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#digital ghettoization
edenfenixblogs · 2 months
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I have told the one (1) real friend I have out here that I plan to move home because the antisemitic isolation has gotten so bad.
If I were a pettier person, I wouldn’t tell anyone else until I’m already closed on a house back home. And when they’re like “why are you moving?” I’d say “antisemitic isolation from most social groups.” And when they ask “Why didn’t you say anything?” I’d say, “Because you’re the ones who did the isolation.”
I won’t. Cuz that won’t actually solve anything. It’ll just make people who don’t think they’re antisemitic go “oh? Eden? Yeah that was super weird how she called us all antisemites and then left. She must’ve been a Zionist or something cuz I didn’t even say anything about Palestine to her.”
Like…I know. You didn’t say anything to me. You didn’t ask how I was doing. You certainly didn’t acknowledge Jewish pain in any way, beyond liking one (1) post a few months ago. Most of you muted me on here. Most of you don’t respond to unrelated information or posts in group chats about genuinely nonpolitical topics. None of you are ever “free” to hang out. You don’t support me when I’m sad. Fine, maybe that’s not what you do. That’s ok. My emotions aren’t your responsibility. You don’t offer distraction. You don’t offer an ear. You leave me on read when I see you online.
I see the statistics that seem to say “most people think their friends hate them but they actually really like you!”
But I don’t think this applies to Jews. Especially leftist Jews tbh. But I do wonder if the antisemites who hate their Jewish friends even KNOW that they hate their Jewish friends.
Like, I wonder what they’d say if they were asked “Do you dislike Eden?” Because I think they’d say no. I think they’d say that, maybe, I’m a little much right now. I’m a little too intense. Maybe they’d say they like me a lot but just want this all to die down before we hang out. Or maybe they’d say that they did used to like me but I’ve recently made them uncomfortable.
But that’s not friendship. When someone you care about enough to call a friend is literally an emotional wreck for months, regardless of the reason, and you have not at any point attempted to be there for them in any meaningful way (and I mean, at all. Hanging out once. Calling once. Asking how I’m doing once. Saying “antisemitism is bad” even once. Taking me up on my offer to discuss anything about current events if they have questions. Politely declining my offer to discuss current events because you find it all too stressful. Letting me know that you care about me as a person but the current crisis is too much for you to think about right now, so you’d rather not bring it up. Literally ANY of these actions and a million others that would take you hardly any effort at all.) then you clearly don’t think of me as a friend, actually. You do hate me, actually.
Because what kind of person does that to a friend. What kind of person abandons us like this? It’s like they might as well just say “we like you so much, but like…not when you talk about or experience life as a Jewish person.”
They might as well just say “she’s fine enough to be around. Too bad she’s a Jew.”
Or, maybe, being isolated from people for 5 months is really distorting my perspective and none of this is true or valid.
But I can’t help but feel…being isolated for 5 months is very much reinforcing my points.
I’m officially done trying to make plans with any “friends,” except the one person who ever replies to me.
I basically said “if anyone ever wants to hang out, let me know” and that’s the last I’ll say to basically any of them about making plans.
What’s the point? I don’t want to beg people to spend time with me.
That said, when I called one of my best friends back home to tell her I was moving back, I told her the isolation was really getting to me. I told her that I was feeling like maybe nobody ever really liked me all that much and that I’m hard to be around and that being Jewish at this time and experiencing pain publicly was just the final straw to them excluding me. Maybe I’m just fundamentally unlikable.
But she told me that was dumb and I’m dumb for saying it. And she’s seen me at my best and my worst.
Idk. This post is long and personal and weird but I’m trying to be vulnerable and document how I’m feeling during this time. I think maybe I’m prone to look back on this when this current I/P flare is over and think to myself, “maybe I was just making a big deal out of nothing.” I want to have a record of how I’m feeling. Because at this moment when I’m living through it, it feels cataclysmic.
Like..I’m not even concerned about any of my “friends” finding this cuz I’m pretty sure they’ve all muted me anyway.
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truths89 · 3 months
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Appropriation & Reparation, Mutations of Colonization
Appropriation is the enterprise of applying a sociological and economic framework of exploiting and, as it pertains to Hip-Hop and Black Culture, being an overseer of the production of art and culture of Black people, which is a global export, for whom Black People are mere pawns of a digital and cultural plantation. These Creators are house slaves of a ghettoized project of social engineering. Modern Hip-Hop, a more palatable enactment of minstrelsy, is comprised of Singers and Rappers who pick cotton and tobacco for the market of psychological enslavement.
Thereby, I ask, are reparations analogous to a corporation’s calculated and anticipated liability for neglecting ethical commerce to ensure a desired profit margin? Is a payout integrated into the cost-risk analysis as a calculated net loss from the intended interests on the gross revenue? Similar to cancer, can the host ever be healthy if we do not halt the replication of sick cells? Suppose the necrotizing fasciitis of white supremacy and its mail-order bride, capitalism, are unable to cease the act of eating flesh by way of pillage, gentrification, imminent domain, school zoning, currency devaluation, multinational coups, prison industrial complex, and medical apartheid. Would that indicate that reparations are a performative kumbayah psyop? Is this an asymmetrical war with killer bars and banging beats? 
__________________________________________________________
Indigenization is the neutralization of ancestral origin and cultural sovereignty, which facilitates the coaptation by hegemonic society and the sterilization of indigeneity. Culture becomes a buffet with no cook or farmer, but we all eat. Who knows the recipe, and have we been poisoned? The commodity without sovereignty sounds like chattel slavery. But in the 21st century, we call that neoliberalism; everything is up for grabs because legal ownership would imply a recognizable personhood. Akin to the patents of the enslaved, the property of my property is the enslavers. 
How do we then decolonize and reconcile when our lineage is copyrighted? We become the pirates of our heritage and pay the plagiarizer for wisdom bestowed by our antecedent. 
White supremacy will not provide the tools to dismantle its reign, but it will play court, and the delusion of justice will become theatre to arraign. Don’t we all love to watch a good sport?
Are we shuffling the caste system while asking Massa if he’s okay with the alterations in his transnational colonies? If and when he cosigns, is that a decoration or renovation because it most certainly is not an eviction or demolition? 
From trafficking humans, like stolen artifacts, who are extracted for the amassment of hoarded wealth, to cultural trafficking to amass even more wealth to hoard, it is apparent that this is a disguised mutation.
Appropriation is passive-aggressive and more cultured than outright colonization. There is no need for an annexation; we drink tea flavored in liberation. Subsumption, although insidious, develops a hybridization that obfuscates with conflation and glorifies artificial amalgamation. 
