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#for legal reasons i know that feed the machine is a song by poor mans poison
boookfreeak · 1 year
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Sometimes, when I'm listening to music on amazon music, the app is a bit behind on updating the album cover of the song that's playing. So rn I'm sitting here and enjoying Feed the Machine by Disney's own Moana.
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lunarblazes · 3 years
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i made a desertduo playlist and then decided to be a nerd and write explanations for all the songs! like a nerd!
playlist link: https://open.spotify.com/playlist/5ZGylutQpyTbgX7MY7Lrzz?si=t8_kBwBHSYG5kxTvZoIrTQ&dl_branch=1
QUICK DISCLAIMER: i am aware that a lot of these songs may have or imply romantic connotation! i would really really like it if these were not read as though those romantic connotations carry over to scar and grian. even if we’re just talking about the third life characters, i would prefer not to ship them or imply romance between them on this post. thank you so much and keep reading if you’d like to see the playlist analysis!
and now that that’s out of the way, PLAYLIST TIME!
passerine- the oh hellos
“you were the song that i’d always sing/you were the light that the fire would bring/but i can’t shake this feeling that i/was only pushing the spear into your side again”
this song really just... firstly, it’s one of my favorite songs, and the line i chose there pushes home the sort of terrified devotion i think the desert has. plus there’s a fun line about the cold wind blowing in from the north in the ending bits that i think very much fits their conflict with the red army, and a lot of legally obligated flight imagery that i need to have in every possible song because i’m a fuckin nerd.
no children- the mountain goats
“i hope that our few remaining friends/give up on trying to save us/i hope we come up with a failsafe plot to piss off the dumb few that forgave us”
i will admit that no children isn’t a perfect fit, but the general vibe of sort of defiant pessimism and betrayal fits very well with them! it’s very triumphant in its death, and i think that is very desertcore, because what’s more triumphantly dead than being the last duo left alive?
skulls- bastille
“when all of our friends are dead and just a memory/it’s always been just you and me/for all to see”
okay like this entire song is SO MUCH DESERT VIBES? LIKE SO MUCH. if i were to ever make an animatic for them i’d do it with this song. “a match is our only light, it’s day of the dead i’m indiana jones, yeah,” “i hope you can make me laugh six feet under when we’re bored of each other,” “i don’t want to rest in peace, i’d rather be the ghost that annoys you,” IT JUST KEEPS GOING. i think this song would work well with any third life duo, honestly, but these two in PARTICULAR just because of how it ended with them literally ‘buried’ next to each other, and again, the chaotic death vibes.
freaking out- mystery skulls
“i just keep out of my tongue/til all you want is done/and you just wanna leave me, oh yeah”
this song is a very third life grian song to me in particular! it could be my bias because of my little headcanon of grian burning on his red life, but seriously, this song is very reminiscent of the back and forth of loyalty that grian has with scar. the above line is sort of representative of the betrayal on red, and of course grian’s life debt.
night running- shin sakiura
(this song is in japanese! these lyrics are the rough english translation i found on google.) “someday we will stand at this place once again/for sure we will stand up again and again/we will watch it will the end/i want you to live freely”
this song is actually the ending theme for the anime bna, which i adore, and i just added it on a whim before looking at the translated lyrics. but um. holy hell the lyrics hurt me because they’re about running in search of someone, running for no reason, looking for something, and it just really hit, because the desert never really had a goal! they didn’t expect to survive, they were trying to survive, but what was their longterm goals? nothing. so that sort of endless search felt fitting for this. plus the song is a parallel for the two estranged best friends of the show so! perfect.
summer nights- siames
“it’s summertime/singing al green in your car/heading to a party/and the night air feels alive”
okay again, i will admit this song is mainly on here because i absolutely love it, but i also do think it fits well. it’s also about healing/estranged friendships, with a very distinct feeling of nostalgia for a happier time. maybe for a time when this was all a game, when there was no blood or betrayals on their hands. little canon divergent, but it��s fun for me, so into the playlist it goes!
