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#every girl in the world is just so!!!
unfogged-arc · 9 months
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hey allison? stop developing mini crushes on all the girls you talk to
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ramelcandy · 5 months
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Bound to silence
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novelconcepts · 11 months
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There’s a line from American Gods I keep coming back to in relation to Yellowjackets, an observation made early on by Shadow in prison: “The kind of behavior that works in a specialized environment, such as prison, can fail to work and in fact become harmful when used outside such an environment.” I keep rotating it in my head in thinking about the six survivors, the roles they occupy in the wilderness, and the way the show depicts them as adults in society.
Because in the wilderness, as in prison, they’re trapped—they’re suffering, they’re traumatized, they’re terrified—but they’re also able to construct very specific boxes to live in. And, in a way, that might make it easier. Cut away the fat, narrow the story down to its base arc. You are no longer the complex young woman who weighs a moral compass before acting. You no longer have the luxury of asking questions. You are a survivor. You have only to get to the next day.
Shauna: the scribe. Lottie: the prophet. Van: the acolyte. Taissa: the skeptic. Misty: the knight. Natalie: the queen. Neat, orderly, the bricks of a new kind of society. And it works in the woods; we know this because these six survive. (Add Travis: the hunter, while you’re at it, because he does make it to adulthood).
But then they’re rescued. And it’s not just lost purpose and PTSD they’re dealing with now, but a loss of that intrinsic identity each built in the woods. How do you go home again? How do you rejoin a so-called civilized world, where all the violence is restricted to a soccer field, to an argument, to your own nightmares?
How does the scribe, the one who wrote it all out in black and white to make sense of the horrors, cope with a world that would actively reject her story? She locks that story away. But she can’t stop turning it over in her head. She can’t forget the details. They’re waiting around every corner. In the husband beside her in bed. In the child she can’t connect with across the table. In the best friend whose parents draw her in, make her the object of their grief, the friend who lives on in every corner of their hometown. She can’t forget, so she tries so hard to write a different kind of story instead, to fool everyone into seeing the soft maternal mask and not the butcher beneath, and she winds up with blood on her hands just the same.
How does the prophet come back from the religion a desperate group made of her, a group that took her tortured visions, her slipping mental health, and built a hungry need around the very things whittling her down? She builds over the bones. She creates a place out of all that well-intended damage, and she tells herself she’s helping, she’s saving them, she has to save them, because the world is greedy and needs a leader, needs a martyr, needs someone to stand up tall and reassure everyone at the end of the day that they know what’s best. The world, any world, needs someone who will take those blows so the innocent don’t have to. She’s haunted by everyone she didn’t save, by the godhood assigned to her out of misplaced damage, and when the darkness comes knocking again, there is nothing else to do but repeat old rhymes until there is blood on her hands just the same.
How does the acolyte return to a world that cares nothing for the faith of the desperate, the faith that did nothing to save most of her friends, that indeed pushed her to destroy? She runs from it. She dives into things that are safe to believe in, things that rescue lonely girls from rough home lives, things that show a young queer kid there’s still sunshine out there somewhere. She delves into fiction, makes a home inside old stories to which she already knows the endings, coaxes herself away from the belief that damned her and into a cinemascope safety net where the real stuff never has to get in. She teaches herself surface-level interests, she avoids anything she might believe in too deeply, and still she’s dragged back to the place where blood winds up on her hands just the same.
How does the skeptic make peace with the things she knows happened, the things that she did even without meaning to, without realizing? She buries them. She leans hard into a refusal to believe those skeletons could ever crawl back out of the graves she stuffed them into, because belief is in some ways the opposite of control. She doesn’t talk to her wife. She doesn’t talk to anyone. It’s not about what’s underneath the surface, because that’s just a mess, so instead she actively discounts the girl she became in the woods. She makes something new, something rational and orderly, someone who can’t fail. She polishes the picture to a shine, and she stands up straight, the model achievement. She goes about her original plan like it was always going to be that way, and she winds up with blood on her hands just the same.
How does the knight exist in a world with no one to serve, no one to protect, no reason propelling the devastating choices she had grown comfortable making? She rechannels it. She convinces herself she’s the smartest person in the room, the most capable, the most observant. She convinces herself other people’s mysteries are hers to solve, that she is helping in every single action she takes. She makes a career out of assisting the most fragile, the most helpless souls she can find, and she makes a hobby out of patrolling for crimes to solve, and when a chance comes to strap her armor back on and ride into battle, she rejoices in the return to normalcy. She craves that station as someone needed, someone to rely upon in the darkest of hours, and she winds up with blood on her hands because, in a way, she never left the wilderness at all.
