#greatest hits compilation cd

[d-dormant]

maleficent movies as reductress headlines

#maleficent #maleval #diaval #maleficent films #maleficent x diaval #look mum i'm a content creator #shitposting #reductress headlines #reductress #the onion #maleficent the onion series #greatest hits compilation cd

[k-i-l-l-e-r-b-e-e-6-9]

Alice In Chains - Man In The Box

#Alice In Chains #Greatest Hits #Format: #CD #Compilation #Released: #2001 #Alternative Rock #Hard Rock #Grunge #USA #Man In The Box

[angelsdean]

when the tracklist of a specific greatest hits cd from your childhood is so ingrained in your very bones bc ur mom would play it on loop everyday for months as the soundtrack to your drives to and from school before swapping it out for another greatest hits cd whose tracklist is also embedded into your very DNA and so now as an adult when one random song from that hits cd comes on the radio you immediately know which song is meant to come next as it fades out. you feel it vibrate in your veins, you're ready for the opening chords of that next song to start and then it doesn't bc this is the radio or your siblings's playlist. but you gotta say out loud which song is meant to come next, like you need it to be known that there is an order and your sibling or whoever's in the car with you rolls their eyes in fond exasperation bc u do this every time

#hall and oates and queen greatest hit and random 80s hits compilation cd you'll always be famous to me<3 #vic.txt

[grimesgirll]

you look forward to your car rides with rick.

you love your group too but sometimes a long car ride helps you unwind and recharge when your social battery is low and you just need to stare out the window at some grassy hills. besides, most days rick let you choose the soundtrack for your drive so you could DJ.

the only cds you'd had when you met up with the group were your signed cds that you couldn't part with: your parents' favorite foreigner album and taylor swift's sophomore album. after playing those albums front to back and hearing "double vision" one too many times enough to nearly ruin the song for you - and rick too probably - you set out to find some new tunes. you and daryl came back from a record store with a crate of old cds - it was a shame that you couldn't preserve the records but you had yet to run into a working record player that was worth your time. nonetheless, you found fleetwood mac albums, soft rock compilations, and music to mellow your trips.

you were itching to see him today. you’d been preoccupied mass producing buckwheat cereal and it was never a good time with him. you lavished the opportunity to spend time alone with the perpetually preoccupied rick grimes.

rick is waiting for you when you climb into the car. hickory curls frame his face which is sunburnt from all the time spent outside finishing up the harvest.

“hey,” you greet, pulling the car shut and shifting into your seat.

“hey there.” the sheriff farmer replies gruffly, hands already tensed and gripping the steering wheel.

you don’t need to ask what’s wrong because you already know: carl.

you love the boy but he wasn’t playing the part of the pacifist farm boy rick wanted him to. you don’t blame either of them. rick was right to rein carl in after he fired on that boy from woodbury as he surrendered.

that shook you up a bit too, but you remembered that carl was young and after weeks of planting, it won’t hurt to let the boy kill a walker or two on fence duty. there’s at least no reason for rick to give him shit about it.

rick’s so pent up though. it could be not just carl but the young infant going through the four month sleep regression.

settling judith for the night seemed to be a never ending battle, every battle a losing battle. you’d managed to take the little girl off of rick’s hands so he could sleep but she rarely went down for you either anymore. the baby that was once happy to fall asleep in your arms before bed was now fighting bedtime with everything she had.

your leader was saddled with stress. you can see it in the white of his knuckles against the steering wheel and how he doesn’t say anything before starting the car and pulling out of the prison, the gate being pulled behind your car by glenn and daryl.

almost forgetting to put in the new cd in your lap, your eyes are glued to the steering wheel. navigating whatever you have with rick is treacherous when just the sight of his taut hands has your breath picking up.

the two of you had no opportunity to get away lately. it’s not like you’re going to pester rick or jump him in the fields.

you’d already heard a, “later, sweetheart” earlier this week and it made you want to curl up into a ball.

waving the cd so rick can see, you ask if he likes the eagles. he shrugs. not much of a response.

“i’m gonna pop this in,” you inform him and lean over slightly to eject the cd currently residing in the media console - one of daryl’s buffalo springfield cds - to slide in an eagles’ greatest hits album.

he doesn’t pay much attention, just keeps his attention on the road and his knuckles wrapped around the steering wheel.

the sound of a guitar transitions you into the first song, which you think is aptly named. “take it easy” is exactly what rick should do but the song doesn’t seem to lighten his mood.

you two sit in silence. this isn’t unusual for you guys. sometimes you go quiet on parts of the drive.

rick breaks the silence.

“you like older stuff?”

i like older, rugged, handsome ex-cops with hands that can-

“i like all kinds of stuff.”

the older man laughs. “just wouldn’t have pegged you for an eagles girl.”