allies or enemies- the crane wives
“are we allies or enemies/this will be the death of me, this will be the death of me/all’s fair in love and war but i can’t fight with you anymore”
. i just. points to that lyric. it literally led to both of their deaths. are they allies or enemies? it also fits with scar still wanting grian to be his friend even after he’s no longer indebted with the line “what happens now? do we have another go, do we bow out?” another very good animatic song that i’ve considered heavily. i listen to this playlist a lot
burn him down- kitsch club
“you must destroy, oh you must destroy, beyond all recognition/you gotta burn him down, you gotta burn him down, beyond all recognition”
this song just has a lot of fire and arson and high energy vibes. my little war criminals look at them go
rose- the oh hellos
“what's true is like a sickle/it'll cut you to the middle/your rose is without a thorn/but no, my mouth don't taste of metal/from the pot here to the kettle/i think we got a lot we gotta learn”
this one is like the exact opposite vibe of burn him down. the oh hellos are so poetic and this song just... feels like the healing potions after a battle. many of the metaphors here fit, i think
lone digger- caravan palace
“hey, brother, what you thinking/that good ol' sound is ringing/they don't know what they're missing/(they call it lonely diggin')”
okay this song is straight up just a dance song. i added it because i like it and also for some reason it feels ominous to me? i’ve got no idea why, it’s seriously just a club song, but it’s a banger and it’s in this playlist because i said so
feed the machine- poor man’s poison (suggested by my friend argonaughtkeene!)
“somethin’s goin” on, just look around/fear is on the rise, and there’s blood all over the ground/let’s all just blindfold the poor, we all know what’s in store/ we got ‘em now, just break ‘em down a little bit more”
this song is a VIBE for both desertduo members. there’s parts for both of them. it’s ruthless, gritty, very maniacal, perfect. listen to it and you’ll immediately understand why i added it.
sweet tooth- scott helman
“i hold hands with cosmic entities/i’ll take this two-ride if i please/i got this sweet tooth baby, yeah i got this sweet tooth baby/i exploit my opportunities/some broken hearts, some cavities”
sweet tooth is super upbeat and bright with these strangely dark lyrics? like i’m pretty sure it’s about addiction. in any case, i thought the “i hold hands with cosmic entities” very funnily fitting for both of the desert boys. it’s a banger!
necromancin’ dancin’- bear ghost
“when i’m necromancin’, everyone’s dancin’/nobody can stop me, i dare you to try/the dead are infused with insatiable groove and they’re coming for you, there’s nowhere to hide”
necromancin’ dancin’ just. bastard vibes. there’s not much more to say it’s just huge villain song vibes. i adore it.
crazy = genius- panic! at the disco
“if crazy equals genius/then i’m a fucking arsonist/i’m a rocket scientist/if crazy equals genius/you can set yourself on fire/but you’re never gonna burn, burn, burn”
i. yeah. y. yeah. more bastard vibes. also shoutout to an artist i saw (i think it was strifesolution?) who made a desertduo piece to this song because i have not stopped thinking about it ever
sweet bod- lemon demon
“i’m diggin’ up your coffin/and pouring out the contents/your sexy, sweet solution/is ripe for distribution”
you know how i said freaking out was a grian song? this one is a scar song. it’s my favorite lemon demon song and also it has the total macabre capitalism vibe that third life scar NAILED. more bastard vibes good for him <3
drunk- the living tombstone
“feel so much better than usual/i feel indisputable, oh/but now i’m feeling so beautiful/don’t wake me up from this spell i’m under, if i’m still breathing/i know that i will be ugly when i feel like myself again, oh/but right now i’m feelin’ so beautiful”
the descent of this song, starting off with a polite gathering and ending with a gasping drunk in the parking lot gazing at the stars that he can barely see? yes. yeah. mhm. i used a line from this song for a fic, actually, it fit so well.
oh no!- marina
“one track mind, one track heart/if i fail, i’ll fall apart/maybe it is all a test/cos i feel like i’m the worst so i always act like i’m the best”
bubbly pop track about false confidence, the ruthlessness of the pop industry, and the influence of the media? you know why this is here. it vibes. it rocks.
