Joan Bennett and Dan Duryea in 'The Woman in the Window' (1944).
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Charles Dingle, Dan Duryea, Carl Benton Reid, and Tallulah Bankhead in Broadway’s “The Little Foxes” in 1939.
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Dan Duryea, George Kennedy, and Ernest Borgnine in Flight Of The Phoenix (1965)
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When your obsession for a god on earth person is so insane that even the dingiest pictures of them are instantly grabbed
Peter Lorre + Dan Duryea - lobby card for "Black Angel"
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Along came Duryea
Best known for his villainous roles, Dan Duryea was a staple of Noir and Westerns (seen here pointing a gun at Gary Cooper)
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Dorothy Lamour and Dan Duryea on set of Lewis R. Foster’s MANHANDLED (1949)
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NOIR CITY bonus screenings have been added!
Monday 1/30: TOO LATE FOR TEARS (5:00, 8:30) and WOMAN ON THE RUN (7:00)
Wednesday 2/1: WOMAN ON THE RUN (5:30, 8:45) and TOO LATE FOR TEARS (7:00)
Admission will be at regular Grand Lake Theater prices: Gen Adm $13; Child/Senior $9.50; Matinee $7.50 NOIR CITY passports will be honored for all screenings.
TOO LATE FOR TEARS (1949)
For many years, all 35mm prints of "Too Late for Tears" (1949) were believed lost, but through the determined efforts of the Film Noir Foundation, enough original material has been discovered to enable a restoration, performed under the auspices of the UCLA Film & Television Archive. Based on a novel by future television titan Roy Huggins, and featuring Huggins' own brilliant screenplay, the film is a neglected masterpiece of noir, awaiting rediscovery. A suburban housewife (Lizabeth Scott) decides to keep a satchel of money accidentally tossed into her convertible, against the wishes of her husband (Arthur Kennedy). Dan Duryea plays the intended recipient of the cash and he’s not into sharing. The result? Mayhem and murder.
Dir. Byron Haskin
WOMAN ON THE RUN (1950)
A lost gem rediscovered! Thanks to the efforts of the Film Noir Foundation, this terrific 1950 film noir, the only American print of which was burned in a 2008 fire, has been rescued and restored to its original luster. Join the wild chase around San Francisco as a man goes into hiding after witnessing a gangland execution. Police bird-dog his wife Eleanor (Ann Sheridan), certain she’ll lead them to her husband, whose testimony against the killer could bring down a crime kingpin. But Eleanor and her hubbie are Splitsville—she never wants to see him again. When roguish newspaperman Danny Leggett (Dennis O’Keefe) charms Eleanor into helping him track down the hidden husband—there are unexpected, stunning and poignant results. This nervy, shot-on-location thriller is a witty and wise look at the travails of romance and marriage, and perhaps the best cinematic depiction ever of mid-20th century San Francisco.
Dir. Norman Foster
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Rod Serling ֍ Dan Duryea & Malcolm Atterbury in The Twilight Zone Season 1 Episode 3: Mr. Denton on Doomsday (1959)
Portrait of a town drunk named Al Denton. This is a man who's begun his dying early - a long, agonizing route through a maze of bottles. Al Denton, who would probably give an arm or a leg or a part of his soul to have another chance, to be able to rise up and shake the dirt from his body and the bad dreams that infest his consciousness.
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Yvonne De Carlo-Dan Duryea "El enmascarado" (Black bart) 1948, de George Sherman.
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