#edita gruberova

[iloveopera9]

#great sopranos #montserrat caballe #magda olivero #gabriella tucci #raina kabaivanska #rita orlandi malaspina #leonie rysanek #joan sutherland #elizabeth schwartzkopf #edita gruberova

[operaqueen]

Edita Gruberova

#edita gruberova #opera

[takmiblog]

Edita Gruberova

#edita gruberova

[tulietto]

the way im OBSESSED with this piece of classical music, yeah Edita Gruberova ATE!

#edita gruberova #mozart #opera

[princesssarisa]

The Top 40 Most Popular Operas, Part 1 (#1 through #10)

A quick guide for newcomers to the genre, with links to online video recordings of complete performances with English subtitles.

Mozart's Die Zauberflöte (The Magic Flute) (Wolfgang Amadeus Mozart)

The most frequently performed opera worldwide: Mozart's fascinating, philosophical fairy tale opera, which appeals to both children and adults.

San Francisco Opera, 2010 (Piotr Beczala, Dina Kuznetsoca, Christopher Maltman, Erika Miklosa, Georg Zeppenfeld; conducted by Donald Runnicles)

Verdi's La Traviata

Tragic romance with social commentary, based on Alexandre Dumas fils' novel The Lady of the Camellias, which was also the basis for the classic 1936 Greta Garbo film Camille.

Los Angeles Opera, 2006 (Renée Fleming, Rolando Villazon, Renato Bruson; conducted by James Conlon)

Bizet's Carmen

The fiery tragedy of a seductive, free-spirited Spanish Romani woman and her loves, with some of opera's most iconic music.

Royal Opera House, Covent Garden, 2006 (Anna Caterina Antonacci, Jonas Kaufmann, Ildebrando d'Arcancelo, Norah Ansellem; conducted by Antonio Pappano)

Puccini's La Bohéme

Relatable slice-of-life romance that blends comedy and tragedy. The inspiration for the popular musical RENT.

Studio film, 1965 (Mirella Freni, Gianni Raimondi, Rolando Panerai, Adriana Martino; conducted by Herbert von Karajan)

Mozart's Le Nozze di Figaro (The Marriage of Figaro)

The best loved of Mozart's Italian operas, a great comedy of class conflict and sexual intrigue.

Glyndebourne Festival Opera, 1994 (Gerald Finley, Alison Hagley, Renée Fleming, Andreas Schmidt, Marie-Ange Todorovich; conducted by Bernard Haitink)

Puccini's Tosca

Political intrigue, lust, and bloodshed amid the splendor of Rome – some call it a "shabby little shocker," others call it thrilling.

Vienna State Opera, 2019 (Sondra Radvanovsky, Piotr Beczala, Thomas Hampson; conducted by Marco Armiliato)

Mozart's Don Giovanni

Arguably the greatest retelling of the legend of Don Juan, with comedy, drama, and Mozart's glorious music.

Salzburg Festival, 1954 (Cesare Siepi, Otto Edelmann, Elisabeth Grümmer, Anton Dermota, Lisa della Casa, Erna Berger, Walter Berry Deszö Ernster; conducted by Wilhelm Furtwängler)

Puccini's Madama Butterfly

Puccini's iconic "Japanese tragedy." Controversial from a racial standpoint, but a tearjerker nonetheless, and the inspiration for the musical Miss Saigon.

Feature film, 1995 (Ying Huang, Richard Troxell, Ning Liang, Richard Cowan; conducted by James Conlon)

Rossini's Il Barbiere di Siviglia (The Barber of Seville)

The lighter and more madcap prequel to The Marriage of Figaro, known as the quintessential comic opera.

Vienna State Opera, 2019 (Rafael Fingerlos, Juan Diego Flórez, Margarita Gritskova, Paolo Rumetz, Sorin Coliban; conducted by Evelino Pidò)

Verdi's Rigoletto

A richly melodic tragedy of a hunchbacked jester, his daughter, a lecherous duke, and a self-fulfilling curse.

