right Sam, don’t listen. Good job, Danny boy.
Only 1? Thats not a lot of time
Get out there, Jack! Buy that time
Gun Bum! (if you know Sanctuary, you’ll get it)
He’s really not doing a great job of pretending to be a Goa’uld
Its really not impossible 
ex-goddess lol 
“She’s Gone. She is no more.” I’m honestly shocked people didn’t shoot him more often 
I love him tho
Thank god, thats good timing
Hammond is IN. HIS. ELEMENT 
There is no way she heard hiom say now but she still knew. I love them. I love how well they know each other and they’ve only known each other a little over two years
Time to KICK SOME ASS
JAFFA YAS
ooh coming in from behind, sneaky
YEEHAW
OH HAMMOND YOU PRECIOUS BABY
Sam going straight to Jack and it looks like she goes to put her arm around him. 
I hate them ffs
Bra’tac and Human fuck me thats so cute
Sam’s smile when they see Teal’c and Hammond is Gorgeous
and Hammond patting her on the back! stop! I love Space Dad and his idiot Space babies. 
Final Thoughts:
Seriously guys this is my favourite Final and First eps of a season. 
100% one of my favourite two parters, if not my all time favourite two parter
Great direction, good story, excellent bad guys, good acting, just enough suspense with out being too drawn out, something for everyone, comes of the back of a fun as fuck episode (1969), Hammond has a big part, Davis is there, lots of cute Sam/Jack and of course, Daniel’s Elf Hair. 
Also the Tok’ra are actually useful in this one which is SHOCKING 
Lemme know your thoghts friends, I’m excited to hear them! 
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Happy Halloqueen ! !
A//N: Happy Halloqueen!! This is for @littlespoiltthing ! It was so hard not to reveal myself lol but I really hope you like this. I've never written poly ships so like ya know...go easy on me.
Warnings: mention of alcohol, bad attempts at humor, Ben is a little flirty, poly relationship
You had been bouncing in your office chair all day, dying to get home. Yourself and all of your men were hosting Halloween at your house and the anticipation was eating away at you. 
As soon as your eight hours were up, you were dashing to your car and speeding home. You could hear music from the driveway, which meant Joe was doing his usual pre-party cleaning. 
Joe wasn't the first of your boyfriends that you saw though. It was Gwilym. He had the sleeves of his shirt rolled up practically elbow deep in the food he was preparing. 
"Hi Gwil." You greeted him. You set your bag onto the counter before coming to wrap your arms around him. 
He wanted to hug you, but couldn't due to being preoccupied. Instead he twisted a bit, leaned down, and planted a kiss on the top of your head. "Hello love, how was work?" He spoke. 
"It was work. I've been way too excited to get home and get my costume on. Think I'm winning the contest this year." You smiled after Gwilym leaned back in laughter before answering you. 
"You're the hostess Y/N. You're not supposed to compete." He said factually. 
You shrugged, "I know. I like to say I won in my head." 
Gwilym chuckled a bit more at your antics before you let him go to get your costume. 
"I'll be back. Don't burn anything." 
"Unlikely, make sure Ben isn't drilling holes in the wall." 
You giggled as you walked down the hallway. You saw the bathroom light on and heard a few clinks. That couldn't be anyone except Ben. You smiled at the sight of him crouched by the bathroom cabinets. 
"Ben…" he looked up when you called his name. Your eyebrows went up in question and Ben smiled. 
"I'll hug you in a second Y/N. I've got to finish putting this screw in here." Ben was surrounded by an array of tools, including electric ones. All which seemed a bit too much for changing a screw. 
"All of this for one screw Ben?" 
"Well it had to be the right one! You know some people can be judgemental when it comes to other's interior design." You laughed at his definition of interior design and waited patiently for Ben to finish so he could fulfill his promise of a hug. 
It took him a few minutes since the screw had to be just right, but once he finished Ben gladly took you into his arms. He asked the same question as Gwilym, "How was work?"
"Boring." You stated simply. "So happy to be home."
"I'm happy you're home too. Very excited to see you in costume." Ben smiled down at you cheekily which made you blush a bit. 
"That's a good idea." You agreed with Ben, but neither of you let each other go. 
"We should both be getting ready." Ben stated, but made no effort to move. 
"Yeah, don't want to be in a rush later." You still had your hands on Ben's chest. The two of you did this kind of thing often. It always made you two late for whatever you needed to attend, but it was always worth it. 
Before anything escalated, Joe came sliding in. Literally, sliding in. He was the only one in full costume already. His white button down was slightly wrinkled and half buttoned. He bought new boxers for his costume. The socks were spot on too. 
"Just take those old records off the shelf," Joe sung along to Bob Seger, "I said I'll listen to them by myself!" 
You joined Joe in the hallway."Today's music ain't got the same soul! I'm on that old time rock'n'roll!" The two of you broke into a dance number. It was really just Joe being animated as ever as you strutted around him. 
Gwilym peeked out of the kitchen at the commotion. He secretly took a video to send to the group chat that all the party guests were in captioning it with "Pre-gaming."
Joe wrapped you into a tight hug once the song was over. "We're so playing that every time someone shows up." He said. Before you could formally protest, Ben butted in. 
"No! You get one grand entrance mate!"
Joe looked to you for support, but you shook your head. "I'm with Ben on this one. The song's great, but over and over? Don't think so. As Ben and Joe argued over the official playlist, you finally got to slip into your costume. 
It may have been cliche to be a witch, but you weren't just some run of the mill, party city witch. You were the Wicked Witch of the West. The classic Wizard of Oz villain. Gwilym knocked before swinging the door open. 
"Almost ready? Rami and Lucy are on their way." His costume matched yours. He was the house that fell on the wicked witch's sister. He had a hat that resembled a chimney. 
You couldn't help but smile at how adorable he was in his costume. "I'm just about ready. Is Ben dressed?" He was and appeared in the doorway just as you asked. 
Ben stood with his hands on his hips, a very proud look on his face. "Guess who I am!" 
You thought it over. "A boy scout?" You asked. 
"No! I'm Joe!" He said as if it made any sense. 
"You're what?" Gwilym asked for you both. 
"I'm Tim Murphy! Joe!" The room erupted into laughter. You thought he was kidding when he brought up the idea two weeks ago, but he obviously wasn't. 
The party jumped off at dusk. A few more people showed than you expected so the cocktail sausages were gone within a few hours. Otherwise it all went swimmingly. 
Rami and Lucy won the costume contest by a landslide. They looked impeccable as Edward Scissor hands and Kim. You and Gwilym got second place based on the sheer hilarity of Gwilym being an actual house. 
Around midnight all three of your boyfriends came staggering up to you. All of their faces were warm from the alcohol. (You remained sober for the party, just to keep an eye on people.) Joe was the first to speak. 
"We love you!" He might be a bit more drunk than the other two. 
"I love you guys too! Is everything okay?" You passed Joe a water bottle that he graciously took. 
"Slow dance with me!" Ben pulled you out into the crowd that was slowly diminishing. 
"Ben, we can't slow dance to Thriller." You tried to reason with him, but it was in vain. You actually didn't slow dance. It was more of a waltz around the dining room. 
After your Thriller waltz was over many people started to find their way out the door. The wreckage from the party actually wasn't that bad. You knew that it would be a much quieter clean than earlier due to Joe's impending hangover. He was the first to join you in bed. 
You slipped off the witch dress, as your hat was in some mysterious place in the house, and wiped off the green makeup. Joe's costume made it very easy to get comfortable for bed. He removed his socks and shirt after he basically threw himself into bed. 
Gwilym took his place on the other side of you and Ben beside Joe. There were ringing in your ears from the loud music of the party, but the silence was inviting. The last thing you heard were the words mumbled by your favorite men in the world. 
"I'm gonna have a cavity." Joe slurred. 
"I'm a better Tim." Ben muttered. 
"Shut up." Gwilym finished. 
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fly-pow-bye · 5 years
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DuckTales 2017 - “Treasure of the Found Lamp!”
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Story by: Francisco Angones, Madison Bateman, Colleen Evanson, Christian Magalhaes, Bob Snow
Written by: Christian Magalhaes
Storyboard by: Jean-Sebastien Duclos, Mike Morris, Sam King
Directed by: Jason Zurek
Part 1 of the big catch-up!
This episode's title is going to bring our hopes up a lot, since it's an outright reference to Treasure of the Lost Lamp, the movie for the original DuckTales. I am sorry to admit, I did not watch that movie. I will defend myself by saying that most of this cartoon's target audience is not familiar with it, either.
With that aside, let's see what this reboot does with a certain character from that movie, as the episode starts out with him.
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We see this cloaked man making a long trek, traveling through a desert via a motorcycle, sneaking into a boat, and jumping across trees. It's a pretty powerful opening, I'm not going to lie, these are some pretty dynamic scenes, and a great introduction to this character.
