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#the woman in the window
mastercontrol123 · 6 months
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Happy 45th Birthday Anthony Mackie!❤️
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hollywoodlady · 1 month
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Joan Bennett and Dan Duryea in 'The Woman in the Window' (1944).
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The Woman in the Window (Fritz Lang, 1944)
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dilfgifs · 2 years
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ANTHONY MACKIE starring as Ed Fox The Woman in the Window (2021) | dir. Joe Wright
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thishadoscarbuzz · 2 months
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275 - The Woman in the Window (Patreon Selects)
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We're wrapping up our run of Patreon Selects episode with a real doozy! Originally intended for 2019, The Woman in the Window was meant as a prestige adaptation of a popular thriller, packing quite the pedigree. With the attached talents of director Joe Wright, writer Tracy Letts, and star Amy Adams (along with a stellar supporting cast), the film follows an agoraphobic who witnesses a murder across the street, setting off a mystery of mistaken identities and skewed perceptions of reality. Then, it was hit by a rapid succession of misfortunes including the Disney-Fox merger, a cringe-inducing exposé on author A.J. Finn, and, well, the pandemic.
This episode, we talk about what went wrong and what might have been watered down by the Tony Gilroy reshoots. We also discuss Adams' recent run of disappointing roles, our hopes for Nightbitch later this year, and Jennifer Jason Leigh joins our Six Timers Club!
Topics also include the emergence of Fred Hechinger, Julianne Moore's brief boozy performance, and the film's somewhat unceremonious Netflix drop.
The 2021 Academy Awards
Vulture Movies Fantasy League
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poeta-efemera · 3 months
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Play na programação de ano novo enquanto estou com suspeita de covid
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pacingmusings · 1 year
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Seen in 2023:
The Woman in the Window (Fritz Lang), 1944
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The Woman in the Window (2021)
Director: Joe Wright
Cinematographer: Bruno Delbonnel
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filmnoirfoundation · 7 months
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ASK EDDIE returns Thursday, September 7, 7:00 PM PT to our Facebook page, https://www.facebook.com/filmnoirfoundation/live
FNF prez Eddie Muller responds to film noir fan questions fielded by the Foundation's Director of Communications Anne Hockens In this episode, we discuss “Oppenheimer”, why audiences laugh inappropriately at classic film screenings, how to get the most out of a NOIR CITY film festival, Fritz Lang’s “The Woman in the Window” vs. “Scarlet Street”, if either the Dick Tracy or the Charlie Chan films can be considered film noir, and more. We wind up the show with a discussion of Westerns, both noir and not. On the cat front, Charlotte is curious and Emily sleeps.
Want your question answered in a future episode? We solicit questions from our email subscribers in our monthly newsletters. Sign up for free at https://www.filmnoirfoundation.org/signup.html
Everyone who signs up on our email list and contributes $20 or more to the Film Noir Foundation receives the digital version of NOIR CITY Magazine for a year. Donate here: https://www.filmnoirfoundation.org/contribute.html
Can’t join us on Thursday? No problem! A recording will be up on our YouTube channel, @NoirCity, on Friday, September 8: https://www.youtube.com/user/NoirCitySF
Note: Eddie will not be able to answer questions posted during the livestream nor ones left on our social media accounts
This week's questions
This past Saturday night, we were in your audience at the Music Box Theater in Chicago for the screening of “Call Northside 777”. For some viewers, the 1948 dialogue seemed hopelessly funny, no matter how serious the scene, whereas for others, the same dialogue elicited no such reaction. Do you see this kind of split reaction among viewers when you present noir films across the country, and if so, what do you make of it?  (Is it okay to laugh at a serious scene if/when the dialogue sounds too hokey to sustain the mood?) -Mike I am planning to attend my first NOIR CITY this year. Any suggestions for first timers to maximize the experience? -Carlton, Atlanta, GA Could you put in a plug for the downloadable back issues of NOIR CITY Magazine? -Jerry, Burke, VA What should take precedence …the music or the sound? Very often, if the sound effects are that powerful and important, they take the music out. There are directors who feel that one shouldn’t hear the music.  Music can be overshadowed by horses’ whinnies, or anything the sound-effect person put into the track prior to the musical scoring. -Alan, San Anselmo, CA. I have a question concerning noir films set in England but staring American actors. In "Night and the City” Richard Widmark would not be able to obtain a work permit. Burt Lancaster in "Kiss The Blood off My Hands” is in England illegally, having jumped ship. How does Bill Saunders not get deported at the end of his prison sentence and how does he get a legitimate job as a truck driver without a passport or work papers? Also, there is nothing in the plot that makes it imperative that it be set in England. The story could easily have been changed to take place in the States. Why not make this change? Or am I the only one who notices or cares about such details? -David Fishman, Chesterfield, VA Curious if Eddie is familiar with a tongue-in-cheek 1954 homage to Film Noir produced as a 30-minute black and white episode of "The Adventures of Superman" TV series titled "Semi-Private Eye”. -Brian In watching TCM's marathon of Dick Tracy movies recently, it struck me how Noirish these RKO B movies were. Would these Dick Tracy movies be considered Film Noir? If so, would Eddie show them either on “Noir Alley”, or at a Noir film festival? -Scott, Los Angeles, CA Would you consider the Charlie Chan movies noir, and should they be aired regardless of the Chinese aspect of them? -Gerard It’s so interesting that Fritz Lang basically remade his 1944 film, The Woman in the Window, just a year later with “Scarlet Street”.  Do you know of any other instances where a director made such a close variation on his own film?  Also, which of the two films do you think is better?  -Kingpin Johnny, Doylestown, PA I recently watched a batch of early 1930s Joan Bennett movies and was struck by the contrast of her wise-cracking, sassy characters in those films with the film-noir roles she would go on to play in the '40s and '50s. Can you think of any other actresses that made a similar transition? -John from Bethesda Would Eddie consider "Julie" to be Doris Day’s noir film? Maybe “Midnight Lace”? -Pam Eddie, are you a fan of Westerns and what are your favorites? Would any qualify as noir? -Kitaman
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tiniestpebble · 8 months
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reblog if you also love gary oldman!
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📸: harry potter and the prisoner of azkaban [2004], the dark knight [2008], batman begins [2005], the woman in the window [2021], harry potter and the deathly hallows: part 2 [2011]
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the woman in the window |1944|
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ruleof3bobby · 1 month
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THE WOMAN IN THE WINDOW (2021) Grade: C-
It's definitely cheesy and a rip off of a couple storylines. It has a crazy good cast in almost every speaking line. The longest ending ever it felt, blew LOTR out in that category. The ending was not a great twist, at least a 1 of the endings.
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lovelyylittleladyy · 10 months
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The Woman in the Window by A.J. Finn
BOOK VERSION:
i haven’t seen the movie yet, so this is what scenes i was imaging while reading.
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moonmitski · 1 month
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i hate when i finish a good book it’s like what am i supposed to do with my life now?
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imdefyingmavity · 11 months
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Watching The Woman In The Window after watching The Woman In The House Across The Street from the Girl In The Window just turned it into a comedy.
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