“it’s dad rock. don’t you like it?” you ask, catching his blue eyed gaze.

he slouches his shoulders. “they’re not bad. i would’ve liked if you put on that fleetwood mac cd a bit more.”

you grin. “i’ll remember to put their greatest hits cd on next.”

what you should be doing is reaching back to grab the cd booklet from the backseat but you’re fixated on rick. he’s driving, hyper focused on being aware of his surroundings again so he doesn’t notice the path your eyes take from his hands on the wheel to his pants. he doesn’t see your eyes cloud with thoughts of you two.

“pull over.”

“what?” rick questions, shooting you a skeptical look. “why?”

“i really have to go number one.”

he scoffs. “that’s why you wanna stop?” he shakes his head at you. you’re always asking him to stop on the side of the road for you to pee or find a dilapidated bathroom to go in. “next time, you gotta go before we leave.”

you nod, working overtime to conceal the early signs of victory on your lips. rick heeds your request and pulls into a rest stop parking lot, telling you to make it quick.

“be right back!” you chirp and use the bushes behind a gazebo to maintain your angle - and actually empty your bladder.

then you’re hopping back into the car and pressing the passenger side button to lock all of the doors. your hand stops rick’s when he goes to start the car, using the other to unbuckle his seatbelt. you’re in his lap by the time you’ve gotten his seat reclined by pushing down the lever.

the dark haired man is chiding your name. “what are you doin’?”

“helping you relax.”

“we gotta get on with our run.”

“i think you having fun is a bit more important.” you argue as you undo his belt. “why don’t you just relax?” you smile at him while you turn up the music slightly.

the sheriff rasps your name. “we have to stay vigilant.”

you send him a look that his him straining in his baby blue boxers. “rick, the doors are locked. we’ll hear a walker if they come up and we can drive away. just trust me and relax.”

it’s hard to argue when you’re tugging down his waistband, hands finding him and fondling him until the only sounds coming out of his mouth are pants.

opening up nice and wide, you slip him into your mouth. you smile when your tongue on the side of his length is met with a breathy moan.

one of rick’s hands are on the back of the center console and the other is pressed against the driver’s side door. between you wandering up and down his shaft with your tongue, he feels cornered. even more so when you take the opportunity to guide his hands to your hair.

it takes a few minutes but rick is no longer preoccupied with scanning the perimeter or heavy under the worry you could always sense under his skin, distracted by the curve of your ass. just leaning with his head back, basking in the soft rock playing and the woman so keen on relieving the pressure that weighed down on his reddened shoulders.

“such a good girl,” he’s gasping.

you move faster. suction your lips a little tighter. you haven’t been fooling around with rick for long but one thing is true without a doubt for him; he’s long and thick. you still haven’t mastered what must be some kind of witchcraft to fit all of him down your throat without gagging, but rick doesn’t care. as long as his dick in your mouth, he’s not complaining. especially not when you look up at him with his cock halfway down your throat.

success bubbles in your core and even with rick stuffed down your throat, you’re beaming. you’ve managed to get him to sit back and take a moment to enjoy himself - to enjoy you.

but you realize that your work is far from done when your favorite farmer cums down your throat, relishing the moment despite his still rock solid cock. he pulls your mouth off of him after you swallow, seemingly relishing the sight of you, lips in a pout in his lap.

“it’s your turn,” rick growls before fervidly dragging you to the backseat to pin your hips down and return the favor.

#rick grimes #rick grimes x reader #rick grimes imagine #twd imagine #twd smut #rick grimes smut #the walking dead #reader insert #still getting the hang of writing smut #not beta read #established relationship #ricky dicky doo da grimes #rick x reader #grimesgirll #blowy #prison era #mild taylor swift reference

[hldailyupdate]

Louis Tomlinson has dropped a surprise album ‘Live’ – featuring songs that he recorded at 15 shows across 15 different cities.

Announced and shared yesterday (April 25), the album comes after the singer and former One Direction member embarked on two world tours over the past three years – playing just shy of 200 shows globally.

Now, a variety of performances from both tours – the ‘Louis Tomlinson World Tour’ and the ‘Faith in the Future World Tour’ – have been compiled into a new live album, which is available now.

Fifteen songs are included in the tracklist, and each was recorded in a different city, at a different show from across the three-year run. The album comes in both digital and physical formats, and features his singles including ‘Bigger Than Me’, ‘We Made It, ‘Walls’ and ‘Out Of My System’, alongside fan favourite album tracks, all released live for the very first time.

“I’ve been lucky enough to spend the last 3 years touring the world twice over. The feeling I get sharing those live moments will be with me forever,” Tomlinson said in a statement. “To be able to record these songs from all over the world and put them out as an album like this feels so special, and a real tribute to the fans who make each and every show feel unique and incredible. Thank you! Enjoy!”