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It turns out that this stranger was heading towards the McDuck Manor, as he reveals himself to a red hat/sleeping cap hybrid wearing boy brushing his teeth. I did learn two things: ducks do have serrations on their bills that happen to look like teeth, and Googling "duck teeth" is not recommended. Huey is so used to this, that he immediately calls for Uncle Scrooge to ask what his visitor wants. Cue the theme song.
The next morning, they all gather together for this intruder to introduce himself. This is the reboot's version of Dijon, or Faris Djinn as he's called here. From what I've heard, not only does he has a very different personality and morality from the original, he's not even the original character in-name-only. Let's just say he never loses his pants in this one. He did lose one thing, though.
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TThe main point of him being here is that he was sworn to protect the Lamp of the First Genie, a clear reference to the titular lamp from the old movie, and he needs to find it. The major difference is this journey to get the lamp was already done, as Scrooge found the lamp and placed it somewhere in his manor. That's why this episode is called Treasure of the Found Lamp, after all.
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We see Louie and Scrooge trying to find it somewhere deep in the garage. Louie does manage to find a chest filled with a bunch of lamps, including the Ferryman's Flame, a lamp that acts as a portal to the land of the dead. Unlike most of the items he has found, Scrooge found nothing supernatural about the lamp, and saw it as a mere "cheap bobble". Djinn seems to disagree throughout the episode, which does add some intrigue to the object of the week.
Once Scrooge gives a description, Louie at least recognizes what it could be. That's the good news, and the bad news can be read right from his worried facial expression. They decide to tell Djinn at least the partial truth: they lost the lamp.
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Yeah, that was not what he wanted to hear, as he starts to slash through the house, saying he'll raise this home for it, brick by brick! I love this guy's dramatic flair, and I won't be alone even in-universe. Left with no choice, Scrooge and the kids decide to come up with a story he would accept. In short: it must have been stolen by the Greek gods! It's clear they're making this up on the fly...
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...but Djinn buys it completely, and, not phased by the aspect of having to travel all the way to Ithaquack to get it, begins the great fake quest for the Lamp. The real quest will be put on the triplets, because Scrooge reveals to them and the viewers that Louie told him he sold it.
While he's away at Ithaquack, the triplets are tasked to do the actual quest for the lamp, which won't nearly be as fantastic. It's like this mystery, where people have these alibis of what happened, and the first stop is Louie.
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Louie decided to take the lamp, because Scrooge didn't care about lamps without genies or portals to the dead in them, and decided to sell it at a garage sale. About a few minutes into this garage sale, he gets bored, so he decided to give the job to Duckworth. I would think having a ghost would scare away many potential customers, but that's Louie for you. Huey scolds him for being so lazy, while Dewey makes this prose about having to confront the soul without a soul. He's desperate to find a role in this episode, and trying to act like Djinn is not a bad one.
If only there was some mystical item that can guide them through it, like a flame of some sort. Louie might have an idea about one, and I'm glad to see it wasn't just some random gag that didn't really have a joke.
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They make it to Ithaquack, and Webby guides them. Djinn seems to take all of this seriously, as if this kid knows all the secrets. Well, she mostly does, but he wouldn't know that. To him, the Ifrit’s Dawn is coming, and if he doesn't have the lamp, the consequences will be dire. Mostly in his words, he has this dramatic flair throughout the episode.
One major aspect of this episode is that there's a few returning characters in this, including Selene, the Goddess of the Moon, who decided to take the job as an actress for this charade. She had a big deadly temple, and she had to use it. She's not the only one, either.
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Turns out, Charybdis is happy to play a part in this charade, too. You know, the big monster that turned out to be a nice person once people don't want the sword he was guarding. He's not a good actor, as he constantly has to ask for his lines from Webby. Eventually, this leads to Djinn, unphased by his poor acting but phased by his stalling, desperately slashing at this monster, while the monster complains that this wasn't a part of the script. Selene doesn't seem to be good at improv, either, seems to be a thing with the residents here.
While Scrooge, Webby, and anyone they can coax into this elaborate stalling can deal with Djinn, the triplets use their plan to get Duckworth to tell them his side of the story: use that Ferryman's Flame from a few scenes ago! See, there was a point to showing that. After accidentally unleashing a dragon, mostly so there would be some sort of tease before the commercial break, Duckworth appears.
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Duckworth: (in his demon form) How dare you interrupt my long overdue vacation!
However, he does regain his composure and his usual form once they ask about the lamp. He tells his story.
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He says this fellow bought it, with a $20 bill that managed to land right in his empty wallet right when he opened it. Even the triplets know only one guy has that much luck.
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Gladstone Gander has been lucky enough, yeah, I had to say that, to be in a few cameo appearances, but this is the first time he gets more than that since his first episode. It wasn't like he was a likable character, intentionally so, but it's neat to see him back.
One of the best bits is when he offers the kids all of the valuables he accidentally came across, like winning lottery tickets, and a bunch of diamonds he found in a bag of ice, and Louie tells him there's no time for such things...as he pockets some of the diamonds.
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He traded it to some rich kid with a treehouse with really, really sticky fingers. The triplets realize in fear of the only person that could possibly fit that description.
So yeah, the triplets parts can pretty much be summed up like this: the character does one gag, the triplets get their next big hint, go to the next location, repeat. It's more mundane than the other part, but it's not not nearly as interesting since everyone just gives them the information without much trouble.
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Speaking of the other part, as Djinn got past the monster, Webby has moved on to the Appendix B of her great quest: the riddle of the Minotaur! Scrooge and Selene have to team up for this one, doing the classic "two people in the same suit" gag. They come up with a riddle so hard, Djinn couldn't possibly come up with the answer.
I am more powerful than the gods
more evil than the demons
the poor have me
the rich need me
and if you eat me, you shall die.
He may be naive enough to believe this is a minotaur and not a Halloween costume, but he proves almost immediately after being told this riddle that he's smart enough to know the answer to that one. I wouldn't want to spoil the answer to this riddle, so I'm saying nothing.
...
Aw, phooie.
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I will say this episode does a decent job at balancing these two plots, though in different ways. There's more comedy in Djinn's parts, while the triplets just deal with...Doofus Drake. If one doesn't know, they completely changed Doofus's character to this weird spoiled and sheltered kid nobody wants to hang around with. He's not a pleasant character, needless to say, and their reactions to having to go to Doofus Drake's house give people who didn't watch his debut episode an idea of that.
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Once we see him, he outright proves that idea, as he forces the boys to watch his hour-long Theremin performance, while his parents are forced to dance to it. It takes him a while to realize what they mean by "lamp", because he knew it syrup boat. Thankfully without any attempt to kidnap the boys to be his one true friend, he reveals that he threw it away, because his father's hands worked better. The context will not help you.
On the plus side, the triplets now have a good answer for Scrooge McDuck, because they know it must be at the junkyard, the home of the Beagle Boys. Well, okay, it usually goes to a landfill, but we do see a Beagle Boy on the truck, so it could be just a good assumption. It's a good thing they got to this, because his quiz is starting to run on Djinn's patience. It probably doesn't help that he's using a joke book now. It’s too bad we don’t hear how he solves those "riddles". "The chicken wanted to get to the other side, of course!"
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Selene tells Djinn, reading from a card Scrooge gave her, that Ma Beagle stole it, and they have to go all the way back to Duckworth. It's funny how the Goddess of the Moon is relegated to poorly acting how the lamp was stolen while he was busy with the minotaur. After so many questions from a "Minotaur" who was definitely not stalling him, this poor acting, and how this "Ma Beagle" was able to sneak past him, does he buy it?
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Short answer: yes, he does. Maybe he doesn't suspect a thing, or maybe the importance of getting the lamp outweighed everything else. One can interpret that in any way, really, though the former seems a little more likely.
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They come up to the landfill/junkyard where the Beagle Boys live. As soon as Ma Beagle hears that this lamp is called the Lamp of the First Genie, her interest gets piqued immediately. She wants better kids, much to the chagrin of the Boys.
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Djinn finds out that the lamp was discarded in the trash, and it is here that Djinn finally makes the connection that maybe that whole quest was just a diversion. He asks Scrooge if it was true, and Louie admits that it was, and that Scrooge tells him nothing.
Oh no, it's one of those Liar Revealed scenes. Got to prepare for that five minutes of moping, and then Djinn realizes, hey, the journey might have been bunk, but getting the lamp is more important.
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Djinn: For the lamp!
(Djinn jumps down and attacks a Beagle Boy)
Okay, never mind, he thankfully skips to the end of that. He really wants that lamp, or dire consequences will happen! No time for moping!