How does the queen keep going without a queendom, without a pack, without people to lead past the horrors of tomorrow? She doesn’t. She simply does not know how. She scrounges for something, anything, that will make her feel connected to the world the way that team did. She moves in and out of a world that rejects trauma, punishes the traumatized, heckles the grieving as a spectacle. She finds comfort in the cohesive ritual of rehabilitation, this place where she gets so close to finding herself again, only to stumble when she opens her eyes and sees she’s alone. All those months feeding and guiding and gripping fast to the fight of making it to another day, and she no longer knows how to rest. How to let go without falling. She no longer wears a crown, and she never wanted it in the first place, so how on earth does she survive a world that doesn’t understand the guilt and shame of being made the centerpiece of a specialized environment you can never explain to anyone else? How, how, how do you survive without winding up with blood on your hands just the same?
All six of these girls found, for better or worse, a place in the woods. All six of them found, for better or worse, a reason to get up the next day. For each other. And then they go home, and even if they all stayed close, stayed friends, it’d still be like stepping out of chains for the first time in years. Where do you go? How do you make small choices when every decision for months was life or death? How do you keep the part of yourself stitched so innately into your survival in a world that would scream to see it? How do you do away with the survivor and still keep going?
They brought it back with them. Of course they did. It was the only way.
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varilien · 7 months
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can you pls draw vash in his really nice cute bra 🥺
teehee yeah i think i can do that :3
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(now available at my shop!)
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aq2003 · 5 months
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really love how throughout a lot of smith and jones martha is really skeptical and apprehensive towards ten (+ one of my favorite exchanges between them - "what, people call you 'the doctor'?" "yeah?" "well, i'm not. far as i'm concerned, you've got to earn that title."), not taking everything he says at face value, even doubting the fact he's an alien until over halfway through the episode.. And like. i really truly think the thing that wins her over isn't him kissing her or any of the other insane mixed messages he manages to send, it's this scene here, where he /earns that title/ in her eyes:
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(+ david's bit in the commentary, where he says: "[the doctor] has actually sacrificed himself, and - i would say, that that final act of selflessness is what finally, eventually, welds martha to him. [...] and she now returns it. she returns that act of selflessness.")
this is what their relationship is built on. it isn't about martha being the second-best replacement to rose or a rebound or whatever. bc it isn't really about rose. it's about doctor-in-training martha meeting someone (quite literally, "the doctor") whose ideals she aspires to, and doing her best to be the same person to him as he is to everyone else. it's about ten in return admiring her intelligence and inquisitiveness and how she cares for human life, recovering his compassion, letting himself lean on her for support - and then remembering at the most inopportune moments that he's supposed to not need anyone and be on his own forever. And around in their little nightmare loop they go where they save each other over and over until one of them breaks
i've seen ppl look at martha and go "why she does she admire/why is she so in love with ten if he acts like that to her?" or something along those lines and like. it's not just the fact she's in love with him (in fact i'd argue she actively tries to push it aside post-gridlock). it's the fact that she knows he's the kind of person to put everyone else's lives/well-being over his own. she trusts him to save her when she's in trouble even though it's been like two days at most that they've known one another bc she recognizes that same "deep all-encompassing drive to help others" in him. and she also recognizes, much much earlier than him, that he needs someone to save him, especially when he's unwilling to save himself. and yeah for a bit she thinks he returns her feelings and is just playing hard-to-get, but she realizes pretty early on that this probably isn't the case, and i think that realization fully solidifies here:
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(this is when she's listening to ten talk abt gallifrey). And idk it might just be me but i think this expression isn't just her empathizing with his loss. it's also guilt, for wanting something from him that he's clearly unable to give when he's wracked with so much grief. (and you see it in the next episode, where tallulah asks if they're together and martha says for certain that they're not, and that he doesn't know about her feelings for him. she keeps everything to herself bc she now knows that when he shut her flirting down at the end of 3x01 it was the genuine reaction of someone who a) isn't interested and b) is scared of getting close with someone else again)
freema described their dynamic as "she's keener than him" and i think about this all the time. martha doesn't really take what ten throws at her. what she does instead is constantly poke holes in his already-failing front of "i will show someone the wonders of the universe so i can ignore what is wrong with me". what she does is stand up and fight him when he tries to go off on his own. what she does is put aside her well-being in favor of helping someone - just like what she saw him do for the people in the hospital when they first met. tldr, that's the doctor and his doctor and rip martha you would've loved who's gonna save u now by rina sawayama
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buck1eys · 10 months
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guys i am begging you to consider the parallels
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mispatchedgreens · 5 months
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more from the reincarnated band au in the form of: sometimes you're just a girl who wants to have a nice lunch date w your partner, but then her incredibly rude coworker stalks in (bc he stalks everywhere) and then you realise you've miscalculated bc the shop is one block away from the gym and his appearance makes sense, he does leave the gym at this hour (you're annoyed that you know ouyang's routine). Some random jockman is trailing after him and ouyang appears as pleased as he is desperate to evade him, and they both sit down with you and you end up eating your noodles next to some sweaty guy you just met, while zhu and ouyang bicker gleefully at each other about music.
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loud-whistling-yes · 1 month
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so as literally everyone following me in the past 24 hours knows, im fucking obsessed with her. take her shes everything i have
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darlingod · 25 days
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Jude in QoN: “Of course it was a trick” That’s what you said.