Studio film, 1982 (Ingvar Wixell, Luciano Pavarotti, Edita Gruberova; conducted by Riccardo Chailly)

#opera #top 40 #part 1 #top 10 #video #complete performances #english subtitles #die zauberflöte #the magic flute #la traviata #carmen #la boheme #le nozze di figaro #the marriage of figaro #tosca #don giovanni #madama butterfly #il barbiere di siviglia #the barber of seville #rigoletto

[classicalmusicdaily]

Zoltan Nagy started his international career as the youngest ensemble member of the Vienna State Opera. Recognized by opera critics for his strengths in both dramatic and comic roles, he is regularly invited to perform as a guest artist in many of Europe’s leading opera houses. Zoltan’s most requested role is Escamillo (Carmen), a role he has performed in over 12 productions in theatres like Bilbao (ABAO), Teatro Massimo di Palermo, Teatro Grande di Brescia, Teatro Ponchielli di Cremona, Teatro Sociale di Como, RTE Orchestra in Dublin, Romanian National Opera Bucharest and Cluj, the Shaanxi Grand Opera House in China, the State Theatre of Nuremberg, among others. As a permanent guest soloist of the Hungarian State Opera, Budapest, Zoltan has been invited to perform the role of Guglielmo (Cosi Fan Tutte), Silvio (Pagliacci), the title role in Kodaly’s Hary Janos, and Schaunard (La Bohème), a title he has performed at Oper Leipzig, Opera de Nice, Singapore Symphony Orchestra (in concert), Vlaamse Opera Antwerpen, and Opera Ghent among others. Zoltan made his Bolshoi Theatre of Moscow debut with the role of Count Almaviva (Le Nozze di Figaro). He has sung Haraschta (The Cunning Little Vixen) at the Hamburg State Opera, Dr Falke (Die Fledermaus) at Teatro Verdi Trieste, Calchas (Iphigenie en Aulide) in Athens, Schmied (Egk’s Peer Gynt) in Theater an der Wien, where he also had the privilege to join Edita Gruberova for her gala concert. Zoltan made his debut as Alberich (Siegfried) at Teatro Campoamor in Oviedo. He sang Marcello in a new production of La Bohème at Teatro Comunale di Sassari, portrayed the role of Dulcamara in a new production of L’Elisir d’Amore at the Romanian National Opera, and was invited to give masterclasses at the Xi’an University of Music in China. Count Tomski was a role debut in a new production of Tchaikovsy’s Pique Dame at the Opera Festival Heidenheim accompanied by the Stuttgarter Philharmoniker. Zoltán returned to Oviedo for a new production of Götterdämmerung where he performed the role of Alberich. He sings the role of Theseus in the Essen Philharmonic’s CD live recording of Bohuslav Martinu’s Ariane directed by Czech conductor Tomas Netopil, released in 2016 on Supraphon. Zoltan has worked with conductors such as Marco Armiliato, Pinchas Steinberg, Ulf Schirmer, Renato Palumbo, Fabio Luisi, Marc Minkowski, John Wilson, Alejo Perez, Tomas Netopil, Guillermo Garcia Calvo, Leo Hussain, Marcus Bosch among others. Some of the stage directors Zoltan has collaborated with are: Peter Konwitschny, Damiano Michieletto, Inga Levant, Stefano Poda, Calixto Bieito, Paris Mexis, Thorsten Fischer, Georges Delnon, Maurizio Scaparro, and Immo Karaman. He has collaborated with the Vienna Philharmonic, Robert Schumann Philharmonie, RSO Vienna, Vienna Symphony Orchestra Singapore Symphony Orchestra, National Taiwan Symphony Orchestra, Orchestra of the Romanian National Radio, Hungarian National Philharmonic Orchestra among others. Zoltan studied at the Gheorghe Dima Music Academy in his hometown Cluj-Napoca under Professor Gheorghe Roşu. Upon graduation, he received a full scholarship to study at the prestigious Mozarteum University in Salzburg for a Masters degree in voice performance with Professor Boris Bakow. He has won prizes at various singing competitions including the Romanian National Song Competition, the Hariclea Darclee International Voice Competition, and “Debut”, the European Opera Singing Competition in Germany. In 2012 Zoltan participated in the Salzburg Festival’s Young Singers Project, and was then selected to sing in the Festival’s production of Das Labyrinth. Recent engagements included two new production of La Wally and Jenufa at Theater an der Wien, a new production of The Raise and Fall of the city of Mahagonny in Parma. Future higlights of his saison include a debut at Regio Torino as Escamillo, a ROH debut in La Bohème as Schaunard and a debut at Komische Oper Berlin in the Love of the three oranges as Leander.