A fight scene ensues between Djinn, Scrooge, and the Beagle Boys, including Big Time and Bouncer Beagle making appearances. It would have been cool to see the Tuggle Bums or the Black Arts Beagle, but sadly, there's just the generic red shirts. I don't believe I saw Burger either, maybe they couldn't find something for him to do.
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Hmm, a lamp on top of a pile that looks like the hill Scrooge and Glomgold climbed up in the original's intro. One can easily guess where that is going, and that's not a bad aspect at all. Who manages to take the lamp? Is the lamp really supernatural? You’re just going to have to watch the episode for yourself. It did feel like a giant cop-out at first, but an explanation did make it a lot better.
How does it stack up?
I found this episode entertaining. Both plots led to interesting places and characters that were nice to see again, there's a lot of jokes I left out of this review that are pretty funny, and Djinn is a pretty good character with a bit of potential. I wouldn't wish for anything better.
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Next, we see another character that hasn't been seen in a while.
← The Shorts 🦆 The Outlaw Scrooge McDuck! →
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lady-divine-writes · 7 years
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Klaine fic - “Not Just My Wingman” Chapter 4/4 (Rated NC17)
Kurt and Blaine are roommates, living in the loft together after Blaine graduates from high school and moves to New York. Kurt is determined that he’s over Blaine, and tries to prove it by helping him get a date…or ultimately, get laid. But when Blaine succeeds in finding a guy that’s actually interested in him, will Kurt realize that he wasn’t as over Blaine as he thought?
***Edit - In case you’re wondering, yes, I had posted this a while ago, but I came back and re-read it…and decided I hated it. So I re-wrote it. It’s basically the same, only the language is way better, as are the characters. So, read it again!
Based on the Tumblr prompt - Where Kurt and Blaine go out club hopping as friends, with each other as their wingman. “I’d like them to kinda be like ‘well, we’re pretty dumb for not realizing how back together we are’ or something, and ultimately get back together. Maybe someone points out that they’re basically together again…”
Passing mention of Rachel and Santana, but they don’t live at the loft. Also, the bedrooms in the loft are actual rooms with doors. Mention of Adam (Adam friendly) and Chandler. (Mentions the break up and Blaine’s cheating.)
Read on AO3.
Chapter 1 -  The Chapter Where Kurt Tried to Get Blaine Laid…and Succeeded
Chapter 2 - The Chapter Where Kurt Freaked Out and Blaine Went on a Date…in that Order
Chapter 3 -  The Chapter Where We Find Out What the Hell Happened to Kurt
For the remainder of the week, Kurt and Blaine barely saw each other, and they definitely didn't speak. They didn’t text. They didn’t even acknowledge one another if they happened to find themselves in the same room together. Kurt left the loft earlier than necessary every morning to seek refuge at his favorite coffee house, drowning his sorrows in various flavors of chai tea since nonfat mochas had suddenly developed the power to bring him to tears.
They didn’t make eye contact when they passed each other in the halls at school between classes, but Blaine would often turn and watch Kurt walk away when he knew that Kurt wouldn’t catch him.
Blaine couldn’t help it.
He missed him.
Blaine spent his nights with DeLeon since the man’s days in New York were numbered. Soon he would be packing up and boarding a flight to London. After that, Blaine had no idea what would happen back at the loft.
Would Kurt continue to ignore him? Leave early every day and look past him in the hallways?
Could Blaine live like that, with Kurt acting like he didn’t exist?
Blaine contemplated moving out since he didn't want to make Kurt uncomfortable. He didn't want Kurt to feel like he had to go to extraordinary lengths to avoid him. The loft had been Kurt’s home long before Blaine moved to New York, but Blaine could easily imagine Kurt hiding in the costume shop at NYADA at night, or the vault at Vogue so he wouldn't have to come home to a place where Blaine lived.
Blaine didn’t want that. If their friendship was over, and he prayed it wasn’t over, he didn’t want chasing Kurt out of his home to be the last impression Kurt had of him.
On DeLeon's last night in New York, Blaine made an attempt to chip away at Kurt's carefully constructed armor by inviting him along to their Bon Voyage night out on the town.
Blaine and DeLeon had come up with the idea to invite Kurt together, but Blaine made it a point not to mention that part.
"Come on, Kurt," Blaine begged, checking his watch for the twentieth time in five minutes, a gesture that did not go unnoticed by Kurt, who shielded himself behind his issue of Vogue. "It's going to be a blast! And you need to get out. You haven't gone out a single night this week, have you?"
"How would you know?" Kurt grumbled, pretending to read an article on the resurgence of dyed faux fur accents. "You aren't here at night anymore. I could be whoring myself out in your bedroom and you wouldn't have a clue."
"Kurt, I think I'd notice that," Blaine chuckled, hoping that comment was Kurt's attempt at diffusing a tense situation through humor. This was the first time they’d spoken to one another all week. Frankly, Blaine was ecstatic that Kurt didn’t immediately vault off the couch and race into his bedroom the second Blaine walked through the loft door. He took it as a good sign. But when Kurt didn't even crack a smile, Blaine realized that Kurt was still upset, more so than Blaine had anticipated.
This week they’d spent apart had done little to cool Kurt’s temper.
Kurt turned the page he had been glaring murderously at, even though he’d only read the headline and photo captions.
"But, seriously," Blaine continued, "I think you'd have a great time."
Kurt scoffed and turned another unread page, counting the minutes until Blaine left so he could get a start on his pity party.
"Do you think I want to watch you and your stewardess friend pawing all over each other while I sit in a corner and chug Shirley Temples? If I want to watch porn, I can stream it off the Internet. I've been considering getting a Cockyboys membership, anyway."
Blaine sighed. Kurt and porn weren't two words that one often uttered in the same sentence. The thought of Kurt sitting on the couch, miserable and alone, with a cheesecake in his lap, watching two guys going at it through the spaces between his fingers the way a little kid watches a slasher film, grabbed a hold of Blaine’s heart and twisted.
Once again, Blaine considered canceling and staying home. He wouldn’t tell Kurt this time since Kurt would probably just tell him to go. Yes, DeLeon was leaving for London in the morning, but Blaine had spent quite a bit of time with him this week. He was sure DeLeon would understand.
Even if he didn't, would it matter? DeLeon was leaving, and who knew when he would be back.
A loud knock ended the non-conversation.
The door slid open and DeLeon stepped in. "Hey guys!"
“Hey!” Blaine turned and waved cheerfully to the man headed his way, but a second later, his eyes darted back to Kurt. In the small space of time that Blaine had turned his attention away, Kurt had huddled as close to the arm of the couch as possible, with the edges of the throw wrapped around his shoulders clutched tight in his fist. He hunched down, burying himself deeper into an interview with Rihanna.
DeLeon sashayed up to Blaine. He laced a hand with Blaine’s and kissed him on the corner of his mouth. Kurt groaned quietly, his nose practically sinking into the seam of his magazine.
"Sorry for the intrusion," DeLeon said in the rhythm of a Beyonce song he’d been humming. Kurt frowned. He didn’t expect the man to have such a melodious tenor voice. But why not? The man was built, handsome, and could apparently carry a tune. And now he was dating Blaine. The man had everything. "But Blaine said you guys usually keep the door unlocked and that I could come right in. How you get away with that out here in Brooklyn, I'll never understand."
“It helps that we don’t own anything worth stealing,” Blaine joked.
“Oh, I don’t know.” DeLeon raised a hand to run a finger down Blaine’s cheek. “I’d break in here just to snatch up the two of you.”
Blaine kissed DeLeon’s hand when it came close to his mouth.
Kurt smiled begrudgingly, but didn't lift his eyes from his magazine.
DeLeon bent over to catch Kurt's gaze. When he realized he wouldn't, he stood back up. Never one to be deterred, he smiled, preparing to try again.
"You know, for a fashion maven such as yourself, this look is a little low-key for the night we had in mind, Kurt."
Kurt harrumphed. DeLeon smile wider.
"He said no," Blaine answered for him, gazing plaintively at the rug beneath his feet. DeLeon looked from the disappointed man by his side to the stubborn one sitting on the couch, staring at an ad for Dior, and decided to try, and succeed, where Blaine had failed.
"Well, too bad." DeLeon grabbed Kurt by the arm and dragged him to his feet. "It wasn't a request. So put on the sexiest thing you have, darling, because we are partying hardy with six of the hottest men who ever played for our team. And get a move on. You've got five minutes."
Kurt glared, mortified, at the man with tremendous biceps who practically lifted him into the air, but then he caught sight of Blaine staring at his shoes with a hopeful smile on his lips.
Kurt could never refuse that smile. It was Kurt’s kryptonite. But he wasn't going to pretend to be happy about it.
"Fine. But five minutes only gets you mildly sexy. If you want truly devastating, I'll need fifteen."