There are four exclusive tracks split between the physical editions of ‘Live’, including a special version of the One Direction classic ‘Where Do Broken Hearts Go’ – which is available only on the double CD.

Accompanying video clips of compiled tour footage will be shared on Louis’s social channels to support the release, showcasing a glimpse into his past three years on the road and 170 performances.

The ‘Live’ tracklist is:

‘The Greatest’ (Live From London, 17 November 2023) ‘Face The Music’ (Live From Nashville, 18 July 2023) ‘Bigger Than Me’ (Live From Vancouver, 26 June 2023) ‘Holding On To Heartache’ (Live From Barcelona, 6 October 2023) ‘We Made It’ (Live From Manila, 16 July 2022) ‘Chicago’ (Live From Chicago, 15 June 2023) ‘Fearless’ (Live From Rio, 27 May 2022) ‘Common People’ (Live From Sheffield, 10 November 2023) ‘All This Time / She Is Beauty We Are World Class’ (Live From Munich, 22 October 2023) ‘Walls’ (Live From Buenos Aires, 21 May 2022) ‘Written All Over Your Face’ (Live From Budapest, 15 September 2023) ‘Out Of My System’ (Live From Brisbane, 30 January 2024) ‘Saturdays’ (Live From Paris, 14 October 2023) ‘Silver Tongues’ (Live From Krakow, 10 September 2023)

At time of writing, Tomlinson has shared two huge solo albums since departing from One Direction. His debut album arrived in the firm of 2020’s ‘Walls’, which has sold over 1.5 million copies, and the follow-up was called ‘Faith In The Future’. The latter went to Number One in the UK, Spain and Belgium, and Top 5 in the USA, Australia, New Zealand and across Europe.

Since May last year, Tomlinson has been on his ‘Faith In The Future World Tour’, which hits South America next month for its final leg. From there, the vocalist has a number of festival appearances lined up for the summer. Find remaining tickets to his shows here.

In other Louis Tomlinson news, earlier this week the singer, alongside Courteeners and English Teacher, were among the acts to be honoured at the first-ever Northern Music Awards.

The inaugural ceremony was hosted by the UK’s largest music therapy charity, Nordoff And Robbins and took place at the Albert Hall in Manchester; celebrating northern artists, festivals, venues and industry figures. The event saw Tomlinson named as Artist Of The Year.

#louis tomlinson #louis update #louis tomlinson live #nme #article #april 2024

[randomvarious]

Today's compilation:

Now That's What I Call Music! 9 2002 Pop / Hip Hop / R&B / Teen Pop / Alternative Rock / Latin Pop / Southern Rap

Alright, folks, it's time for another fun trip down memory lane, and today we're going back to 2001 and 2002, with the help of the 9th volume from the most pervasive contemporary pop compilation series that's ever existed in US history: the one and only Now That's What I Call Music!

But first, before we..."Dig In"...let's get a dose of some of that good nostalgia with the ad for this release, shall we? Did you know that if you ordered it over the phone by credit or check/debit, you'd also get a free multi-purpose picture frame-mousepad too?! Wow, so cool! 😎

Anyway, being that these sets more or less serve as documentations of what the pop music landscape was like during a pretty specific time period, what this CD seems to demonstrate, in retrospect, is that the teen pop that had really dominated the late 90s was on a bit of a downturn in '01 and '02, and its status as the most prominent type of pop music was being usurped by hip hop and R&B.

But that's also not to say that all of the teen pop on here is of a low quality either, because *NSYNC's "Gone," which was the first track of theirs to ever be fully led from start to finish by Justin Timberlake, is really one of the greatest boy band tunes that's ever been made. Minimal, but emotional, and its bridge, specifically, is spectacular 😍.

Outside of that bit of brilliance, though, the R&B and hip hop tunes are just a lot better. And to me, the song that really stands out among the rest within this whole collection is Ginuwine's "Differences," a terrific slow jam that featured some incredibly shimmering and ringing keys. Normally, I don't go for slow R&B ballads, but this one in particular was really something special.

And there's also some bangers on here that you might've just flat out forgot ever existed too. Like, remember that New Jersey co-ed R&B/hip group, City High, that gave us "What Would You Do?" back in 2001? Well, do you remember their follow-up hit that featured Eve on it, "Caramel"? Its remix, by prolific New York duo Trackmasters, seems to be on that vague South Asian fad that so much mainstream hip hop and R&B was on at around that time, and it received a considerable amount of radio play. But looking back on it, I think it's actually been pretty memory-holed!