Dear Zoltan, I’m so glad to meet you, this time in Italy! And I am very much looking for- ward to your house debut at Teatro Regio di Parma! What has been your relationship with the Italian theatres throughout your career and what does this event mean to you? In my nearly 15 years of international career I have been lucky enough to be part of some wonder- ful productions all over the world starting with Vienna until Singapore, but singing ocasionally in Italy, becomes each time on of the highlights of my season. My first ever concert accompanied by an orchestra abroad was actually in Palermo when I was 22. Since then I was dreaming about singing one day at Teatro Massimo which was closed for renovation those years. Several years later my dream came true and I was indeed portraying the role of Escamillo in that amazing opera house… I always used to say, that a part of my heart is in Italy. I’ve also worked on several occa- sions at Teatro Verdi in Trieste, one of them was a very funny production of Die Fledermaus (Dr. Falke) with the late Gianluigi Gelmetti conducting who I was very fond of. I have beautiful memo- ries of Sardegna where I’ve done a new production of La Bohème as Marcello, and later a Pagliacci as Silvio. Singing at Teatro Regio in Parma is an absolut honor for me not only because of the enormous tradition that surrounds this opera house but also because of the fact that I am a guest artist in a very unusual production that should make history in Parma. Tell us more about this opera, about the role that you’re about to perform and the produc- tion that will be on stage at Regio di Parma this month (April)? Rise and Fall of the City of Mahagonny is an opera, although I like to call it rather music theater/ music play… composed between 1927-1929 by Kurt Weill on Bertold Brecht’s libretto, where I will interpret the role of Trinity Moses. When I first saw the score, I said to myself… “oh, I’ll deifinitely need some time to learn this music and get used to certain rhytms“. I’ve seen it challenging but I ended up having great fun singing this part and enjoying Weill’s geniality. The opera was a scandal on its premierere in Leipzig in 1930, presenting the decandece of the society which is more then actual nowadays where money is everything. I hope the audience will be receptive, of course, one should not expect a coservative staging for this type of music. I’m sure everyone will leave the the- ater whistling the Alabama song at the end of the performance… and realizing hopefully how en- joyable this music is. reposted from https://opera-charm.com/

[zanimljivaekonomija]

Besplatan koncert soprana Marije Jelic u velikoj sali Kolarceve zaduzbine sa gostima iz Italije

Koncert "Opera zauvek", na kom će nastupiti naša priznata operska umetnica, sopran Marija Jelić i poznati italijanski tenor Dario di Vietri održaće se u velikoj sali Kolarčeve zadužbine 8. juna 2022. u 20 časova, uz orkestar i hor Ministarstva odbrane - umetnički ansambl "Stanislav Binički" kojim će dirigovati italijanski dirigent, Maestro Marko Boemi. Na programu koncerta naći će se najlepše arije i dueti iz Pučinijevih i Verdijevih opera. Koncert se realizuje uz podršku Italijanskog instituta za kulturu, a ulaz je slobodan.

Marija Jelić, jedna od najistaknutijih srpskih operskih zvezda, u prethodnoj godini nastupala je sa Plasidom Domingom, Elinom Garančom, Hozeom Kurom, održala je solistički koncert u Karnegi holu, debitovala je sa ulogom Aide u Srpskom narodnom pozorištu. Otvorila je festival Ohridsko leto 2020. godine, nastupala je širom sveta, između ostalog na Ljubljanskom festivalu, na koncertima u Rusiji, Kini, Argentini, Azerbejdžanu, Bugarskoj, Hrvatskoj,...

