children absolutely terrify me most of the time, but whilst I was walking back from work today, the kids were all leaving one of the primary schools and it was crazy hair day, they were adorable
1 note
·
View note
"Oh, fuck no." The door is slammed, unfortunately for him, the guy stuck his foot in the jamb and pushed it open again.
"C'mon luv!" Constantine smiles charmingly, not waiting for Danny and entering the apartment.
At least Batman, Nightwing and Spoiler had the patience to wait for him to invite them in. Sagging against the door, he beckoned them inside.
Despite the caution, Spoiler gleefully stepped in, looking around like a child in an amusement park— which might not be too far off.
His apartment is, with all its wards and enchantments, very magical inside than it is outside.
The planetary system of another world, used as light for the living room and for practice.
(Nightwing is careful with what he touches. He still remembers the hours they spent in Mumbo Jumbo's hat.)
Batman on the other hand is following Constantine and Danny to what he assumes to be the office, if the amount of magical stuff carelessly laying around means anything.
"Alright fucker, what are you doing here? And how did you even know I live in gotham?"
John had the audacity to look abashed, scratching the back of his head with a nervous chuckle.
"Something came up and you know Gotham doesn't like me. She is much more used to you and I wanted to introduce bats to you, in case of emergency."
The young adolence stares owlishly.
(How did Constantine expect him to act at the fact that he's trusting a magical situation into the hands of a stranger?
Batman isn't sure how good the boy even is!)
"That's incredible thoughtful of you Connie." Danny hums. "What did you lose for your sorry ass to come here?"
Spoiler snorts, petting a red salamander. "He didn't lose anything." She reassures with a wave, giving an exaggerated smile and raising her brows to show that she's finding it very amusing.
Constantine sputters.
"Ancient knows how Zatanna and Raven deal with him."
Nighteing perks up from the side where he'd looked over the books, some pixie fairies(?) fawning over him? "Raven? You know her?"
Danny suppresses another sigh.
1K notes
·
View notes
the way hozier titles a song "i, carrion (icarian)" where he sings about the self-destructive idea of sacrificing himself by flying into sun to save his relationship, and compares himself to 'carrion', the decaying flesh of animals, often a word used for roadkill. to then go and write a song called "abstract (psychopomp)" about how holding an animal whilst it dies mirrors the mercy of ending a failing relationship, similar to a 'psychopomp' - a deliverer of death. and we watch as hozier turns from 'icarian' to 'psychopomp' when he realises that prolonging suffering is crueler than just letting love die. i'm both in awe and crying on my bedroom floor.
and the way a carrion crow is also a symbol of death ?? and how 'carrion' sounds like 'carry on' the way icarus kept going ?? and how he sounds envious of his lover's courage in "abstract" ?? how when the sun is gone - "streetlights in the dark blue" - he can no longer blind himself and is forced to look at the corpse of his relationship ?? how to love is to let go ?? how can he keep getting away with this i'm sobbing ??
848 notes
·
View notes