eventually the birds must land
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𝖙𝖍𝖊 𝖙𝖍𝖗𝖊𝖆𝖉𝖘 𝖔𝖋 𝖔𝖚𝖗 𝖋𝖆𝖙𝖊 𝖎𝖓𝖙𝖊𝖗𝖙𝖜𝖎𝖓𝖊 𝖎𝖓 𝖙𝖍𝖊 𝖒𝖔𝖘𝖙
𝖚𝖓𝖊𝖝𝖕𝖊𝖈𝖙𝖊𝖉 𝖕𝖑𝖆𝖈𝖊𝖘.
✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞
✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞
the relationship between francis and leon still remains a mystery.
and btw I really like the idea that they are one person.
I think I should return to old fandoms cause I'm a lil tired of 8:11...
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Night and his brother, Sleep
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Grandbruit - Forêt
from:
Grandbruit - Mes Ennuis CD (Lᴏɴᴛᴀɴᴏ Series, 2022)
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Good Boys (2019). Co-written, and directed by Gene Stupnitsky.
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Francis Picabia et Blaise Cendrars dans le jardin de la Maison Rose au Tremblay-sur-Mauldre, 1923.
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How I would handle a live-action Oliver & Company
Upon rewatching Oliver and Company and finally watching the live-action Little Mermaid, I decided to give my two cents on how I'd have an unlikely live-action reimagining Oliver & Company done.
First of all, I would keep the animal characters animal, but I would give a different taste, a surreal taste where people co-exist with talking cats and dogs though people don't know they talk until later. It'd be like Gordy and Bee Movie, especially with a court scene later where Oliver is in trouble. That is part of the Oliver Twist tale technically, Oliver in court.
Also, rather than solely being Dodger's possible girlfriend and the girl of his group, Rita would be an ascended extra, sharing the role of the Artful Dodger with Dodger himself.
And like the original Oliver Twist, Oliver would not end up in a home with a human but would cement a street-smart partnership with Dodger and Rita. In the original tale, Oliver and Dodger remained thieves.
And I don't know if Georgette would be kept in or not.
Cast:
Oliver: a child actor who can sing (maybe Jacob Tremblay)
Dodger: ???
Rita: Halsey or Letitia Wright
Fagin: Jay Burachel or Charlie Day
Tito: Michael Pena
Francis: Sterling K. Brown
Einstein: ???
Another female dog character for the group: ???
Charlene, a female rat character who serves as an onscreen narrator, with her name referencing Charles Dickens (and she even sings "Once Upon a Time In New York City"): ???
Bill Sykes: Liev Schrieber
Jennifer, a character based off Jenny Foxworth and Nancy from the Oliver Twist tale: ???
If anyone has suggestions for such a remake, which I suddenly feel like writing, feel free to suggest.
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Gala Québec Cinéma 2023: les nominations
Animé par Jay Du Temple, le 25e Gala Québec Cinéma sera diffusé le dimanche 10 décembre prochain à 20h sur les ondes de Noovo et Noovo.ca, en direct des studios Grandé de Montréal. Le Gala Artisans, animé par Fabiola Nyrva Aladin, aura lieu le 7 décembre à 19h30 au Studio TD.