Also, we gotta give it up for Petey Pablo's ode to his home state of North Carolina too, with "Raise Up," because the Egyptian-sampled beat on that thing was absolutely bananas. And I can't say that I'm all that fond of much southern rap, in general, but Petey's debut hit was an absolute monster. Rather than him having to sacrifice any of his rawness in order to reach a pop audience, he was able to bring his rawness to a pop audience instead. And clearly, it resonated with a whole lot of folks.

And lastly, I think we all know that Ja Rule wasn't the greatest rapper out there, but his contributions to the turn-of-the-millennium pop landscape were pretty important. He got clowned on harshly by the likes of 50 Cent and Eminem, et al, and, as a result, his career was pretty much eviscerated, but songs like his Stevie Wonder-sampled "Livin' It Up" were straight-up party jams that really deserve more love and respect.

So, another highly enjoyable rush of radio and music television memories here. A bunch of commercial classics and a smattering of jams that are a bit more forgotten too. It's pretty much all you can ever ask for out of one of these Now CDs 😊.

P.S.: I'll provide a link to it, but for the love of god, under no circumstances should you ever subject yourself to the first track on this album, which is a remix of P!nk's "Get the Party Started" that features Redman and tries to mesh itself with "Sweet Dreams," by The Eurythmics. Apparently P!nk thought that her hair gave her enough power to also possess the essence of Annie Lennox or something, but good lord, was that calculus completely wrong 🥴. Such an excruciatingly bad song! Don't click on it!

Highlights:

Mary J. Blige - "Family Affair" Jennifer Lopez - "Ain't It Funny" Ja Rule feat. Case - "Livin' It Up" Ludacris - "Rollout (My Business)" Mr. Cheeks - "Lights, Camera, Action" Petey Pablo - "Raise Up (All Cities Remix)" City High - "Caramel (Trackmasters Remix)" Nelly Furtado - "Turn off the Light" *NSYNC - "Gone" Ginuwine - "Differences" Lenny Kravitz - "Dig In" Incubus - "Wish You Were Here"

#pop #hip hop #rap #r&b #r and b #teen pop #alternative rock #alternative #alternative music #alt rock #alt #alt music #rock #latin pop #latin #latin music #southern rap #southern hip hop #dirty south #music #2000s #2000s music #2000's #2000's music #00s #00s music #00's #00's music #Youtube

[appears]

15th Anniversary

Tommy february6: Strawberry Cream Soda Pop "Daydream" (2009.02.25)

A greatest hits collection can be irresistible. Generally speaking, they bypass the chance of any filler tracks, do a solid job of hitting and summarizing the career highlights, and are especially beneficial to new listeners looking to test the waters of a new obsession while also being a great stroll down memory lane for longtime fans. I agree with the argument that these collections became superfluous cash grabs after the ability to burn CDs at home rendered them moot, let alone the birth of the digital playlist -- why pay for someone else's idea of the best songs when you can customize your own? -- but I can't help grabbing one off of the shelf, sometimes over a studio album, whenever I'm in a hurry, knowing I'm guaranteed a great experience from start to finish. There are some really great ones that hit it out of the park and come to mind immediately: hide's PSYCHOMMUNITY, The Weeknd's The Highlights, and Tommy february6's Strawberry Cream Soda Pop "Daydream."

Tommy february6's greatest hits collection was released in February of 2009, and celebrates two amazing album cycles of music under Tomoko Kawase's alter ego. At eighteen songs, there's a lot to explore here, as aside from the big singles like "EVERYDAY AT THE BUS STOP" and "je t’aime ★ je t’aime," it also features some B-sides and album cuts. And since Tommy's albums were so excellent, this compilation ends up being nearly flawless. Every track captures the sugar rush of peak-80s synth-pop, heavily inspired by cult duo Strawberry Switchblade and the compositions of Stock Aitken Waterman filtered through MALIBU CONVERTIBLE's impeccable production.

In fact, there are only a few issues that I have, the biggest being that it felt a little early for a greatest hits collection. Though we were seven years into her career, with just two full studio albums, it felt more ominous than celebratory, and indeed, this sort of preceded what ended up being a much more sparse release schedule under the moniker -- after this collection, she only released one mini-album, one full album, and a handful of songs from february6, most which lost this signature sound, veering instead toward more modern dance-pop. Perhaps she saw this coming and released this to collect those songs and deliberately signal the end of a kind of era. That would make sense if you took into account the last track on here, which is the new song "◯Strawberry●Cream◯Soda●Pop◯," a song that sounds a tad out of place. Second, with so many songs on the collection, it begs the question as to why certain non-singles songs were chosen over others. I don't have any good answers, and I don't mind the choices, but I do feel like the second half gets a little packed with slower songs.