Dario di Vietri je jedan od najznačajnijih italijanskih tenora koji je nastupao u Veronskoj areni, na Pučini festivalu Tore del Lago, u Kairskoj operi, operi u Dubaiju, kao i mnogim teatrima u Italiji. Dirigent Marko Boemi je priznati italijanski dirigent koji je radio sa mnogim najistaknutijim operskim umetnicima kao što je Lučano Pavaroti, Ana Netrebko, Edita Gruberova, Plasido Domingo. Dirigovao je na mnogim svetskim scenama poput Milanske skale, Rimske opere, Berlinske koncertne dvorane,...

Povodom predstojećeg  koncerta Marija Jelić je izjavila: "Ovaj koncert će biti divna prilika da sa sjajnim ansamblom i fantastičnim umetnicima kao što su Dario i Maestro Boemi, publika uživa u izvođenju italijanskih arija i dueta."

Ulaznice se mogu preuzeti na blagajni Kolarčeve zadužbine.

Fotografije: Marija Jelić – fotograf: Nebojša Babić

#koncert #kultura #belgrade #opera #kolarac #kolarceva zaduzbina #beograd #the sopranos #marija jelic #tenor

[infinitelytheheartexpands]

EDITA GRUBEROVA DIED?!?!?!?!?!

#NOOOOOOOOOOOOOOO #opera tag #opera #sopranos #divas #Edita Gruberova #I love her...💔 #rest well

[pizzandro]

One of the most important opera singers of this century has died. Sit tibi terra levis, Gruberova. 

#I cannot believe she is dead! :( #edita gruberova #i puritani #gruberova #fabio luisi #bellini #vincenzo bellini

[coloraturadiva]

Today is the anniversary of Mozart’s death. I know that a requiem would be more appropriate, but today I want to remember him with one of my favourite concert aria of his (sooner or later I’ll sing this one 😇)

#Wolfgang Amadeus Mozart #classical music #opera #Soprano #Edita Gruberova

[operaqueen]

Edita Gruberova

#edita gruberova

[takmiblog]

成熟続けた奇跡の声

　天賦の声を携えたスロバキア生まれの若い歌手に、音楽の都ウィーンの街は当初、嫉妬も交じって冷ややかだった。しかし「日本の人々は、家族のように迎えてくれた」。その恩に、彼女は人知れず、命懸けで報いようとしていたのだと思う。

　「新しい技術を習得し、歌うのが楽になった」とも語っていた。ウィーン国立歌劇場で１２年、悲劇の女王に扮した当時６６歳の彼女と共演したバリトンの甲斐栄次郎さん（５１）は「衰えるどころか、以前より威厳と輝きを増していた」と振り返る。「芸術家が永遠に舞台の上で進化し続けられることを目の前で証明され、励まされました」

2021/11/20　朝日新聞　（編集委員　吉田純子）

惜別

ソプラノ歌手

エディタ・グルベローヴァさん

完全無欠　成熟続けた奇跡の声

Edita Gruberova

#edita gruberova #eijiro kai #junko yoshida

[gramilano]

In Memoriam 2021: Singers, Dancers, Actors, Writers, Directors

In memoriam 2021: From Carla Fracci to Christa Ludwig, from Stephen Sondheim to Raffaella Carrà - a personal list of some of the artists the world lost in 2021.

In memorium – 2021 In memoriam 2021: From Carla Fracci to Christa Ludwig, from Stephen Sondheim to Raffaella Carrà – a personal list of some of the artists the world lost in 2021. NameDatesAgeDescriptionLiam Scarlett1986-202135British dancer and choreographer who was an artist in residence with The Royal Ballet and artistic associate with Queensland BalletHelen McCrory1968-202152English actress…

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#Carla Fracci #Edita Gruberova #James Levine #Liam Scarlett #Stephen Sondheim

[princesssarisa]

Opera on YouTube, Part 2

Le Nozze di Figaro (The Marriage of Figaro)

Glyndebourne Festival Opera, 1973 (Knut Skram, Ileana Cotrubas, Kiri Te Kanawa, Benjamin Luxon; conducted by John Pritchard; English subtitles)

Jean-Pierre Ponnelle studio film, 1976 (Hermann Prey, Mirella Freni, Kiri Te Kanawa, Dietrich Fischer-Dieskau; conducted by Karl Böhm; English subtitles) – Acts I and II, Acts III and IV