"Take your time then. I’m willing to wait for devastating. I’ve heard it’s something to see." DeLeon swatted Kurt on the backside. Kurt spun, shooting daggers at both of them when they dissolved into giggles, turning in toward one another like conspiratorial teenagers. He stared at them a little longer than he should have, which is why he saw DeLeon lean in to kiss Blaine’s neck … and Blaine close his eyes to enjoy it.
And somewhere in his heart, that he had let grow hard against any amount of Blaine's lingering love for him, a single sliver fractured off.
***
They took three subways into Manhattan to a nightclub Kurt had never heard of before, but that DeLeon insisted was the hangout for flight attendants when they hit the city.
“It has an awesome vibe,” he said, leading Kurt from the subway car with their arms linked together (the other looped inside Blaine's, walking three across with DeLeon in the center like they were performing in an all-male remake of The Wizard of Oz, skipping down the Yellow Brick Road), “the hottest dancers, the tastiest specialty drinks, and the music! Man, it is always bumping! Am I right, Blainey?”
Kurt turned his head to look past DeLeon at Blaine. Blainey?
“Yeah,” Blaine agreed, looking at Kurt. “This place is seriously fantastic, and the music is on hit! You’re gonna love it!”
Kurt watched DeLeon bend to Blaine’s ear and whisper something that made him nod and titter. “Oh my God!” Blaine said. “I totally forgot! That was the best!”
So, Blainey agreed it was hot. Which meant he'd already been there.
They hadn’t even left the subway and Kurt hated it immediately.
They could hear the music pounding all the way from the subway turn-stall. Once they got up top and crossed the street, Kurt saw that the line to get in wrapped completely around the building. But DeLeon blew by the line and managed to get them through the ropes, kissing the cheeks of the bouncers at the entrance. The trio had barely taken a step through the doors when they were mobbed by six extremely handsome, astonishingly well-built men, with freakishly perfect teeth and flawless skin.
That must be the package deal for flight attendants, Kurt thought. The minute you sign on, they cap your teeth and perform some ritual that magically fixes your skin. But even as he privately jeered, he made a note to ask one of these guys what exfoliator and moisturizers they used because damn!
“Kurt” - DeLeon put his hands on Kurt’s shoulders in a familiar way that irritated Kurt to no end - “this is Savon, Michael, Kevin, Trey, Dominick, and Stephen. Guys …” DeLeon pushed Kurt slightly forward, as if presenting him for the group’s approval. “This is Kurt.”
“So, we finally get to meet the famous Kurt,” Kevin said, taking Kurt’s hand in his and kissing it.
“Enchante,” Savon said, taking Kurt’s other hand at kissing it as well.
"Oh … my … goodness,” Kurt murmured. “Why don't I fly more often?" He was sure no one could hear him over the pulsing music, but DeLeon did.
“I’ll find a way to comp you some tickets so you can join our Mile High Club,” he whispered. “Have at him, boys!” He shoved Kurt headlong into the throng of men and let them lead the way out on to the dance floor.
Twelve songs into the evening, Kurt's shirt clung to his torso, almost entirely see-thru with sweat, which Kurt normally hated, but he was loosening up. He felt more carefree than he had all week. These six guys, who seemed entirely focused on him and him alone, were so sweet, so nice, so complimentary, that he could almost let go and pretend that this was a normal night out, that he was free of his feelings for Blaine, but his enjoyment dimmed every time he caught a glimpse of Blaine and DeLeon grinding together, their hands all over each other, smiling, talking, sharing little pecks, lost in their own little world.
Kurt remembered that world.
And even surrounded by six men who could classify as super models, apparently willing to cater to his every whim, he missed that world.
He missed Blaine.
Another song started, a slower song. He saw Blaine and DeLeon wrap their arms around each other. No matter how hard he tried, he couldn’t not watch. He had to put some distance between him and them before he went crazy.
"I think I'm going to sit this one out, boys," Kurt announced. “Don’t miss me too much.” He walked briskly away to a chorus of disappointed groans and pleas to come back soon. He headed through the crowd toward a ring of tables, trying not to break into a gallop in his need to be away from Blaine and DeLeon.
But the universe rarely ever worked in Kurt's favor.
No sooner did he claim a vacant booth than DeLeon slid in beside him, lips curled in a devilish grin.
"Leaving the dance floor so soon?" he purred. "The party's just getting started."
"Yeah, well, I think I overdid it a bit," Kurt lied, gaze rising from DeLeon's eyes to lock with Blaine's as he joined them, his eyes wide and full of concern. “That dance floor’s a little too hot with me on it.”
"Why don't I get us some drinks?" Blaine offered, resting a hand on DeLeon's shoulder and squeezing gently. Kurt's eyes followed that hand, felt the squeeze on his own skin, and he swallowed hard.
"Nothing for me, thanks," Kurt said, looking away. “I’m good.”
DeLeon put a hand over Blaine's and patted gently. "I'll have a rum and coke.”
"You've got it," Blaine said with a wink. He waited one more pause to see if Kurt would change his mind, then headed off to the bar.
DeLeon watched him go.
When he turned back to Kurt, the mischievous glint was still in his eyes, but the expression on his face was much more serious.
"When are you going to tell that man that you’re still in love with him?" he asked, cutting to the chase.
Kurt sat straight up, jerking back in his seat. "Excuse me?" he said indignantly.
DeLeon rolled his eyes, far too done with this conversation already.
"I see you," DeLeon said, tapping his temple. "I see you watching us. If you think you're hiding anything, you're mistaken."
Kurt chuckled viciously. "Then maybe it’s a good thing you’re sitting down because I think the heat is getting to you. That, or you seriously need to have your vision checked."
DeLeon slid in closer. Kurt fought the urge to slide further away.
"You see, I want to like you," DeLeon said, "but when you say things like that, you make it really hard. Now usually I'd tear you a new one for being such a bitch, especially when I went through the trouble to ensure that you would be thoroughly entertained tonight, but seeing as you probably wouldn't be in this situation if your boy Blaine hadn't cheated on you, I'm gonna let it slide."
At the mention of his name, Kurt's eyes subconsciously swept the club to find him. And he did find Blaine, with surprising swiftness, standing at the bar, waiting for their drinks.
"Even hearing Blaine’s side of things, I’m gonna tell you, you weren’t wrong,” DeLeon continued. “And I told him that … repeatedly. He should have driven past that hotel, gotten on a plane, and talked to you face to face before sticking his dick in someone else. You have every right not to take him back if that’s what you really want. But I know that face. Fuck, I've even worn that face. And that is most definitely love, son."
DeLeon's expression softened, his eyes following Kurt's where they rested on Blaine's back. He could easily picture Kurt’s face on the night Blaine told him he cheated. Blaine’s story had broken DeLeon’s heart, but Kurt’s story, the one he hadn’t even heard from the source, hurt worse. It was the one that DeLeon could relate to. He had hoped that he could get Kurt to open up to him, but Kurt stayed tight lipped, staring longingly at his ex.
So DeLeon decided to try a different tactic to get Kurt to spill.
"Or maybe I'm wrong.” He shrugged. “Maybe those heart eyes of yours are staring at his sweet, sweet ass."
Kurt's head snapped so quickly back to the man beside him, he was sure he’d pulled something in his neck.
"Yup, that boy has a fine behind," DeLeon remarked, watching Kurt react. As he suspected, Kurt's shoulders tightened, his back went rigid, and his jaw clenched. "Too bad I didn't get the chance to see it."
Kurt's hands balled reflexively, but his face morphed from disgust to confusion in the blink of an eye.
"Wait … b-but … he's been spending every night this week at your place. I thought you two were …"
"Well, the first night he came over I tried," DeLeon admitted. "Lord knows I tried. But he stopped me before I could do anything." DeLeon grimaced at the memory. "And I was so close, too."
"So, what did happen?" Kurt hated that he was curious, but he needed the truth to erase his heartbreaking fantasies of Blaine and this man making love to one another.
"He said he was sorry and asked if we could just be friends. Seeing as I'm leaving for London and then God knows where after that for a few months, I agreed it was probably for the best."
Kurt felt relieved, which he knew he probably shouldn’t. He was being unfair. He had no exclusive rights to Blaine anymore. And he had made that decision. But he was also confused. He shut his eyes, trying to put the pieces of this puzzle together, especially after what he had seen of their behavior with his own eyes. "So, what has he been doing at your place?"
DeLeon shook his head, as if the answer was blaringly obvious and Kurt's denseness far from amusing. "Giving you space."
Kurt threw his hands up in frustration. "Why didn’t he just tell me the truth?”
"No disrespect, man, but did you give him the chance? Or did you get upset and back him into a corner? Because I think both you and I know the answer to that."