This album was released as the sister compilation album to her other alter ego Tommy heavenly6's Gothic Melting Ice Cream's Darkness "Nightmare." It was released in three different versions: CD+DVD, CD-only, and a giant limited edition box set over 12" tall that featured lots of extra goodies. Greatest hits albums have the advantage of being easy to declare near perfect, and this is one of the easiest of all.

Catalog Number: DFCL-1530~1

#tomoko kawase #tommy february6 #j-pop #japanese pop

[mccoys-killer-queen]

Seeing REO Speedwagon and Styx ON THE SAME NIGHT- Part 2

This part is exclusively the Styx stuff. Buckle up.

forgot to mention in the last post that the merch for REO wasn't that good? I didn't buy an REO shirt bc there genuinely wasn't anything I wanted, so I bought a keychain

the styx shirts, however, were awesome and I bought one PLUS and an autographed cd of their newest greatest hits compilation

I was already at the point of passing out by the time REO was done

oH btw i forgot to mention that the ppl next to us were super nice it was a husband and wife and the husband RECOGNIZED MY ART FROM INSTAGRAM ???? BC REO SHARED IT ;O; I literally started tearing up

anyway when Styx came out all hell broke loose as far as my insanity goes

Seeing Tommy irl up close(ish) still felt like I was staring at my computer screen

seeing gOWAN UP CLOSE HOWEVER-

((So a bit of background info before I continue: in the days and weeks prior to this, I have been texting Gowan on instagram. Just the occasional story reply and whatnot, nothing frequent or long-winded. I'd just like his responses and move on. However, I did want to let him know I'd be at the Allentown show just because, so when he was posting from Philadelphia two days ago, I bid him a bright welcome from eastern PA and said I'd see him in Allentown the next day, and that I'd be the one "near the front wearing a Gowan shirt"))

((he liked the message and responded to it with his stupid avatar as always. All systems were go. He knew I was gonna be there.))

((should point out here there was oNE OTHER PERSON IN THE ENTIRE FAIR WEARING A GOWAN SHIRT, AND SHE WAS AT THE FUCKING BARRIER))

((however my shirt was better bc it actually had his face and logo on it, whereas hers was just your typical airbrushed shirt with the word "gowan" on it (plus a cap)))

SO, with that background info:

I was basically right in front of his spinning piano/keyboard/organ, just 5 rows deep.

During the first fucking song (To Those), Gowan fucking recognized me. He fucking recognized me. He straight up pointed at me with this big smile on his face and kept doing his little hand motions in my direction and nodding- he fucking knew it was me.

this led to a relationship- a love affair, if you will- between me and our dearest Larry for about the first half of the set.

He sang Lady to me. HE SANG LADY TO ME. It was part of the second/third verse but he was SINGING LADY TO ME ASADFAKJFABSDJGBDFKJBGEAEUOGHHHHFFFFFFFFFFFF

And now I am become Lady, of the Morning

we'd sing to each other and do hand motions to each other it was magical I never wanted it to end

AT ONE POINT- i forget what song it was- HE WAS PLAYING PIANO AND LOOKING AT ME SO I BLEW HIM A KISS AND HE FUCKIN SWOONED AT ME OGSRTNGERGNGSRNTGOI HELPPPPP

what i mean by that is that he fuckin leaned back as if the kiss had "hit" him and let his eyes roll back a little bit i HATE HIMMMM (affectionate)

TOMMY TOMMY TOMMY TOMMY TOMMY TOMMY TOMMY TOMMY TOMMY TOMMY TOMMY TOMMY TOMMY TOMMY TOMMY TOMMY TOMMY TOMMY TOMMY TOMMY

Tommy sounds so fucking good and looks so fucking good and i feel so normal about that

MISS AMERICA GOES SO HARD LIVE FUCKIN LOVE JY AND HIS SPARKLY GREEN STRAT UGHHHHHHH

Pretty sure Gowan was looking at me again during Miss America so now i am become Miss America, our Love

TOMMY POINTED AT ME DURING LORELEI WHICH I WAS SURPRISED AT BC I WAS SO FAR AWAY FROM HIM BUT IT WAS **DEFINITELY** ME HE WAS POINTING AT BC I WAS THE ONLY ONE WHO HAD MY ARMS UP AND I WAS JUMPING

I think Tommy might've looked at me and nodded a few times at me after that throughout the set but I'm only half sure of that, but when he pointed at me during Lorelei was the only time i was 100% sure he acknowledged me

GOWAN'S SPARKLY COAT AND HAT FOR ROCKIN THE PARADISEEEE

Rockin the Paradise had to be the height of the night i stg it goes so hard

Gowan introducing Will and saying he weighs in at 365 pounds

Gowan introducing JY and saying he weighs in at 100 pounds and stands 3'6'' or something

Gowan introducing Ricky as a member of the Babys and then saying he hit early puberty after being a Baby

CHUCK WAS THERE AsDFKASDHFAAAAAAAA I WAS GENUINELY NOT EXPECTING CHUCK TO BE THERE I WAS SO HAPPYYYYY

When Gowan called Chuck out for Lost At Sea, Chuck just like fucking trudged across the stage like he didn't wanna be there and it made Gowan laugh in the middle of his sentence and he said "nice entrance, by the way"

I was so fucking dehydrated by the middle of their set that i swear to GOD when larry started playing Khedive it felt like it quenched my painful thirst

Tommy had 3 different outfits throughout the set. The second one was like pink and purple camo or something i love him. the third one was s l u t t y.

