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ripjaws · 3 years

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Ben 10 Survey Results!

Huge thank you to everyone who submitted a response, it was really fun looking through them all and I was genuinely surprised by the results of some of the questions.

Hopefully this will work under a read more because it's quite long and I don't want people to have to scroll a hundred years to get past it.

If anyone has any questions or anything please feel free to ask! :)

Thanks again!

General

Q1. How would you describe your gender?

36% - Female 25.3% - Male 24% - Non-binary 8% - Prefer not to say 4% - Agender 2.7% - Genderfluid

Q2. How would you describe your sexuality?

32% - Bisexual 20% - Heterosexual 20 % - Asexual 8% - Lesbian 6.7% - Prefer not to say 5.4% - Pansexual 4% - Gay 1.3% - Demisexual 1.3% - Questioning 1.3% - Polysexual

Q3. Current age

48% - 20-24 39% - 15-19 13.3% - 25-30 1.3% - Older than 30 1.3% - Younger than 15

Q4. Age when you first became interested in Ben 10

86.7% - Younger than 15 9.3% - 15-19 2.7% - 20-24 1.3% - 25-30

Episodes and season

Q1. Which series did you watch first?

88% - Original Series 9.3% - Alien Force 1.3% - Omniverse 1.3% - Reboot

Q2. Rank the series in order of preference

[IMAGE ID: Five separate groups of five vertical bar charts. The individual columns for each group are coloured in the same order and corresponds to what ranking they recieved on that question of the survey. According to the key at the top of the image the order is; blue = 1, red = 2, orange = 3, green = 4 & purple = 5. The Y axis of the graph goes from zero to thirty in intervals of ten.

The first group is labelled ‘Original Series’ and shows that it got twenty votes in blue, seventeen votes in red, sixteen votes in orange, ten votes in green & twelve votes in purple.

The second group is labelled ‘Alien Force’ and shows that it got nine votes in blue, eighteen votes in red, twenty-one votes in orange, twenty-two votes in green & five votes in purple.

The third group is labelled ‘Ultimate Alien’ and shows that it got thirteen votes in blue, ten votes in red, fourteen votes in orange, twenty-two votes in green & sixteen votes in purple.

The fourth group is labelled ‘Omniverse’ and shows that it got eighteen votes in blue, fifteen votes in red, seventeen votes in orange, fifteen votes in green & ten votes in purple.

The fifth and final group is labelled ‘Reboot’ and shows that it got fifteen votes in blue, fifteen votes in red, seven votes in orange, six votes in green & thirty-two votes in purple. END IMAGE ID]

Q3. Favourite season (Original Series)

40% - Season 1 18.7% - Season 2 18.7% - Season 3 17.3% - Season 4 5.3% - Don’t like/Haven’t watched

Most popular episodes were Ken 10 (S4E10) & Kevin 11 (S1E7)

Q4. Favourite season (Alien Force)

52% - Season 2 28% - Season 1 16% - Season 3 4% - Don’t like/Haven’t watched

Most popular episodes were Alone Together (S2E2) & Save the Last Dance (S2E4)

Q5. Favourite Season (Ultimate Alien)

36% - Season 1 25.3% - Season 3 20% - Don’t like/Haven’t watched 18.7% - Season 2

Most popular episodes were Forge of Creation (S1E16) & Duped (S1E2)

Q6. Favourite Season (Omniverse)

18.7% - Don’t like/Haven’t watched 18.7% - Season 2 16% - Season 5 12% - Season 6 10.7% - Season 1 9.3% - Season 8 8% - Season 4 5.3% - Season 3 1.3% - Season 7

Most popular episodes were And Then There Were None (S6E1) & And Then There Was Ben (S6S2)

Q7. Favourite Season (Reboot)

60% - Don’t like/Haven’t watched 17.3% - Season 4 10.7% - Season 3 6.7% - Season 1 5.3% - Season 2

Most popular episodes were Omni-tricked (S1E37) & Innervasion (S2E36)

Q8. Which live action movie did you prefer?

40% - Alien Swarm 22.7% - Race Against time 22.7% - Didn’t like either 14.7% - Haven’t watched either

Characters and aliens

Q1. Favourite main character

45.3% - Ben Tennyson 28% - Kevin Levin 17.3% - Rook Blonko 9.3% - Gwen Tennyson

Some ‘Why’ responses:

Ben -

I know it's a really basic pick but I enjoy Ben alot as a character. Even though I feel like he took an extremely sharp turn into immaturity in the final season of Alien Force onward (from what I've heard it was due to ratings), it still fit well after a bit of time of adjustment. Him being rash and selfish at times while still having a good heart feels...very human. I'm a huge fan of flawed protagonists and Ben is a prime example of such, imo! Plus I hradcanon that he has autism and it's a big comfort for me :)

I love his potential as a character and the way he hands having such power and responsibility thrust upon him. Ben has done so much for the people in his life and the universe, and I absolutely adore him.

I think of him like a kind person who tries his best to the right thing, he's pretty chill and optimist and in my mind he's a chaotic bi and i can relate to that

Kevin -

I like that he's always been an antihero in the original series. And in the reboot I really like the direction the showrunners are taking his character. He has a different backstory, motivations and I'm really enjoying his character development. It's a fresh take on his story and they're treating it with care, which I really appreciate. His Antitrix aliens also have some really incredible designs.

Cool powers, uncommon character in children's media, especially as a primary character often cast in a good light (ex con, high school dropout, masculine, not emotionally mature). His character development is some of the best in the series.

Gods, we could be here forever... Okay, short version- 1) I can relate to him on a mental health level, especially in the OG series we seemed to have similar issues and to handle them in similar ways 2) there's a lot of depth and variance to his character, he's angry and aggressive and dangerous but also a dork, a sweetheart, and very affectionate once he lets his walls down, he loves cars and supernatural romance, violence and magical girls, he'll rescue an aggressive dog for no reason other than it needed help but also he might consider how much he could get for selling you, he's a complex character and he's allowed to be in a way the Tennysons can't because of how firmly they sit in the Hero seat 3) for all of this, we never really know all that much about him and his experiences, at least in comparison to what we know is there- we never learn about his time traveling the galaxy, we haven't heard anything about his time stuck in time, it's only in the reboot we're getting trustworthy information about his background and even then it's rare tidbits- he's ripe for exploring in fic, headcanon, and so-on 4) his powers in the OG series, his status as mutant or alien or both who knows anymore leaves a lot of doors open to play and to look at the world through different angles 5) dude has turned into six different monstrous chimera forms over the course of the franchise and honestly you have to support that sort've shit in media otherwise they might stop

Rook -

Alien catboy with a glorious voice and have you seen those arms??? And he's so polite while also being hilarious when he gets a little rude/snarky and his character development is amazing!!

While I would normally say Ben himself, Rook is his only friend that hasn't tried to kill him. Additionally, he provides Ben with guidance as well as support the Gwen and Kevin are fickle about.

Having an actual alien joining the cast and serving at Ben's foil worked well to me.

Gwen -

Smart, talented, funny, snarky, confident, and super cute. Jock-prep-nerd energy all in one. Deserves the world. Criminally ignored by the majority of the fandom. Knows karate and judo?? College at 16?? Icon.

Angel, can do no wrong, was capable of so much more than the show let her do, potential to be the most powerful member of the team if they'd just let her go a lil feral sometimes :/

She was a good voice of reason most of the time. Her powers were really interesting and overall I think she had a lot of wasted potential having to be sidelined since the series was about Ben ultimately

Q2. Favourite minor characters

40 votes - Paradox

22 votes - Max Tennyson

18 votes - Tetrax

17 votes - Argit

16 votes - Julie Yamamoto

15 votes - Azmuth

12 votes - Ester

10 votes - Looma Red Wind

9 votes - Glitch

9 votes - Kai Green

7 votes - Alan Albright

6 votes - Jimmy Jones

4 votes - Cooper Daniels

3 votes - Eunice

3 votes - Helen Wheels

2 votes - Elena Validus

2 votes - Manny Armstrong

1 vote - Cash Murray

1 vote - Driba

Other votes went to Penny Bennyson, Kenny Tennyson/Spanner, Lucy Mann, Rook Shar, Eddie Grandsmith, Myaxx and Pakmar.

Q3. Ship or Zed

64% - Ship 36% - Zed

Q4. Favourite main antagonist

20% - Albedo 13.3% - Kevin 11 12% - Vilgax 10.7% - Charmcaster 10.7% - Zs’Skayr 9.3% - Malware 5.3% - Forever Knights 5.3% - Eon 4% - Highbreed & DNAliens 4% - Aggregor 1.3% - Servantis & Rooters 1.3% - Khyber 1.3% - Dagon & the Esoterica

Some ‘Why’ responses for top 3:

Albedo -

When I first saw him during the airing of Good Copy, Bad Copy, I was scared that Albedo might be a one-and-done evil clone that doesn't get much development. These fears went away, and I was pleased to find out about his backstory and motives, just a sour soul in an unpleasant situation. Even in Ultimate Alien with his reappearance episode, he tries to work on his own to cope in a horrid human world. He isn't necessarily malicious until Ben gets in his way, he just wants to return to his own body and leave, even stating that he wasn't going to fight Ben anymore while he had temporarily returned to his Galvan form. I know DJW stated in some interview that Albedo could never be redeemed, but I believe there's some hope if he gets help. And I'm a sucker for those redemption arcs :)

Tragic frog man that could have been helped but nobody helped him and he doubled down on his hatred which led to him getting stuck in a cycle of revenge and punishment and it's the tragedy of how much better things could have been for him if someone just helped him that I love so much!!

Kevin 11 -

He’s very dangerous and has a terrifying power to absorb electricity and living DNA to have the same powers of who he absorbed it from and even turn himself into a mutant with all those powers combined leading to destructive power

Kevin was a good antagonist and a good protagonist, although i feel the transition was rushed. Anti-hero kevin in the reboot is great!

Vilgax -

He was always the endgame villian for Ben, despite how many battles they've had, despite countless losses, he always tried to stay one step ahead, and plan everything.

"Speak with care, Psyphon. Your counsel is valuable...not irreplaceable."