Voici la liste complète des nominations:
IRIS HOMMAGE
Rémy Girard
MEILLEUR FILM
Arsenault et Fils | La maison de prod — Stéphanie Morissette, Charles Stéphane Roy
Babysitter | Amérique Film — Martin Paul-Hus, Catherine Léger ; Phase 4 Productions — Pierre-Marcel Blanchot, Fabrice Lambot
Falcon Lake | Metafilms — Nancy Grant, Sylvain Corbeil ; Onzecinq — Dany Boon, Jalil Lespert ; Cinéfrance Studios — Julien Deris, David Gauquié, Jean-Luc Ormières
Le plongeur | Sphère Média — Marie-Claude Poulin
Les chambres rouges | Némésis Films — Dominique Dussault
Noémie dit oui | Productions Leitmotiv — Patricia Bergeron
Viking | micro_scope — Luc Déry, Kim McCraw
MEILLEUR PREMIER FILM
Falcon Lake | Charlotte Le Bon
Farador | Édouard Albernhe Tremblay
Les hommes de ma mère | Anik Jean
Noémie dit oui | Geneviève Albert
Rodéo | Joëlle Desjardins Paquette
MEILLEURE RÉALISATION
Monia Chokri | Babysitter
Stéphane Lafleur | Viking
Francis Leclerc | Le plongeur
Rafaël Ouellet | Arsenault et Fils
Pascal Plante | Les chambres rouges
MEILLEUR SCÉNARIO
Eric K. Boulianne, Francis Leclerc | Le plongeur
Stéphane Lafleur, Eric K. Boulianne | Viking
Catherine Léger | Babysitter
Rafaël Ouellet | Arsenault et Fils
Pascal Plante | Les chambres rouges
MEILLEURE INTERPRÉTATION FÉMININE | PREMIER RÔLE
Larissa Corriveau (Steven) | Viking
Kelly Depeault (Noémie) | Noémie dit oui
Hélène Florent (Rose Lemay) | Une femme respectable
Léane Labrèche-Dor (Elsie) | Les hommes de ma mère
Sara Montpetit (Chloé) | Falcon Lake
MEILLEURE INTERPRÉTATION MASCULINE | PREMIER RÔLE
Guillaume Cyr (Adam) | Arsenault et Fils
Patrick Hivon (Cédric) | Babysitter
Steve Laplante (John) | Viking
Henri Picard (Stéphane) | Le plongeur
Luc Picard (Gérald Gallant) | Confessions
MEILLEURE INTERPRÉTATION FÉMININE | RÔLE DE SOUTIEN
Laurie Babin (Clémentine) | Les chambres rouges
Élise Guilbault (Soeur Monique) | Le temps d’un été
Ève Landry (Josée) | Bungalow
Julie Le Breton (Isabelle) | Tu te souviendras de moi
Nadia Tereszkiewicz (Amy) | Babysitter
MEILLEURE INTERPRÉTATION MASCULINE | RÔLE DE SOUTIEN
Maxime de Cotret (Greg) | Le plongeur
Charles-Aubey Houde (Bébert) | Le plongeur
Denis Houle (Liz)| Viking
Steve Laplante (Jean-Michel) | Babysitter
Guy Nadon (Maître Jean-Pierre Genin) | Le temps d’un été
RÉVÉLATION DE L’ANNÉE
Fabiola N. Aladin (Janet) | Viking
Emi Chicoine (Léa) | Noémie dit oui
Virginie Fortin (Elsa) | 23 décembre
Juliette Gariépy (Kelly-Anne) | Les chambres rouges
Joan Hart (Bonnie) | Le plongeur
François Pérusse (Alain) | Niagara
MEILLEURE DISTRIBUTION DES RÔLES
Nathalie Boutrie — Nathalie Boutrie Casting | Arsenault et Fils
Marilou Richer — Marilou Richer Casting | Les chambres rouges
Lucie Robitaille, Dandy Thibaudeau — Casting Lucie Robitaille | Viking
Annie St-Pierre, Antoinette Boulat | Babysitter
Brigitte Viau — Casting Brigitte Viau | Le plongeur
MEILLEURE DIRECTION ARTISTIQUE
André-Line Beauparlant | Viking
Sylvie Desmarais| Bungalow
Mathieu Lemay | Le plongeur
Laura Nhem | Les chambres rouges
Colombe Raby | Babysitter
MEILLEURE DIRECTION DE LA PHOTOGRAPHIE
Steve Asselin | Le plongeur
Vincent Biron| Les chambres rouges
Kristof Brandl | Falcon Lake
Josée Deshaies | Babysitter
Sara Mishara | Viking
MEILLEURS EFFETS VISUELS