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beyondthecourts · 4 years
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WGST 320: Week 4 Discussion Post
#1. Is there a split between society’s dismissive tone toward black technofuturist enthusiasm, and the reality that black activists and businesspeople were able to utilize the internet to meet their calculated goals?
Yes: there most certainly is a split, as documented in Anna Everett’s “The Revolution Will Be Digitized.” The early editorials and news features written about the rising numbers of black engagement online were riddled with biases and microaggressions that “ghettoized” and trivialized the movement, instead of crediting an otherized group for their strides in keeping up with the arising technology. Black businessowners, like Raven Rutherford and her pie shop, were met with undue scrutiny from journalists covering her story. The narrative that the black community was a few decades late to the technological advances severely undercuts the reality that the black community is just as resourceful and intelligent as the white community. In praising these individuals’ feats, there is an air of arrogance – one that helped actualized the “digital divide.”
#2. How does being “unmarked by race” tie into the digital divide?
R. Benjamin asserts that there is a power to plainness, so having a name like “Taylor” instead of “Tyrone” will paint a completely different picture of an individual’s upbringing, goals, personality, etc. While these factors are all wildly exaggerated through racial stereotypes, this discrimination is no longer interpersonal, because technology helps reinforce these assumptions. When your personal identifiers fall in line with the white standard, you avoid the drawbacks of the “New Jim Code.” While antebellum laws dictating segregation have been done away with, a similar for of covert discrimination exists in the employment of new technology. While computer programming codes are facially neutral, studies show how these algorithms play a large role in limiting employment, housing, education, and healthcare opportunities for people of color - before they can even land an interview.
#3. So much of academia relies on the internet. How can educational institutions and the students who attend them circumvent the “technological redlining” that occurs online?
The importance of the internet has been especially highlighted by COVID-19; it does not take elaborate research to recognize how vital search engines are for students in the 21st century. However, the results of casual Google Searches are indeed, more indicative of an “advertising company, not a reliable information company” (Noble). Simply put, the results of search engines help perpetuate harmful stereotypes, that will inevitably set us back as a progressive society. We must think of the Internet as the most impactful social experiment of our lifetime; while our lives are so attached to this phenomenon, we cannot forget how new it is. Now that we are seeing the racist, classist, and sexist themes that underscore technology, students should be more wary about using academic databases for information. It might be time to start consider the benefits of “old school” learning: reading from peer reviewed journals and data, talking to actual professors and experts in the field… there must be something to be said about the wickedness of technology, when the top executives that work in Silicon Valley enforce “no phone contracts” in their private homes.
#4. How does intersectionality fit into the digital world?
This week’s readings highlighted a few unique relationships between Black women and the internet. In general, search results are highly gendered; pornographic themes emerge from innocent keywords like “black girls” (Noble), and historically “black” sounding names are flagged by computer algorithms as “unpleasant,” or disfavored (R, Benjamin). While ethnic minorities using their given names may all tell a story, they are especially damaging when applied to black women. The overlapping identities of individuals are no longer invisible on the internet, and any competitive edge previously awarded for being online is now arguably gone. It seems as though the trajectory of the digital age is targeting the most marginalized people in society, and unfortunately, government regulations are a few steps behind the game.
Benjamin, R. (2019). Race after technology abolitionist: Tools for the new Jim code. Medford, MA: Polity Press.
Everett, A. (2002). The relationship revolution will be digitized: Afrocentricity and the digital public sphere. Social Text, 20(71), 125-146. doi: https://doi.org/10.1215/01642472-20-2_71-125
Noble, S. (2018). Algorithms of expression: How search engines reinforce racism. New York, NY: New York University Press.
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christinexx · 4 years
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Week 4: Blog Post Due 9/16
1. How has the white-dominated society in America affect technology?
     It caused the assumption that the Internet is a world for white men. The concept of black technophobia also stems from this. Black people have been around on the Internet since the late 90s but their presence was neglected. Until later when they were making a huge noticeable impact on the Web, black people were then talked about with a sense of  “...condescension, ghettoization, trivialization, and a general air of dismissiveness” (Everett, 2002). The Internet is used to channel racism and has more consequences when it is posted online as compared if it were published on a newspaper in a local town because nearly anything on the Web has the potential to be seen by the entire world.
2. How do our own names trigger social coding?
     Names are part of our self-identity. Not many people realize it, but your name can be used by everyone to make judgments of what kind of person you are and the background you might have. This becomes a problem when this type of thinking is used in real life situations to discriminate against certain groups of people. It has been found that people in America who have white sounding names have more job opportunities than those with different or “uncommon” names (Benjamin, 2019).  Stereotypes based on which ethnicity our name sounds like cling onto us and we are weighed to how easy we can be dealt with by how “white” we sound.
3. Why is it not correct to assume the Internet is neutral?
     When we go online, it might seem that we are invisible because we have the ability to communicate with others without meeting face-to-face. By doing this, people can’t make judgements as quick as they would in real life by looking at what skin color, ethnicity, or gender you are. This “invisibility” can be used to easily interpret the Internet as a bias-free zone. Another example that would feed into that assumption would be that the Internet is neutral because it is made up by codes on computers, therefore having no feelings or bias towards anything. However, people forget that computers did not create themselves. Everything on a computer was designed by a human as well even algorithms on the Internet. In the reading, Noble talks about how Google has been caught beforehand to have set their algorithm to be racist towards minorities. In 2015, Google got in trouble for their insensitive algorithm because black people showed up in the “ape” section of Google Images (Noble, 2018). This can be dismissed as their “lack of control” over the system but makes us question if it really was an accident or if it was discreetly done on purpose.
4. Why does Noble mention the term “redlining” in the reading?
Redlining is a practice where real estate agents and banks would show non-white families where to live in, which were typically within areas where the neighborhoods would be divided by race (Noble, 2018). Minorities would also be charged more in comparison to white people. Noble talks about redlining because they were making a connection between that and the “algorithmic oppression” that is currently happening. Algorithmic oppression is the new way in which non-white people will continue to keep struggling as the world undergoes technological advances. 
Sources:
Benjamin, R. Race After Technology: Abolitionist Tools for the New Jim Code. (2019). Polity.
Everett, A. (2002). The Revolution Will Be Digitized: Afrocentricity and the Digital Public Sphere. Social Text, 20, 125 - 146.
Noble, S. U. (2018). Algorithms of Oppression: How Search Engines Reinforce Racism. New York University Press.