do it all the time- i don’t know how but they found me
“we’re taking over the world/a little victimless crime/and when i’m taking your innocence/i’ll be corrupting your mind/no need to cry i’m only doing everything i want to do because i do it all the time”
EVEN MORE BASTARD VIBES! SOMEHOW THERE IS MORE! this playlist is half villain songs and half heart-wrenching ballads and that’s the real desert experience i think.
the phoenix- fall out boy
“i’m gonna change you/like a remix/then i’ll raise you/like the phoenix”
BATTLE SONG BATTLE SONG! i’ll be honest i partially chose this song because i am a huge sucker for phoenix grian imagery in particular, but it’s also just a very good war song for them. villain song no 18372948 except this one originally had a hero vibe and now it’s changed specifically for them?? wild. their power
the other side- the greatest showman
“right here, right now/i’ll put the offer out/i don’t wanna chase you down, i know you see it/you run with me/and i can cut you free/out of the treachery/and all you keep in”
scar and grian’s desert monopoly conversation went exactly like this canonically because i said so fuck you <3
icicles- the scary jokes (suggested by my friend demizorua!)
“icicles don’t soften when they die/so why should i, why should i?/oh, icicles don’t soften when they die/they sharpen into sabers and they stab you in the eye”
this song actually has specific parts for both grian and scar! my cool epic friend mx demizorua pointed both of them out to me and i adored it so much. it’s a very spiteful song, just like the desert boys. also it feels vaguely murderous. perfect
problems- mother mother (suggested by my friend demizorua!)
“i’m a loser, a disgrace/you’re a beauty, a luminary, in my face”
literally this entire song fits them. particularly their relationship with the flower husbands, to me, honestly— the whole “when we meet at the pearly gates/you’ll get the green light/and i’ll get the boot in the face” reminds me a lot of them hdksjdks
tongues and teeth- the crane wives
“i know that you mean so well/but i am not a vessel for your good intent/i will only break your pretty things/i will only wring you dry of everything”
h. yeah. this song is literally gaslight gatekeep girlboss and i attribute it to the desert for that reason alone. songs to commit murder to!
you’re nobody til somebody wants you dead- saint motel
“you’re nobody til somebody wants you dead/and the list, it grows, and grows, and grows/it grows, and grows, and grows/and grows, and grows, and grows/until it’s everyone you’ve ever known”
this one is very self-explanatory. enemies pogchamp
curses- the crane wives
“there’s a fire in my brain and i’m burning, love/oh my, oh my/keep running to the sink, but the well is dry/oh my, oh my/every word i say is kindling/but the smoke clears when you’re around”
okay again! this one has two very specific parts for both of them. grian’s the first verse, which is above, and scar’s the second verse!! i really do like my fire imagery for these two don’t i? well, i blame them for having a fuck ton of tnt on them at all times and literally burning their enemy’s banners as a final act of defiance.
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jui-imouto-chan · 5 years
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Wanted to write some fluff for my dear @manadrite / @manatheauthor, who was a bit down earlier. 
Thanks to @isumi828 for supplying me with some ideas!
The aroma of brewed coffee beans and the syrupy sweet scent of pastries flutter about, wafting through the air and into the noses of the patrons leisurely sipping from their warm mugs, eyes bright and and posture contented.
Forks glimmer in the soft light of sun, tiny clinks following the contact of the tips of the prongs with the small white plates below speared pieces of dessert.
A bell’s tinkle sounds from the door, a swirl of icy breeze immediately quelled by the warmth of the cafe.
“Welcome!” greets the employee behind the counter, eyes and hair mocha as the coffee he prepares. A smile can be heard in his voice, his back to the majority of the room, but clearly he knows who’s entered the building, as his hands work the machine to prepare a drink before he’s told, no one else in the queue.
He spins on the balls of one foot and smoothly transitions into bending over and sliding out a tray of pastries from the display case beneath the counter, picking a slice of raspberry cheesecake to place on a plate he collects from a shining stack nearby.
He sets a fork atop the empty space beside the desert and swipes the plate into his left hand, his other hand grabbing the handle of a mug, now filled with a cappuccino. He seems to have made a heart design in it, and upon the image becoming visible to the customers in the cafe, giggles and teasing smiles arise.