Q5. Favourite minor villains

38 votes - Animo 20 votes - Hex 18 votes - Michael Morningstar/Darkstar 14 votes - SixSix 13 votes - Zombozo 9 votes - Vreedle family 9 votes - Vulkanus 8 votes - Rojo 5 votes - Inspector 13 5 votes - Billy Billions 5 votes - Will Harangue 4 votes - Fistrick 4 votes - Nyancy Chan 3 votes - Lord Decibel 3 votes - Simian 3 votes - Subdora 3 votes - Viktor 2 votes - Addwaitya 2 votes - Fistina 2 votes - Kraab 2 votes - Psyphon 2 votes - Steam Smythe 2 votes - Sunder 1 vote - Liam 1 vote - Ssserpent

Other votes went to Maurice & Sydney, Bugg Brothers, Alternate evil Bens, and the Mummy.

Q6. Favourite canon relationship

66.7% - Gwen & Kevin 13.3% - Max Tennyson & Verdona 5.3% - Ben & Kai 4% - Rook & Rayona 1.3% - Julie & Herve 1.3% - Max & Xylene

Q7. Favourite non-canon ship

36% - I don’t have one 30.7% - Ben & Rook 6.7% - Ben & Kevin 4% - Ben & Julie

Other responses included Ben & Rex, Kai & Julie, Looma & Attea, Alan & Cooper, Ben & Looma, Kevin & Manny, Gwen & Cooper, Ben & Ester, Max & Phil, Azmuth & Paradox, Cooper & Elena, Kai & Ester, Ben & Zak Saturday, Ben & Eddie, Ben & Albedo, Ben & Kevin & Gwen, Kenny & Devlin, OC & canon, and Ben & a therapist.

Q8. Favourite alien introduced in the Original Series

18.7% - XLR8 17.3% - Upgrade 13.3% - Ghostfreak 10.7% - Diamondhead 9.3% - Heatblast 8% - Wildmutt 6.7% - Ditto 2.7% - Blitzwolfer 2.7% - Snare-oh 2.7% - Grey Matter 1.3% - Cannonbolt 1.3% - Four Arms

Q9. Least favourite alien introduced in the Original Series

22.7% - Eye Guy 18.7% - Spitter 8% - Articguana 8% - Frankenstrike 6.7% - Upchuck 6.7% - Stinkfly 5.3% - Buzzshock 5.3% - Snare-oh 4% - Four Arms 2.7% - Blitzwolfer 2.7% - Ditto 2.7% - Wildmutt 2.7% - Grey Matter 1.3% - Cannonbolt 1.3% - Diamondhead 1.3% - Ghostfreak

Q10. Favourite alien introduced in Alien Force

46.7% - Big Chill 17.3% - Rath 8% - Goop 6.7% - Lodestar 5.3% - Swampfire 4% - Chromastone 4% - Spidermonkey 2.7% - Alien X 2.7% - Echo Echo 1.3% - Humungousaur 1.3% - Jetray

Q11. Least favourite alien introduced in Alien Force

18.7% - Lodestar 17.3% - Brainstorm 13.3% - Alien X 10.7% - Humungousaur 10.7% - Spidermonkey 8% - Jetray 8% - Chromastone 5.3% - Goop 5.3% - Echo Echo 2.7% - Rath

Q12. Favourite alien introduced in Ultimate Alien

18.7% - Juryrigg 16% - AmpFibian 14.7% - Clockwork 12% - NRG 8% - Armodrillo 8% - Shocksquatch 8% - Terraspin 8% - Water Hazard 2.7% - Chamalien 2.7% - Fasttrack 1.3% - Eatle

Q13. Least favourite alien introduced in Ultimate Alien

30.7% - Fasttrack 18.7% - Eatle 13.3% - Juryrigg 9.3% - Chamalien 8% - Shocksquatch 6.7% - Terraspin 5.3% - Water Hazard 4% - Clockwork 1.3% - AmpFibian 1.3% - Armodrillo 1.3% - NRG

Q14. Favourite Ultimate Form

38.7% - Echo Echo 24% - Big Chill 10.7% - Swampfire 9.3% - Way Big 8% - Wildmutt 6.7% - Spidermonkey 1.3% - Cannonbolt 1.3% - Humungousaur

Q15. Favourite alien introduced in Omniverse

29.3% - Feedback 13.3% - Pesky Dust 12% - Gravattack 9.3% - Ball Weevil 8% - Bullfrag 6.7% - Whampire 5.3% - Bloxx 4% - Atomix 4% - Walkatrout 2.7% - Gutrot 1.3% - Crashhopper 1.3% - Kickin Hawk 1.3% - Toepick 1.3% - The Worst

Q16. Least favourite alien introduced in Omniverse

24% - The Worst 14.7% - Bloxx 12% - Mole-Stache 8% - Bullfrag 6.7% - Astrodactyl 6.7% - Kickin Hawk 5.3% - Atomix 5.3% - Gutrot 4% - Crashhopper 4% - Walkatrout 2.7% - Toepick 1.3% - Ball Weevil

Q17. Favourite alternate Ben timeline

29.3% - No watch Ben 24% - Gwen 10 17.3% - Ben 10,000 8% - Mad Ben 6.7% - Dimension 23 6.7% - Eon 4% - Nega Ben 2.7% - Benzarro 1.3% - Bad Ben

Misc.

Q1. Favourite watch design

37.3% - Original Series 29.3% - Omniverse 17.3% - Alien Force 9.3% - Ultimatrix 6.7% - Reboot

Q2. Favourite alternate watch design

29.3% - Biomnitrix 20% - Gwen 10 18.7% - Negatrix 17.3% - Antitrix 8% - Power Watch 6.7% - Hero Watch

Q3. Favourite planet visited

32% - Anur Transyl 20% - Revonnah 13.3% - Mykdl’dy 10.7% - Galvan Prime 9.3% - Vilgaxia 6.7% - Piscciss 5.3% - Petropia 2.7% - Khoros

Q4. Favourite locations

34 votes - Undertown 23 votes - Ledgerdomain 23 votes - Null Void 22 votes - Bellwood 19 votes - Friedkin University 18 votes - Mr. Smoothy 16 votes - Forge of Creation 15 votes - Los Soledad 7 votes - Burger Shack 7 votes - Plumber Headquarters 4 votes - Incarcecon 2 votes - Mt. Rushmore Plumber base 2 votes - The Perplexahedron 1 vote - Plumber Academy

Q5. Favourite Vehicle

33.3% - Kevin’s car (Original) 25.3% - Rustbucket 18.7% - Proto-TRUK 13.3% - DX Mark 10 5.3% - Kevin’s car (Omniverse) 4% - Glitch

Q6. Favourite Kevin mutation

40% - Original series 20% - Ken 10 future 12% - Ultimate Alien 8% - Omniverse 8% - Alien Force 6.7% - Omniverse flashback 5.3% - Reboot

Q7. Favourite Omniverse redesign

66.7% - Ben 26.6% - Kevin 6.7% - Gwen

Q8. Least favourite Omniverse redesign

76% - Gwen 18.7% - Kevin 5.3% - Ben

Thoughts

(Putting every single response here would make this insanely long so I’ve just put the most detailed/most echoed responses & include all sides of opinions when possible.)

Q1. Thoughts on the Osmosians retcon?

Okay, first up, do you know how much work I had already put into building shit surrounding those fuckers by the time of the retcons? I had been working on this crap since AF season 2! But no, they gotta go ruin that in one fell swoop, thank you, much appreciated. Second up, I wibble on it? Like, working with mutants is fun and interesting and I've done plenty of shit with them as well, but in the end I'm always going to be a pro-Ossys person. Mostly the retcons left more questions than they gave answers (how, if Osmosians never existed, did everybody and their mother know Kevin was an Osmosian? why, if Osmosians never existed, did none of the people not-involved in this whole disaster with Servantis's mindfuckery look at Aggregor being reported as an Osmosian and go 'wtf that's not a thing'? do they really mean to tell me that not only did Kevin never bother to look into his heritage, but neither did research-happy Gwen? or am I expected to believe the Rooters made enough fake information and put it out publicly that they fooled literally everyone? and if they did then why? when it would've done the same thing with less effort if they'd just, let Kevin be a mutant with a Plumber father who died) and I feel like they didn't really give enough to justify them. One of those cases of 'making your work less interesting to make it more 'accurate''. Personally, I forever keep working on Osmosians (where's the line where it just starts becoming your shit, I think I may be heading there) and I love on mutants and I flip between or combine the two as needed for whatever story I want to tell.

While the fake memories plot isn't great I think it's for the best because the original series meant for Kevin to be a mutant while UAF changed it to alien. I like him better as a mutant human. Too much alien connections in UAF.

I could scream for hours. Easily one of the worst decisions they ever made. Omniverse picks and chooses what canon to follow from AFUA + the original run and throws it in without care or concern to what it means for the timeline. Retconning something and keeping the effect it had is just bad writing. Kevin coming to terms with not being human and that’s okay was important to me when I was a kid. Knowing that he’s just been on an unending series of brainwashed nonsense all his life deprives him of his agency. I hate this decision more than several dozen essays could ever convey.

I wasn't mad about it. Mainly because I liked the idea of Kevin being a mutant than an alien. Alien Force really was pushing that aspect even with Gwen. To the point where she called her powers 'not spells' because of her heritage. Stupid that the rooters and fake memories were a thing, but necessary.

I was never a big fan of the Rooters Arc, but this doesn't bother me too much. It makes UA a little weird with Aggragor, but again, it doesn't really bother me, as most of Omniverse didn't explore Kevin (While UA Did), and was mostly about Ben.

Osmosians were such a cool idea, and it would've allowed for more exploration into what Mike Morningstar was as well, but just writing them off as mutates is so boring. As well as it makes Aggregors whole part not really make sense, like who is he then.

While well executed, it was unnecessary. You could have had the same story line where Kevin was used to mutate other kids and still had him an Alien. You could have had it where it was another alien species that used Osmosians to morph other species to theirs; a call back to the DNAliens if you want.

Q2. Thoughts on how the Ultimate Kevin situation was dealt with in UA?

Terrible. They wanted to go far. They wanted to go dark. But they didn't think their viewership could handle it so they dialed it back. I will always be curious to know what they would have written if they didn't have those constraints. Because the final product was a mess of contrasting tone and unsure footing about how far to go with questioning our hero's moral compass. They wanted to push Ben to see what he would do and apparently, we got that he would kill Kevin and maybe Gwen if she got in the way of saving the universe.... but not really because he didn't. And then the gang is happy all back together like none of it ever happened. They wanted to explore dark themes but have it leave no consequences on the characters. Also... it was so ableist and awful and Kevin deserved better than how Ben and Max (and the writers) treated him.