Marc Hall — A.A. Studios | Babysitter
Marc Hall — A.A. Studios, Alex GD — RGB124 | Farador
Marc Hall — A.A. Studios | La cordonnière
Marie-Claude Lafontaine, Simon Beaupré — Alchimie 24 | Viking
Mathilde Vézina-Bouchard | Mistral spatial
MEILLEUR SON
Sylvain Bellemare, Bernard Gariépy Strobl, Pierre Bertrand | Viking
Olivier Calvert, Stéphane Bergeron, Martyne Morin | Les chambres rouges
Olivier Calvert, Luc Boudrias, Yann Cleary | Le plongeur
Stephen De Oliveira, Séverin Favriau, Stéphane Thiébaut | Falcon Lake
Daniel Fontaine-Bégin, Luc Boudrias, Henry Jr Godding | Arsenault et Fils
MEILLEUR MONTAGE
Pauline Gaillard | Babysitter
Sophie Leblond| Viking
Myriam Magassouba | Arsenault et Fils
Jonah Malak | Les chambres rouges
Isabelle Malenfant | Le plongeur
MEILLEURE MUSIQUE ORIGINALE
Viviane Audet, Robin-Joël Cool, Alexis Martin | Arsenault et Fils
Daniel Bélanger | Confessions
Christophe Lamarche-Ledoux, Mathieu Charbonneau | Viking
Martin Léon | Tu te souviendras de moi
Dominique Plante | Les chambres rouges
MEILLEURS COSTUMES
Mariane Carter | La cordonnière
Guillaume Laflamme | Babysitter
Sophie Lefebvre | Une femme respectable
Sophie Lefebvre | Viking
Annabelle Roy, Delphine Gagné | Farador
MEILLEUR MAQUILLAGE
Kathryn Casault, Bruno Gatien | Confessions
Marie-Josée Galibert | Viking
Marie Salvado | Les chambres rouges
Lyne Tremblay, Faustina De Sousa, François Gauthier, Michael Loncin | Farador
Adriana Verbert | Babysitter
MEILLEURE COIFFURE
Vincent Dufault | Viking
André Duval | Une femme respectable
Nermin Grbic | Les chambres rouges
Richard Hansen, Réjean Forget, Johanne Hansen | La cordonnière
Ann-Louise Landry | Babysitter
MEILLEUR FILM DOCUMENTAIRE
Dear Audrey | Réalisation : Jeremiah Hayes | Scénario : Jeremiah Hayes | Office national du film du
Canada — Jeremiah Hayes, André Barro, Annette Clarke
Gabor | Réalisation : Joannie Lafrenière | Scénario : Joannie Lafrenière | Tak films — Line Sander Egede
Geographies of Solitude | Réalisation : Jacquelyn Mills | Scénario : Jacquelyn Mills | Rosalie Chicoine
Perreault, Jacquelyn Mills
Je vous salue salope : la misogynie au temps du numérique | Réalisation : Léa Clermont-Dion, Guylaine
Maroist | Scénario : Léa Clermont-Dion, Guylaine Maroist | La Ruelle Films — Eric Ruel, Guylaine Maroist
Rojek | Réalisation : Zaynê Akyol | Scénario : Zaynê Akyol | Metafilms — Sylvain Corbeil, Audrey-Ann
Dupuis-Pierre ; Zaynê Akyol
MEILLEURE DIRECTION DE LA PHOTOGRAPHIE | FILM DOCUMENTAIRE
Geoffroy Beauchemin | Humus
Nicolas Canniccioni, Arshia Shakiba | Rojek
Joannie Lafrenière | Gabor
Jacquelyn Mills | Geographies of Solitude
Maude Plante-Husaruk | Au-delà des hautes vallées
MEILLEUR SON | FILM DOCUMENTAIRE
Mélanie Gauthier, Jeremiah Hayes, Isabelle Lussier | Dear Audrey
Maxime Lacoste-Lebuis, Eric Shaw, Jean Paul Vialard | Au-delà des hautes vallées
Andreas Mendritzki, Jacquelyn Mills | Geographies of Solitude
Jean-François Sauvé, Martin M. Messier, Bruno Pucella | 305 Bellechasse
Catherine Van Der Donckt, Jean Paul Vialard | Au-delà du papier
MEILLEUR MONTAGE | FILM DOCUMENTAIRE
Mathieu Bouchard-Malo| Rojek
Jeremiah Hayes | Dear Audrey
Emmanuelle Lane | Gabor
Jacquelyn Mills | Geographies of Solitude
Oana Suteu Khintirian | Au-delà du papier