Can I just say I MUCH prefer the live version of Lost At Sea

Gowan called us the "Allentown choir" bc Come Sail Away was coming up

Come Sail Away is always so ethereal like holy shit "magical" doesn't begin to scrape the surface

GOWAN FUCKIN BOPPIN DURING MR ROBOTO HELL YEAHHHH

Even Tommy was bopping otgnioerginaerg

Tommy didn't come over to stage right the entire time except for at the very end of Renegade and that's the closest I've ever been to him in my life

HIS SMILE IS EVEN MORE BEAUTIFUL IN PERSON

SEEING HIM JUMP AND DO HIGH LEG KICKIES AND SEEING HIS HAIR GO SWOOSH IRL AAAAAAAAA

I THINK JY might've been looking at me at some points but again i genuinely couldn't tell

At the end of the set I held up Tommy's portrait and Gowan was trying to get a look at it but probably couldn't tell bc i was far away and there was probably a glare

only one pick during this entire night got thrown in the general area of where I was and I don't even remember who threw it tbh I don't even remember what BAND it was during

I then waited by the bus exit for like 15 minutes, peeking through the fence before a security guard asked me what I was doing. I briefly explained to him I just had prints for the bands and he told me "the first band" had already left and "the second band" was about to and that they 'don't get things'

I asked him once or twice just to confirm that there was no one I could give them to in order for them to get them, just so I knew that the Mission had come to its end.

EDIT: GOWAN MADE THE "BASS PRO SHOP" JOKE WITH CHUCK ONSTAGE BAHAHAHAHAHAHA

EDIT: When tommy segued into Too Much Time he did the thing again— "try and picture yourself in the early days of MTV, just try and picture yourself there" and when the song started he froze and did these crazy eyes looking from side to side like 👀 "oh shit..."

at the line "i can solve the world's problems without even trying" he did this limp wrist type thing kfksakkfogof he also did the lil "i'd go out cruisin" hand

allegedly after their bows Todd kissed tommy on the cheek or something gnskqkofykgkd

Epilogue: I texted Gowan this morning. Will update on that later.

#concerts #concert log #styx #i gotta go to WORK now

[pastlight]

you ever wanna listen to a compilation of an artist but like, not their greatest hits, just the specific songs your family had in a home burned CD that you used to listen to in long card rides

#songs that feel iconic but only for you #this is about fito paez #pas post

[scotianostra]

Andrew (Andy) Stewart, one of Scotland’s best loved entertainers was born on December 30 1933 at Redlands Hospital for Women, Great Western Road, Glasgow.

Andy was born in Glasgow, and had aspirations of becoming a veterinary surgeon, although following a performance in a local pageant he decided to train as an actor at the Royal Scottish Academy of Music and Drama.

He became a successful recording artist, with international hits such as Donald Where’s Your Troosers?  A Scottish Soldier, The Road to Dundee and Take Me Back, and found further fame as the compere of BBC Scotland’s The White Heather Club, which ran for several years from the mid-1950s.

From the early 1960s onwards, he frequently and successfully toured Canada, the USA, Australia and New Zealand.

In 1959, Andy Stewart signed his first recording contract with the small the label of Top Rank. His first recording, “Donald Where’s Your Troosers?” was a light-hearted, almost throwaway track, during a recording session with his White Heather Group. However Top Rank considered it worth releasing as a single. “Donald Where’s Your Troosers?” is a comic song about a Scotsman who wears a kilt rather than trousers. It plays on the traditional gag about what people might see when a man is wearing a kilt and not any underwear. Especially when it is windy while walking in a kilt. As such he impresses the ladies when he walks by, frightens the other Highlander men and has rolls in the hay with lassies from London. The song also includes an Elvis imitation of several of the verses near the end of the song. Legend has it Elvis said it was one of the best impersonations of himself he had heard.

Stewart wrote the song in 10 minutes while he sat, trouserless, in the loo of a recording studio. Back in 1960’s Andy Stewart and other Scottish comedians were heard to tell a joke at the time reflecting Scots making fun of themselves: What’s the difference between a Scotsman and a Rolling Stone? A Rolling Stone says, “hey you, get off of my cloud!,” while a Scotsman says, “Hey McLeod, get off of my ewe!”