If they did everything the same but the argument was 'we need to capture him and lock him away' instead of 'we need to kill him'? I would be fine. It's the fact that they slipped so quickly into murder, into murder by his 16-yo bestfriend, that gets me. Like, there's apparently no space between 'recklessly risk our safety trying to talk him down' and 'Ol' Yeller his ass' and that just does not sit right with me.

Ben should have looked for alternate solutions before jumping on the "Let's kill Kevin" train. I understand why he did (this took place immediately post-Aggregor so Ben was still traumatized about having lost so many people and because he failed and "let" Kevin get turned into Ultimate Kevin, he felt as though every person Kevin hurt would be on him) but I wish he hadn't.

Pretty good actually. I like Gwen's emotions becoming a hindrance to the job, I like Ben putting on his big boy pants and I like Kevin going up to Aggregor and saying "y'know, I was a big boy villain once and I'm tried of just getting kicked around" (obviously paraphrasing)

Other than the scenario being overplayed, I think Ben was right. Kevin was eventually going to end up killing Gwen and he'd already put others in the hospital. He needed to be stopped.

Ben jumping straight to murder, yikes. Kevin dismissing Gwen to hang out with Ben almost as soon as he turned back to normal, yikes. Otherwise, it was an interesting plotline.

Really bad. Really shows how awful max and the plumbers really are. I mean , the guy saved the universe and now he clearly needs help but all they wanted to do was kill him.

it really felt like Ben just wanted to murder Kevin because he saved the universe that one time and Ben couldn't stand someone else being the hero for once

The worst, Max straight away wanting to put him down makes u wonder how long he's been waiting for that kind of opportunity.

I'm fine with it, maybe they could have spent some time dealing with the consequences of Kevin's actions, possibly even the ramifications it had on Ben and Kevin's friendship, but overall I'm ok with it.

Q3. Thoughts on the Plumbers

Plumbers ain't shit. Individuals can be acceptable or not but the organization as a whole has too much power, not enough oversight, utilizes child labor, uses a deathtrap of a hellscape dimension as a penal colony, has been shown onscreen sentencing people to imprisonment in said dimension without a trial, and I'm sorry the fact that a Plumber official could walk into a base with his team, assault several members of staff, attempt to kidnap a boy, admit to having and planning to continue to run illegal experiments on him and others, admit to having altered the memories of other Plumber officials, all in front of the entire base, and nothing was done until he tried to kill the golden child Ben 10 and failed, got his ass kicked by one of his victims, and in a place where presumably there were security cameras? And that the response was, again, to sentence him and his team without trial, take all the evidence, and peace out without so much as looking at nonetheless apologizing to his victims? Yeah, that don't fly. Doesn't sound like an organization that has it's shit together. Either the Plumbers don't have their shit together or the higher ups were in on it until it became something that could actually damage their reputation, and either way I Do Not Approve.

They're pretty cool. I know everyone's talking about how Plumbers are space cops and therefore absolutely corrupt and bad but this is a fictional universe in which corruption in organized forces isn't a necessity. Plumbers don't function the same way real cops do, they don't follow they same chain of command, they don't have the same motivations and they definitely don't have the same biases. Plumbers perform an essential function in the Ben 10 universe, which is to capture and contain aliens who aim to hurt anyone (or those who Ben defeats).

My knowledge of the Plumbers' unfortunately doesn't go beyond UA. They're not my favorite thing ever. Some of my least favorite episodes were the ones where the Plumbers or Plumbers' kids are involved, except for the episode "Everybody Talks About the Weather". The way Alan is introduced is really cool and very X Files-esque, and it ties into the DNAlien plot very well. But throughout the series I stopped caring about the Plumbers in general and I think that concept was given too much attention.

They don't do what they're meant to. They act like heros yet I don't think I've ever seen them do anything heroic. The DNAliens situation, the aggregor situation, dagon etc etc. Where were they??? Why did they leave the fate of the universe in the hands of a 16 year-old boy? Ben has the omnitrix sure , but he's still just one guy, how much can he fight? They showed up every once in a while but that's it. They were useless.

Of course the Plumbers have their problems, but looking at most characters we've met that were plumbers seem to be pretty good people. Max, Patelliday and Rook (and even Kevin, technically) are great examples of Plumbers, Servantis being a bad example of one.

Honestly liked it when it was disbanded. It’s cool they introduced Rook but like there’s so much wrong with how they run most things. My favorite version of the plumbers was tbh the first live action movie. Where it was just a bunch of old people watching out for Ben cause they actually cared about the people they protected (in this case Ben).

Q4. Thoughts on Grandpa Max

(The responses to this one were way more divided than I thought they would be omg)

He said Kevin was a mad dog that needed to put down. He's terrible. Military. Secretive. Kept his kids out of the loop and probably told the grandkids not to tell them about a huge and extremely dangerous part of their lives. Thus creating a gap between them and their parents that didn't need to be there. Child endangerment. Other than that....? He's important to Ben and Gwen so I tolerate him and he had some good life lessons to share. Also legendary adult figure in a kids cartoon who had relationships with multiple aliens.

He’s incredible, he worked in the Air Force, was going to be one of the first people on the moon (But he refused because he joined the Plumbers) had children with an Energy Being, he has a few grandchildren, and not to mention knows how to still kick butt despite him being in his 60s and was there to help Ben grow

He’s a complicated old man. Love him to bits in the original run and I love him in AF! He’s a utilitarian doing what needs to be done and suffering the consequences when need be. He does what he thinks is going to lead to the best possible outcome for the most people in any situation.

Needs to get knocked off his pedestal more often, both in and out of canon. He's got good traits, they're very nice, but there's other shit that gets glossed over, ignored, brushed aside, too easily forgiven, and just. They really needed a character who served double duty being a counterforce to him. Somebody to go 'wtf is wrong with you?' or 'yeah, no'. Ideally this would've been Patilidae, but no. We couldn't be so lucky.

Conflicted. Was he grooming Ben for plumber work, or just trying to support him in a situation he knew would be dangerous? It’s not made very clear...

I think he's got some sort of narcissistic personality disorder. I just can't forgive him for making Ben carry the burden of the Omnitrix at the age of 10 without ever explaining anything, and for not letting Ben and Gwen know he was alive after the Null Void grenade incident in AF. He clearly could have, if Helen could reach Gwen so easily. I think he views Ben more as an asset than a grandson at this point and that's really sad.

I love him! The progression from family hero to questionable old man felt kinda natural, like learning about a family member as you grow older and realizing they aren't perfect

He's awesome. He was a good role model for Ben and he was very supportive to both his grandkids. I hate that they made him mute in Omniverse and changed his design so drastically. I loved Max in every season from the original till Ultimate Alien. After that, he was pretty much just a prop.

Q5. And finally, give me your most controversial Ben 10 opinion!

It seems to be the worst thing to say that Ben isn't perfect and that Kai isn't demonic. And it's pretty standard for the women of color characters in every fandom to get the most hate so to me all the hate towards Kai when her personality is so close to Ben's AND she's also more hated than the ex-villain and the actual villains that tried to kill Ben multiple times just seems- hmmmmmmmmmmmmmmmmmmmmmmmmm. But really, and really I've needed to say this for a long time but I'm afraid of being strangled. Some fans will denounce incest/pedo shippers and people that interact with them and then reblog from a proud Bwen shipper with no self-awareness. Please I have the tags blacklisted are you safe to interact with and you just don't know? Or you're just saying you hate Bwen shippers to give yourself an out for reblogging their content????? Or are you all closeted incest shippers trying to maintain a public image???? I'm at my limit.

I do not think the reboot should have existed tbh :,D I know that it has a ton of fans and all due respect to them, but from what I've seen of it I don't think it was worth tossing away four interconnected series' worth of development and starting from scratch to end up with what we have now. I would be fine with it existing if we got an Omniverse continuation alongside it, but CN screwed OV over by the decisions they made near the end of it's run. So it's probably impossible it would return, even moreso because of the reboot already airing, and it would probably confuse younger audiences that don't know about Omniverse if two Ben 10's were running separately. I just really miss Omniverse, it had more potential and the reboot placed the final nail in for it to ever return.

The Ben 10 reboot is fun and meant more for kids rather than the ones watching for nostalgia. I didn’t like how Gwevin were sidelined and downplayed to make Ben look better. Sometimes it felt like Gwen was a bit naggy towards the two of them. I didn’t like how the fact that she was the only female lead how she had sometimes act like a parent or that they put Gwen and Kevin together just because. Their relationship felt forced and awkward a lot of the time. Omniverse’s designs while controversial were fun and unique but I didn’t like what they did with Gwevin, especially Gwen.

Kevin is totally smart enough to figure out an Omnitrix with the blueprints in front of him, we see him do amazing shit with technology- including the Omnitrix- in the OG series, people just don't notice he's as brilliant as Gwen because the show never made it as big a point that he and Ben were so very smart like it did with her before the reboot, so now they're being forced to acknowledge that Kevin might have two braincells to rub together and they're pushing against the supposed 'change'.

idk if it's controversial but there should've been way more episodes of just gwen & kevin & rook without ben or ben having a very minor role in the episode. just more time for those three to shine and show off how capable they are without ben always having to come in to save the day at the end

Gwen and Kevin aren't good friends to Ben. I mean they were initially, but once he got famous and they didn't, they stopped putting more than a half-assed effort to help him. They also don't really consider his feelings nor really care about the toll heroing takes on him.

The Reboot has the best jokes in the entire franchise and I don't why people give it so much crap.

Kai Green is an abuser and I refuse to find anything redeemable about her character. "Worthy to wield Excalibur," my entire ass. And Ben and Julie's breakup was good for them both, as people, and just as much her fault as it was his.

Ben 10 is an incredibly flawed show and people need to stop getting butt hurt when the blatant misogyny, and copoganda in the show get pointed out or when any even minority critiques Ben's character.

Ben is the worst character in Ben 10 and the whole franchise would be better off without him.

Azmuth is fine for the most part and malware was not exactly the most understanding person

I think Ben should've stayed single. Every episode where romance (or the girl Ben was dating) was the focus of the episode was pretty boring to me, personally.