Kurt wanted to be angry at Blaine for lying about sleeping with DeLeon, but then he thought about the last few days of avoiding Blaine like he was the plague or a Sears Department Store. His cheeks pinked with embarrassment, and then with a touch of anger. It was one thing for Kurt to recognize his own shortcomings, but another to have his ex's current sort-of platonic fling shove it in his face.
Shortcomings that DeLeon would only know if Blaine was talking about him behind his back.
Kurt’s eyes shot open wide. "Now wait …"
"Before you get all high-pitched on me, no, he didn't say anything," DeLeon said, his arms raised in defense. "I just happen to know a thing or two about flying off the handle. I can get kind of high-pitchy, too."
“So …”
“I guessed, and he might have confirmed … vaguely. That’s all I’m sayin’. I don’t need to get that boy into any more trouble.” DeLeon chuckled. “He obviously does that fine on his own.”
Kurt nodded, relaxing even though he wasn't sure how any of this would change things between him and Blaine. But Kurt's shoulders squared again when another thought entered his mind.
"What about the grinding and the touching and the little kisses between the two of you?" Kurt asked, becoming high-pitchy anyway.
"So, I took a few liberties,” DeLeon said. “Can you blame me? Look at him. He's gorgeous … but you already know that."
Out of the corner of his eye, Kurt watched Blaine walk toward their table, eyes trained solely on him as if he were the center of the known universe and a few others as well.
DeLeon saw it, too, and sighed. "Unfortunately for me, he's all yours, sunshine."
Blaine set the drinks down, sliding a glass of clear, bubbly liquid overflowing with cherries in front of Kurt.
"I know you said you didn't want anything," Blaine said, "but I thought, you look so hot … I mean flushed … and just in case you changed your mind …"
DeLeon took his rum and coke and sipped it, recognizing with regret just how quickly he had disappeared from Blaine's notice. He wasn’t angry at Blaine. Blaine talked about Kurt like he was the moon and the stars. Even if DeLeon had had a chance with Blaine and they had slept together, he’d only be borrowing him.
It would have been fun, but DeLeon wanted more. He deserved more.
He couldn’t have that with Blaine.
"Look," he interrupted, backing out of the booth, "I don't mean to drink and run, but I've got an early morning. I think I'm going to bow out now."
Blaine watched him stand, his shame at ignoring the man of the hour apparent in the way his mouth stopped working.
"B-but, DeLeon," Blaine stuttered. "Don’t go. I'm sorry if I …"
DeLeon put a hand over Blaine's lips and shushed him. “It’s alright. I get it.” He smiled at Blaine's apologetic eyes and leaned in close, kissing him gently on the lips. Kurt's drink suddenly became very interesting and he glued his eyes to it, counting the cherries in an effort not to burn holes into DeLeon's skull.
Why should Kurt be jealous of a little kiss if they weren’t dating? Though the way his heart seized up at the idea of Blaine kissing DeLeon back pretty much answered that question for him.
DeLeon pulled away from Blaine's lips, sparing a glance at Kurt, who was staring down his drink as if the cherries were marked for death.
"I think it's time you fixed this once and for all, don't you?" DeLeon whispered. Blaine looked at Kurt, too, curled over his drink the same way he had been on the couch when he was crawling into his magazine. He had so many walls built up around him. Blaine did that. Those walls hadn’t been there for years after Blaine helped knock the original ones down. These were new, and they’d been built to protect Kurt’s heart from being broken … by Blaine.
With a final hug, DeLeon walked off into the crowd, disappearing from view.
"You know, come to think about it, I should probably call it a night, too." Kurt slid out of the booth from the opposite end so as not to disturb Blaine, who stared blankly into the crowd as if trying to summon DeLeon back. Kurt was confused how DeLeon could assume that Blaine only wanted Kurt when he seemed genuinely smitten for the sage man who had just gone. Kurt headed off in a different direction, but a hand grabbing his stopped him.
"Don't go," Blaine pleaded softly, his voice managing to rise above the noise even with Kurt's back turned. Blaine pressed his body against Kurt’s, not overbearing or aggressive, the simple warmth of his presence bleeding into Kurt’s skin and simply making itself known.
"Blaine," Kurt started, not sure what he wanted to say, hoping the words would come to him as soon as he opened his mouth, and that he would actually mean them, whatever they were.
"Dance with me?" Blaine dared an arm around Kurt's waist. "Please? Just … just once before you go?"
“You sure you haven’t had enough dancing?” Kurt snapped. “I mean, it looked like you were getting your fill before.”
“It’s not the same when I’m not with you.”
Kurt felt himself melting into Blaine's arm, molding against his body, and it frightened him. It would be this simple, wouldn't it? To fall back together? But what would that mean?
Could it last this time?
He thought about it as he followed Blaine out onto the dance floor, as he let himself get wrapped up in Blaine’s arms, swaying with him to music that didn't match their beat since the music over the speakers pounded through the floor like a rainstorm, and they glided along together like a wave. Between the beats and the laughter and the loud voices, Kurt could hear the occasional I'm sorry …
I miss you so much …
You have no idea how much …
I love you …
I love you more now than I ever have …
I'll do anything …
Anything you want …
I'll even move out … give you more space …
Just please say we get to be boyfriends again …
Kurt heard every word, and he believed them. But before he made any decisions, there were a few things he needed to know. “I … have to ask you something.”
“Anything.”
“Why did you make me think you and DeLeon had slept together? Why didn’t you tell me the truth?”
“Because …” Blaine looked guilty, maybe even more guilty than he had when he told Kurt he’d been with someone else “… when I came home, you were drunk … and you looked destroyed. I was confused, and I wanted to help, but I didn’t know what to do to make it better. You’d been trying for so long to get me together with someone. I thought that if you thought I had been, then you could …”
“Could what?”
“Be free. Have closure so you could move on. It seemed to be what you wanted so much. I thought … I thought you were done with me and that, somehow, I was hurting you. I didn’t want to hurt you anymore.”
“Well, unfortunately, I think we were both damned if we did and damned if we didn’t.”
“Or, maybe we’re just …”
“… made for each other?” Kurt finished. He was going to say stubborn, but for some reason that came out instead.
Blaine didn’t agree or disagree, but Kurt knew that’s how he felt. He didn’t need to confirm it.
That’s part of what it means when you belong with someone.
Blaine raised a hand to caress Kurt’s cheek and nuzzled his neck.
“Please tell me you still love me,” Blaine whispered. “I know I hurt you, and I’m sorry, Kurt. I’m so so sorry. I don’t think I’ll ever stop being sorry. And if you want to remind me every day for the rest of my life, then that’s fine, but let me spend that life with you. Tell me I have a chance to fix this. Let me try. We can go to counseling, or I’ll go by myself if you don’t want to go with me. I’ll take classes on how to be a better boyfriend. I’m sure they have some somewhere. And if I can’t make things better, then I’ll accept that I can’t, and I’ll respect any decision you make. I swear I will. But can I have a second chance? Just one more?”
Kurt felt lips press tentatively against his neck, begging for an answer, and with every shy kiss, Kurt felt himself cave. Kurt knew exactly what he wanted. He had for a while. And it didn’t take DeLeon draping his handsome self all over Blaine for Kurt to decide.
Kurt wanted Blaine. Even when he didn’t want Blaine, he wanted Blaine. Even when he couldn’t forgive Blaine, he missed him. Even when he never wanted to speak to Blaine again, sometimes all he wanted was to hear his voice. He hated how much he wanted Blaine because he felt like he was betraying himself, but the fact remained.
And Blaine wanted him, too.
But that was too much for him to put into words without sobbing like an idiot.
"Grrr! Alright, you colossal pain in the ass!" Kurt groaned, feeling a smile on Blaine's lips grow against his skin. "I can't believe we're doing this again! But if we are, we're doing it my way. We're taking it slow. Do you understand?"
“Of course,” Blaine said with a giggle, his lips eagerly finding Kurt’s, kissing him in reply.
***
It was 3 a.m., and it was sweltering. Not in general, and not outside considering it was winter, but in the loft, specifically in Blaine's bedroom, the air was stifling.
Kurt moved over Blaine's body with a deliberate slowness, pushing in deep, then pulling out to the tip, drawing out every low, long moan he possibly could from the man who arched beneath him, sweat rolling down his spine. Kurt had bound Blaine’s wrists with a few of his old scarves, tied together end-to-end so that his left wrist was connected to his right by a string of fabric running underneath the mattress. The more he pulled, the tighter the knots became. There was no way for him to slip free.
Not that Blaine wanted to move. He never wanted to go anywhere ever again.
"God, I missed this," Blaine growled, his voice rough, his body burning. He rose up to meet Kurt when Kurt pushed in again, deeper this time, as if such a thing were even possible. But somehow, Kurt found a way. Kurt met Blaine's mouth and kissed him hard, sucking his top lip between his teeth and biting to hear Blaine whine, to feel him shudder. "At least we're not drunk this time," he remarked when Kurt pulled away.