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pierreism · 5 years
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Eva Heyman died in Auschwitz on October 17th 1944 at the tender age of 13. This week, to mark Israel’s annual Holocaust Remembrance Day, a bold new experiment for the social media age re-imagines her side of the story through first-person Instagram posts, letting viewers experience the last few months of her life as if in real-time.
The multi-million dollar production, which includes extras dressed in Nazi regalia riding armoured tanks, is the brainchild of Mati and Maya Kochavi. Presented through the lens of a smartphone (and delivered initially with the kind of convivial narration you’d expect from a typical 13 year-old), each unfolding episode allows us to witness the slow-motion atrocity with a renewed and uncanny sense immediacy. To see clips of her frightening ghettoization amidst the usual glossy plastic detritus that populates the Instagram feed is jarring to say the least — which I guess is the point. The digital space is an area defined by disruption. In appropriating phone cameras and citizen journalism; by hacking into our obsessive need to look to the future to instead show us the past, eva.stories disrupts our attention — and our comfort — for a cause worth paying mind to.
Watch her story in its entirety on the eva.stories Instagram. Or if you don’t have an account it’s currently viewable here: storiesig.com/?username=eva.stories
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writer59january13 · 2 years
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Ford's Theater, April 15th, 1865...
Petersen House, Washington, D.C.
I admit to own a passion
for the Civil War in general, and the life and death of the sixteenth president in particular
between a hard spot of whiskey
and draughts of arrack;
nonetheless (without doubt), this Yankee
would be fain to travel back
to Antebellum America
amidst the urban din and clack
where smelting earsplitting,
choking industrialization
a deaf fin hit drawback, and where dark shadows cast an eternal
edge of night twilight zone pallor
tubby somewhat exact
from mighty robber barons,
who tolerated no flack (nope not even Roberta)
despite the bleeding nose against grindstone
inhumanity bearing down hard
with very little giveback
viz zit head as greenback
yes...no matter the noxious
crash course urbanization (and attendant ghettoization)
breeding a lung wrenching tuberculosis hack,
this twenty first century middle aged
married man (an average Monterey Jack ass), whose sought after
claim to fame penchant
modestly admits to whiz knack
crafting literary concoctions with no lack of ideas, where one arose
strong as an oncoming mack
truck (this vibrant fascination
with the American Civil War
(even before Ken Burns popularized
calamitous event) in non black
and white (digitally remastered technicolor)
exemplified, enumerated, and emphasized how a minor dispute got way off,track
whereat stately commander in chief did pack
a punch analogous sans, barreling forth
like unstoppable quarterback
despite his six foot four inch
gangly physique cull rack
tried his darnedest,
(or substitute unprintable epithet)
yet a coterie of anti war subjects
figuratively and literally up in arms
wanted nothing less to sack
the sixteenth president,
whose aged fifty seven year old countenance one month after
Ides of March death didst dance during the low key celebration sans,
internecine bloodbath Grants'
and Lees' armistice
one hundred and fifty seven years ago;
the peace treaty signed
(April 9th, 1865) at Appomattox,
an irrevocable agony did blow
when that fateful, mournful,
somber night at Ford's Theater
the grim reaper didst appear
(like Jim) crow king
ably linkedin with Reconstruction
after one shot rang out blasting,
where crimson tide didst flow
drowning American history
at that juncture grow
wing no less painless today, which hoo veer ring agony didst smite
incomprehensible cleft mow
wing down unfinished ambition, which no
one other than Abraham Lincoln could sow the racial rift, that slavery trucked in tow generations shackled with compounded woe
that fateful April 15, 1865 at approximately 10:20 p.m
one hundred plus fifty seven years; it's been
long since deceased taking deadly gunshot punctuated deadly din, whence fifteen plus decades passed sans conspirator tried to get even at Ford’s theater – forever eviscerating thin lipped grin
of the sixteenth president - still his unrealized promising dreams with in
Reconstruction paradigm presses historians to speculate what kin ship his unrealized post-bellum blueprint
while he sat in his booth, attended a performance of the comedy
Our American Cousin that night when a bullet entered below
the president's left ear,
bored diagonally through his brain
and stopped behind his right …
wrought him slumped over,
now tis 7 score + 17 years witnessed assassination of Abraham Lincoln team of rivals mastermind, re: the American Civil War wreck con struck shin yet…his positive affects find him honored with outsize depictions and a con tin
hue wing legacy sustained, whereby hearts and minds he posthumously did win.
Said enigmatic man shrouded and idolized with beatific, democratic essence fantastic, honorific, pacific aura, dogma, and persona with meager off fence
to generations of United States citizens – enthralled ladies and gents
whose reverberations and ramifications
of humane karma lives on – hence
begotten progeny enjoying freedoms perchance ensconced with rapt innocence or those inured with sensibility and sense can bequeath pride without prejudice whether living in splendour or in tents toward Illinois railroad log splitter, whose humble roots forged steely covenants.
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cryptnus-blog · 6 years
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if Crypto “Remains” Illegal, Adoption Will be Difficult
New Post has been published on https://cryptnus.com/2018/10/if-crypto-remains-illegal-adoption-will-be-difficult/
if Crypto “Remains” Illegal, Adoption Will be Difficult
At Bloomberg Ideas, an event that features leading experts in various industries, George Mason University economics professor Tyler Cowen stated that if crypto remains illegal, adoption will be difficult to achieve.
“If crypto stays illegal, it will be ghettoized, and that will make it harder for it to spread ultimately.”
However, in major markets including the US, Japan, South Korea, Singapore, Switzerland, and the UK, the usage and trading of cryptocurrencies are legal, with sufficient regulatory frameworks in place to protect investors in the global digital asset exchange market.
Already Regulated
According to Cowen, regulation around cryptocurrencies as an emerging asset class has to be solidified further to attract more investors into the market and encourage merchants to adopt cryptocurrencies as an alternative payment method to fiat currencies.
For years, economists have mischaracterized cryptocurrencies as criminal money, an unregulated asset class, and an inefficient payment system, as seen in the recent outburst of widely recognized economist Nouriel Roubini.
The negative stance towards cryptocurrencies portrayed by the majority of leading economists has been expected by the cryptocurrency industry. As decentralized financial networks, consensus currencies challenge the fundamental belief of economists that fiat currencies serve as the base monetary system of the global economy.
But, it is of utmost importance, at least for companies that provide services in the finance sector, to consider the possibility of digital assets potentially competing against fiat currencies in the long-term due the declining trust towards middlemen and financial institutions by millennials.