Ben's parents were right to try to stop him from being a hero, so were Gwen's.

Ultimate alien force season 2 and 3 were amazing.( not comparing the OS since obviously that's the best, or omniverse since I haven't watched all the episodes of that)

Pierce deserved to die for being a boring character. I just wish his death had actual consequences.

The reboot is a genuine improvement over the original continuity in MANY ways!

Oh geez, um, Kai was a good character, just her and ben were obviously toxic. Not everyone needs to like Ben and she isn't an abuser, they just don't get along and that's fine but by God, why did the writers have to force them in a relationship? That's all I could really think of on the spot. Oh! And that the first two season of AF were a watered down version of Ben and the plot focused more on Gwen and Kevin than it did Ben. He felt like a side character and I'm not mad about that, but I don't understand why people praise that characterization of ben when I remember more about gwen and Kevin then Ben. Dude, I've been watching the show for the past week and I can name more about kevin and gwen because they're memorable.

Azmuth's hot af, but y'all aren't ready for that conversation...

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If you’ve made it this far then thank you!

Again huge thank you to everyone who submitted a response and if you have any questions/comments please feel free to leave them in the replies/send me an ask/dm/whatever ^^

#ben 10 #ben 10 alien force #ben 10 ultimate alien #ben 10 omniverse #ben tennyson #b10 #gwen tennyson #kevin levin #rook blonko #WE DID IT LADS #looking back there were SO many questions i couldve added like more directly fandom related ones but ehhhhh live and learn i guess #it was fun to do anyway :3

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teashadephoenix · 5 years

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11 Questions

I got tagged by @pomegranate-belle <3 I'm sorry this took for fucking ever?!!??

I’ll tag @lioness--hart @fox-in-the-library and @whitegodiva if you guys want to do it? And anybody else, obvi <3

1. How long have you been writing?

Actually sitting down to type stories out? Eight years old. I've been making shit up since I could talk. I have it on good authority I am entertaining to listen to.

2. What are the major themes of your current wip(s)? LONG ANSWER

omg I really dont know. I spent several hours over several days banging on this question in my head both in front of the computer and away from it only to come to the horrified realisation that I Don't Know. *gay panic*

I know the things I like to write about. I like to write about free exchange of culture, of mutual respect and fraternity with your fellow humans (which leads to themes of unity, unconditional love not only of people but of the world, and the gray area of what it means to protect those things without giving in to hate, indifference and intolerance. THE GRAY AREA IS WHERE I THRIVE.)

I like to write about intergenerational relationships (which leads to themes of obsolescence, changing of the guard, and how people, in general, not individuals, never really change. Like, there's For a Good Time graffiti on the walls at Pompeii. That is HILARIOUS.)

I write a lot about family, both born and found. (Everybody has a place and everybody is loved.) I write about mental illness and being queer (which all by itself leads to themes of not knowing your place in the world even if you have one. Frequently comes up against the previously mentioned theme)

So yeah. I don't know. My big WIP, the Aalee Rise series, is about a young woman on the cusp of adulthood going out into the world for the first time. It's her idealism vs reality. The other main characters in that cast are all foils re: various facets of societal structure and ideologies. One challenges her idea of government, another her idea of religion. She falls in love, her loyalties to her brother and parents are tested, she makes mistakes, she fights monsters and saves the world. A lot.

tldr; It's my sandbox and I just wanted to build castles in it. I don't really know if the castles will mean anything when I'm done. I hope they do.

3. What do you want people to take away from your story once they’ve read it?

My greatest ambition is that I could ever write a hero as beloved as the heroes I read about growing up, figures that reminds not to give up hope, to get back up when we're down, that the dark times ahead of us will come to pass.

At best, if I've done that, I'll be ecstatic and satisfied.

At worst, as long as you had a good time, if you didn't throw the book across the room in disgust, I'll take it.

4. Would you be excited if people write fanfiction about your wip(s)?

YAAAAS. I would literally never read it because Im terrified of accidentally absorbing someone's ideas and making them my own bc Christ alive that's a legal nightmare, but yes that would make my life.

And you can have my firstborn if you send me fanart.

5. What’s your go-to writing beverage?

Tea. Really strong and sweet. I make a fresh quart each morning and usually go through it by the end of day.

6. Who is your favorite oc? Tell me about them!

OMG ALL OF MY CHILDREN ARE PRECIOUS. (it's Aalee.)

Aalee Dering is the eighteen-year-old protagonist of my Aalee Rise series. When we meet her in volume one (Worldwalk) she and her twin brother are setting off on their coming-of-age journey around the country. Her people, the Noruahai, have defended humanity for generations from unearthly creatures called asmic, and if she wants to become a licensed Marshal like her famous mother (and wow, she really, really does) she'll have to prove herself on her Worldwalk.

Aalee thinks with her heart first and always. She loves beautiful things, and all things are beautiful to her. She's quick to cry and struggles with anger, as well as distraction; she has trouble keeping focus. Good for getting into trouble. Not so good when it comes to being a responsible adult.

It would probably be easier if she wasn't of two minds on every single decision she has to make. She empathises with everyone, which can be paralysing-- how can she fight someone whose point of view she gets?

7. Do you feel that mistakes are important learning tools in the writing journey?

Mistakes are learning tools of life, darling. In writing they generally aren't the types that will destroy friendships, health, financial status, etc, which means they're generally easier to bounce back from. Unless you commit career suicide in some way...

8. Rank your ocs by their capability in a footchase (either running after or from smth, your choice)

1. Fall from the Aalee Rise series. He's a complicated human. Without getting into the context of the world he's from, he's hard to explain; but the short version is he's half-ghost so he can basically turn himself into the wind.

2. Rosie Frey from Color of the Stars but only when she's a lion. In her human form she's pretty normal.

3. Lynn Blythe (or any of the other vampires) from Echoes of Eden, because they're cheating cheaterfaces who use mystical vampy powers to be stronger and faster than humans

4. Sendmarshal Henley from the Aalee Rise series. Probably the fastest regular human. Imagine the most beautiful, tall, leggy black woman you can, all lean muscle and elegant grace, and now imagine her scooping you up and zipping out of danger with an easy smile on her face... *fans self* I stan.

5. When running headlong into danger to save someone? Aalee Dering. When running away? Frustratingly, satirically slow. She's one of those idiot heroes who stops to make sure everyone got away okay so Fall's always running back to grab her ("MOVE, IDIOT" "But that little old lady--" "FIRE-BREATHING MONSTERS. MOVE.")

9. Does your wip have romance? tell me about it!! if not tell me about a friendship/important relationship in your wip!! MORE LENGTHY BLAH

Relationships are the driving force of my writing. How one loves or is loved by other people, how they relate and engage with others, is how one grows, in real life and in fiction. There are a number of relationships in all my series that I'm fond of for various reasons. (For instance, even though she cannot STAND him, I'm eager af to write Eden and Lynn's relationship in Echoes of Eden because of how complicated it is.)

And as a rule all of my characters are queer or questioning unless otherwise stated, and I ship everybody with basically everybody else, and almost everybody has a love story in their history. (at least, their parents certainly do because I am a gross vile romantic and these fuckers came from somewhere.)

That having been said, for the sake of brevity I'll stick with Aalee Rise and limit myself to the Big Three: Aalee and her brother Elles, Aalee and her best friend Norah, and Aalee and Fall.

FAMILY: Aalee and Elles are twins. Born together and never separated, which stands out in a world where families are broken up by chaotic circumstances and random death on a regular basis. Aalee is easily distracted and has difficulty communicating her thoughts, so she tends to act on impulse; Elles is forever the cool head and the hand grabbing her by the back of the shirt to stop her from walking into danger. And after eighteen years of this... he's tired of it. He loves his sister, but he longs to see the world on his own terms, walk his own path. And Aalee doesn't share that sentiment. Not only doesn't share it, but is blown away when it comes into play. Her partner in crime wants to break away, and she does not take it very well. The first volume (Worldwalk) explores how their relationship suffers, grows, and changes due to this break.

FRIEND: Aalee's best friend of ten years is Norah. They met as little girls in a monster-ravaged town; Norah was entertaining the youngest orphans with a story and Aalee joined in. The pair of them spent a long night keeping civilians from panicking while Marshals battled asmic beyond the walls of the bunker. They exchanged addresses and became penpals over the next few years, since both of their parents travelled and they were rarely in the same place at the same time. That changed suddenly when Norah lost her father. Since then, Norah's family and Aalee's have lived in the same town. Norah is her warm hand in the dark, her shoulder to cry on, the first person she tells any good news. for Norah, Aalee is the only person (at the beginning of the story, anyway) with whom she can be her real whole self. They love each other no matter what.

ROMANCE: And then there's Fall. Aalee meets Fall when she rescues him from being murdered in a back alley-- except, oops, turns out it was a sting operation to catch the killer because he's not actually the helpless filthy vagabond she assumed he was; he's actually a powerful Marshal who was on assignment. Stuck together for various reasons, he becomes a mentor to her on her worldwalk, while she blatantly digs into the mystery of who he is, which turns out to complicate their lives, the lives of their friends and families, randos they happens across, their enemies, and also God's. To say they fall in love with each other is an understatement of cosmic proportions. They choose each other.

10. Do you believe in the advice kill your darlings?

Yeah but I take the advice as intended; which is not, as most assume, kill your fave characters, but to get rid of that which does not work, even if you love it. That pearlescent line of dialogue, or that golden bit of allegory? Doesn't matter how much you love it and how proud of it you are, if it does. not. work. it HAS. TO. GO. (save it in a new file to reread when you feel down and scrap that shit from the main file.)

that said re: killing characters, in my youth I was very much of the George RedRum Martin camp of "KILL THEM ALL" but as Ive gotten older my main focal point has been "What purpose does their death serve?" Death is not the only sacrifice worth writing. So while I am not afraid to kill my characters, I do take the nature of their deaths in the writing very seriously. There has to be a point.

11. Do you prefer plotting or worldbuilding? Why?

WORLDBUILDING MANYEXCLAMATIONPOINTSGOHERE! Plotting is like the maths of writing. It's measurement, it's brickwork, it's demolition when the wall you put up last week is three feet too long and now you have to scrap it and start over. Vital. But not my favorite part.