MEILLEURE MUSIQUE ORIGINALE | FILM DOCUMENTAIRE
Olivier Alary, Johannes Malfatti | Twice Colonized
Gervaise | Gabor
Walter Grimshaw | Dear Audrey
Maxime Lacoste-Lebuis | Au-delà des hautes vallées
Delphine Measroch | Humus
MEILLEUR COURT OU MOYEN MÉTRAGE | ANIMATION
A night for the dogs | Max Woodward | Confettis Production — Guillaume Dubois, Camille Lequenne
Harvey | Janice Nadeau | Folimage – Reginald de Guillebon, Pierre Méloni ; Office national du film du
Canada — Marc Bertrand, Christine Noël, Julie Roy
Madeleine | Raquel Sancinetti | Production : Raquel Sancinetti
Marie · Eduardo · Sophie | Thomas Corriveau | Production : Thomas Corriveau
Triangle noir | Marie-Noëlle Moreau Robidas | Embuscade Films — Nicolas Dufour-Laperrière
MEILLEUR COURT OU MOYEN MÉTRAGE | DOCUMENTAIRE
Belle River | Guillaume Fournier, Samuel Matteau, Yannick Nolin | Kinomada — Jean-Pierre Vézina
Fire-Jo-Ball | Audrey Nantel-Gagnon | Office national du film du Canada — Nathalie Cloutier
Notes sur la mémoire et l’oubli | Amélie Hardy | Club Vidéo de Montréal — Isabelle Grignon-Francke
Oasis | Justine Martin | Déjà Vu — Louis-Emmanuel Gagné-Brochu
Zug Island | Nicolas Lachapelle | Production : Guillaume Collin, Nicolas Lachapelle
MEILLEUR COURT OU MOYEN MÉTRAGE | FICTION
Invincible | Vincent René-Lortie | Telescope Films — Élise Lardinois, Samuel Caron
Nanitic | Carol Nguyen | Coop Vidéo de Montréal — Marie Lytwynuk ; Carol Nguyen
Nuit blonde | Gabrielle Demers | Cinquième maison — Nellie Carrier
Pas de fantôme à la morgue | Marilyn Cooke | La 115e — Kélyna N. Lauzier, Macha Houssart
Simo | Aziz Zoromba | Scarab Films — Rosalie Chicoine Perreault
PRIX DU PUBLIC
23 décembre | Immina Films — Patrick Roy | A Média Productions — Guillaume Lespérance |
Réalisation : Miryam Bouchard | Scénario : India Desjardins
Confessions | Les Films Opale — Christian Larouche, Sébastien Létourneau | Christal Film Productions —
Christian Larouche | Réalisation : Luc Picard | Scénario : Sylvain Guy
Katak le brave béluga | Attraction Distribution — Xiaojuan Zhou, Maison 4:3 — Chantale Pagé | 10e Ave
Productions — Nancy Florence Savard | Réalisation : Christine Dallaire-Dupont, Nicola Lemay | Scénario :
Andrée Lambert
Le temps d’un été | Immina Films — Patrick Roy | Attraction — Antonello Cozzolino, Brigitte Léveillé |
Réalisation : Louise Archambault | Scénario : Marie Vien
Les hommes de ma mère | Immina Films — Patrick Roy | Jessie Films — Patrick Huard, Anik Jean |
Réalisation : Anik Jean | Scénario : Maryse Latendresse
FILM S’ÉTANT LE PLUS ILLUSTRÉ À L’EXTÉRIEUR DU QUÉBEC
Cette maison | Embuscade Films — Félix Dufour-Laperrière | Réalisation : Miryam Charles | Scénario :
Miryam Charles | La Distributrice de films — Serge Abiaad
Dounia et la princesse d’Alep | Tobo — Judith Beauregard | Réalisation : Marya Zarif, André Kadi |
Scénario : Marya Zarif | Maison 4:3 — Chantale Pagé
Falcon Lake| Metafilms — Nancy Grant, Sylvain Corbeil ; Onzecinq — Dany Boon, Jalil Lespert ;
Cinéfrance Studios — Julien Deris, David Gauquié, Jean-Luc Ormières | Réalisation : Charlotte Le Bon |
Scénario : Charlotte Le Bon | Sphère Films — Ariane Giroux-Dallaire
Katak le brave béluga | 10e Ave Productions — Nancy Florence Savard | Réalisation : Christine Dallaire-