As former Goldman sachs CEO and chairman Lloyd Blankfein emphasized, who previously stated that it is “arrogant” for economists and bankers to think crypto has no future, there exists a chance that cryptocurrencies could arise and evolve into a major asset class in the years to come.
“If you go through that fiat currency where they say this is worth what it’s worth because I, the government, says it is, why couldn’t you have a consensus currency?”
Hence, while the skepticism towards malpractices and poor protocols utilized by some cryptocurrencies in the global market is encouraged, intentionally mischaracterizing the asset class as an “illegal” payment method and currency is highly inappropriate and more importantly, inaccurate.
The Japanese government has recently allowed 21 cryptocurrency exchanges to form a consortium and self-regulate the local digital asset exchange market, with a national licensing program in place to oversee businesses in the industry.
The government of South Korea officially recognized the cryptocurrency market as a legitimate industry, acknowledging the blockchain as a core technology in the fourth industrial revolution. Gopax, a leading exchange in the local market, is financed and operated by Shinhan, the 2nd largest commercial bank in the nation.
Crypto is Not Illegal
Based on the regulatory frameworks established in major regions, it is evident that cryptocurrency remains legal as a payment method, a remittance system, and as a currency. Even China, which implemented a blanket ban on cryptocurrency trading in September 2017, has recently recognized Bitcoin as a property under local regulations, allowing individuals and businesses to hold and send or receive cryptocurrencies legally.
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todaynewsstories · 6 years
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Greece: Residents and refugees work together to rebuild Lesbos | Europe| News and current affairs from around the continent | DW
It’s been three years since the picturesque Greek island of Lesbos was thrust into the world’s spotlight, when around 3,000 people arrived on its beaches every day during the height of the refugee crisis. But although the hotels have emptied of journalists and visitors are once again strolling around the pretty harbor, the crisis hasn’t disappeared. The notorious Moria camp, built to house 2,500 people but currently holding almost 8,000, has been declared “the worst refugee camp in the world” by aid group Medecins Sans Frontieres, with high levels of violence and children as young as 10 attempting suicide.
And it’s not just impacting those housed there. Tourist numbers on the island remain 50 percent of what they were at their peak, many local businesses have closed, and petty crime such as theft has stoked community tensions. Local villagers, who were often first responders at the height of the crisis, have grown to feel bitter and ignored. As Panos, who runs a local food wholesaler, says: “The EU and the Greek government have turned this island into a warehouse of lost souls.”
Locals like Panos feel like the island has been left alone
This is why, on the ground, focus is turning to projects that can benefit both refugees and the local Greek community and help revive this small island that has shouldered far more than its fair share of a global issue.
“Hundreds of volunteers from northern Europe and America came here, but none were listening to the local community and what they felt was needed,” says Adil Izemrane, co-founder of grassroots NGO Movement on the Ground (MOTG), which is supporting a number of such projects. He explains that, when he first asked Nikos Trakellis, the president of Moria village, what might benefit his community, he burst into tears because “no one had ever asked him such a question before.”
One of the most successful projects has been a football tournament for children from the camp and from Moria village. The forced ghettoization of camp residents, along with cultural differences and fears of crime and violence, means building trust between the communities is no easy task. The tournament aims to bring children together first — and, through this, their parents.
Read more: Melissa Network: A hive built by migrant women
“Kids don’t care about labels, they make friends with anyone,” says Tanja Matijevic, an environmental scientist now working as a soccer coach. “Moria village is not wealthy, most people are in day-to-day survival mode. If a family’s goat is stolen because people in the camp are so desperate, that has a big impact.
“Most parents here have just been thanking us for starting a sports league, as it’s not something they would always be able to afford to send their kids to.”
Greek and refugee kids are coming together over football
Spyros Lalos, whose 10-year-old son plays in the tournament, says: “I think a lot of people were nervous at the idea, both parents and the children. But my son enjoyed it and he made friends with some of the kids. Every time they play together, it gets a bit easier and people relax more.”
Digital learning for migrants and Greeks
Another Lesbos resident keen to build bridges is Adonis Zeivekis, 25, from the village of Thermi, a few kilometers north of Moria. “I’m from here and grew up here, so I understand both sides of the problem,” he explains. “I wanted to see if I could get involved and help both somehow.”
One solution Zeivekis and MOTG are working on is twin digital learning labs — one at Moria camp and another in the island’s main town of Mytilene, teaching IT skills to both migrants and Greeks. Two camp residents, Thierry Harbonimana and Kwizera Ahmed Aimable (photo at top), both from Burundi, are working as teachers alongside him. “We will have refugee teachers in the Greek class, then eventually we will mix the two groups,” he explains.
Read more: On the edge of the EU, refugee flows flood a river
Harbonimana says he believes that increasing the number of small, informal interactions between the two communities is the best way to break down barriers. “Anything that helps us grow accustomed to each other is good,” he explains. “Last week, we joined in with some religious festivities here — it’s small, but everyone liked it.” Zeivekis adds: “Yesterday we had a music event with refugee musicians playing, which was open to everyone. I don’t think the majority of villagers are against the refugees, the anger is because we don’t have the facilities here for them.”
A project is underway to repair olive groves damaged by migrants’ tents
However, Harbonimana explains that it can be hard for camp residents to get involved with projects when they are so focused on day-to-day survival: “Some people are just so worried about what will happen next, whether they will get their papers, they can’t think about anything else.”
Other projects include a food truck, in which refugee chefs cook with ingredients sourced from local farmers and invite residents to share meals. Panos, who helps supply the food, cites Lesbos’s large Albanian community as proof that integration on the island is possible. “There’s no reason people can’t stay on the island, get jobs, have families here,” he says.
Lesbos waits for government plan
Outside Moria, olive groves have been destroyed to build makeshift tents. “The situation was so bad that people just decided to leave the main camp,” Izemrane says. MOTG is now working with the community to rebuild the area and create communal gardens for both camp residents and villagers to grow produce. The project should be completed later this year.
But although people on the ground are moving forward with solutions that can help everyone, anger remains at the lack of any overall strategy from the authorities ultimately responsible.
Read more: The EU-Turkey refugee agreement: a review
“At the start, everyone was just in crisis-response mode. But now it’s been three years, people are still arriving, and there’s still no long-term plan. And it will probably go on for many more years,” says Izemrane. “People don’t know what they’re doing here or what’s going to happen to them, which is where a lot of the frustrations come from.”
The Greek government, which is in charge of Moria camp, claims it does not have the funds to improve conditions. Meanwhile, those on the island continue to wait, desperate to know what the future holds.