Worldbuilding is the art. It's the music your OCs hum and the stories that they treasure and the faith that holds them up when the crap you throw at them might tear them down. It's the story behind the jacket they wear and it's the reason they nod to the altar when they enter a place of worship and it's the meaning of their names. It's the magic. How the world works, the little details that make it real to the reader because it's real for your characters, is my favorite part of writing.

#long post #writing #about Tea which is me #tea writes

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creative-type · 7 years

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Building up to Arlong Part I

“Just wait ‘till the Arlong arc.”

I think anyone who’s been in the One Piece fandom for any length of time has read some variation of the above sentence. It’s almost universally agreed that the Arlong arc is the tipping point from the series, elevating One Piece from okay to great. Detractors, newcomers, and the generally curious are all told to hold off their judgment until seventy chapters into the series, which seems like an absurd amount of time for a reader to get hooked.

In an interview with several of Oda’s former editors (English summary here, about three-quarters down the page) it’s stated that One Piece met some initial resistance in Japan among the staff at Shonen Jump, with some of the editors not seeing the appeal and others having to convince them of its “awesomeness”.

It’s hard to imagine the manga garnering such a reaction today, but I think it’s important to keep in mind that One Piece is Oda’s first serialized work. He had been an assistant and written several one shots, but he’d never had to put together a long-form story before. He was learning and growing as an author and artist as he went along.

Just compare the art in these two pages

Both are establishing shots of new locations, one of Usopp’s hometown and the other the Marines setting Luffy’s first bounty. The amount of detail outside the marine base blows the idyllic hills of Syrup village out of the water. It can be jarring to see how sparse early One Piece panels are when you’re more used to the cluttered, chaotic pages of later chapters.

But I think it would be impossible for Oda to make the jump from “meh” to “this is amazing” without some proper buildup. Early One Piece arcs contain bits and pieces of what makes the series so beloved, and as each arc progresses Oda takes what he’s learned and adds it into an ever-improving whole. So let’s take a look at these early chapters and find the diamonds scattered among the rough.

Romance Dawn

Chapter 1 is arguably the best crafted stand-alone story in these early chapters. That makes sense. As a pilot chapter for the series I’m sure it was written and rewritten dozens of times for maximum effectiveness, and I think it gets across everything it needs to without belaboring the point.

Romance Dawn is a glimpse of the quality that Oda would later produce on a more consistent basis. The characters are fun and have hidden depths, the art is simple but dynamic, and the bait-and-switch where Shanks doesn’t initially beat the crap out of the mountain bandits is a surprise considering the genre. And if haki was indeed planned from the beginning it’s also the first instance of Oda’s famous foreshadowing ability.

Considering future backstories it’s a little surprising that no one important to Luffy dies, but the familiar themes of inherited will, dreams, and sacrifice are present. The lack of uber-tragedy sets Luffy apart from a lot of protagonists and fits with his lighthearted, carefree characterization and the more whimsical nature of the series, while still hinting at the darkness that exists within the world.

Alvida

Chapter 2 is also a stand-alone story, but it’s much more generic. Following a common trend during these early chapters, it’s more focused on establishing Luffy as a character than any of the antagonists, and world building is minimal. Alvida is so boring that Oda completely repurposed her design and personality when she was reintroduce in Louge Town, and at this point Coby is a walking, talking foil to Luffy with little to no personality of his own.

There are a couple of things to note, though. One, Luffy’s characterization is remarkably consistent to what we see later in the series. Here we see him smile as he faces death, while later in the chapter Luffy insults Coby and calls him a wimp in a scene that’s reminiscent of his interaction with Shirohoshi during the Fishman Island arc. He also doesn’t help Coby until Coby stands up for himself, subtly enforcing the idea that Luffy is not a hero.

Second, we can see the embryonic form of Oda’s later paneling and page layouts. The above scene reminded me of a picture I pulled for my analysis of Chapter 218.

You can’t see it here, but in Chapter 218 Oda tilts his panels to match the rocking of the Going Merry, using an unconventional panel format to convey the chaos the Straw Hats are experiencing while also giving the eye an easy path to follow.

Chapter 2 has the “fade to black” Oda commonly uses when transitioning scenes, but the format is the traditional three lines of (mostly) rectangular panels. Despite the huge whirlpool you don’t get a sense that the situation is dangerous.

Also note the sheer amount of information conveyed in the sequence from Chapter 218 compared to the Chapter 2 despite them sharing basically the same layout. There are four separate panels of the same whirlpool - adequate enough in showing the passage of time, but visually kind of boring, which sums up the art in general during these early chapters.

Shells Town

The Shells Town arc shares a lot of the same flaws as the Alvida encounter, but has the benefit of a longer page count, which is helpful in fleshing out the story. Coby starts to grow into his own, and Zoro is introduced. The focus is still on establishing Luffy’s ideals as a pirate and Morgan is a one-note villain, but the world is starting to grow, namely with the complex morality of the marines.

We also get our first taste of Oda’s specific brand of Tragic Backstory (tm). Zoro’s flashback is arguably the weakest of all the Straw Hat’s. The pacing is rushed and I personally find the segue in and out of the present day to be a little jarring, but the bones of it is sound even if the execution is iffy.

The fight against Morgan doesn’t last long, but outclassed as he is, he at least puts up a better showing than Alvida. There are some neat camera angles and perspective tricks that Oda uses that sell Luffy’s flowing, so-long-as-it-works-I’m-going-to-do-it fighting style.

Again, this is but a taste of things to come, and short as it may be the Morgan fight is fun. Oda has said he gave Luffy the gum-gum fruit to help keep things from ever getting too serious, and reading these early chapters I believe it.

Orange Town

I would call the Buggy arc the first “standard” One Piece arc. At fourteen chapters it’s decently long by East Blue standards. It’s is leaps and bounds better than anything we’ve seen thus far, and we have the flashy bastard himself to thank.

Pre-comic relief Buggy manages to straddle the line between menacing and likable. One thing I do appreciate about One Piece villains is that they’re generally not given an excuse for their evilness (a trend that is admittedly starting to reverse post timeskip). We are never told why Buggy, Kuro, or Kreig set out to be pirates, and frankly we don’t need to know. Buggy is given a reason for his animosity towards Shanks, but it’s never used as a justification for his more jerkish behavior.

And he is a jerk. A clever, reasonably powerful, flashy jerk, but a jerk all the same.

With this added characterization, Buggy has the honor of being the first charismatic and memorable villain of the series, and is also the first instance of camaraderie within an enemy organization. In all honesty, I think the only thing separating Orange Town from the Cocoyashi village is emotional stakes. Buggy’s opinion notwithstanding, there is no Tragic Backstory (tm). The little dog comes closest, but the effectiveness of Shu depends entirely how much one cares for sad animal stories (I am immune, and subsequently don’t much care about Laboon either).

More importantly, it’s here that we see the first primitive instances of Straw Hat interaction, and some of the stuff that happens when Oda lets all the different personalities bounce off of one another is pure gold

Also Luffy shoves an old man face-first into a wall for his own good. I feel like that ought to be mentioned every time someone tries to call him a hero.

But the thing that really stands out in Orange Town when placed within the overarching plot is Oda’s burgeoning skill at playing the long game in regards to his storytelling, specifically in regard to Nami.

The Alvida, Morgan, and later Gaimon’s arcs are largely self-contained little stories that serve to flesh out Luffy as a protagonist. When Zoro was recruited the audience was informed of his history and character motivation almost immediately. During Nami’s first conversation with Luffy in chapter 9 we learn that she’s 1) raising 100,000,000 berries to buy a village, 2) loves money and tangerines, and 3) hates pirates. We don’t learn the reason for any of these things until her backstory is revealed in chapter 78.

There are obvious parallels to Robin’s recruitment much later, but really this is Oda something does quite often. Vivi and Law were both around for awhile before the meat of their stories were told. Having someone familiar around for big conflicts helps give a face to the nameless masses. It would have been really hard for Oda to make the reader care about the average Joe in Cocoyashi village without having a pre-established connection in the form of Nami, and it would be really hard to care about Nami if the audience hadn’t been given the time to get to know her first.

By waiting so long to let Nami develop as her own character, the emotional stakes missing from Orange Town are fully present during the much-beloved march to Arlong Park. The latter cannot exist without the former.

I said in the opening that 70 chapters is an absurd amount of time to get hooked into a story, but in some ways I can completely understand why it would take that long. One Piece isn’t built on slick one-liners or “cool” characters. It’s fun and goofy and doesn’t take itself too seriously. Hints of future intrigue and mystery are strewn along like bread crumbs down a path, organically delivered as the world unfurls bit by bit. There’s a methodicalness to it that catches the reader by surprise, yet makes perfect sense as the crew goes from island to island.

Orange Town is just the beginning of this in action, but once again this is getting pretty long. I’ll finish the road to Arlong Park in another post. Thanks for reading :)

#One Piece #Analysis #Manga #World building #Luffy #Nami #Zoro #East Blue Saga #Straw Hat Pirates #creative-type analyzes

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orbularborbular · 6 years

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My Thoughts on The Last Jedi

Spoilers below the cut! Do not read this review if you have not seen The Last Jedi! You have been warned!

[And please, kindly remember that I'm just another idiot on the internet with an opinion. I'm not trying to change anyone's mind with this review…I'm just sharing my reaction, because none of my friends are online while I’m writing this and I need to mouth off to somebody.]

Okay, so – analysis time. The way I see it, there are two main narratives in The Last Jedi. I loved one of them, and I hated the other.

Narrative #1 deals with The Force™ . Naturally, it contains the classic Star Wars themes of tragedy, forgiveness, and redemption, but it adds depth and nuance to these ideas in a couple of ways. It explores the importance of human connection, and it underscores the power that each individual possesses to determine their own self identity, and with it, their fate. The writers made the inspired decision to take the struggle between Light and Dark and externalize it – make it into an actual, literal conversation between two people: Rey and Kylo Ren, with Luke acting as the tormented mediator. Mark Hamill just knocked it out of the fucking park with his performance too – what an amazing conclusion to Luke's story.