Cardan:
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tariah23 · 3 months
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This is such a harmful sentiment to push considering that you don’t necessarily have to be “attractive,” (beauty is subjective, yada yada) in order for men to want to harm you in the slightest… like man, what…
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#the lady talks about being followed and harassed and so on as if every woman and girl in the world regardless of their age and#‘good looks’#hasn’t experienced this and will continue to#I hate when these girls especially ones who are conveniently attractive talk about stuff like this under the guise of speaking for all#women while x-ing out most women#this easily leads into the realm of ‘you’re too ugly/fat to be assaulted ANYWAY-‘#talk that I see spread by misogynists and bird brained women like it’s such a natural thing to even say it’s actually rly scary#especially when it comes to the assault shit which is usually about power and control anyway#they don’t care what you look like#you could be covered up head to toe and someone would try to hurt you just because#I hate when women like this go online thinking that they said something open their mouths I really do#rambling#tw assault#got dudes in the comments going ‘she’s not even pretty anyway she’s like a 4 out of 10’#completely missing the message (as if they care) and see#these are the kinds of people that stuff like this attracts#stuff like this coming out of a woman’s mouth especially is so dangerous#I don’t think I’m the most good looking person in the world and I’ve been followed sm times I had to run away from a guy once and luckily#my bus was right fucking there!!!#then the guy who was harassing me years ago at a bus stop and forced me to hug him and touched my butt and no one else was around to help#me…#and he kept on trying to get me to go back to his apartment around the corner like that was so#the man who followed me into the store as I was shopping and I noticed that he kept on staring at me#then tried to holla and he looked way older than me and I think he was a pastor or something too he had a nice car and tried to get me to#come with him#sm more incidents over the years like this is crazy pls don’t say stuff like this and act like it’s normal#someone in the comments said that people like the woman in the video think that being pretty will free them from the patriarchy and like…#YEAH 😭#it’s so obvious too lmfao#these be the same women calling themselves ‘girls girls’’
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lunarharp · 10 months
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scribblezone again testing out brushes, early grey oru, and ace attorney-style psychelocks
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mamawasatesttube · 1 month
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heres how t4t timkon can still win.
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carefulfears · 1 year
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thinking about scully sitting on the floor of mulder’s apartment just holding him as he wept after his mother’s death and after she told him through tears that it’s time to stop. it’s time to stop looking for his sister.
and how she had already told him that once, seven years earlier, a month into their partnership, when she chased him out of a police station and told him to stop running after his sister because it won’t bring her back.
she called after him to just stop, because she’s the scientist, and that’s the logical conclusion that she had reached.
except later that night, he told her why he does it. that he’s been closing his eyes and walking into that room, thinking maybe, when he opens them, his sister will be there, since he was 12 years old. “every day” of his life.
and she never told him to stop again.
until seven years later, when she rocked him on the floor, and then the next day was asked “why do you want to bring all this back up now?” and answered, “someone owes it to mulder.”
so she started looking. she reopened files, she tracked down records, she went to his mother’s house to dig through the trash. she confronted CSM about what he knew, she flew to california, she held hands and prayed.
she looked at mulder and said “it hurts me to tell you this” and stayed steady in the truth anyway. she listened to him read to her about a 14-year-old girl’s pain, held his hand and told him to get some sleep. she stayed up, kept looking, and found it. “i got it, mulder. i couldn’t believe it when i saw it. it was like it was looking for me.”
the police report from when samantha ran away.
she read the hospital records, went to the home of the nurse who signed the intake report, asked him if he wanted her to go herself.
she left him by the car and walked up and knocked, asked about a patient in 1979. she listened as the nurse described how “you couldn’t forget her or how frightened she was. scared for her sweet life.” and the man who came for her, who wouldn’t put out his cigarette.
earlier the day before, she had been told to just stop. “word of advice, me to you: let it be. you know, there’s some wounds that are just too painful ever to be reopened.”
and she had responded, “this particular wound has never healed. and mulder deserves closure.”
after seven years, she knows now, that you can’t just stop chasing. she knows how heavy grief is, and she‘s seen the effects of carrying it alone. of walking into the worst night of your life every day, eyes closed, hopeful.
you can’t just stop, and you can’t really have closure, but you can help someone carry it.
and ultimately, that’s what made this the end of the road. sometimes the heaviest burden of grief is feeling that pain is all there is left of someone, and that alleviating it would be to abandon them.
scully’s right, this wound has never closed, but there’s freedom in shared remembrance and shared dedication. she doesn’t ask him to stop until he’s ready to know the truth, and she’s willing to find it. she doesn’t ask him to rest until it’s safe for him to, because it’s not forgetting samantha. she knows and she remembers.
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justplaggin · 1 month
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finally stepped foot on the sacred grounds of miraculous ladybug
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alastyr-not-alastair · 2 months
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Lonely prince
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hoediaz · 2 years
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BUCK V TAYLOR: SPECTACLES
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