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#god they STILL BOTH WORK
multimousenette · 1 year
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I was ABOUT to make a post about you shine from Carrie being an adrienette song especially w the lyric “no photograph could possibly show/the you I know” and then only a few lines later is “I’ll be your mirror and you can be mine” and obvs kagami means mirror and I am once again back at the which adrigaminette combo best fits Carrie/Sue/Tommy.
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poorly-drawn-mdzs · 20 days
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While you were fighting in the war, I was falling in a pit.
[First] Prev <–-> Next
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waveoftheocean · 9 months
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day after tomorrow
(whee finally posting the finished version of this piece! i originally designed it for a cd charm where you can rotate wolfwood like the gif but then i figured there should be a still version too where you can pretend everything is happy and nothing hurts :))
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turbo-tsundere · 1 year
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Kokichisake-onna
*Happy anime narrator voice*: “And thus, Kokichi has once again successfully evaded the dread of emotional openness!”
Also here’s a random selection of derpy concept doodles for this comic :)
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Thank you byeeeeee
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wtl-archive · 23 days
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Intermission | MADELEINE 1
[Table of Contents]
[Masterpost]
In light of an official Rebecca endorsement I feel the need to make another Tumblr update lmao
And hey, perfect timing too, cause we got the roll credits moment!
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synth-ab · 6 months
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Zelink is taking over my brain again
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sunderwight · 8 months
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Thinking about the weird camaraderie that exists between demons but not angels in GO.
Have we ever seen two angels who are actually friends? Or even friendly to one another? We have met angels with a capacity to be friendly in general, but I think the closest we've come to two angels actually getting along would be Gabriel making a point to laugh at Sandalphon's terrible "can't have a war without War" line in S1.
Most scenes between the angels actually seem to have an undercurrent of absolute hostility. Teeth-clenched teamwork. No wonder it took them so long to notice that Aziraphale wasn't on the same page as the rest of them! The rest of them are barely on the same page as one another, either! When Gabriel goes against the majority vote, no one bats an eye at demoting him and wiping his memory. Michael and Uriel immediately begin vying for his job. The only times we've seen angels team up is when they're working together to bully someone else, like when they're trying to intimidate Aziraphale in S1 or going to the aftermath of the bookshop raid in S2.
Saraqael's overall neutrality towards Muriel is the closest we get to two angels in Heaven getting along, and it's more a lack of hostility than any kind of friendliness. At least until Gabriel loses his memories and Muriel shows up to spy on Aziraphale, and Aziraphale decides to be kind to both of them.
Demons, on the other hand, actually seem to form alliances and even friendships among one another. Hastur and Ligur are awful, but Hastur seems genuinely distraught over Ligur's death, not just fearful of suffering the same fate. Shax and Furfur conspire together and even though the 1940's investigation into Crowley's fraternizing doesn't work out for Furfur, it's not due to any double-crossing on Shax's part. Unlike the angels, who stick almost exclusively to making threats until the Metatron decides to try dangling a carrot at the end of the season, demons actually offer rewards to other demons when trying to work together. Beelzebub offers Crowley a promotion if he can bring them Gabriel, Furfur offers to back Shax up politically if she goes for the Duke position opening, and Crowley successfully stalls Hastur in S1 by pretending everything was a test and he's going to be put in charge of a legion as a reward for passing. They're still not great at socializing, but they're significantly ahead of the angels.
Of course, it's a fact that demons are awful to one another (Eric's treatment is really bad, they throw that random demon into holy water just to test it, "it'd be a funny world if demons went around trusting one another", etc) but they still seem more capable of forming friendships than the angels do.
I think that's because Hell cramps and crowds everyone together to try and increase their suffering and hostility, whereas Heaven isolates angels to decrease the odds of questioning or rebellion. Hell's methods are unpleasant, but it still ends up putting demons together, and some of those demons inevitably forge alliances and make friendships. Because as Crowley and Beelzebub demonstrate, demons are still social creatures with the capacity for love and affection, even if it's strongly discouraged and buried under nine million layers of trauma and a cultural mandate against kindness.
Angels are the same, but isolation makes is harder to form connections than overcrowding. Muriel and Jimbriel are both so eager to make friends, but Muriel's spent the past millennia shut in an empty office, and Gabriel has been distanced from his peers both through his position and also through Heaven's culture of fear and surveillance. He only breaks away from it when he finds something that's stronger than "choosing sides" (stronger than the fear of being rejected by Heaven and Falling, in fact strong enough that Falling seems worth it if he gets to be with someone he loves). Both Muriel and Gabriel are only able to start forming connections when they're away from Heaven.
I just think it's interesting that demons, despite being supposedly devoid of love, have an advantage in forming relationships compared to angels. Angels are supposed to love, but have far fewer opportunities to actually do so. Demons aren't supposed to love, but they make connections anyway.
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inkskinned · 2 years
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oh, i am so enamored with the way the lesson of the velveteen rabbit rings true in our modern life. i love that we name our spaceships and write love poems to old buildings. i love that we all cried about the mars rover, that we made her so real that she was no longer a machine but a friend, a companion, a hero.
i love that we become attached to certain mugs, spoons, mason jars. that we develop a strange protective love-hate of our tablets, that we feel weirdly reverent about our new notebook. we name our cars silly things like the crab shack and call our favorite whisk attachment the one great destroyer.
there's a dog statue at my local park that has a golden back and golden head from how often people have pet it. at my college campus, people love an ugly little pointless sculpture we call bacon pants or bacon legs. we assign personalities to fountains, parks, laptops.
i love that our basic instinct is to include others in our community, even where there isn't a real community to speak of. that we love things, even when they cannot physically love us back - for us, the exchange isn't what's important. we give our heart to things so entirely that the thing begins to, in its own way, have its own heart.
the last transmission from the mars rover was not words; it was data. nevertheless, someone translated for her. my battery is low and it's getting dark. they made her last words a poem. they looked at data and saw a soul, a divine spark.
i keep thinking about the first AI born truly free-thinking. i keep thinking about the way scientists and artists talk about their work. how their eyes light up and their hands start moving, how even when they're flat broke and confused and the coding isn't working - there's this love of the thing. i keep thinking that whatever is being born into this new world will be born here on purpose, over a long time, with great energy. that when it arrives, the first thing it will know is most likely the hands of a creator delighted, overcome.
that we made it in our image. that the image we wrote was one of human compassion within ingenuity. that we couldn't make this thing without it being a labor of real-and-true: love.