Narrative #1 acknowledges the flaws of Jedi doctrine and provides a simple, brilliant explanation for one the biggest questions left over from The Force Awakens: why did Ben Solo turn to the Dark side? The revelation that Luke drew his lightsaber on Ben in a moment of weakness, only to recoil in horror at his own impulse, casts Kylo Ren in an entirely different light. Ben truly believed that Luke meant to kill him – and what troubled teenage boy wouldn't develop emotional issues if he thought his uncle were trying to murder him in the dead of night, especially when he was already under the influence of an evil CGI freak? (On another note, can someone explain to me why Snoke was wearing like, a gold bathrobe? What the hell kind of aesthetic is that?) Luke's culpability, however minor, heightens the tension in the conversation between Rey and Kylo Ren, because it makes him a more sympathetic villain. Suddenly, his rage and hatred make sense. Luke's shame and self-imposed exile make sense. Everything makes sense. The relationship that emerges between the three characters is believable and emotionally satisfying, even if Kylo Ren does make the decision to be a punk bitch in the end. But man, that fight scene where he and Rey are fighting as a team? Top fucking notch.

Narrative #1 works because it establishes cause-and-effect, and because it gives each character a complete arc. Past trauma motivates all three of the central figures: Kylo Ren, Luke, and Rey each have to contend with their own personal demons and choose whether to rise above them, or succumb to them. Their parallel struggles give the movie a sense of cohesion and suspense. Their decisions matter, and those decisions aren't necessarily foregone conclusions, because all three characters have the power to influence one another. Luke chooses to accept his past mistakes and to reconnect with his old comrades; in doing so, he is finally able to achieve the absolution and peace that have eluded him for so long. Rey refuses to give in to her feelings of loneliness and abandonment; instead, she uses the empathy derived from those painful experiences to try and reach out to Ben Solo. Kylo Ren rejects Rey's attempt to connect with him because he is either unwilling or unable to deal with his own trauma. He stubbornly pulls away, and ends up more miserable and broken than ever.

I simply cannot gush enough about how much I loved this whole storyline. Writers take note: this is how you create compelling character drama. The stakes were personal and emotional, but they also had larger ramifications. The imagery and cinematography perfectly complemented what was going on in the narrative, too. Like that scene where Rey saw herself cascaded out, row upon row upon row? Holy crap was that an insightful visual metaphor for the concept of self-identity. And can we talk about the red salt on the snow during the final showdown? How it smeared when stepped in, like blood? That shit was amazing. Luke's confrontation with his nephew was the perfect conclusion to their relationship, and the best possible send-off for Luke. He went out on his own terms, as the ultimate Jedi master: cunning, heroic, and self-controlled, able to own up to his mistakes without being destroyed by them.

Now, on to the part of the film I hated. :(

Narrative #2 is The Little Guys vs. Big Evil™. The themes of this narrative are courage in the face of impossible odds, and the wisdom to know when to make sacrifices. Unfortunately, there are two major problems with this half of the plot that weaken the impact of these themes. The first problem is that there is ZERO world-building in these new movies. None. Zilch. In the original trilogy, the lack of backstory was not a problem because we were thrown directly into a reality where an oppressive autocratic regime was already in power. The audience could accept that these fuckers were genocidal and that a ragtag group of rebels was fighting them, because Episode IV was a blank slate. The conflict was straightforward enough that we could just run with it once it was introduced. But the new trilogy is NOT A BLANK SLATE. The film needed to explain how we got from the events of Return of the Jedi (where the Rebels had just won a major victory, the Empire was reduced to a shadow of its former self, and the threat of pan-galactic annihilation was no more), to “oh yeah, everything is a shitshow again”. What the hell happened during the intervening 30 years? How did the New Republic fail so catastrophically that the First Order was able become such a threat? How did the Imperial Remnant get its hands on that much firepower and manpower without like…anyone noticing, or stepping in during the nascent stages? Where the fuck did this Snoke guy come from, and why is his name so stupid? The movie fails to explain the chain of events that led to this new status quo. It doesn't even hint at it. We get no new information about the conflict at all; instead, we spend over an hour stalling while Finn and Rose do their thing.

Speaking of which... The second big issue with Narrative #2 is that it does not utilize its protagonists correctly. Poe gets some development, but Leia, Finn, and Rose Tico do not get character arcs. They do not change in any meaningful way as a result of what they go through. Leia in particular is static throughout the film. Sure, she spouts a lot of platitudes about hope, but we never get any real insight into what's going on in her head. Is she frustrated that she has to fight the exact same war she already fought in her youth? Does she feel guilty for failing to foresee and prevent the rise of the First Order? How has she been damaged by her personal losses, most notably the murder of her husband at the hands of her own son? The script just gives her nothing to work with. No pathos, no pain. She spends half of the movie in a coma, and the only time she gets to use her Force powers is when she's like...magically levitating through the vacuum of space (I call bullshit on that, by the way). Her only real moment of depth is her reunion with Luke. I think maybe the writers intended to put her character arc in the third movie, but uh...that's not gonna happen now, since Carrie Fisher drowned in moonlight, strangled by her own bra.

Finn, meanwhile, spends the entire movie on a wild goose chase. Sure, the casino planet was cool, but you could cut out that entire subplot and its absence would have no effect on the rest of the movie. The writing here frustrates me SO much because the character problem is SO EASY TO FIX. Here's how you make it work: from the get-go, the movie sets up an ideological conflict between Poe and Leia. Poe wants to blow shit up, while Leia favors a more cautious, big-picture approach. However, instead of following through on this conflict and forcing them to hash it out, the film fridges Leia and sets up purple-haired Laura Dern as Poe's foil. This decision baffles me. Leia is Poe's hero; he admires and respects her. Imagine how much more compelling it would've been if he had to make the gut-wrenching decision to pursue his own approach behind her back instead. Leia vs. Poe is a conflict with higher stakes. We care about both of these characters, and we can see both of their perspectives. Pitting the two against each other ideologically (but with no malicious intent), creates the opportunity for both of them to grow and change.

Here's how you fix Finn's subplot. Make his expertise on the First Order matter by allowing him to be the one who realizes how the flagship is tracking the Resistance through hyperspace. Have Finn reveal this information to Poe (it would make sense for him to approach Poe, because of all the people on board, Poe is the closest thing Finn has to a friend). The two of them decide that an infiltration job is in order. Poe calls Maz for guidance, and she recommends a slicer for the job. Because Poe is currently in conflict with Leia and the rest of the leadership, he sends Finn on a mission to retrieve the slicer in secret. Finn is thrown into a completely alien environment, and it proves to be a real learning experience for him. He sees the stark contrast between the ostentatious elite and the impoverished downtrodden, and his innate love and compassion begin to expand beyond just Rey (I still don’t understand how the First Order is responsible for the mistreatment of the children on casino planet, though. Isn’t the real oppressor like...late stage capitalism? lol).

Of course, he parks like an idiot, so he ends up getting thrown in jail before he can make contact with Maz's slicer. It's here that he meets Rose Tico for the first time. In this version, SHE is the chaotic neutral slicer with the longcoat and the air of charismatic unpredictability. Finn, desperate to escape, strikes a bargain with her. Initially, she only agrees to help him for the money, but as the film unfolds, we learn more about Rose. We discover that her sister died fighting the First Order some months or years before, leaving Rose jaded, aimless, and self-centered. Over the course of the third act, however, Rose sees something in Finn or in the Resistance that makes her reconsider her outlook. Perhaps Finn's fight with Phasma plays a role. She ultimately decides to honor her sister's legacy by taking up her mantle, and she joins the fight against the First Order. By condensing Rose Tico and the hobo-slicer dude into a single person, you create a character with a complete arc, and you create a subplot that matters. When Finn's attempt to infiltrate the enemy ship ultimately fails, it doesn't feel like a complete waste of time, because at least the Resistance gains a badass swaggering scoundrel of a slicer. A character that fucking cool should not be wasted.

A couple other quick fixes. You know the scene where purple-haired whatserface uses a hyper-speed jump to slice clean through Snoke's ship? It's one of the most visually arresting and memorable scenes in the film, but on an emotional level it's underwhelming because we literally just met the woman. Why not keep Admiral Ackbar alive a bit longer so he can be the one to make the iconic sacrifice? The audience already cares about him, so when he goes out in a blaze of glory, it packs a much greater emotional punch (plus, can we give an alien character a chance to shine for once? I'm so sick of all the humans). Back to Finn and Rose. For the love of God, please get rid of the awkward romance shoehorned in at the last minute. What you mean you “love” him, woman? You've known the dude for like two days! I mean, criminy. Rose Tico's character arc needs to be about coming to terms with her sister's death. Poe should be the one to save Finn by bashing his ship aside, because Poe is the one who's supposed to be learning when to sacrifice lives, and when to save them.

Anyway. As you may have guessed from this review, my feelings about this movie are super complicated. The humor was great, the visuals were atmospheric and creative, and the majority of the acting was fantastic. Every time Luke, Rey, or Kylo Ren were on screen, I was on the edge of my fucking seat. I was completely invested in their narrative and could not have been more satisfied with its conclusion. I was, however, sorely disappointed with the way the writers handled the conflict between the Resistance and the First Order. It could have been so, so much better. It deserved to be better, in a script this good. And honestly, maybe the reason I was so disappointed is because that's my favorite part of Star Wars: a ragtag bunch of miscreants scraping by on the strength of their camaraderie. The jump cut from Return of the Jedi to "everything is shit again" makes me feel like the initial Rebellion accomplished nothing. Like it was all for naught. I'm sure I could go digging for the full story in the supplemental materials and fill myself in, but like...it should've been in the movie. There's no reason why you can't devote five minutes to a little explanation.

Maaaaan. I get WAY too worked up about these things.