What migrants face on Lesbos – and why it’s getting worse
Stuck on the Aegean
European funding for NGOs responding to the migrant crisis on the Greek islands came to an end in August. Since then the Greek state alone has been responsible for dealing with the asylum-seekers. But there was no clear transition plan, and gaps in humanitarian services have become apparent throughout Lesbos.
What migrants face on Lesbos – and why it’s getting worse
Neither here nor there
Moria, the main reception facility in Lesbos, and other such camps are unable to cope with the continuing arrivals of small numbers of asylum-seekers. Tensions are high; frustration quickly turns into aggression, fights between individuals morph into fights between different ethnic groups.
What migrants face on Lesbos – and why it’s getting worse
Fresh and clean
Discarded shampoo and water bottles lie next to an improvised shower outside Moria. Due to a shortage of hygienic facilities in the camp, many people there look for other options. They see the failure to provide adequate facilities as a deliberate strategy to worsen living conditions.
What migrants face on Lesbos – and why it’s getting worse
Waiting for a decision
Aman from Eritrea apologizes for not being able to offer tea or water in his tent. He has been waiting for a decision on his asylum request since he arrived in Lesbos three months ago. “There are too many problems inside Moria.” Overcrowded shelters and tensions between different groups often results into fights.
What migrants face on Lesbos – and why it’s getting worse
‘We are human’
An Afghan asylum-seeker prepares signs for a protest against the poor conditions in Moria. Most of the Afghans protesting have been on Lesbos for over a year and are still waiting for a response to their asylum bids. Lack of information, tough living conditions and the fear of being deported back to Afghanistan leave many of them in a constant state of anxiety.
What migrants face on Lesbos – and why it’s getting worse
The limits of generosity
Residents of Lesbos discuss the Afghans’ protest. The refugee crisis has led to a massive decline in tourism on Lesbos, down by almost 75 percent this year compared to 2015. Greece’s ongoing economic crisis has also had a great impact on the island. Although many locals are sympathetic to the asylum-seekers’s needs, they don’t think Greece is capable of hosting them right now.
What migrants face on Lesbos – and why it’s getting worse
Two weeks against helplessness
Volunteers have been filling gaps, such as providing health care, which is in great demand. German doctor Juta Meiwald came to Lesbos for two weeks to help. She says many of the health problems are a result of the living conditions at Moria. Those in the camps have complained that, regardless of their afflictions, doctors there generally just give them painkillers.
What migrants face on Lesbos – and why it’s getting worse
Reclaiming life
At the Mosaik Support Center asylum-seekers transform life vests collected on the beach into bags and wallets. Activities like this are a welcome interruption to the monotony of life in the camps, in addition to giving those stuck here, like this Iranian woman, a small income.
What migrants face on Lesbos – and why it’s getting worse
New arrivals every day
Since early 2015, new arrivals have been obliged to stay on the island until their asylum claims are processed. But a backlog of applications and a lengthy appeals process have meant only a fraction of cases have been assessed. Over 14,000 migrants arrived in Greece this year, according to the UN refugee agency. Last year Greece granted asylum to around 12,500 people, while 173,000 came.
Author: Vincent Haiges (Lesbos)
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edenfenixblogs · 3 months
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Well, tuned into the Drawfee stream...
I promised I'd check it out before determining if I'd ever be able to give Drawfee another chance after this...
Verdict TL;DR: Maybe one day, but not in the foreseeable future, especially not streams. Certainly never through my financial support ever again, unless they are fundraising for a particularly worthy charity (like in the Trans Rigs stream). But luckily, I don't think they give a shit if I watch or not, which is totally fair.
Overall: The Drawfee YouTubers didn't do anything wrong. However, their lack of acknowledgement of any Jewish pain or concerns served to further digital ghettoization and social isolation of diaspora Jews in a way that many (but definitely not all) Jews will probably find painful. Between that and the really bad faith link-sharing from the mods, I'm personally too fragile to imagine engaging with the channel again.
This conclusion is geared toward fellow Jews seeking escapist content or content that doesn't make them feel erased during this time. This is not a prescriptive recommendation for anyone else. It is simply my reasoning, should anyone else be on the fence and need insight.
The Good (There was a lot of it!):
I didn't see any Drawfee folks parroting antisemitic conspiracy theories, which is good. An extremely low bar, but one that many, many people fail to clear.
They kept their tone fun and light and didn't turn anything into a diatribe
They kept their focus on humanitarian aid and an end to violence.
I think they made a few statements generally about keeping chat civil.
They kept chat limited to people who already subscribed to the channel, which was SO smart. It kept bots and bad actors from making the chat hostile.
While they all joked about silly stuff, they never jokes about real issues or the pain of anyone involved in the conflict. This is very important!!!
Chat in general was a very good place to hang out. Most people were just happy to be there and commenting about funny and fun art and it had the (mostly) typical Drawfee vibes, which I miss.
There was nothing performative or disingenuous about the team's intent: They wanted an end to violence. They wanted aid to reach Palestinian refugees. They wanted to encourage voter turnout in upcoming elections, and they wanted people to pressure their representatives to call for a ceasefire. These are all unambiguously good things.
Most importantly: They raised WELL over $100,000 for PCRF, which (despite not being totally perfect) is a very well-rated charity that has no history of its funds falling into Hamas' hands and is geared toward helping children. This matters much more overall than the stream's impact on me personally.
Ultimately, I believe the stream did more good than harm by a large margin.
The Iffy (Neither good nor bad; just things that I noticed):
Basically, none of the actual Drawfee crew did anything antisemitic that I saw. But they had a lot of missed opportunities -- to affirm solidarity and support with Jewish viewership, to acknowledge Jewish pain in any way, to advocate for a peaceful solution that left room for any negotiated peace between Jews in Israel and Palestinians in any capacity (whether that meant as Israel or as a newly formed state of some kind), or to be specific and directed in how they wanted people to approach a ceasefire.
I didn't hear any call to specifically keep the chat free of antisemitism. I tuned in a few minutes late, so maybe I missed it.
No substantial knowledge of the conflict demonstrated. Just that the current situation is unacceptable and should stop. I don't know anyone who disagrees with that (who I consider to be acting in good faith), but no language from the team about how to bring about that end to violence other than demanding a ceasefire.