Dupont, Nicola Lemay | Scénario : Andrée Lambert | Attraction Distribution — Xiaojuan Zhou,
Maison 4:3 — Chantale Pagé
Viking | micro_scope — Luc Déry, Kim McCraw | Réalisation : Stéphane Lafleur | Scénario : Stéphane
Lafleur, Eric K. Boulianne | Les Films Opale — Christian Larouche, Sébastien Létourneau
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"The Nature of Love" - Thoughts
My uncle Roger (fictitious name, as always), is someone whom I'll stick with a long-deceased movie critic's first name as retirement's brought about a kind of informal career development. Namely, after working for the Feds up Quebec for several decades, he's turned into the type who emails us every single year's best movies, according to him.
Roger and his girlfriend Martha aren't exactly blockbuster types, except in a few rare instances. Most of everything they gush over's been selected at Cannes - and this year included Monia Chokri's The Nature of Love.
We follow Sophia (Magalie Lépine-Blondeau), a Postgrad lecturer in Philosophy who's the exact type I came to know all-too well, during my time at my old alma mater: a thesaurus on two legs, her head stuffed with theories on anything and everything, with a pseudo-informed opinion all packaged up and ready for five-to-seven dinners with colleagues that devolve into inebriated pontification. We realize that she's unhappy with her current partner, another Postgrad lecturer by the name of Xavier (Francis-William Rhéaume) with whom she loves geeking out, of course - but for whom she no longer manifests any sexual attraction.
Enters Sylvain Tremblay, played by Pierre-Yves Cardinal, the handyman Sophia and Xavier hire for sprucing up their lakeside cabin. Sylvain's pretty much every woodsy contractor you've ever met: he wears flannel, has a constant five o'clock shadow, drives a Ford F-150 and has family up in Buck Country, where it isn't uncommon to see even bigger Fords with rigged-up support bars, typically decorated by the antlers of the last buck they killed. Sylvain's brash, honest, stomps away and screams when his feelings get the better of him - and has a bit of a jealous streak. Sophia obviously falls for him, with the movie taking pains to ensure we see that Sophia and Sylvain make for a terriffic pair in bed.
Very early on, I was annoyed by the framing device of Sophia's lectures, seeing as she was seemingly spending an entire semester discussing love. She spends the movie flip-flopping between a man she has intellectual compatibility but no sex drive, and another man with whom her sex drive is turned up to eleven - at the expense of nearly everything else. Similarly, we see her addressing Plato's definition of love as opposed to Schopenhauer's, then followed by other contemporary philosophers - and the movie dovetails exactly the way I expected it to.
Sophia feels slighted by Sylvain's poorly-timed proposal and for his offering of an entry-level all-inclusive package in a resort, drops her newly-received engagement ring in his glove box, and is left on the roadside.
All the while, Walt gave me looks. He noted that halfway through the movie, I took five to go get my mouthguard. I grind my teeth when I'm annoyed and oh boy howdy, was I annoyed...