“You need a hand with that?” the man who’d entered the cafe asks the employee, adjusting his bag’s strap to free his hands and immediately moving to take the items from him.
The employee spins gracefully out of reach, grinning smugly at the mocha-skinned man sighing at him, his apron fluttering. It’s impressive, how not a drop of drink spills over the edge of the mug, despite the dangerous slosh of the scalding liquid. 
His name-tag glints in the sunlight he steps past, a brief illumination of his, admittedly already quite bright countenance.
He sets the plate and mug down with barely a sound, bending at the waist with deliberation. 
Once more, he twirls about on his heel like a misinformed ballerina and in that single movement undoes the bow tied at the small of his back, the apron hanging off of him, now.
“Just a moment.” He says, polite as ever. He usually sounds genially chipper, but now his voice has the adoring undertone of delight.
The mocha-skinned man settles in the cushy booth seat he always sits in, hand curling around the mug with familiarity that is not unusual for the regulars of the cafe. A smile pulls at his lips, freckled cheeks shifting with the uneven expression.
He doesn’t take a sip at any point, an observer would note, and his eyes remain in the distance, past the window he’s beside, where icicles hang precariously over the edges of roofs and gutters and drip arrhythmically, into thick bunches of snow gathered at the corners of sidewalks and roadways. One such corner has a toddler-sized disgruntled snowman sporting a tiny foil fedora.
“I’m waiting on Eli to make my hot cocoa, so I can spare a few moments for you.” the employee, sans his apron, slides into the opposite booth, his arms lain over the tabletop casually.
The tan man gasps exaggeratedly, shoulders rising as a hand moves to hover near his mouth, lush green and soothing blue wide in mock-surprise. “I honestly can’t believe that the Connor Anderson would grant me the privilege of moments of interaction! My poor heart feels blessed; I can die without regrets.”
Connor appears incredibly bemused, though his cheek twitches as he bites back laughter. He tilts his head into a palm, resting on an elbow while his fingers idly drum a vaguely familiar tune.
“Alright Drama Queen--”
“Excuse you, I prefer King of Theatrics.”
“Oh, whatever. I give up on you.” Connor’s eyes roll, but he’s finally let his lips tick up until his eyes crinkle, huffing air out through his nose.
“Aw, man, I guess North wins that bet.” 
“Bet?” 
“She said that you’d leave my sorry ass in less than 2 minutes.”
Connor allows a soft chuckle out and shakes his head. He moves out of the seat when there’s a call of his name. “What was your side?”
“That it’d take 3 minutes.”
And then Connor closes his eyes as a surprised snort takes over, his shoulders shaking in barely-contained laughter. “You’re ridiculous.”
“I’m lovable.”
“That, too.”
And the tan man’s eyes blink rapidly, clearly not having anticipated that response. A hint of red creeps up his cheeks, and Connor smirks to himself as he collects his hot cocoa and nabs a small, pink cupcake.
Only after Connor sits back in front of him does the darker man move to slice a chunk off of his raspberry cheesecake. In lieu of bringing the bit to his mouth, he directs it to Connor’s, bumping against soft pink and leaving a small dot of hibiscus-colored-syrup. Connor’s taken off guard for a moment, but his lips eventually part to allow the dessert in, closing over the fork to drag the piece off, lashes batting in an effort to physically express the bliss he’d gotten from the taste. 
The fork still hovers near his mouth, heterochromatic eyes watching his reaction raptly, and he takes his chance to snatch the utensil out of the other’s grip. He swallows and cuts another piece off of the very cake he’d tasted, spearing it.
“You’ve got to give it a try, Markus.”
Markus obligingly opens his mouth when Connor mimics his earlier actions and feeds him, savoring the taste of the sweet.
He hums in appreciation. “Good pick.” 
“But of course. Only the best for you.”
His line is undercut by the teasing lilt to his voice, but Markus forgives him for that only because another slice is brought to his mouth, which he chases down with a sip of his cappuccino.
“Once again, I’m honored.”
Markus reacquires his silverware with ease and pointedly stares at the hot chocolate near Connor’s elbow, still steaming but thankfully much cooler than the piping hot chocolate-lava that Connor would insist on drinking immediately. Markus has spent plenty of time locking mouths with Connor after filling his with cold water, only for the purpose of aiding him in dealing with the consequences of his stubborn habits. 