Mods had a chance to add links to AllMEP charities, A Land for All, and some other Palestinian-Israeli and Arab-Israeli and Muslim-Jewish charities that support either inter-faith healing OR even just solely pro-Palestine charities that have inter-faith or inter-cultural backing. They did not add these to the shared links that I saw. (This would have been fine if they had a rigorous evaluation process and couldn't moderate and evaluate quality at the same time. But based on the links that WERE shared, I severely doubt that was the case)
Someone in the chat was repeatedly giving the very good advice that when writing your representatives to demand a ceasefire, you should demand that the US offer to facilitate a negotiated peace and permanent ceasefire between Israel and Hamas. Again, my feed crashed a couple times, so I may have missed it. But I personally did not see any of the mods or the Drawfee crew acknowledge this or mention Israeli suffering or Hamas violence once.
A least one of the mods should have been assigned fact-checking duty. Not many falsehoods were posted, but some were and community-members had to address them.
As expected there were lots of people posting watermelons, flags, and FtRttS. But, surprisingly, nobody was spamming it. I've written before about why the phrase FtRttS is upsetting to me personally, but I'll probably do a larger breakdown about i in the coming week. I appreciate that in general, people did seem to use it respectfully, in good faith, and without clear aggression toward Jewish people. There was some clear aggression toward Israelis (as in citizens not politicians), in general, but not too much or from too many people.
The Bad and Pretty Ugly (This is why I ultimately have to step away and other Jews might have to as well. At least for awhile):
Honestly, for all the care that people put into this stream, there was a general apathy toward and invisibility of Jewish people suffering in this crisis. Like I said, nobody on the on-screen Drawfee team did anything antisemitic. That was nice. Unfortunately, it didn't really seem like any actual effort was put in to determine what links were worth sharing. It was more of a "the mods like this one so it's allowed" sort of thing. Even cursory research on most of the links shared involved blatant instances of antisemitism, historical revisionism, or that just in general fell apart on any inspection whatsoever.
They could have made a lot of Jews feel seen and heard by mentioning the hostages even once, acknowledging 10/7 even once, acknowledged even once that Israel continues to be bombed from Hamas and Hezbollah daily, acknowledging that this is a war with two sides that both require an end to violence...literally any ONE of those things would have made a difference. But it was all just ignored, which is far too common when dealing with this conflict. This is especially painful for Jews who, like me, have experienced social isolation and digital ghettoization during this time. I think a lot of Jewish viewers will struggle to reconcile how this echoes a lot of the erasure that we all feel in our daily lives and in our digital spaces and in our hybrid digital and in-person communities. (<- Reblog 2 contains the accounts of The Jewish Experience of antisemitic erasure and ghettoization)Like, I do understand the argument that this is about providing humanitarian relief, but I also don't know why so many creators (and this is NOT unique to Drawfee) pretend like Jewish suffering is not relevent to ongoing discussions.
The mods posted links that supported UNRWA and some chatters spoke up in support of the UNRWA without any consequence. (All links here are verified as highly credible with high factual reporting standards via Media Bias/Fact Check and represent analysis from left-leaning, right-leaning, and least-biased sources)
One mod also posted a link to decolonizepalestine(.)com (not including the link because i don't want to support blatant propaganda). I have shared information about this terrible, bad-faith website before but there's so much more to pick apart here that I will reserve an evaluation of it as a source for a whole post of its own, unrelated to Drawfee. This website does cite its sources, but it provides no mechanism for readers to evaluate those sources. They are not hyperlinked and each individual citation must be looked up individually. I don't even have remotely enough time to do that right now. But if any of my bookwormish allies wish to tear apart those sources or the website in general, be my guest. Tagging y'all for visibility, but do not feel like I am actually asking you to do this work. It is simply something to add to the list of bad sources that we'll have to tackle at some point. cc: @comradevo @the-road-betwixt @faggotry-enjoyer @arandomshotinthedark et. al.
The mods also shared arab.org a few times. It is weird to me that they could have recommended AllMEP, which routinely emphasizes interfaith and intercultural and international cooperation and peace, but instead chose this much less evaluate-able source that excludes any efforts to find cooperative peace between Israel and Palestine. I had not heard of Arab.org before this stream and when I started to look into it, I fell into a bit of a rabbit hole:
So, first of all, Arab.org is a charity? organization? network? based in Beirut, Lebanon. I can't find them on Charity Navigator. The homepage didn't have a clear mission statement, so I navigated to the About Us tab. That gave me a little more information.
There, they state that their vision is to, "Empower people & organizations to do good." - Vague, but inoffensive. OK.
They state that they have three objectives:
Raising awareness, which they define as, "Civil society’s active role and through active collaboration." -- Vague but inoffensive.
Raising hope, which they define as, "Enabling the use of technology to innovate ways of contributing to the wellness and welfare of society." -- Vague but inoffensive.
Raising standards, which they define as, "Education, Reporting, Communication to & from civil society in the Arab World." -- Unclear, but inoffensive. Are they trying to raise the standards of these listed items within the Arab world or are they trying to raise international standards to be more inclusive of these listed items that originate from within the Arab world. And how do they define increased standards? Whose standards? IDK. This doesn't tell me anything really, but it also doesn't tell me anything bad, necessarily?
So what about their principles? Well, they list 5:
"Collaboration: Only together as a collective, can we bring about real change and betterment to society." -- OK, fine, but this still tells me nothing.
"Transparency: We conduct our business with a high level of transparency and a simple development model and we publish our impact publicly." -- Great! Excited to explore that!
"Innovation: We use our skills and creativity to make the world a better place. We want to make it possible to both inform and take action to solve the problems we discover." -- Intriguing, but how?
"Inclusion: We champion the inclusion of everyone in society, whether it is part of civic inclusion or charitable inclusion." -- This sounds really promising!!!! I'm excited to learn more!
"Leadership: We believe in taking the lead whenever wherever required by empowering individuals and organizations to influence others towards common goals." -- Gonna be honest, this just sound like vague buzzwords to me, but if they actually accomplish what they set out to do, great.
Luckily, each of these principles was clickable.
Let's start with "Collaboration"!
This takes me to a weirdly vague page with a gif of various men helping each other climb out of frame. The text below it says "We are currently on the look out for the following technology/platforms/businesses relevant to civil society" and then a list of pretty random things, some of which have checkmarks near them. Why is the formatting so strange? Why don't they all have checkmarks? Why is only the indicated section clickable but none of the other things? Where is more info about any of these items?
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But fine, lets click that one clickable link about online marketplaces.
It doesn't actually take you to a marketplace but a page where artisans in the Arab world can submit their information. Submit heir information for what? Well, this is what the website says:
We understand how difficult life is for craftsmen & craftswomen to compete with mass-producing giants. We’re here to change all that. We are creating a win-win-win relationship whereby all sides benefit from our new platform “Shop to Help"
The "Shop to Help" is not clickable. I have no further information on what this is.