Tokyo National Theatre, 1980 (Hermann Prey, Lucia Popp, Gundula Janowitz, Bernd Weikl; conducted by Karl Böhm; Japanese subtitles)

Théâtre du Châtelet, 1993 (Bryn Terfel, Alison Hagley, Hillevi Martinpelto, Rodney Gilfry; conducted by John Eliot Gardiner; Italian subtitles)

Glyndebourne Festival Opera, 1994 (Gerald Finley, Alison Hagley, Renée Fleming, Andreas Schmidt; conducted by Bernard Haitink; English subtitles)

Zürich Opera House, 1996 (Carlos Chaussón, Isabel Rey, Eva Mei, Rodney Gilfry; conducted by Nikolaus Harnoncourt; English subtitles)

Berlin State Opera, 2005 (Lauri Vasar, Anna Prohaska, Dorothea Röschmann, Ildebrando d'Arcangelo; conducted by Gustavo Dudamel; French subtitles)

Salzburg Festival, 2006 (Ildebrando d'Arcangelo, Anna Netrebko, Dorothea Röschmann, Bo Skovhus; conducted by Nikolas Harnoncourt; English subtitles) – Acts I and II, Acts III and IV

Teatro all Scala, 2006 (Ildebrando d'Arcangelo, Diana Damrau, Marcella Orasatti Talamanca, Pietro Spagnoli; conducted by Gérard Korsten; English and Italian subtitles)

Salzburg Festival, 2015 (Adam Plachetka, Martina Janková, Anett Fritsch, Luca Pisaroni; conducted by Dan Ettinger; no subtitles)

Tosca

Carmine Gallone studio film, 1956 (Franca Duval dubbed by Maria Caniglia, Franco Corelli, Afro Poli dubbed by Giangiacomo Guelfi; conducted by Oliviero de Fabritiis; no subtitles)

Gianfranco de Bosio film, 1976 (Raina Kabaivanska, Plácido Domingo, Sherrill Milnes; conducted by Bruno Bartoletti; English subtitles)

Metropolitan Opera, 1978 (Shirley Verrett, Luciano Pavarotti, Cornell MacNeil; conducted by James Conlon; no subtitles)

Arena di Verona, 1984 (Eva Marton, Jaume Aragall, Ingvar Wixell; conducted by Daniel Oren; no subtitles)

Teatro Real de Madrid, 2004 (Daniela Dessí, Fabio Armiliato, Ruggero Raimondi; conducted by Maurizio Benini; English subtitles)

Royal Opera House, Covent Garden, 2011 (Angela Gheorghiu, Jonas Kaufmann, Bryn Terfel; conducted by Antonio Pappano; English subtitles)

Finnish National Opera, 2018 (Ausrinė Stundytė, Andrea Carè, Tuomas Pursio; conducted by Patrick Fournillier; English subtitles)

Teatro alla Scala 2019 (Anna Netrebko, Francesco Meli, Luca Salsi; conducted by Riccardo Chailly; Hungarian subtitles)

Vienna State Opera, 2019 (Sondra Radvanovsky, Piotr Beczala, Thomas Hampson; conducted by Marco Armiliato; English subtitles)

Ópera de las Palmas, 2024 (Erika Grimaldi, Piotr Beczala, George Gagnidze; conducted by Ramón Tebar; no subtitles)

Don Giovanni

Salzburg Festival, 1954 (Cesare Siepi, Otto Edelmann, Elisabeth Grümmer, Lisa della Casa; conducted by Wilhelm Furtwängler; English subtitles)

Giacomo Vaccari studio film, 1960 (Mario Petri, Sesto Bruscantini, Teresa Stich-Randall, Leyla Gencer; conducted by Francesco Molinari-Pradelli; no subtitles)

Salzburg Festival, 1987 (Samuel Ramey, Ferruccio Furlanetto, Anna Tomowa-Sintow, Julia Varady; conducted by Herbert von Karajan; no subtitles)

Teatro alla Scala, 1987 (Thomas Allen, Claudio Desderi, Edita Gruberova, Ann Murray; conducted by Riccardo Muti; English subtitles)

