Fridtjof Nansen, In northern mists: Arctic exploration in early times, 1911 (cover image of volume 2)
VS
Zaha Hadid, MAXXI: Museum of XXI Century Arts, Rome, Italy, 1998-2009 ph. Simone Cecchetti
Björk album performer, UH music lecturer named Pulitzer finalist
Björk album performer, UH music lecturer named Pulitzer finalist
Anne Leilehua Lanzilotti
Finalist for the Pulitzer Prize in Music is the latest major accolade for a University of Hawaiʻi at Mānoa music lecturer. Kanaka Maoli (Native Hawaiian) musician, composer and scholar Anne Leilehua Lanzilotti was named one of two Pulitzer finalists for a composition called “with eyes the color of time.”
Eli Spindel conducts the viola section of the String Orchestra of…
Edward Hopper (American 1882-1967), Standing Female Nude, 1920–1925. Drawing, fabricated chalk on paper; sheet (Irregular): 18 × 12 1/16 in. | 45.7 × 30.6 cm. (Source: Whitney Museum of American Art)
Fire suppression p.1 & p.2: “Flame Retardant” & “Building Potential” Inspired by the PEM's ‘Our Time on Earth’ exhibit
I was gladly surprised to see the exhibit’s various optimistic installations, especially the building materials of the future. As a forestry student I am beginning to understand our relationship to our forests differently. In the US, forest policy which aimed to suppress wildfires has contributed to a century-long build up of fuel that would otherwise have been cleared by controlled burns or small spontaneous ground fires. Indigenous peoples shaped the forests of the Americas to require these controlled burns. More and more I realize that indigenous knowledge and collaboration is a necessary part of the stewardship of future. A concept which is present at large at the museum but also specifically within Our Time on Earth. Getting a ‘sustainable’ amount of lumber from our forest still disregards the health and purpose of these trees to a diverse and complex ecosystem. It is essential that we diversify our building material, to include carbon-negative things like mycelium! Natural resources that are close by, and at hand in our local environment, which doesn’t require chopping down a tree 3000 miles away and transporting it to the US. We need local resources whose collective cultivation lead to a sense of community and collaboration. A better future!
My thanks to lane.m.artin for collaborating with me for p.2!
At the Dubai Museum of Contemporary Art there's a scanner digitizes the visitors’ drawings and then using neural networks animates them and adds them to the virtual forest.
A second and very different piece from the Brooklyn Museum for #CephalopodWeek:
Jesse Krimes (b. 1982)
Blackwater, 2021
Assorted textiles
Brooklyn Museum
“To counter the dehumanizing isolation of incarceration, Jesse Krimes works collaboratively with currently and formerly incarcerated individuals to create artworks out of old clothing and textiles that evoke memories of home. The artist developed his own practice while serving a six-year prison sentence. In this work, Krimes regards the tentacled animal as "a panoptic state of surveillance" and alludes to the eugenic and white supremacist ideas embedded in American zoology. The title, Blackwater, refers to a prison in Florida.”