Fine, there's one more thing to click on this page: a list of Arab.org's partners.
First up: The Arab Institute for Women at Lebanese American University. Clicking on the info there takes me to the AIW:LAU website. Arab.org says the organization used to be called "Institute for Women’s Studies in the Arab World," but I couldn't find anything on Charity navigator for them either. Cursory research on them shows they've been around for 50 years. Fine. I'm not doing an evaluation on them right now (anyone who knows anything about them feel free to comment. I just don't have time) I was just investigating how they partner with Arab.org. I didn't find anything about that aside from a list of AIW's partners, which lists Arab.org amongst them. Clicking the link to Arab.org just takes me back to the homepage. I've learned nothing.
Next: They list Bayt.com, which is a job search site. Clicking that link takes me to the Bayt homepage. I couldn't find that addressed partnerships of any kind was their affiliate links page? But becoming an affiliate helps the affiliate make money, not Bayt. So I'm unsure what's going on or if this is even related.
Third: Building Markets. As far as I can tell, this is a real organization. I also cannot find them on Charity navigator, nor can I find any information about how they partner with Arab.org from their website. They do clearly share their financial information, though, which is great. I neither endorse nor condemn this organization. I'm not investigating them right now.
Fourth: Takreem Foundation. I CAN FIND THEM ON CHARITY NAVIGATOR! But they aren't rated. A search of the Takreem website shows no affiliation with Arab.org or accessible financial information.
Fifth: #GivingTuesday Woohoo! They are on Charity Navigator and have a pretty high rating! However, there's no evidence of a link between them and Arab.org, and the organization claims to have no list of official partners or participating organizations. Odd. Did Arab.org run a #GivingTuesday campaign and highlight #GivingTuesday instead of the organization they were giving to? Idk. And I don't have time to figure it out.
Sixth: CSR Engine. It's just a website with nothing on it except the statement "World’s first business for good solution to assign & align CSR activities seamlessly using AI and blockchain technology," which is the same text available about it from the Arab.org partners page. It does show it's affiliation with Arab.org...by listing Arab.org as a customer and then linking back to the Arab.org homepage. WHAT IS GOING ON.
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Finally, and buckle up for this one cuz its a doozy, Greenpeace: I'd actually heard of this one, but I don't really know anything about it. Clicking Greenpeace doesn't even take you to the real Greenpeace MENA site. It just takes you to Arab.org's really weird write up page about Greenpeace. So, instead, I searched for Greenpeace on Charity navigator, where it got a 100% rating. Awesome! I clicked the charity navigator link, which took me to the Greenpeace Fund website. But wait a second. What's their connection to Arab.org? Well, there was no search function on the GreenpeaceFund website. So, I typed Greenpeace into google and uh?????
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What?
That was surprising. I clicked the link and...
It showed me a totally different website...
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Than the one I was just on...
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Mods and the Drawfee crew stopped people from sharing links unless those people were mods. That was a super good choice which I fully support. But why did the mods share THESE links?
Well, I had the websites both open in side-by-side tabs.
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That's...odd... So I studied the URLs more closely...
The lighter green G that's less pixelated? THAT ONE is the Greenpeace Fund. That is the one with penguins and a 100% charity navigator score.
The one with the lime green, pixelated G? That's Greenpeace International, a conspiracy/pseudoscience website with low crediblity.
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But hey, the Greenpeace International website says there's a MENA-based branch. And, upon closer inspection, the Greenpeace International MENA website is the one that was linked on the Arab.org page. Maybe that one was better?
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Clicking it took me to the Greenpeace MENA site...
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which gave me another blinking Conspiracy Alert Icon from Media Bias Fact Check.
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Just to be safe, I typed Greenpeace MENA into google, and fam... it is not better.
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PS: searching ANY Greenpeace website for Arab.org showed no results.
In one last-ditch effort, I checked the Transparency page, where Arab.org claims to be "leading by example" in sharing all their documentation for charitable donations. And y'all it's fucking weird.
Let's stick with Greenpeace cuz they're already open tabs on my computer.
First of all, Arab.org's "leading by example" financial disclosures...
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...are literally just the "Thank you for donating" receipts that you get whenever you donate to any cause. It's fucking weird.
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And yeah, you read that right. For all of the 4th financial quarter of 2023, Arab.org donated just $109 TO THE ORGANIZATION WHICH THEY CALL A FEATURED PARTNER.
"OK," you say. "Well, there was a fucking lot going on in the fourth quarter of 2023. They were probably more focused on Palestine." Sure, lets check out their donation history to UNRWA (which, btw, is still a not great charity)
In case you don't want to click another link--Spoiler alert, they only donated $380. For the whole quarter.
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And before you say, "But Eden! You must have missed it Arab.org is another organization called The Olive Tree (The Olive Tree SAL). That must be where the REAL work takes place!" Look at the mission statement of that one! The call themselves, "A mission-driven social enterprise startup making an impact for the common good.''
No.
The Olive Tree SAL is not on Charity Navigator. It's just another nothingburger website that links back to Arab.org and has no search function or further information.
This is the entirety of the website:
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And a weird little LinkedIn logo that takes you to the organization's business page on LinkedIn.
From what I can tell, Arab.org just uses Ad revenue to generate minimal donations for charities and organizations of varying credibility that mostly don't even seem to know that Arab.org is even doing anything related to them. And that are designed to make people who are basically uninformed on the whole topic feel good for clicking on a link.
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IDK, color me unimpressed. But I'm frankly a little mad that I spend so much fucking time trying to promote charities and organizations that promote peace between Palestine and Israel with actual detailed financial reports and disclosures that seeing this really makes me upset. Maybe if people actually listened to Jewish people with a lifetime of experience dealing with this conflict and trying to help solve or even Palestinian people on the ground who are affected by all this, they might instead focus their energies on one of the many organizations that are actually doing something to help alleviate suffering, increase empathy, encourage education and interfaith dialogue, learn to use language that is respectful of everyone undergoing and who has survived trauma, or build a peaceful future.
Whatever.
Donate to an AllMEP Charity:
And the craziest thing is that I'm gonna be the one who gets hate for this--even tthough I've been so driven out of most fandom spaces and discourse spaces that I can't even tag Drawfee here, let alone I/P, Palestine, or (G-d-forbid) Israel and get this to reach people who this could actually hep.