See, Quebec as a cultural basin has a thing that I've noticed, a yen for a particular archetype, as far as fictitious characters go: that of the Pretentiously Soul-Searching Intellectual. From Denys Arcand's earlier work and onwards, we've sort of gotten stuck on the idea that people can spend decades stuffing themselves with knowledge, without ever finding enough time to figure out what makes them happy. The end-result is that you have simpler, more self-accepting characters like Sylvain, with his Ford and his humbly scrounged-for Puerto Vallarta getaway, who actually have a sense of Self - and then there's characters like Sophia, or like Alexandre Landry's Pierre-Paul Daoust, in 2018's The Fall of the American Empire, who idolize intellectualism to an extreme, but who also end up with a critical dearth of happiness and of self-assertion, as a result.
I ended The Nature of Love thinking that Sophia (with her very ironic name, come to think of it) would be better served if she abandoned her dreams of tenure, booked herself with a therapist and maybe took a year or so to find herself whilst on a backpacking trip across Asia.
In a sense, she reminded me of myself. In my Postgrad years, I was surrrounded with man and woman-children who were set for the narrow, unforgiving and extremely limiting ranges of Academia, and who attended Thesis lectures in pajamas, stained tee-shirts and unkempt beards - and who took calls related to their fucking laundry being done by their parents whilst attempting to come across as snooty enough to maybe shoot for a doctorate in ten years or so. I've left a world where most of the people I interacted with could shit out memoirs on the Post-Democratic anxieties of our Post-Post-9/11 world while not knowing enough to screw a lightbulb on their own - and I entered a world where people have arguably far less lofty aspirations.
My bigger concern used to be whether or not the three pedants in my promotion would shit down my defending the idea that Lovecraft could've been a repressed gay man before it was a trendy theory, and Walt's is whether or not Honda Canada is going to sanction the new promotions the Sales Directors cooked up for dealerships surrounded by whistling pines and miles of empty highway.
I've left a world that keeps searching for love in the pages of men and women who are never seen as offering a simple and honest exhortation to get out there and love someone - and I've done just that. I don't give a shit if all S.T. Joshi is for Walt is a funny name on some of my old thesis notes - I've left that kind of pedantry behind.
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8:11 blorbos as posts round 3. im finally free
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4 Publications to Check Out This Vacation Season
Are you looking for a new publication? Here are a few of our favored books to review or provide this holiday period.
Operating From Home With a Feline
Suppose you are just one of the whole lots of individuals that required to start working from the residence. In that case, you have actually even more than likely observed that felines can be sidetracking affiliates-- tipping on your key-board, knocking points off your work desk, and additionally disrupting video phone call. This enjoyable magazine takes you with a day in the life of musician Heidi Moreno and also her cat, Peanut. Despite the battle, family pet felines like Peanut are always there when we require them, advising us why they are the most beautiful colleagues and also a source of convenience in these disorderly times-- released by Chronicle Books.
Impressionist Felines
This tempting illustrated amount from artist Susan Herbert including her feline variations of well-known paintings makes certain to appeal to both feline as well as art lovers. Whether they're playing a silent video game of cards, most likely to the ballet or boating on a river, these pet dog cats interact the playfulness, sorrowful as well as the vitality of the Stylist painters. Right below's simply a taste: pet cats strolling among Monet's wild poppies, sitting in Mary Cassatt's box at the opera, and likewise thrilling in a Sunday dancing at Renoir's Bougival. As I browsed the guide, I could not find a liked-- every one of the paints is an absolute pleasure! Released by Thames & Hudson.
P.S. I Love You Above Tuna
While the topic gets on the much more depressing side (being sorry for a friend cat), it's the first illustrated present book about pet loss. It celebrates the generally goofy bond between people and also felines. The principle for overview started after author Sarah Chauncey's 20-year-old pet cat, Hedda, died in 2016. Her pal Francis Tremblay (whose pictures show up in guide) sent her an illustration, along with a note "from" Hedda that ended, "p.s. I appreciate you above tuna." The message motivated Sarah to create a publication worrying the loss she really felt and developed a Facebook neighborhood (that now has close to 27,000 participants).