Well, okay, not only for that, but the other reasons are to be considered added benefits to his good deeds.
Connor and Markus lapse into an amicable silence, their free left hands creeping across the tabletop, until Markus’ rests atop Connor’s, thumb stroking over the back of his hand.
They almost don’t appear to notice the contact, perhaps from how naturally such actions of affection come to them.
“Am I keeping you?” Markus asks, his mug clicking as he sets it down.
Connor blinks, then shakes his head. “No, no. Eli’s got me covered, and it’s a little slow right now. I think you guys are stealing our business for today.”
Markus can’t help the smug grin crawling up his face. “If only we could steal one of the employees, here, too.”
“I’d rather French Sumo than join you heathens.”
“I’m hurt, really, I am. I’m also going to go legally change my name to Sumo Manfred.” Markus’ fingers dance up Connor’s arm and then move back down so he can intertwine them with Connor’s.
“Oh? Such drastic measures, when all you’d have to do is ask and receive.”
Markus finger’s jump, and Connor gives him a squeeze the same time he sends over his favorite methods of stopping Markus’ thought processes and heart at once: a cheeky, mischievous wink.
Markus groans, dropping his fork to shield his face and cover his eyes. “Oh my god, stop. You know I have a weakness for that. --In Josh’s words, ‘you put the wink in twink’.”
Connor scoffs, affronted, but not really. “Josh can catch these hands.”
“Your twinkie-fingered hands.” Markus sing-songs, wriggling his digits.
Connor’s hand tightens over his, painfully squeezing with his lithe ‘twinkie-fingers’. “I will end you.”
“You love me too much.”
A frustrated sigh, and then, “Ugh, why do you have to be right?” Connor shoots Markus a glare when the taller laughs at him, though his scowl may well be a pout, in Markus’ book, with all the effect it has.
“Aw, it’s okay that you have twink hands, babe. There’s nothing to be ashamed of.”
Connor stands, collecting their dirtied plates and mugs with a huff. “Yeah? Well, you’ve got big, meaty, claws.”
“You did not just--”
“Oh, but I did.”
There’s a vindictive satisfaction that takes over Connor’s face as Markus growls.
Markus moves to follow him out of the booth, his messenger bag all but forgotten on the seat, and Connor dances out of the way of his searching hands with all the grace he can muster. Can’t let Markus get too handsy in his workplace, now can he?
He places them on the back counter to take them to the sink, later, about to address Markus’ sulky frown, but the bell’s jingle and a momentary brush of cold air makes Connor snap his attention to the potential customer entering the cafe, cheery disposition coming forth.
“Welcome, how may I--North?”
“Oh, shit, North?!”
Markus makes to hide behind Connor, but, thanks to the factors that are too numerous to list, he’s spotted and approached with a frighteningly calm and blank expression.
“You’re supposed to be working right now. I’ve got Alice taking orders at this point, the fuck are you doing?”
She swipes her hand to Markus’ ear to pinch it between her thumb and fingers and drags him out of the cafe, giving him an earful. Connor laughs nervously, waving to his boyfriend as he goes and watching Markus feebly attempt to return the action and receive a swift smack to the back of the head, the spike of fear that had shot up Connor’s spine upon North’s arrival thankfully dissipating.
He’s only just turned to the back counter when the door slams open, the bell a cry of alarm, and footsteps advance on him rapidly. 
Connor’s arm is grabbed and he’s spun around and dipped, and then lips meet his gaping mouth to give him a fleeting but passionate kiss, in front of all of his customers, before he’s set upright and released. 
His cheeks burn with mortification and maybe, just maybe, the tiniest surge of arousal, as he uncomprehendingly watches Markus dart to their booth to retrieve his bag and take off out the door, the blast of winter air doing nothing for his heating face.
There’s a wolf-whistle from the back room, followed by muted giggles, and Connor inwardly curses his boyfriend.
Outwardly, he groans and slumps against the counter, panting softly.
Elijah’s never going to let him live this down.
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