Because every time I try to engage, I'm inundated with messages like this:
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nofomoartworld · 7 years
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Hyperallergic: The Greatest Biennial of All
The 2017 Whitney Houston Biennial (all photos by the author for Hyperallergic)
Three years ago, the Whitney Museum opened its last biennial in the Marcel Breuer building, a sprawling but largely inward-facing show that drew heavy criticism for its lack of diversity. Just a few days later, a one-night exhibition of 85 women artists popped up in a small studio space in Brooklyn. Though it wasn’t expressly positioned as a response to the Whitney Biennial, the Whitney Houston Biennial seemed to revel in inclusivity and, in that sense, felt like a rebuttal.
Now the 2017 Whitney Biennial has arrived in the museum’s new home, bringing it with both praise — for showcasing a more heterogeneous group of artists engaged with the world around them — and considerable critique — for hollow depictions of violence. Alongside it, the Whitney Houston Biennial has quietly made a return too, in a space run by Chashama just 1.5 miles from the main event and lasting for 10 days instead of four hours.
Nadja Verena Marcin’s cheeky video “How to Undress in Front of Your Husband” (2016), HD video, 13 mins
Artist and curator C. Finley founded the Whitney Houston Biennial, and she’s the organizer once again of the 2017 edition — with considerable help from a large group of women and queer folks. That part is important, because for her, the show is as much about art as it is about community and “creating connections” for the artists involved. “It encourages people,” she says of being included in the exhibition, especially students whose work is hung alongside art by the likes of Linda Mary Montano. For better or for worse, in the art world, “you get things by who you know. This is who we know.”
Francena Ottley, “Seat of Heritage” (2016), 26 x 15 in
As in 2014, that “we” seems to encompasses a genuinely broad spectrum of artists, though the one common factor among the 167 of them may be that they’re not household names (with Anne Carson and Justin Vivian Bond among the few exceptions). Walking through the show, which covers nearly every inch of wall space and a chunk of the floor — Finley calls this, fondly, “my crazy, salon-style weirdness” — I recognized work by some friends and acquaintances but spent most of my time appreciating all that was new. I paused for a while to look at and listen to Dominika Ksel’s haunting tribute to science fiction writer Octavia Butler, “Parable of Democracy” (2017), and watched, nearby, Nadja Verena Marcin’s cheeky video “How to Undress in Front of Your Husband” (2016). I pondered Patricia Dominguez’s intriguing prints in “The Museum of Seagulls” (2017) and marveled at a trio of pieces by Francena Ottley, including a miniature chair that appears to be made entirely of hair. I laughed many times, not least thanks to the Cake Butt Collective’s snappy “King Cake” video (2016) and Meegan Barnes’s clever sculpture “Peek-a-boo Versace Booty” (2016). Each participant was asked to pick a female-identifying “pioneer” who inspires them; those short response texts — on subjects ranging from Venus figures to famous artists like Lynda Benglis to a librarian in Havana to many people’s mothers — are included on the wall labels and make for a lot of interesting reading, if you’re inclined to do it.
It’s difficult to know what to make of a show like the Whitney Houston Biennial, where the sole determining factor for participating artists is their womanhood (Finley says applications were open to anyone who identifies as such). There’s a beauty to the diversity — of identities, media, and styles — but there’s also the feeling of a grab bag, plus the nagging question of whether it ghettoizes its participants. In 2014, the scrappy show blew into a stifled art world like a breath of fresh air; in 2017 and the days of Trump, there seems to be less distance between the Whitney and Whitney Houston (both literally and figuratively), and the latter, lacking any kind of unifying theme, risks not having enough of a clear purpose.
For Finley, the show’s value lies in the creation of a community, exposure for artists, and possible sales. I find myself agreeing — promoting the work of lesser-known women artists is always a social and hopefully an economic good. But I was also encouraged to hear that Finley wants, starting in 2019, to bring on younger curators, with an eye towards passing the biennial on to them to shape as they see fit. In a doggedly sexist world, the Whitney Houston Biennial remains necessary, but it’s still figuring out how to grow into a force of its own.
Installation view, 2017 Whitney Houston Biennial, with Angel Favorite’s “Intention Platform” in foreground
The Cake Butt Collective, “King Cake” (2016), video
Dominka Ksel, “Parable of Democracy” (2017), woven cotton, 80 x 60 in
Installation view, 2017 Whitney Houston Biennial
Jennifer Mack-Watkins, “Afro Hawk” (2011), silk screen, 26 x 35 in, and “Black Warhol” (2011), silk screen, 26 x 40 in
Above: Daniela Gomez Paz, “Tierra” (2016), melted fabric, expired pigments, tempera paint, crayons, found resin, and objects, 9 x 12 in; below: Megan Pahmier, “Of the Same” (2014), paper, 3 x 6 x 1 in and “Soft Sound” (2014), paper, 7 x 9 x 1 in
Foreground: Aniahs Gnay, “Thumbs Fell from the Sky” (2013), 24 x 36 in; background: Gabriela Vainsencher, “El Objeto Que Se Acuerda” (2016), archival inkjet print mounted, 72 x 88 in
Jia Sung, “As you can see, i have: a red heart, a white heart, a yellow heart, an avaricious heart, a greedy heart, an envious heart, a petty heart, a competitive heart, an ambitious heart, a scornful heart, a murderous heart, a vicious heart, a fearful heart, a cautious heart, a perverse heart, a nameless obscure heart, and all kinds of wicked hearts, but not a single black heart.” (2016), oil on panel, 33 x 12 in
Work by Desiree Des in the 2017 Whitney Houston Biennial
Installation view, 2017 Whitney Houston Biennial
Becky Flanders, “Vagina Deathstare” (2015), archival inkjet print, 20 x 30 in
Patricia Dominguez, detail of “The Museum of Seagulls” (2017), 9 digital prints, 24 x 34 in
Installation view, 2017 Whitney Houston Biennial
Keri Oldham, “Hungry Ghosts” (2016), watercolor on paper, 24 x 32 in
Elana Langer, “Trigger Spray” (2017), bottle, label, aromatherapy spray, humor, 1.5 x 4.5 in
Foreground: Tora López, “Baroness” (2017), cast porcelain and resin stand-to-pee device, 1.75 x 8.125 x 1.625 in; background: Amy Khoshbin and Anne Carson, “I was born for love not hatred” (2017), double-sided felt banner, 120 x 57 in
Installation view, 2017 Whitney Houston Biennial
Alex Nuñez, “Whitney” (2016), mixed media on vinyl album cover, 14 x 14 in
Entrance to the 2017 Whitney Houston Biennial
The 2017 Whitney Houston Biennial continues 325 West Broadway (Soho, Manhattan) through March 29.
The post The Greatest Biennial of All appeared first on Hyperallergic.
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channelpartnernews · 7 years
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