#Star Wars #The Last Jedi #Spoilers #review #Rey #kylo ren #Finn #Rose Tico #Leia #Luke Skywalker #Ben Solo

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professorjjong · 5 years

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me rambling about mdzs (the novel) bc it’s literally six am my body woke me up at 4 am for the sole purpose of finishing it and i finished it and then started reading the post script but it was like my heart was wylie coyote it wasn’t until a few minutes after i’d finished it that i realized i was destroyed

good book

sdkfjesiofhdcklwjfioe ok wei wuxian carries like the first fourth of the book. there’s so many fucking characters and names like wtf was going on. it wasn’t made clear what wei wuxian was doing or why--and tbh i don’t think it ever really is, his intentions. like, where was he planning to go after mo village? what was he planning on doing? when he leaves cloud recesses with lan wangji, why does he stay with him at all--why not just run the fuck off? he didn’t know, at this point, that lan wangji knew who he was so why would he risk it? the one thing that was made clear about wei wuxian’s intentions after he had been brought back to life were that he did not want to be recognized, so why would he stick around with lwj?

for that first fourth, wei wuxian didn’t hesitate in where he was going or why or whatever he was just, going and doing things for no good reason and i didn’t know why and it was frustrating, following around a character who doesn’t seem to have any idea what he wants and also doesn’t even hesitate to think about it. but ugghhh he’s such an interesting character. his past, only teased, seemed super interesting and had created a man who interacted with his surroundings in a comedic and almost flippant way. it made the fantasy elements, buttload of information about cultivation and its sects and enemies as well as the sheer number of characters less intimidating--yes, because it probably wasn’t until almost halfway through that I was able to figure everything out, but i had wwx to hold onto. he’s a suuuuper strong character and was so, so fun to read about i miss him :(

lwj truly didn’t do anything for me until near the very end when the events following the siege at the nightless city were revealed. i didn’t dislike him as a character, i thought he was fine--but i didn’t think he was as good of a foil to wwx as he could have been. i mean, they’re clearly meant to be foils--one is dressed in black and the other in white. u don’t even need to know anything else aside from that information to know that they’re foils. but i don’t think lwj was a strong enough presence to really “oppose” wwx for most of the novel. honestly, he didn’t even feel present for the first, what, 3/4? it wasn’t until wwx really started developing and even acting out on his feelings that lwj stepped into prominence. the emphasis of the novel, its focus, had shifted along with wwx’s toward lwj. compared to wwx, lwj is almost colorless as a character. yes hahahahahahha more color differences between them but i think, in order for characters to really function as foils, they need to be on equal footing, if only in the framing of the novel. but they weren’t. even during the flashbacks, there was an unevenness to it. at times, lwj felt almost like an afterthought. i remember myself thinking, ‘oh, lwj is there too.’ which yeah, he is quiet, but he’s there. his presence was not always made clear, and, since wwx is such a bright beacon and such an overwhelming chaotic presence, don’t you think lwj should have been a bigger presence to properly be his foil? it’s not until the very end, truly, that the two of them are able to bounce off of each other in a very fun and dynamic way--but, again, the veryyyyyy end. like, the last two chapters very end.

aside from the plot hole i brought up in the first paragraph, there are some others, big and small. won’t bother to list them--but, and i mean maybe it’s in the additional chapters that i haven’t read yet, super upset we didn’t get to see the actual siege on burial mound. that moment would have been so fucking tense and cool and also would have just answered questions--like, was he killed as a backlash of his own power or was it jiang cheng or someone else who delivered the final blow? wtf was he thinking about as it was happening??? pls?? pls??? i want to know???

ok wait i do need to bring this up like WTF i cannot believe they did not explain wtf happend when wwx was on burial mound for three months and where the fuckkkkkkkkkkkk he learned about the dark magic. there was some throwaway line about a book and i’m just?? u expect me to believe there was jsut some crazy ass book like sitting on a tree stump among a bunch of dead-ass bodies, just waiting for someone to find it? Like seriously?? seriously?? even if there was such a fucking book who the fuck wrote it and why did they put it on the mountain and why did wwx decide that he needed to reclaim his power through it? why did he decide to use music, like the lan sect? why a flute? i have so many fucking questions!! AUTHOR!! AUTHOR!!!! PLEASE WHAT THE FUCK!!!

also ok this isn’t a “plot hole” but a... theme... hole. a theme hole. i don’t fucking know but the book does a really good job throughout of bringing up mob mentality and other social behaviors when someone becomes the “enemy” of the group. they do this first with wwx and painstakingly set up how much of it is fabrications or exaggerations or bandwagoning, etc. and even why this happened--the people were still hurt by what had happened with the wen sect and, fearful of another force building up its power, it was easy for them to focus their animosity on wwx (the fact that it was him and the remaining wen clan didn’t help either, obvs). so, we’re sympathetic toward wwx because, not only have we been following him for the first half of this novel (by the time we go far enough into the past to learn about what happened when and after he became the yiling patriarch) and because we know his true intentions are pure. he’s a good guy at the end of the day. yeah he did some really, really bad shit during the war and was using a “twisted” ability, but he was trying to help people (also this book clearly has the message that revenge = good which is,, interesting? i have certainly never read a book before that justifies revenge. usually, the morale is that revenge is never quite nice. see the count of monte cristo (the book, obviously). so, in the moral universe set up in this book, wasn’t wwx totally justified in his actions, however terrible, against the wen sect bc they destroyed the jiang sect? not saying i think that way, just that i think the story expects us to think that way). so, our set up to rumors and badmouthing by people is that it’s wrong, right? and that the other person doesn’t deserve it, no matter what they may have done? it just leads to more and more lies and should be stopped, right? we didn’t like it happening to wwx, who was also frustrated by it both in flashbacks and in the present, so, when it happens to the villain..... it’s okay? our protagonists dont’ have to rise up to defend him, even if he did do wrong? wwx just thinks ‘well, at leeas they weren’t this shitty to me’ and that’s fuckKING IT?? REALLY??

like this is the second ot last scene of the entire fucking story and that’s the fucking note it ends on? there’s nothing else?? no other perspective on responding to mob mentality that we’re going to get?? didn’t wwx die bc of mob mentality and, rather than trying to clean up his perception, he just maintained his behavior and quietly accepted being called evil???? doesn’t that mean it’s bad??? but they just?? let it happen??? again??? that’s the note?? author??? author??? is it all ok that people talk this way even when it leads to people getting killed??? author??? author??????????????

i think i got enough of my feelings out now to go read the additional chapters. peace

#rose says stuff #spoilers obvs

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foxhenki-blog · 5 years

Text

Triangulation

This is it. This is the last post I am going to formally make concerning this project. I began this research project into the Lovecraftian oeuvre back in July of 2017 and every week for eighty weeks I have ate slept and breathed Lovecraft (not really, I also wrote a YA novel and a business book in that timespan — who says you can’t sigil to be a better writer).

In short, I’m exhausted. I need to put the new writing up for a bit, or at the very least switch into a lower gear. I need to go back through the posts and compile them into something even more valuable than this blog. I want to thank every one of you that have read and commented on the blog in the past two plus years. There are a few gaps, a few posts that came out a bit shorter than I would have liked, but for the most part you have hung in there with me as I mapped every extant Lovecraft tale to the seventy-eight tarot archetypes. I am excited to begin the process of moving back through them, cleaning them up, and creating a usable (if experimental) system of chaos magic that can assist the twenty-first century magic-user with her work of decolonizing and haunting the fuck out of our crumbling, broken world — a world that Lovecraft presaged in his short time on the planet.

There is still work to be done on this project, however, and you will find my attempts here continuing into the future. In order to decolonize Lovecraft, to make him useful in the modern world and not an artifact or foil for materialists, in order to decolonize his work we must compare him to decolonized authors in the weird fiction genre and see where he falls short and where he measures up. In order for his corpus to be useful to those of us that seek to do good in the world and to change it according to the new rules in this swiftly descending Aeon of Magic, it must be pulled apart, the text responded to as the independent entity that it is. Lovecraft’s fiction is the ostensible spirit-on-a-mission. You will find my explorations in this direction here in the coming year, just not with as great as regularity.

I am also toying with a new project that I have affectionally dubbed the Myconomicon. Look for those posts and others that tickle my fancy as I find a new goal to achieve.

For now, let’s get to it, let us see what our final tale, ‘The Shadow Out of Time,’ holds for us. ‘Shadow…’ was written in the winter of 1934 - 35. In it, Lovecraft wastes no time in introducing us to our last archetype, the good Professor Peaslee:

“My name is Nathaniel Wingate Peaslee, and those who recall the newspaper tales of a generation back — or the letters and articles in psychological journals six or seven years ago — will know who and what I am. The press was filled with the details of my strange amnesia in 1908 - 13, and much was made of the traditions of horror, madness, and witchcraft which lurk behind the ancient Massachussetts town then and now forming my place of residence. Yet I would have it known that there is nothing whatever of the mad or sinister in my heredity and early life. This is a highly important fact in view of the shadow which fell so suddenly upon me from outside sources…”

Placing this in juxtaposition with The Case of Charles Dexter Ward. The primary vehicle of that tale was that Ward did, in fact, have a sinister ancestor, the necromancer Joseph Curwen. Lovecraft places great weight on top of ancestry and throughout his corpus, uses bloodlines as highways through which his protagonists travel across time.

Our protagonist, Nathaniel Wingate Peaslee, is a professional academic — a Harvard educated full professor of economics. This choice of protagonist is curious (and it isn’t) given previous treatments of academics in Lovecraft’s work. His relationship with the academy, or at least the idea of academy, seems to bounce from revulsion to a full embrace of the ivory tower.

Professor Peaslee holds mastery over two disciplines, economics and psychology. He is also, we find, an amnesiac:

“It was on Thursday, May 14, 1908, that the queer amnesia came. The thing was quite sudden, though later I realised that certain brief, glimmering visions of several hours previous — chaotic visions which disturbed be greatly because they were so unprecedented — must have formed premonitory symptoms. My head was aching, and I had a singular feeling — altogether new to me — that someone else was trying to get possession of my thoughts.”

May 14th can be marked on our Lovecraftian Magical Calendar as the Possession of Nathaniel Peaslee. Another excellent date to cast retroactive sigils or otherwise enchant across temporal boundaries. During his amnesiac period, as he pieces together for us from tales told to him by his friends and family, he travelled the world in search of knowledge — none of which he overtly recalls:

“In 1909 I spent a month in the Himalayas, and in 1911 aroused much attention through a camel trip into the unknown deserts of Arabia. What happened on those journeys I have never been able to learn. During the summer of 1912 I chartered a ship and sailed I the Arctic north of Spitsbergen, afterward shewing signs of disappointment. Later in that year I spent weeks alone beyond the limits of previous or subsequent exploration in the vast limestone cavern systems of western Virginia — black labyrinths so complex that no retracing of my steps could even be considered.”