Into the 1980’s Andy Stewart was becoming a symbol of the “Old Scotland” for many Scots who were embarrassed by perpetual images of haggis, Hogmanay and kilts as representing Scotland. He spent much of the decade touring internationally. But in 1989 “Donald Where’s Your Troosers?” was reissued and climbed to 4 on the charts. Stewart was back in fashion, including in Scotland. During his career Andy Stewart released 26 studio albums and one live album. 

Plagued with ill-health most of his adult life, especially due to high cholesterol levels, Stewart died at the age of 60 in 1993. 

Since his death over a have a dozen compilation CD releases have been made available to showcase the work of one of Scotland’s greatest entertainers.

There's a full web page full of stuff about Andy, with plenty links to a dedicated Youtube page at the link below.

#scottish #scotland #singersongwriter #singer #entertainer. #history

[d-dormant]

maleficent movies as reductress headlines

#maleficent #maleval #diaval #maleficent films #maleficent x diaval #look mum i'm a content creator #shitposting #the onion #reductress headlines #i made a shit ton of these today so I'll be posting them slowly #maleficent the onion series #greatest hits compilation cd

[k-i-l-l-e-r-b-e-e-6-9]

The Cure - Let's Go To Bed

#The Cure #Greatest Hits #Let's Go To Bed #Format: #CD #Compilation #Released: #Nov 13 #2001 #Alternative Rock #New Wave #post punk #synth #goth rock #gothic rock #UK

[odk-2]

Bee Gees - To Love Somebody (1967) Barry Gibb / Robin Gibb from: "To Love Somebody" / "Close Another Door" (Single) "Bee Gees' 1st" (LP) "Their Greatest Hits: The Record" (2001 Compilation | Disc 1)

Orchestral Pop | Blue-Eyed Soul

JukeHostUK (left click = play) (320kbps)

Personnel: Barry Gibb: Lead and Backing Vocals / Rhythm Guitar Robin Gibb: Harmony and Backing Vocals Vince Melouney: Lead Guitar Maurice Gibb: Bass Guitar / Backing Vocals Colin Petersen: Drums

Orchestral Arrangement by Bill Shepherd Produced by Robert Stigwood / Ossie Byrne

Recorded: @ The IBC Studios in London, England UK April, 1967

Single Released: in mid-June, 1967(UK) July, 1967 (US)

Album Released: on July 14, 1967 (UK) on August 9, 1967 (US)

Polydor Records (UK) ATCO Records (US) Spin Records (Australia)

RSO Records: (1978 Reissue) Reprise Records: (2006 CD Reissue)

♪♪♪ ♪♪♪ ♪♪♪

To Love Somebody (Song) https://en.wikipedia.org/wiki/To_Love_Somebody_(song)

#To Love Somebody #The Bee Gees #1960's #Bee Gees #Robin Gibb #Barry Gibb #Robert Stigwood #Orchestral Pop #Blue-Eyed Soul #ATCO Records #Polydor Records

[therecordchanger62279]

THE VINYL PRESS WISH LIST

I'm all for the return of vinyl records. I'm not crazy about the prices they're charging for them, but my biggest complaint is that record labels are not pressing the right titles. They're overlooking some of the best vinyl compilations ever made, and because of the passage of time, these are records that are not likely to see a reissue ever again. But all 10 of the titles here deserve another look.

The Very Best of Bird - Charlie Parker. A 2 record compilation of Parker's work for Dial Records. Warners issued it originally, and it was, and remains the best distillation of the music of the greatest genius in the history of Jazz. There are countless Parker collections and box sets. But this is the best of them all.

Winwood - Various Artists. Originally on United Artists, this 2 record set featured The Spencer Davis Group, Powerhouse, Blind Faith, and Traffic - all bands that featured Steve Winwood. It only goes as far as Traffic's first breakup, but track for track, it's perfect.

Directions & Circle In The Round - Miles Davis. When Miles Davis retired in the mid-70s, his record label, Columbia decided to raid the vaults for some records that would keep Miles's name out there in case he ever decided to un-retire. These two titles - both double albums - span Davis's first two decades with the label, and are the best overview of his most influential period.

Weird Scenes Inside The Goldmine - The Doors. The quintessential Doors on 2 records. It finally got a CD pressing a few years ago. So, I'm not sure the vinyl isn't out there now. But, if it is, it should never be allowed to go out of print.

Time Peace - The Rascals Greatest Hits. Atlantic's only mistake in issuing this was that it came a bit early. The band had a few more hits in them. There are other, generic looking Rascals collections out there, but this one - with its classic cartoon style cover needs a repress, and the four extra tracks that charted after it came out could be added.