"Yeah," Kurt agreed, grinning at Blaine's debauched expression, at the fingernail tracks raising welts down his back, at his damp curls clinging to his cheeks, "but so much for taking things slow."
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alivelyfancy · 6 years
Text
Bad news – it’s Monday, witches. Good news – it’s almost Halloween! I know many of us have enjoyed Halloweekend, but the official day is tomorrow, which means there’s one more chance to dress up!
Whenever I bike to work I think of the Wicked Witch Theme from the Wizard of Oz so I thought, Why not go all out for Halloween and be the Wicked Witch of the West / Mrs. Gulch?
I first thought up this idea last year, but unfortunately it was already Halloween day so I didn’t have time to put it together, so I’ve been saving up this costume for one whole year!
Here’s what I used to put together my costume:
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Broom – I had a mini broom that I bought a couple of years ago for a Harry Potter Halloween Party that my previous roommate, Amber, and I threw. It was probably $5 at Michael’s.
Witch Hat – It was slim pickings when I stopped by Target two weeks ago.  Most of the witch hats were understandably for children, but I did managed to snag a black adult witch hat for $3.
Cauldron – I received this plastic cauldron in middle school when a friend “booed” me. (You leave candy and a note on a friend’s front porch in the weeks leading up to Halloween. They then pass it on to two others.) Because I’m a hoarder I saved this plastic cauldron and rescued it from my parents house when they were downsizing this past summer.
Fabric glue, needle and thread, zip ties, and ribbons to secure my props to the my bike and helmet. I already had all these items, but you can find them at any craft store.
I used zip ties to secure the broom to the back rack of my bike.  I wanted to make sure the broom didn’t get in the way of the panniers or block the back light too much. This was the easiest part.
Tumblr media
My bike becomes a broom!
Then, I fastened the cauldron also using many zip ties to the front handlebar. This was a bit trickier, but again, not too difficult. I had to make sure the cauldron would not get in the way of steering or the headlight or hit the front wheel or brakes. At first I considered nailing holes into the cauldron to loop a rope or ties through. Eventually I ended up threading multiple zip ties together through existing holes that were made for the handle of the cauldron. I then taped the zip ties to the handlebar to prevent the cauldron from sliding back and forth. So far it’s holding up.
Witch’s cauldron!
The last part, affixing a witch’s hat to my helmet was the hardest part. I wanted to make the hat secure since I will be biking and it will be windy. I used fabric glue and thread to secure three ribbons on the hat – two on the sides and one in the front.
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You have to wait two hours for the glue to set.
Sewing the ribbon after gluing it to the hat.
The point of the hat does not stand up on its own so I stuffed an empty paper towel roll through the holes of my helmet. I made two small cuts to the part of the paper towel roll that was stuffed through the vent of the helmet and then folded these pieces around the top of the helmet and used tape to secure them. Then I put the hat over the paper towel and threaded the ribbons through the helmet and tied them. It’s not a perfect point as you can see in the photos, but it seems sturdy enough and people will be able to tell it’s a witch’s hat.
#gallery-0-6 { margin: auto; } #gallery-0-6 .gallery-item { float: left; margin-top: 10px; text-align: center; width: 33%; } #gallery-0-6 img { border: 2px solid #cfcfcf; } #gallery-0-6 .gallery-caption { margin-left: 0; } /* see gallery_shortcode() in wp-includes/media.php */
I may have unrolled all the paper towels so I could get the empty roll.
I cut the ends of the roll and then used packing tape to tape it to the inside of the helmet
The final product!
For the finishing touches I added some orange tulle that I happened to have lying around and a plastic bag of candy to the cauldron. I also put together a Halloween playlist which, of course, includes the Wicked Witch Theme.
Wicked Witch Theme from the Wizard of Oz
I Put A Spell On You – Screamin’ Jay Hawkins
Thriller – Michael Jackson
Get Ghost – Mark Ronson, Passion Pit, A$AP Ferg
Superstition – Stevie Wonder
Theme from Friday the 13th
Ghostbusters Theme
Highway to Hell – AC/DC
Bad Moon Rising – Creedence Clearwater Revival
Where the Devil Don’t Go – Elle King
In the Hall of the Mountain King from Peer Gynt Suite No 1.
Sympathy for the Devil – The Rolling Stones
Tomorrow I plan to go around the bike path to and from my way to work passing out candy and cackling as I fly my broom (er ride my bike). Happy Halloween, everyone!
Tumblr media
Ready to chase after dogs and reclaim my ruby slippers.
I’ll Get You, My Pretty, And Your Little Dog Too! Wicked Witch Bike Costume Bad news - it’s Monday, witches. Good news - it’s almost Halloween! I know many of us have enjoyed Halloweekend, but the official day is tomorrow, which means there’s one more chance to dress up!
0 notes
lemasney · 7 years
Text
Kubrick revealed? The Dawn of Man superimposed over Dave’s dawn as a space traveler.
Origins and Explanation or Why Kubrick is a Genius
This project, in which I arranged Kubrick’s masterpiece 2001 to play both backwards and forwards simultaneously, was inspired by the beautiful and enlightening documentary on Kubrick’s The Shining named Room 237 by Rodney Ascher. I was dumbstruck by the section that explained a theory of how to watch The Shining properly – Backwards and forwards. Here’s an introduction to that idea:
“Analysis and awe sit side by side in the parts of our brains that engage in pattern recognition. The Shining Forwards And Backwards feeds both of them at once.  Last year some folks at a Brooklyn theater – likely highly stoned folks – got the idea in their heads to play Stanley Kubrick’s The Shining forwards while projecting the movie backwards at the same time on the same screen. What was shocking was that it worked. That’s not to say that Kubrick intended the film to be seen this way, but it worked nonetheless.” curated by lemasney from Fantastic Fest Review: THE SHINING FORWARDS AND BACKWARDS | Birth.Movies.Death. at http://birthmoviesdeath.com/2012/10/01/fantastic-fest-review-the-shining-forwards-and-backwards
And perhaps my favorite way to introduce this idea that even if Kubrick didn’t do this purposefully, it’s still fascinating:
“(T)he film’s framing lends itself to this kind of an experiment. Kubrick is so precise about placement within the frame that you can overlay random images and find juxtapositions and reverberations in imagery. Whether or not this is purposeful is besides the point – what matters is how it’s experienced.” curated by lemasney from Fantastic Fest Review: THE SHINING FORWARDS AND BACKWARDS | Birth.Movies.Death. at http://birthmoviesdeath.com/2012/10/01/fantastic-fest-review-the-shining-forwards-and-backwards
I was so moved by the idea possibly applying to other films of Kubrick’s, that I rushed to my machine, ripped a copy, and started playing. This post is an invitation for you to do that play too. It’s easy for you to argue that it was not Stanley’s intention to do all of this extra work so that just a few might see it. Once you see it, it’s harder to argue against that idea. So, how does one do it?
Methodology
Kubrick’s 2001, A Space Odyssey, backwards and forwards. (lemasney)
I don’t have access to projectors or film reels as The Shining theorists did. I did this right on my computer, and so can you. In fact, it’s likely the only way you’ll get to see it in all of its glory because of the copyright infringement of the product if broadcast without permission. I’ve had a few short clips taken down so far and rightfully so. I do not have copyright rights to the material. Because I am using this for the purposes of extending the content through critique and analysis, I feel I’m free to post this imagery, and have seen other examples, such as in the project that inspired this one:
“On Wednesday, March 9th, 2011, in Williamsburg, Brooklyn, The Spectacle Theater screened Stanley Kubrick’s The Shining forwards and backwards simultaneously, superimposed. This experiment in projection was inspired by the analysis of The Shining by MSTRMND, and one line in particular:  The Shining is a film meant to be watched both forwards and backwards.  We took the MSTRMND gambit at face value. We put the US DVD version into Final Cut, removed all corporate logos and leaders at the beginning, and cut all credits at the end. The entire film image sequence was then copied, reversed and superimposed over the original forwards version. (For clarity’s sake we screened the forwards/backwards superimposition with the forwards audio only.)” curated by lemasney from KDK12 | The Shining: Forwards and Backwards at http://kdk12.tumblr.com/post/4879566957/the-shining-forwards-and-backwards
I believe I’d be able to argue that I did this without expectation of malice, but rather homage, to Stanley, nor personal monetary gain, while hopefully extending the film’s value through critical observation.
I still won’t post the whole rearranged film here, because it would easily be arguable that I had not done enough to change it, and I’d rather not have a showing with my voice over it, etc. You should see it in its true form, and that means you’ll probably have to do it or contact me for help, which I welcome. I am however sharing a lot of GIFs, the first of which are below. Please feel free to share at your own risk. I have a fantasy where I get the Paramount in Charlottesville, Virginia to do a screening for us on the big screen, but I doubt that I could afford the rights.
