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#careful with that fax machine
spilladabalia · 13 days
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Rumah Sakit, "Careful With That Fax Machine"
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rastronomicals · 8 months
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5:37 PM EDT September 21, 2023:
Rumah Sakit - "Careful With That Fax Machine" From the album Rumah Sakit (2000)
Last song scrobbled from iTunes at Last.fm
File under: What the fuck is Math Rock
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waugh-bao · 8 months
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“I don’t have a - what do you call it? - machine thing [computer]... I don't have a mobile phone, either... a) I don’t need one and b) I've got no interest, really. I mean, I must admit I'm a bit of a charlatan when it comes to the mobile, because I'll often say - to Mick, for example - "Can I borrow your phone?" But I don't actually possess one of my own. Nor does Keith, by the way, who doesn't use a telephone at all. Very rarely. He very rarely rings anyone. He faxes people. He writes the best faxes in the world, but he's not a telephone man.”
Charlie Watts, 2010
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Yk what another good ship would be. Kon x Slobo. Bc we get SO MUCH
Rivals to lovers (that's Slobo w/ pretty much everyone but I digress)
T4T (you cannot tell me Lobo, and by extension Slobo, is not trans)
Clone4Clone
Punk4Punk
Kon can use his tactile telekinesis to shut of Slobo's pain receptors if he's having an especially bad pain flareup
And the INCREDIBLE bonus of Lobo and Clark seeing their clones kissing and going "let's not think about what this means about both of us."
It's everything I could want and I am ALWAYS up for T4T and Clone4Clone.
They can go back and forth about how unusual it is to just HAVE information in your head.
Kon: Hey Bo, what's the dumbest thing floating around in there?
Slobo: That's pretty subjective but prob'ly the time Lobo got a fax machine implanted in his mouth n' kept gettin' sexted across the galaxy.
Kon: .... Wow. Yeah. I would not have thought of that.
Slobo: Wut 'bout you?
Kon: .... I have the entire plot of M*A*S*H and its social implications and importance for its time just there.
Slobo: ...
Kon: ...
Slobo: The frag is MASH?
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the-casbah-way · 1 year
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Can i ask how old is Oct and Jed in the fic?
octavius is 45 and jed is 41 :3
and YES i will be describing the greying hair and permanent eye bags and smile lines so no one is allowed to picture them as sexy and young. and YES octavius is going to have shitty clicky knees during sex and probably will need to pop some viagra before the whole ordeal and i will be describing his dad bod in excruciating detail so that it’s physically impossible to imagine him as a twinkified 30 year old. only visibly ageing sexy men in my fics thank you very much
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batemanofficial · 2 years
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[madi has created a group chat]
[madi has added doctors (5) to the chat]
[madi has named the chat ’nightmare blunt rotation’]
[madi has left the chat]
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spacelazarwolf · 4 months
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in honor of that anon who said jews have done nothing for the world, here’s a non exhaustive list of things we’ve done for the world:
arts, fashion, and lifestyle:
jeans - levi strauss
modern bras - ida rosenthal
sewing machines - isaac merritt singer
modern film industry - carl laemmle (universal pictures), adolph zukor (paramount pictures), william fox (fox film forporation), louis b. mayer (mgm - metro-goldwyn-mayer), harry, sam, albert, and jack warners (warner bros.), steven spielberg, mel brooks, marx brothers
operetta - jacques offenbach
comic books - stan lee
graphic novels - will eisner
teddy bears - morris and rose michtom
influential musicians - irving berlin, stephen sondheim, benny goodman, george gershwin, paul simon, itzhak perlman, leonard bernstein, bob dylan, leonard cohen
artists - mark rothko
actors - elizabeth taylor, jerry lewis, barbara streisand
comedians - lenny bruce, joan rivers, jerry seinfeld
authors - judy blume, tony kushner, allen ginsberg, walter mosley
culture:
esperanto - ludwik lazar zamenhof
feminism - betty friedan, gloria steinem, ruth bader ginsberg
queer and trans rights - larry kramer, harvey milk, leslie feinberg, abby stein, kate bornstein, frank kameny, judith butler
international women's day - clara zetkin
principles of journalizm, statue of liberty, and pulitzer prize - joseph pulitzer
"the new colossus" - emma lazarus
universal declaration of human rights - rene samuel cassin
holocaust remembrance and human rights activism - elie wiesel
workers rights - louis brandeis, rose schneiderman
public health care, women's rights, and children's rights - lillian wald
racial equity - rabbi abraham joshua heschel, julius rosenwald, andrew goodman, michael schwerner
political theory - hannah arendt