The Road Goes On Forever - The Allman Brothers Band. If I had a dollar for every Allman Brothers Band collection out there, I'd be rich enough to afford to date Taylor Swift. But this 2 record set has all the essentials, and a gorgeous cover as well.

Purple Passages - Deep Purple. Warners issued this 2 record set when it obtained the rights to the three LPs the band cut for the Tetragrammaton label. They distilled the best of those three for this collection, and it's the perfect set to represent the band's early years. Cool cover art, too.

The History of Eric Clapton - Various Artists. This 2 record set was issued when it looked as if Eric Clapton might not be with us much longer. He was holed up battling heroin addiction, and his record label kept the product flowing hoping to keep his name out there while the world awaited his return. (And if he didn't return, they had plenty of titles in the pipeline to sell when the demand came in the wake of his passing.) Of course, he did survive, and continued to make records for more than 50 years. But this set is the perfect overview of his first eight years, and includes his work with The Yardbirds, John Mayall, King Curtis, Delaney & Bonnie, Cream, Blind Faith, and Derek & The Dominos along with some solo stuff, and some session work. As with Winwood, it's a great place to begin your collection of Clapton on record.

Michigan Rocks - Various. Originally on the Seeds & Stems label, this single LP captures the excitement, and the brilliance of the Michigan Rock scene of the late 60s, and early 70s. Seger, Nugent, Iggy & The Stooges, Mitch Ryder & Detroit, Frost, SRC, The Rationals, MC5, and Third Power - they're all here. This one cries out for an expanded edition. A second LP could add Grand Funk, Frijid Pink, Suzi Quatro, and many more. A hard rock classic.

[imaseawitch]

I would really like to kiss on the lips the person whomst recreated as a Spotify playlist this CD I had when I was like 8 years old called Pure 60s and it was just a 60s greatest hits compilation but it imprinted on my mind and I'm literally listening and singing along to every word. This was in my portable CD player every day before I was allowed to pick CDs for myself.

#Spotify

[randomvarious]

Today's compilation:

Disco Nights, Volume 1: Divas of Dance 1994 Disco

Here's a terrific collection of unmistakable disco classics from the 70s and early 80s that specifically highlights some of those years' most beloved women, be they constant forces like Donna Summer, or one-hit wonders like Cheryl Lynn.

Back in 1994, a budget imprint label under the Polygram umbrella that sought to highlight songs from bygone eras called Rebound Records launched their Disco Nights series. And in order to meet people where they were at during those mid-90s, they used some of that very popular global village coffeehouse aesthetic for their album art, trying to remind folks that in those then-current times, these tunes, from a genre that had long since died, still had plenty of juice left.

So, ultimately, this is a cheat code comp: you really can't go wrong if your release has a bunch of well-regarded hits on it. But by that same token, if you don't know anything about some of disco's greatest ladies, this also makes for a good place to start. Everything on here is undoubtedly surface level, but it's also just top-tier disco music. And none of these tracks appear to be shortened, radio-edit versions either; everything's of a pretty substantial length, although not of a super extended 12-inch variety.

And while most people will probably recognize the large bulk of these tunes, there's a couple that don't seem to be as remembered as others, like Grace Jones' "I Need a Man," which managed to top the US dance chart, but only made it to #83 on the Billboard Hot 100; and Stephanie Mills' "What Cha Gonna Do With My Lovin'," which topped out at #22 on the Hot 100. Neither of those songs are obscure by any means, but among this CD that's packed with absolute monsters, those two, I think, make for some of this release's lesser-known inclusions. Plus, these days people might be more familiar with Gloria Estefan's rendition of "Turn the Beat Around" too, rather than the original by Vicki Sue Robinson, but Robinson's version is the one that's on here 😊.

So, while absolutely no crate-digging went into putting this release together, it's still impossible to not enjoy over an hour's worth of these massively popular tracks, which were sung by the women whose own collective contributions helped to briefly displace rock from its throne as America's top genre.

Highlights:

Evelyn "Champagne" King - "Shame" Donna Summer - "Heaven Knows" Gloria Gaynor - "I Will Survive" Alicia Bridges - "I Love the Nightlife (disco 'round)" Yvonne Elliman - "If I Can't Have You" Grace Jones - "I Need a Man" Anita Ward - "Ring My Bell" Cheryl Lynn - "Got to Be Real" Vicki Sue Robinson - "Turn the Beat Around" Irene Cara - "Fame" Stephanie Mills - "What Cha Gonna Do With My Lovin'" Donna Summer - "Last Dance"

#disco #dance #dance music #music #70s #70s music #70's #70's music #80s #80s music #80's #80's music