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laniidae-passerine · 6 months
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I made my post about Dean Highbottom and then as I was writing my tags realised that his Hunger Games counterpart is Haymitch. and now my head is in my hands and I don’t think I’ll ever recover
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gay-artificer · 2 months
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I was talking a bit about this but I think part of the reason iterators are designed as these small little doll-like puppets is both to humanize and dehumanize them by the Ancients. The puppet, at is core, is a means for communication with a great biological machine- to give it a face and features and ground it as you ask its advice or it's progress. This massive, world-altering creation simplified down to this little thing that had all the features of a person. But its also small, cute, Ancient-like but clearly not an Ancient itself. They're colorful and simple, like a toy for children. And I think thats largely how Ancients saw them- often not as a person with desires and opinions but as an extension of the Ancient's work, a personalized character that represented their cities and people, whos citizens could like them and were comprehensible to their children, but was not them- and would not reap the reward of being them when a solution was found. Each one pretty and unique to make them individuals, but not seen- truly- as individuals by many- just as parts of their cities, something under the Ancients. Like if every town had its own personal My Little Pony they could ask advice on where the next community center should be built.
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cringefail-clown · 2 months
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found more ttglstuck stuff in my files
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vampirepunks · 3 months
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I really love all the DS2 theories I've seen so far but one thing I'm picking up is a lot of people expecting Higgs to still be on the same trajectory/goal set as he was in the first game and y'know....... I don't think that's the case.
The overall theme of DS2 from what we've seen so far + Kojima's comments seems to be the concept of opposites, inverses, and dualities, as though it's saying, "take the entire idea and turn it inside out and upside down." It appears to challenge the viewer to subvert whatever expectation/understanding they have based on the first game. It's eternal recurrence as seen through a mirror. The first game was themed around blue and black, this one is red and white. Connection becomes disconnection. Hope becomes despair. Age becomes youth. Repetition becomes change.
Buckle up, I've got thoughts.
(This pattern of contrasts illustrates a theory I've had since DS1 based on Nietzsche's "Thus Spake Zarathustra" and the three-stage journey of metamorphoses--camel -> lion -> child--required to become the overman, but that'll be a separate post. If you're already familiar with the book, just know that in this context DS1 would be the camel and thus DS2 encompasses the lion.)
So, in DS1, Higgs is a hyper-fatalist obsessed with extinction. It's easy to assume that hasn't changed, that he's still dedicated to Amelie and wants to end the world... Too easy, right? Has anything Kojima has written ever been that simple?
I raise you this: In the vein of eternal recurrence, Sam becomes Cliff and Higgs becomes Amelie/Bridget... but this is not a literal retelling, rather, a metaphorical one. A dark mirror to the stories we already know.
So if the theme is opposition, what's the opposite of extinction? Creation. What's the first thing we learn about Higgs in the DS2 trailers? He's a musician now. He sings and he plays guitar. And, arguably, music is the very essence and lifeblood of creation itself, one of the very first things mankind created when our species was in its infancy. Further, Higgs uses his own umbilical cord (yes, it's an umbilical cord), as a guitar jack, channeling his ties to life, death, and his own soul in his performance, highlighting that he has an intimate connection to this core act of creativity. More about that in this post.
Now, DS1 already has a lot of themes and motifs surrounding duality, most notably the concept of chirality: two things that are each other's opposite, two hands imperfectly overlapping, two objects that act as one another's mirror. Powerful things happen when they collide--anything ranging from drug interactions to voidouts to the very birth of the universe.
If I'm reading this right, Sam is set to become the chiral counterpart to his father's tragedy and Higgs is set to become the chiral counterpart to the extinction entity. The same narratives we know, recurring once more, but flipped to become something entirely new at the same time. A rope that becomes a stick and a stick that becomes a rope. Humanity will always need both; the stick is not evil for serving its purpose, nor is the rope inherently good for doing its job. "Whatever is done for love always occurs beyond good and evil."
I'm calling it now: Higgs is not serving Amelie, not seeking to bring her back, not trying to become her. He is rebelling against the idea of her, unshackling himself from the role she placed him in, taking back the autonomy he lost and acting to avenge the abandonment and manipulation he suffered. He's claiming her image as his own to make a mockery of what she represents, painting himself up to look like her decaying corpse, all in an effort to prove she no longer controls him, defiantly asserting, "The queen is dead... long live the king." And so, what is there left for him to do but throw himself into reckless acts of creation? Life from death. Extinction Entity? Cute. Try this on for size: Creation Entity.
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cloudysfluffs · 8 months
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tickling your human host is SO unfair
(ns//fw and/or fetish blogs please dni🙏🙏)
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crimescrimson · 1 month
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Ada Wong & Leon S. Kennedy: The History [ Resident Evil 4 (2023) ]
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have a merry yaoimas and a happy new yuri guys :3
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pebblesun · 2 years
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⭐🖤
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