Snowball's Xmas
Just in time for the holiday period, this cozy, along with an uplifting novel by Kristen McKanagh, involves a wonderful as well as additionally dynamic round of fluff that is established to locate her irreversible house. Guide focuses on Lukas, a globetrotting digital professional photographer who returns to his home town to visit his ill aunt, that has a Victorian b and b. The story's heroine, Emily, operates in the B&B's kitchen area yet longs to open a bakery of her very own. Lukas plans to market the B&B so his aunt can retire. As they clash, a little bundle of feline fluff called Snowball, who gladly lives there, particularly, that this B&B and also these people are planned to be her forever home. The bright white kitty conspires to obtain these two persistent human beings with each other-- as well as keep her house in the treatment. Kensington Post Corp publishes her.
cat food
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Famous November 15, 2022 birthdays.
Petula Clark (British singer & actress), 90
Sam Waterston (American actor)(pictured), 82
Bob Gunton; Jr. (American actor), 77
Vassilis Goumas (Greek basketball player), 76
Cardinal Malcolm Ranjith (Sri Lankan Catholic cardinal), 75
Ken Sutcliffe (Australian journalist & sportscaster), 75
Beverly D’Angelo (American actress), 71
Jamie Weddoes (American actor & director), 70
Michael Hampton (American guitarist), 66
Gerry Connolly (Australian comedian & actor), 65
Mark Acres (American basketball player), 60
Kevin J. O’Connor (American actor), 59
Tiit Sokk (Estonian-Greek basketball player & coach), 58
Rachel True (American actress), 56
E-40 (American rapper & actor), 55
Pedro Borbón; Jr. (Dominican baseball player & coach), 55
Sydney Poitier (American-Canadian actress), 50
Chad Kroeger (Canadian singer & guitarist), 48
Yannick Tremblay (Canadian hockey player), 47
Virginie Fernández aka Virginie Ledoyen (French actress)(pictured), 46
Robaire Smith (American football player), 45
Floyd Womack (American football player), 44
Brooks Bollinger (American football player & coach), 43
Lincoln Hodgdon (American football player), 41
D.J. Fitzpatrick (American football player), 40
Joe Kowalewski (American football player), 40
Mosi Tatupu; Jr. (American football player), 40
Aleksandar Pavlović (Montenegrin-Serbian basketball player), 39
Lily Aldridge (American model), 37
Charron Fisher (American basketball player), 37
Coye Francies (American football player), 36
Sania Mirza (Indian tennis player), 36
Sergio Llull (Spanish basketball player), 35
Shailene Woodley (American actress), 31
Sofia Goggia (Italian skier), 30
Minegishi Minami (Japanese singer), 30
Daniela Seguel (Chilean tennis player), 30
Ekaterina Alexandrov (Russian tennis player), 28
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Love's Final Tableau Review | Scenes for tortured lovers
The paintings of the painter Francis Bacon are those that burn the retina with their beauty, but also their cruelty. The same goes with the room final table of lovean uncompromising show imagined by director Angela Konrad based on the novel by Larry Tremblay.
Posted at 11:23 a.m.
Updated at 11:23 a.m.
On a bare stage framed by white walls – a kind of blank screens on which all fantasies can be…
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Première mondiale de la pièce «Tableau final de l'amour» (Larry Tremblay) mise en scène par Angela Konrad #UsineC from Winston McQuade on Vimeo.
LE CULTUREL 2.0 avec Winston McQuade et Sylvie Harvey : Entretien avec Angela Konrad, metteuse en scène de l’adaptation théâtrale du « Tableau Final de l’Amour » de l’auteur dramatique Larry Tremblay qui s’est inspiré de la vie du colossal peintre britannique Francis Bacon. Les acteurs Benoit McGinnis et Samuël Côté porteront seuls sur scène cette proposition… #UsineC
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