Peaslee is shewing us all what a Lovecraftian Magician at the very peak of her power looks like, traveling the world in search of power spots, or rather, in our case, knowledge spots — places in the world that either hide or hold esoteric knowledge in some form. In a way, Peaslee is reading the globe as if it is a forbidden book. He is also visiting places that we have ourselves, in the course of this research. Peaslee is bringing together the disparate narratives of tales like ‘The Beast in the Cave’, ‘The History of the Necronomicon’, and ‘The Mountains of Madness’. In reality, this globe-trotting is only possible for many of us through the vehicle of journeying and dream. Traveling via these reality lenses, however, are just as powerful (if not more so) then visiting these places in the real.

Spitsbergen, for instance, is a new place on our Lovecraftian Magical Map, not mentioned elsewhere in the corpus. It is the only populated island in the Svalbard archipelago and is a gateway to the Arctic Ocean, Norwegian and Greenland Seas. It was discovered in 1596 by the Dutchman Willem Barentsz. A significant fact for us is that Barentsz first voyage into the Northeast Passage was aboard a small vessel christened the ‘Mercury.’ This voyage marks the first time that white men encountered a polar bear, who tried to climb aboard the ship. The brilliant seamen attempted to help it with the thought of subduing it and transporting it back to Holland. Once aboard, however, the polar bear overpowered his would-be captors and rampaged across the trip, his reward, a musket shot.

His amnesiac personality also sought out groups of individuals that hold what is considered esoteric knowledge of the world:

“Other ugly reports concerned my intimacy with leaders of occultist groups… These rumors… were doubtless stimulated by the known tenor of some of my reading — for the consultation of rare books at libraries cannot be effected secretly. There is tangible proof — in the form of marginal notes — that I went minutely through such things as the Comte d’Erlette’s ‘Cultes des Goules,’ Ludvig Prinn’s ‘De Vermis Mysteriis,’ the ‘Unaussprechlichen Kulten’ of von Junzt, the surviving fragments of the puzzling ‘Book of Eibon,’ and the dreaded ‘Necronomicon’…”

Unusual for Lovecraft, all of the tomes mentioned are imaginal grimoires, and are connected to his circle of weird fiction friends. Previous to this, Lovecraft would intersperse his own imaginal grimoires or those channeled by others with a generous sampling of real world texts. Perhaps this tale marks a shift, a temporal point where Lovecraftian Magic having sufficient momentum, begins to break free of its creator and live in the world of its own accord.

In the year of 1913, Nathaniel Peaslee once again regained his normal personality and ceased his strange dealings and studies. In February 1914, he resumed his tenured positioned as an economics professor, although his life was plagued with curious temporal episodes:

“Vague dreams and queer ideas continually haunted me, and when the outbreak of the world war turned my mind to history I found myself thinking of periods and event in the oddest possible fashion. My conception of time — my ability to distinguish between consecutiveness and simultaneousness — seemed subtly disordered; so that I formed chimerical notions about living in one age and casting one’s mind all over eternity for knowledge of past and future ages.

The war gave me strange impressions of remembering some of its far-off consequences — as if I knew how it was coming out and could look back upon it in the light of future information. All such quasi-memories were attended with much pain, and with a feeling that some artificial psychological barrier was set against them… men in the mathematics department spoke of new developments in those theories of relativity — then discussed only in learned circles — which were later to become so famous. Dr. Albert Einstein, they said, was rapidly reducing time to the status of a mere dimension.”

For those among us that have read Eric Wargo’s ‘Time Loops,’ the above description will be very impactful, for it perfectly encapsulates Wargo’s primary examples of premembering — especially with the connection of World War I — a worldwide trauma of the type that Wargo argues is often a trigger for precognitive events. The feeling of ‘remembering far-off consequences’ is an exact match for the experiences Wargo talks about, written eighty years before Wargo would collect his years of research into one very coherent book. Our principal narrator, the good Mr. Peaslee, continues down this path as the tale progresses:

“In the course of some months… the element of terror did figure with accumulating force. This was when the dreams began to unfailingly to have the aspect of memories, and when my mind began to link them with my growing abstract disturbances — the feeling of mnemonic restraint, the curious impressions regarding time, the sense of a loathsome exchange with my secondary personality of 1908 - 13, and considerably later, the inexplicable loathing of my own person…

Piecing together the scattered records, ancient and modern, anthropological and medical, I found a fairly consistent mixture of myth and hallucination whose scope and wildness left me utterly dazed… Cases of amnesia no doubt created the general myth-pattern — but afterward the fanciful accretions of the myths must have reacted on amnesia sufferers and coloured their pseudo-memories. I myself had read and heard all the early tales during my memory lapse… Was it not natural, then, for my subsequent dreams and emotional impressions to become coloured and moulded by what my memory subtly held over from my secondary state? A few of the myths had significant connexions with other cloudy legends of the pre-human world, especially those [Hindu] tales involving stupefying gulfs of time and forming part of the lore of modern theosophists.

Primal myth and modern delusion joined in their assumption that mankind is only one — perhaps the least — of the highly evolved and dominant races of this planet’s long and largely unknown career. Things of inconceivable shape, they implied, had reared towers to the sky and delved into every secret of Nature before the first amphibian forbear of man had crawled out of the hot sea three hundred million years ago.Some had come down from the stars; a few were as old as the cosmos itself; others had arisen swiftly from terrene germs as far behind the first germs of our life-cycle as those germs are behind ourselves.”

Our narrator here is picking on a few familiar themes, such as the primal archetypal architecture of the tower and the deep connection between Lovecraftian Magic and theosophy. Also of interest here is the nod to Darwin and the Theory of Evolution. It seems so remote to us here in the twentieth century, but in Lovecraft’s time, The Origin of Species only predated the publication of ‘The Beast in the Cave’ by a mere six decades. Along with Theosophical doctrine (the above quote and the passages that proceed it in the tale incriminate Lovecraft as a scholar of these works), Darwin’s works can also be placed on our shelf of Lovecraftian tomes. In the process of recovering from his long years of lost memories, Professor Peaslee begins to keep closer track of his inner life:

“I continued… to keep a careful record of the outré dreams which crowded upon me so thickly and vividly. Such a record, I argued, was of genuine value as a psychological document. The glimpses still seemed damnably like memories, though I fought of this impression… In writing, I treated the phantasmata as things seen; but at all other times I brushed them aside… I had never mentioned such matters in common conversation; though reports of them, filtering out as such things will, had aroused sundry rumours against my mental health…”

The keeping of a dream journal is a common practice among both non-magical and magically-adjacent folk. It is (or should be) somewhat of a requirement for those practitioners that want to record and track any spirit contact, premonitions, or transmission of knowledge that might result due to any rituals. I point to the PGM as having copious examples of these types of spells. Eric Wargo makes firm statements towards the necessity of dream journalling if one is to improve premembering or other precognitive events in one’s life.

Famously, Carl Jung was a regular practitioner of dream journaling, the pinnacle of this practice being his Red Book. The scholar and astrologer Dr. Becca Tarnas has evidenced strong connections between Jung’s Red Book and J.R.R. Tolkien’s Lord of the Rings. I have made this assertion before, but the above passage helps to strengthen it so I will make it again. Lovecraft, as can be intuited from his description of dream journaling in Shadow Out Of Time, was experiencing the same thread of collective dreaming that Jung and Tolkien were, and at the same time. The Red Book was written between 1915 and 1930. The Shadow Out of Time gives dates in that same range and the story itself was written between 1934 and 1935. Tolkien’s Hobbit was a year or so previous to this and his Lord of the Rings trilogy followed soon after. Lovecraft is the third point of what amounts to a deep psychic triangulation, performed by three giants of thought and letters, of the spirit world / alien intelligence between the years of 1915 a 1945. This allusion to a type of psychic dream-life triangulation that, with Lovecraft in Providence, Tolkien in England, and Jung in his Bollingen Tower in Lake Zürich, places the center of the triangulation quite nicely somewhere deep in the Atlantic Ocean. This is, in this researcher’s opinion, an excellent mystery to end our exploration with.

Our tarot match for the dream-tortured Professor Peaslee is the Eight of Batons.

Our Etteilla deck offers us two key phrases for the Eight of Batons, ‘Disputes Intestines’ or ‘Intestinal Dispute,’ and ‘Partie de Campagne’ or ‘Part of Campaign.’ These will take some unpacking. Luckily, we are adept at just that skill.

Concerning Intestinal Dispute, ‘intestine’ maps back to the Latin adjective ‘intestinus,’ meaning ‘inward’ or ‘internal.’ This term is derived from ‘intus,’ meaning ‘within,’ or ‘on the inside.’ Further back, the PIE term *entos, is a form of the root *en, meaning ‘in’ — *en expands out into embryo, engine, and imposter. Dispute is from the 12 century Old French and means to ‘fight over’ or ‘discuss.’ It stems from the Latin ‘disputare,’ meaning ‘weigh’ or ‘examine.’ Disputare is made up of the prefix ‘dis-‘ and the PIE root *pau-, which mean ‘to count’ and ‘to strike’ or ‘stamp, in turn — *pau- expands out into account, amputate and compute.

Campaign is a relatively recent word, coming from the 1600s and relating directly to military field operations. It is related to the Old French term ‘champagne,’ which means ‘countryside’ or ‘open country,’ and further back, the Late Latin ‘campania,’ which means ‘level country.’ The term ‘Part’ is ultimately from the PIE root *pere-, which means ‘to grant.’ This PIE root expands out into jeopardy and partisan.

Our archetype, Professor Peaslee, is in jeopardy, or at least his sanity is. He shares his consciousness with an ancient alien race from the vast open country of the Mesozoic Earth. This entity, which amputates Nathaniel Peaslee’s physical form from his consciousness, is highly intelligent, capable of inhuman level of computation. The core key phrase here is internal dispute. This is the driver of the plot of ‘The Shadow Out of Time,’ the conflict that ensues as Peaslee begins to dream and premember the future and deep past. He is the best example contact with our ancestors and contact with our own consciousness backwards and forwards in time. These connections can either increase conflict and hardship, or improve our own probability matrix — making our live easier.

All magic begins inside. This is true for Tolkien’s enchanted world, for Jung’s secret conversations with Philemon, and with the Lovecraft’s cosmically ancient monsters. When we triangulate the work of these three giants we find the center, that lonely spot in the cold ocean, actually resides at our own spiritual and mental core. The Aleph of Lovecraftian Magic resides in all of us.

#Jung #Tolkien #dream journal

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