How to make your own Forwards and Backwards movies:
You have to have a non-protected version of the film in an editable format like MP4, which may mean getting the DVD and backing it up to a file, as I did. (If this is a new concept to you, check out this cool HowTo). You might get it some other way too.
Open the MP4 in a video editor (I use the open source video editor KDEnlive on Ubuntu Studio, you might use Adobe Premiere or something similar) on track one.
Open a second copy on track two and mute and reverse it. In KDEnlive, you can just right click on your original project clip and make a reversed copy. (Here’s the HowTo for that).
We mute the second copy because the audio weaves together the narrative of the two directions.
In order to see the second track ‘through’ the first, you have to add a transition between tracks to act as a layer mode for the video. I used Screen mode, which worked perfectly. (Here’s the HowTo for that.)
Render your edit, and begin watching. In the mean time, check out some of the short animations below to get some sense of what you will see.
I’ll explain more below and in future posts, but I can not see how the timing of the cuts and positions are anything but designed. Kubrick seems perfectly capable of going scene by scene, second by second, and arranging image A and image B to coincide. I feel certain of it, but others may not believe. I also believe in The Dark Side of Oz, where Pink Floyd’s The Dark Side of the Moon replaces the soundtrack of the classic film The Wizard of Oz. If you can believe that was by design, this is easy, comparatively.
Introduction and Exit
Please click on the images to see them full size. You can navigate through them by opening any of them and clicking on the arrows left or right.
The human issue of eating
Dave and the desert
Enrobed in light
Obelisk encounters
Introduction and Title
The Dawn of Man
The introduction and exit of the film are fascinating to watch simultaneously. Having read Clarke’s entire series of books on this universe, the obelisk is an alien intelligence, allowing humanity to flourish by giving insight to technology unknown before through contact. This happens to the missing link men in the first scenes, to the men on the moon, and to Dave, becoming the space baby, a newly born time-traveling entity.  Some impressions and narrative for the GIFs above:
Click on Introduction and Title to see the perfect choreography of space baby Dave’s eye, moon, sun, and earth.
The Dawn of Man plays with the idea of burial (Dave passing from human form to time traveler) in the ground of the reverse scene.
The obelisk contains light (symbolizing intelligence) often in this version of the film. Eating becomes a recurring, overlapping theme for ideological acceptance, and in The human issue of eating, we get a glimpse of the hogs lying about Dave’s purgatory room, and Dave eating an alien meal for sustenance.
In Enrobed in light, and Obelisk encounters the intense landscapes of the time travel Dave screams through are set against the landscape of early man. Also, notice how the light surrounds, follows, and amplifies the brutal emotion of early man, and how the light splatters and spits around these newly murderous human ancestors, shining with new and powerful intelligence.
Bright light (as intelligence, but not always kind) constantly reveals itself in the backwards and forwards play, like HAL’s red-eye over faces or objects of intense importance or intimate intelligence in other scenes.
In my next post, I’ll talk about the next scenes and my impressions. I hope you liked this introduction to the project, and I’d love to help you to do this kind of thing too, discovering new tools along the way. If I can help you, please give me a call at 609 553 9498 or email me at [email protected]. There’s even a feedback form below. If it’s something especially nice, it might go in the testimonials! I’m John. Thanks!
[contact-form] Kubrick – 2001: A Space Odyssey, Forwards and Backwards. Origins and Explanation or Why Kubrick is a Genius This project, in which I arranged Kubrick's masterpiece…
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heromngmnt · 5 years
Text
A month passed by very quickly. It’s high time to continue what was left off. After a very welcomed part one, it is high time to produce another bunch of Funko Pop! ugliness. So without further delay – let’s go! (If you haven’t seen part 1, everything written there applies to the whole series, so please check!)
  1. Alan and Carlos – Hangover
I am very much aware, it doesn’t look a bit as bad as most I’m sharing here. I am aware of this. The thing I’m concerned about is actually little Carlos. Look in his deep black eyes. They want a sacrifice in blood. Look at his huge fists on these tiny and lengthy arms. They want to make the sacrifice out of your face. Be careful out there. You’ll never know.
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  2. Bad Ape – War of the Planet of the Apes
The resemblance is uncanny! All the details are on the Pop but then… It seems more and more creepy the longer you’re looking at him. It seems like Funko tried to make his head look… smaller? His body is quite big for a Pop from 2017 and comparing to the on-screen version. And then we get all these wrinkles which even though accurate, doesn’t give the figurine any good looks. And… Am I the only one who thinks that hair on his head looks like worms?!
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  3. Beetlejuice
Beetlejuice, Beetlejuice, Beetle… Maybe not this time, shall we? I’d rather avoid summoning the Pop! that kills my favourite Keaton’s role. Tim Burton’s imaginary over Beetlejuice is more unnatural and plastic than necessary. In the 80s not many CGIs were available but Burton made his film look even more cringy (of sorts) with the masks, ghosts and such. But I don’t believe he intended the title character being such himself in his future version of the Funko Pop! Head longer than usual and very symbolic painting don’t give Beetlejuice any justice.
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  4. Wizard of Oz
Timeless classic. I’m assuming it is the oldest work of culture that came by Funko (correct me if I’m wrong). The Wizard of Oz was released in 1939 and it seems that Funko went back in time to make their figurines, too. These Pop!s are not only the “older version” but also “creepier version”. The lion looks like a mouse with a beard and his posture is crooked. The witch on the other hand… Has barely anything to do with actual Glinda. They could at least make her hair more curly (even though it isn’t a marvellous idea looking at the Lion). Well, the beginnings are tough and Funko is no exception.
For the record. The lion graphic on the box is my favourite.
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  5. Minions
Who doesn’t love these small, yellow creatures these days?! Yes, me. Or at least not in the Pop! form. Despicable Me stole hearts of children and adults immediately. The hype went to the moon and back and Minions lived to see their own film made up. Now there’re four films and a lot more of minions to see, but the ugliest ones are ones that opened the door to the rest. Meet Carl and Dave. Carl’s eye may be creeping out in the dark, but when you double it and put together Dave is creeping even more. The sole shape of the Pop!s is okay, but eyes look terrible nonetheless. Confession? Once upon a time, I bought Carl and he’s in my boyfriend’s family house.
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  6. Fifth Element
This 90’s classic is not so guilty pleasure of every science fiction fan. It is comedic and ironic so nobody actually has anything against Ruby Rhod’s crazy appearance and an alien singer that looks like a humanoid fish tank. But Funko designers definitely had their own idea in mind. Most of the Pop!s look fine considering the early times of figurines but there’s one that makes my head blow. Diva Plavalaguna was weird but BEARABLY strange. Funko decided to make her unbearable.
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  7. Doghan Daguis – Valerian and the City of the Thousand Planets
You know Chase figurines, eh? The ones highly valuable, usually one out of six, a different variant of the character? Let’s welcome the least valuable in the history of Funko Pop! making.
Valerian and the City of the Thousand Planets, being by the same director as the one above, shown us yet another bunch of very creative aliens in so many species, you won’t be able to count. It was a flop, sadly, because the story and terribly written romance made the film unwatchable. Nonetheless, I have to admit that the visuals and creativity were on their highest levels. And since Luc Besson was highly sure of his new production, the deal with Funko was obvious. And what happened? Out of all these aliens we got only TWO species made. And they weren’t Funko’s pride and joy.
Doghan Daguis wasn’t very pleasant species for the eye at the first place. Looking like pterodactyls with hair problems and having a pissing off personality, they only appeared as figurines because they had a pretty unnecessary but important situation with main characters. Their Pop!s sadly became even uglier than the original, having a wider and shorter beak and creepy eye. Moreover, this is only one figurine I’m acknowledged of that actually has TWO chase variants. Well, they had to do something to contain three of them, aye? Well, I don’t think so.
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  8. Doomsday – Batman v Superman
Erm… I don’t even know what to say about this. For the record, I hated the film. I hated Doomsday design there, so I’m not sure I’m entitled to say anything about Funko redesigning it. I don’t see the resemblance, I just enjoy his lovely yellow teeth. Let’s just leave it without further comment.
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  9. Gollum – The Hobbit
Gollum may be the trickiest character to actually make Pop! of. This peculiar appearance in both Peter Jackson trilogies makes him an icon unable to transfer into any other shape. Huge ears on a very round head, only 10 hair on his bald head, huge and narrow legs and arms… That’s only some features that make Gollum one of a kind. Funko did try their best. Both in old The Hobbit version and 2018’s LOTR one. Both are OKAY but they don’t give justice to our dear Smeagol. They decided to choose some of his features and skip on other to keep Pop style and try their best to keep the character’s similarities.