disability rights - judith heumann
black lives matter slogan and movement - alicia garza
#metoo movement - jodi kantor
institute of sexology - magnus hirschfeld
technology:
word processing computers - evelyn berezin
facebook - mark zuckerberg
console video game system - ralph henry baer
cell phones - amos edward joel jr., martin cooper
3d - leonard lipton
telephone - philipp reis
fax machines - arthur korn
microphone - emile berliner
gramophone - emile berliner
television - boris rosing
barcodes - norman joseph woodland and bernard silver
secret communication system, which is the foundation of the technology used for wifi - hedy lamarr
three laws of robotics - isaac asimov
cybernetics - norbert wiener
helicopters - emile berliner
BASIC (programming language) - john george kemeny
google - sergey mikhaylovich brin and larry page
VCR - jerome lemelson
fax machine - jerome lemelson
telegraph - samuel finley breese morse
morse code - samuel finley breese morse
bulletproof glass - edouard benedictus
electric motor and electroplating - boris semyonovich jacobi
nuclear powered submarine - hyman george rickover
the internet - paul baran
icq instant messenger - arik vardi, yair goldfinger,, sefi vigiser, amnon amir
color photography - leopold godowsky and leopold mannes
world's first computer - herman goldstine
modern computer architecture - john von neumann
bittorrent - bram cohen
voip internet telephony - alon cohen
data archiving - phil katz, eugene roshal, abraham lempel, jacob ziv
nemeth code - abraham nemeth
holography - dennis gabor
laser - theodor maiman
instant photo sharing online - philippe kahn
first automobile - siegfried samuel marcus
electrical maglev road - boris petrovich weinberg
drip irrigation - simcha blass
ballpoint pen and automatic gearbox - laszlo biro
photo booth - anatol marco josepho
medicine:
pacemakers and defibrillators - louise robinovitch
defibrillators - bernard lown
anti-plague and anti-cholera vaccines - vladimir aronovich khavkin
polio vaccine - jonas salk
test for diagnosis of syphilis - august paul von wasserman
test for typhoid fever - ferdinand widal
penicillin - ernst boris chain
pregnancy test - barnhard zondek
antiretroviral drug to treat aids and fight rejection in organ transplants - gertrude elion
discovery of hepatitis c virus - harvey alter
chemotherapy - paul ehrlich
discovery of prions - stanley prusiner
psychoanalysis - sigmund freud
rubber condoms - julius fromm
birth control pill - gregory goodwin pincus
asorbic acid (vitamin c) - tadeusz reichstein
blood groups and rh blood factor - karl landsteiner
acyclovir (treatment for infections caused by herpes virus) - gertrude elion
vitamins - caismir funk
technique for measuring blood insulin levils - rosalyn sussman yalow
antigen for hepatitus - baruch samuel blumberg
a bone fusion technique - gavriil abramovich ilizarov
homeopathy - christian friedrich samuel hahnemann
aspirin - arthur ernst eichengrun
science:
theory of relativity - albert einstein
theory of the electromagnetic field - james maxwell
quantum mechanics - max born, gustav ludwig hertz
quantum theory of gravity - matvei bronstein
microbiology - ferdinand julius cohn
neuropsychology - alexander romanovich luria
counters for x-rays and gamma rays - robert hofstadter
genetic engineering - paul berg
discovery of the antiproton - emilio gino segre
discovery of cosmic microwave background radiation - arno allan penzias
discovery of the accelerating expansion of the universe - adam riess and saul merlmutter
discovery that black hole formation is a robust prediction of the general theory of relativity - roger penrose
discovery of a supermassive compact object at the center of the milky way - andrea ghez
modern cosmology and the big bang theory - alexander alexandrovich friedmann
stainless steel - hans goldschmidt
gas powered vehicles
interferometer - albert abraham michelson
discovery of the source of energy production in stars - hans albrecht bethe
proved poincare conjecture - grigori yakovlevich perelman
biochemistry - otto fritz meyerhof
electron-positron collider - bruno touschek
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grimmthorne · 2 years
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actually I love being a bad receptionist like yes steal things out of these business men's offices. call me and I will hang up on you. If you want your mail sorted right you can come do it with me, because I don't care about who gets what or if that person isn't in your department anymore. and if you come in asking where the bathrooms are I will show them to you even tho the sign outside says no public restrooms. if my boss isn't around I'm not paying any attention to anything around me, just mt phone or this copy of hamlet. the only thing I care about if the coffee station and I don't even drink coffee that often. come into my lobby please I am lonely and bored.
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dinogoofymutated · 6 days
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I absolutely adore how you write Kurt,
Could you write something for Kurt being concerned for an overworked reader?
And or a reader that struggles with sleep?