Peter Sellars studio film, 1990 (Eugene Perry, Herbert Perry, Dominique Labelle, Lorraine Hunt Lieberson; conducted by Craig Smith; English subtitles)

Teatro Comunale di Ferrara, 1997 (Simon Keenlyside, Bryn Terfel, Carmela Remigio, Anna Caterina Antonacci; conducted by Claudio Abbado; no subtitles) – Act I, Act II

Zürich Opera, 2000 (Rodney Gilfry, László Polgár, Isabel Rey, Cecilia Bartoli; conducted by Nikolaus Harnoncourt; English subtitles)

Festival Aix-en-Provence, 2002 (Peter Mattei, Gilles Cachemaille, Alexandra Deshorties, Mirielle Delunsch; conducted by Daniel Harding; no subtitles)

Teatro Real de Madrid, 2006 (Carlos Álvarez, Lorenzo Regazzo, Maria Bayo, Sonia Ganassi; conducted by Victor Pablo Pérez; English subtitles)

Festival Aix-en-Provence, 2017 (Philippe Sly, Nahuel de Pierro, Eleonora Burratto, Isabel Leonard; conducted by Jérémie Rohrer; English subtitles)

Madama Butterfly

Mario Lanfranchi studio film, 1956 (Anna Moffo, Renato Cioni; conducted by Oliviero de Fabritiis; no subtitles)

Jean-Pierre Ponnelle studio film, 1974 (Mirella Freni, Plácido Domingo; conducted by Herbert von Karajan; English subtitles)

New York City Opera, 1982 (Judith Haddon, Jerry Hadley; conducted by Christopher Keene; English subtitles)

Frédéric Mitterand film, 1995 (Ying Huang, Richard Troxell; conducted by James Conlon; English subtitles)

Arena di Verona, 2004 (Fiorenza Cedolins, Marcello Giordani; conducted by Daniel Oren; Spanish subtitles)

Sferisterio Opera Festival, 2009 (Raffaela Angeletti, Massimiliano Pisapia; conducted by Daniele Callegari; no subtitles)

Vienna State Opera, 2017 (Maria José Siri, Murat Karahan; conducted by Jonathan Darlington; no subtitles)

Wichita Grand Opera, 2017 (Yunnie Park, Kirk Dougherty; conducted by Martin Mazik; English subtitles)

Teatro San Carlo, 2019 (Evgenia Muraveva, Saimir Pirgu; conducted by Gabriele Ferro; no subtitles)

Rennes Opera House, 2022 (Karah Son, Angelo Villari; conducted by Rudolf Piehlmayer; French subtitles)

#opera #complete performances #youtube #le nozze di figaro #the marriage of figaro #tosca #don giovanni #madama butterfly #madame butterfly #wolfgang amadeus mozart #giacomo puccini

[arcimboldisworld]

Anna Bolena - Premiere Oper Zürich 05.12.2021

Anna Bolena - Premiere Oper Zürich 05.12.2021 #Donizetti #operzürich #davidalden #enriquemazzola #dianadamrau #premiere #rezension #kritik #besprechung #belcanto #romantik #opera

Donizettis grosser Durchbruch und sein Weltruhm gründete sich wohl auf “Anna Bolena”, seiner 35. (!!!) Oper, ein Werk – noch belcantistisch, aber schon sehr der Romantik zugewandt und mit der titelgebenden Hauptrolle eine grosse Herausforderung für jede Sopranistin… (more…)

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#Alexey Neklyudov #Anna Bolena #Arturo Gama #Besprechung #David Alden #Diana Damrau #Edita Gruberova #Enrique Mazzola #Ernst Raffelsberger #Gaetano Donizetti #Gideon Davey #Karine Deshayes #Königinnen-Drama #Kritik #Luca Pisaroni #Musicwasmyfirstloveanditwillbemylast #Nadezhda Karyazina #Nathan Haller #Oper Zürich #opera #Opernrezension #Philharmonia Zürich #Premiere #Premierenkritik #Rezension #Stanislav Vorobyov

[t-annhauser]

Per gli amici della lirica, va che chicca che vi ho trovato, una giovanissima Gruberova che canta la Regina della notte (25 anni più o meno). Buonanotte.

#mozart #flauto magico #edita gruberova