HAZBIN TRAILER OBSERVATIONS!!
Okay, so this shot tells us a lot about the geography of The Pride Ring. We see that the Hotel’s wayy out, really sending the message that the sheer concepts of hope, redemption, and everything it stands for is outcasted and rejected by the rest of the city. The Clock Tower is in the heart of the city, showing how it is the main cog in the machine. The Porn Studios building on the left, poooossibly the Cannibal Colony or Rosie’s Emporium on the lower right. There’s also a lovely balanced distinction of modernity shown in the absence or presence of neon lights dotting the buildings throughout various districts. This shows that the Sinners prefer to live in conditions similar to those of when they were alive. Heaven, as well as a weird red moon are also visible.
This looks like Cherri’s attacking the Hotel with one Hell of a pyrotechnic display (Seriously, how does one attain such a massive singular smoke bomb??) Possibly because she is aware that Sir Pentious is taking sanctuary there. Luckily Alastor’s Radio Tower looks like it came through unscathed.
Looks like Alastor and Charlie are taking a stroll in the same park in the Prequel comic.
I love how everyone looks so fake and nervous and then Razzle and Dazzle, Charlie’s lil’ protectors/assistants/plushies are just looking so pure and adorable. Actually zoom in on their faces, do it. Also, as soon as you see Husks face, the frame can officially get worse. Also there’s a bag of drugs or.. something on the table, I’m guessing PCP knowing Angel. It bears resemblance to the bag in the pilot.
It’s also here, on the right side of Lucifer. So we now know some sort of celebration was at the Hotel, and Lucifer visited. Decorations are still up.
Travis. What the Hell’s he doin’ there?? Love to see him back for a gag. Also, someone try and read that script. There’s a memo or mail box on the side that is overflowing. This building looks similar to a setting in R2NinjaTurtle’s Valentino Board Animatic. Same with Vox’s Tv Screen Lair Thingy.
Nice shot from the ‘Happy Day in Hell’ Song number of the Cannibal town with a lovely late 1800s-early 1900s theme. Bring back this fashion, or like a cool, modern-inspired version. Please. Also, there’s a lil’ Chimney Sweep who looks like this very Dick Van Dyke-inspired O.C. I drew a while ago (maybe it is him, you decide).
Alastor took the trouble of talking to this nice overlord chap while filming this nice man who is in the process of committing unspontaneous combustion.
This shrunken voodoo head is here, while Alastor and a nice lady with a dead fox scarf and an oversized version of Voldemort’s wand repurposed as a cane are in the background.
Just appreciation for how perfectly this frame captures their personalities.
Charlie: You’re doing awesome, my script is great, isn’t it? I’m so happy at this moment.
Vaggie: I’m too tired for this crud.
Angel: I’ve read some real interesting scripts in my time but none as terrible as this one. Also someone get me outta this coat, it’s filthy an’ it reeks of the 40’s.
Niffty: *gremlin* Seriously, stop looking at him like that girl.
Husk: How the f*** did I end up here?? It’ll all be over soon.
Alastor. How to sit like a sir while plotting unavoidable carnage.
Pentious: Lollypop, lollypop oohh lolly lollypop, lolly pop, lolly pop- WHERE DID HIS HAT EYE GO?? WHY IS NO ONE TALKING ABOUT IT?? IS IT LIKE AN EXTENSION OF HIMSELF, LIKE HOW ALASTOR CAN MAKE HIS MICROPHONE DISAPPEAR UP HIS SLEEVE??
Nothing much about this one, it’s just one of my favourite frames in the trailer. I absolutely love how expressively and awesomely animated Alastor is here. Really captures his theatrical tone. And we get a snippet of Rosie’s voice!! Also the song is FIREE. It will hit so hard when it comes out and further context is given.
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double posting! (except half of this is just pure shitposting) woah!
spot waldo except, its which character was made by me or @slowdancer99
made in roblox spraypaint (this drawing was like ~20k paint count..)
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Műszak vége. A fotó az 1930-as években készült Budapesten, készítője Szendrő István. Magántulajdonban lévő 18x24 cm-es zselatinos ezüst.
via regifotok.hu Alapítvány a Kultúra Vizuális Kutatásáért
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91 year-old chimney sweep Titch Cox smiling on a London rooftop, 30th December 1969.
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Finally getting back into my old art projects and using them as an excuse to tackle gouache paints. Enjoying it as a whole even if i can be Impatient with it in the middle stages.
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