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SFW!Nightcrawler/GN! Reader The amount of comfort that this man gives me UGH! He's just so caring and sweet, but I worry about him :( He's been the therapist friend in basically every episode in 97' and he deserves some comfort too so I added basically the reverse version of these headcannons at the end as well! Sorry I didn't end up writing anything for sleep, I've written a fic with some sleep struggle themes here but I might end up writing some seperate headcannons for that later! TWs: Themes of burnout/exhaustion. Mentions of the Genosha attack and Remy's death/funeral, religious themes. As always, reader written while picturing Fem! But no pronouns mentioned. I'm doing my best with adding German dialect while Kurt speaks but I'm not super knowledgeable, so let me know if there's something I need to change!
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Kurt makes it his absolute mission to make sure you're always taken care of. Food, emotional support, laundry, dishes, Hell, he'd give you the sun and stars if you needed them. He just cares about you so much, and he never wants you to feel like you're alone in this world.
This being said, when he feels that you're overworking yourself, he's not afraid to let you know.
When he first starts to notice it, He'll check in on you more often. He'll pull you into a hug and give you kisses and he'll only leave when you reassure him that you're perfectly fine.
If you're still overworking yourself after this, he will outright tell you that he loves you, but you need a break. You can't go on like this and he's concerned about you. He doesn't purposely give you the sad puppy eyes, but seriously, how could you think about saying no to that face?
He really likes to brush his hands through your hair when he's trying to help you relax. He'll move your head into his lap on the couch and hum you softly to sleep. He might take you to bed, but he won't wake you up unless he absolutely has to. He won't go as far as to turn off your alarms, but he just wants you to rest.
However, if you know you're overworking yourself but still refuse to let yourself stop, or take a break, he's going to be a little more "aggressive".
    Your computer screen is giving you a migraine, you feel like you want to tear your brain out of your head, and plainly? You just can’t sit still. You had been in this spot for about six hours straight. The last time you actually got up was to eat dinner, and even then you had only relaxed for what, thirty minutes? You can’t really remember.
    You sigh deeply, leaning back in your chair as you massage your temples. Working for the budding country of Genosha was certainly not for the weak. You needed to have this paperwork finished and faxed before the end of the week so that talks of Genosha entering the U.N. could continue. It was such a hefty amount, but it was necessary. Everyone else had done their part, and all you had to do was make corrections, edit, and make sure everything was in top shape. You’d been working on it for about three days straight, and with the finish line in sight, you didn’t want to stop now. 
    Oh, but your head hurts so bad, and you feel like you're starving. You look from your computer to your copy machine and the huge stack of mostly finished paperwork on your desk. You just want it to be over with, you decide it’s best if you just push through.
    “You haven’t moved from that spot since lunch,” You hear Kurt state. He comes around the side of your chair to brush some stray locks away from your forehead, and you do your best to give him a smile, although it’s obvious the expression is pained.
    “I didn’t hear you come in.” Your voice comes out a little gravelly from being silent most of the day. Kurt’s hands begin to gather your hair and caress the back of your neck lovingly. His hands feel good, grounding. You close your eyes to appreciate the feeling and miss the sight of Kurt’s frown.
    “Let’s get you to bed, Liebchen. I can tell your head hurts.” Kurt’s tone is gentle, although displeased, and it makes you feel guilty when you shake your head and pull away, leaning forward as you restack the paperwork on your desk.
    “I can’t. I’m almost done with this whole U.N. thing and the sooner it’s over, the better.” You mumble stubbornly. Kurt shakes his head at you, pulling your rolling chair away from the desk before you can get your hands on something else. You don’t even have the energy to express your shock as Kurt takes the papers out of your hands, using the table to straighten them before placing them in their proper place. He tuts at you as he does so, and continues to save your files and power down the computer despite your protests.
    “My apologies, love, but I won’t let you rot in this room for another moment. I understand how important this work is to you. Giving Genosia a voice that the world can hear is a very noble cause, and yet it is still a cause that can wait till tomorrow, Ja?” You open your mouth to attempt to protest again, but your head hurts so bad, and you are so tired. Kurt takes your hands to help you out of your chair, pressing a kiss to your forehead as he pulls you into a gentle hug.
    “Okay. But-” You don’t finish your sentence before Kurt is tucking your face into his shoulder, sparing you the view as he Bamfs you away. When he lets you go, you’re standing in your bedroom. You’re thankful that he spared you the sights, knowing that it would have just made your head worse- but it didn’t change the fact that you hadn’t been remotely done in the office.
    “-I still need to lock up, Kurt.” You start to say, but he’s gone in a puff of smoke before you can even finish the sentence. When he makes it back a few minutes later, Kurt sends you a cheeky smile, lifting his tail to show you the keys he must’ve snagged from your pocket earlier. 