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  10. V – V for Vendetta
I don’t care, I LOVE this film. Alan Moore’s original, too. But I’ll never love this nightmare of a Pop. This was still the time when Funko constrained Pop!s eyes to be round. So all the not-circle eyes got the same treatment in sculpture but different in painting. Another problem is that V’s mask lost its iconic shape because the head had to be rectangular. I may agree to this if the top of the head was simply WIDER than the bottom. And the hat – more like what we had in the film. In here, the only thing coming to my mind is stoned V is going to start a revolution!
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  BONUS – Donald Trump
This list bonus is the world’s favourite president. Just for the record that his Pop! actually exists. It’s actually not that bad but I think actual Trump is way heavier. Hilary Clinton and Bernie Sanders exist, too!
  Also, I want to thank everyone for raising my post so high on Google Search! Every click counts and I’m so glad you’ve enjoyed it!
First part was so popular I can't even comprehend! So thank you again and let's get to another bunch of the ugliest Funko Pop!s A month passed by very quickly. It's high time to continue what was left off. After…
0 notes
lemasney · 7 years
Text
Kubrick revealed? The Dawn of Man superimposed over Dave’s dawn as a space traveler.
Origins and Explanation or Why Kubrick is a Genius
This project, in which I arranged Kubrick’s masterpiece 2001 to play both backwards and forwards simultaneously, was inspired by the beautiful and enlightening documentary on Kubrick’s The Shining named Room 237 by Rodney Ascher. I was dumbstruck by the section that explained a theory of how to watch The Shining properly – Backwards and forwards. Here’s an introduction to that idea:
“Analysis and awe sit side by side in the parts of our brains that engage in pattern recognition. The Shining Forwards And Backwards feeds both of them at once.  Last year some folks at a Brooklyn theater – likely highly stoned folks – got the idea in their heads to play Stanley Kubrick’s The Shining forwards while projecting the movie backwards at the same time on the same screen. What was shocking was that it worked. That’s not to say that Kubrick intended the film to be seen this way, but it worked nonetheless.” curated by lemasney from Fantastic Fest Review: THE SHINING FORWARDS AND BACKWARDS | Birth.Movies.Death. at http://birthmoviesdeath.com/2012/10/01/fantastic-fest-review-the-shining-forwards-and-backwards
And perhaps my favorite way to introduce this idea that even if Kubrick didn’t do this purposefully, it’s still fascinating:
“(T)he film’s framing lends itself to this kind of an experiment. Kubrick is so precise about placement within the frame that you can overlay random images and find juxtapositions and reverberations in imagery. Whether or not this is purposeful is besides the point – what matters is how it’s experienced.” curated by lemasney from Fantastic Fest Review: THE SHINING FORWARDS AND BACKWARDS | Birth.Movies.Death. at http://birthmoviesdeath.com/2012/10/01/fantastic-fest-review-the-shining-forwards-and-backwards
I was so moved by the idea possibly applying to other films of Kubrick’s, that I rushed to my machine, ripped a copy, and started playing. This post is an invitation for you to do that play too. It’s easy for you to argue that it was not Stanley’s intention to do all of this extra work so that just a few might see it. Once you see it, it’s harder to argue against that idea. So, how does one do it?
Methodology
Kubrick’s 2001, A Space Odyssey, backwards and forwards. (lemasney)
I don’t have access to projectors or film reels as The Shining theorists did. I did this right on my computer, and so can you. In fact, it’s likely the only way you’ll get to see it in all of its glory because of the copyright infringement of the product if broadcast without permission. I’ve had a few short clips taken down so far and rightfully so. I do not have copyright rights to the material. Because I am using this for the purposes of extending the content through critique and analysis, I feel I’m free to post this imagery, and have seen other examples, such as in the project that inspired this one:
“On Wednesday, March 9th, 2011, in Williamsburg, Brooklyn, The Spectacle Theater screened Stanley Kubrick’s The Shining forwards and backwards simultaneously, superimposed. This experiment in projection was inspired by the analysis of The Shining by MSTRMND, and one line in particular:  The Shining is a film meant to be watched both forwards and backwards.  We took the MSTRMND gambit at face value. We put the US DVD version into Final Cut, removed all corporate logos and leaders at the beginning, and cut all credits at the end. The entire film image sequence was then copied, reversed and superimposed over the original forwards version. (For clarity’s sake we screened the forwards/backwards superimposition with the forwards audio only.)” curated by lemasney from KDK12 | The Shining: Forwards and Backwards at http://kdk12.tumblr.com/post/4879566957/the-shining-forwards-and-backwards
I believe I’d be able to argue that I did this without expectation of malice, but rather homage, to Stanley, nor personal monetary gain, while hopefully extending the film’s value through critical observation.
I still won’t post the whole rearranged film here, because it would easily be arguable that I had not done enough to change it, and I’d rather not have a showing with my voice over it, etc. You should see it in its true form, and that means you’ll probably have to do it or contact me for help, which I welcome. I am however sharing a lot of GIFs, the first of which are below. Please feel free to share at your own risk. I have a fantasy where I get the Paramount in Charlottesville, Virginia to do a screening for us on the big screen, but I doubt that I could afford the rights.
How to make your own Forwards and Backwards movies:
You have to have a non-protected version of the film in an editable format like MP4, which may mean getting the DVD and backing it up to a file, as I did. (If this is a new concept to you, check out this cool HowTo). You might get it some other way too.
Open the MP4 in a video editor (I use the open source video editor KDEnlive on Ubuntu Studio, you might use Adobe Premiere or something similar) on track one.
Open a second copy on track two and mute and reverse it. In KDEnlive, you can just right click on your original project clip and make a reversed copy. (Here’s the HowTo for that).
We mute the second copy because the audio weaves together the narrative of the two directions.
In order to see the second track ‘through’ the first, you have to add a transition between tracks to act as a layer mode for the video. I used Screen mode, which worked perfectly. (Here’s the HowTo for that.)
Render your edit, and begin watching. In the mean time, check out some of the short animations below to get some sense of what you will see.
I’ll explain more below and in future posts, but I can not see how the timing of the cuts and positions are anything but designed. Kubrick seems perfectly capable of going scene by scene, second by second, and arranging image A and image B to coincide. I feel certain of it, but others may not believe. I also believe in The Dark Side of Oz, where Pink Floyd’s The Dark Side of the Moon replaces the soundtrack of the classic film The Wizard of Oz. If you can believe that was by design, this is easy, comparatively.
Introduction and Exit
Please click on the images to see them full size. You can navigate through them by opening any of them and clicking on the arrows left or right.
The human issue of eating
Dave and the desert
Enrobed in light
Obelisk encounters
Introduction and Title
The Dawn of Man
The introduction and exit of the film are fascinating to watch simultaneously. Having read Clarke’s entire series of books on this universe, the obelisk is an alien intelligence, allowing humanity to flourish by giving insight to technology unknown before through contact. This happens to the missing link men in the first scenes, to the men on the moon, and to Dave, becoming the space baby, a newly born time-traveling entity.  Some impressions and narrative for the GIFs above:
Click on Introduction and Title to see the perfect choreography of space baby Dave’s eye, moon, sun, and earth.
The Dawn of Man plays with the idea of burial (Dave passing from human form to time traveler) in the ground of the reverse scene.
The obelisk contains light (symbolizing intelligence) often in this version of the film. Eating becomes a recurring, overlapping theme for ideological acceptance, and in The human issue of eating, we get a glimpse of the hogs lying about Dave’s purgatory room, and Dave eating an alien meal for sustenance.
In Enrobed in light, and Obelisk encounters the intense landscapes of the time travel Dave screams through are set against the landscape of early man. Also, notice how the light surrounds, follows, and amplifies the brutal emotion of early man, and how the light splatters and spits around these newly murderous human ancestors, shining with new and powerful intelligence.
Bright light (as intelligence, but not always kind) constantly reveals itself in the backwards and forwards play, like HAL’s red-eye over faces or objects of intense importance or intimate intelligence in other scenes.
In my next post, I’ll talk about the next scenes and my impressions. I hope you liked this introduction to the project, and I’d love to help you to do this kind of thing too, discovering new tools along the way. If I can help you, please give me a call at 609 553 9498 or email me at [email protected]. There’s even a feedback form below. If it’s something especially nice, it might go in the testimonials! I’m John. Thanks!
[contact-form] Kubrick – 2001: A Space Odyssey, Forwards and Backwards.
Origins and Explanation or Why Kubrick is a Genius This project, in which I arranged Kubrick’s masterpiece…
Kubrick – 2001: A Space Odyssey, Forwards and Backwards. Origins and Explanation or Why Kubrick is a Genius This project, in which I arranged Kubrick's masterpiece…
0 notes