    “Did you-”
    “Lock the file cabinet? Yes. And I turned off your lamp, and closed the curtains before I locked the door.” Kurt kisses your temple as he sits you down on the bed, beginning to take your shoes off. “Don’t worry. I’ve got you taken care of.” You feel like your heart might explode with the overwhelming fondness you’re feeling right now. When he’s done with your shoes, he carefully helps you undress and change into pajamas, something he knows you struggled with when you were as exhausted as you are now. He makes sure to tuck you into bed before he himself goes to change. It doesn’t matter how much pain you felt at this point, when he crawled into bed you couldn’t stop yourself from curling up close to him, pressing tired kisses to whatever part of him you could reach. Kurt simply chuckles, pulling you into an embrace as he whispers sweet encouragements for you to sleep.
    “Kurt?”
    “Yes, Meine Liebe?”
    “ ‘Think you could Marry me?”
Now just because Kurt will do everything in his power to keep you from reaching the point of burnout, doesn't mean that he himself will stop from reaching that point.
Kurt is a genuinely good person, right to the core. He likes helping people, he likes to care for others, but he doesn't always ask for help when he needs it. It's not that he doesn't have emotional intelligence for his own feelings, he just tends to soothe himself by assisting others. Even then, to an extent, that's not healthy coping. There is only so much someone can carry alone.
After the attack on Genosha, there was a lot of work that had to be done- and Kurt, being a familiar and dependable face in the many religious communities, was needed constantly in a tumultuous time when many turned to religion.
It's been a struggle for the two of you, much of your time together being cut short in one way or another, and the longer you spent away, the more worried you became.
It all came to a head after Remy's funeral.
    Remy’s funeral was… Rough. To say the least. No one was coping very well, especially not Jubilee. You had walked out to the cars with the group after the last of the dirt had been laid, making sure to give her a tight hug. The X-men were the only real family she had ever had, and now she had lost a brother. You had let her sob for a moment, listening to her cries and the sounds of doors, opening and closing. 
    When everyone had loaded up and was ready to head out, you noticed that Kurt wasn’t there. You told everyone that you would catch up. You had a feeling you knew where he would be.
    You find Kurt in an empty church. He’d shed his outermost robes at some point, and was sitting silently on a pew. His eyes are closed and his hands folded, praying. You don’t disturb him as you sit down, simply reaching a hand out and placing it on his knee, squeezing it to let him know you were there. When he finishes, he places his hand over your own, opening his eyes as he looks down. His tears are flowing freely, and he leans into your touch when you wipe them from his cheeks.
    “I’ve been told that there is strength in a man that freely mourns, but… It’s silly. I can’t help but wish that I was stronger.” Kurt’s almost whispering as he speaks. You feel a lump form in your throat, your stinging eyes welling with tears for the countless time today. It hurts so unbelievably to see someone you love hurting so much, knowing that there is so little that you can do to make the pain go away, even if the loss is shared.
    “It’s not silly. I think that a lot of people feel the same- especially right now.” You say. You take hold of his left hand, tracing the cool metal band on his finger. You compare it to the one you wear, and find yourself thankful that the hand that bears his is still warm. You think of Rogue and Remy. The life they could’ve had together, if only they had been given more time. 
    You lean your head on Kurt’s shoulder, and he rests his head on top of your own. 
    “You don’t have to carry it alone.” You whisper eventually. Kurt says nothing, lacing his fingers between yours. “I know we haven't had a lot of time together lately, but as long as I’ve known you, you’ve carried so much on your shoulders- but you don’t have to do it alone. That’s what I’m here for, remember?” Kurt laughs lightly at your words, squeezing your left hand before lifting it to his lips and kissing your knuckles.
    “You are a gift that I’m not entirely sure I deserve, my love,” Kurt says. You scoff at him, frowning now as you look up to meet his eyes.
    “Lying is a sin, Kurt.” You say playfully. His smile is blinding, and you gasp as Kurt Wagner of all people rolls his eyes at you. 
    “Even if it was a lie, which it isn’t, as long as I have you near, Schatz, Heaven will be in reach.”
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kiaxet · 1 year
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Sooooo y’all see the latest @somerandomdudelmao comic update? Because once again it is living in my head, which means once again my brain has generated fic. This one’s ~1200 words and slightly less tragic, depending on whether or not you take dramatic irony into account.
~~~~~~~
It starts fairly innocuously.
One of the surviving technicians monitors a computer as it finally, finally boots up successfully, whooping when the Genius Tech loading screen pops up. He grins and pats the power cable. "Thanks, Raph!"
It catches on.
A water purifier, disconnected to save a struggling power supply, gets plugged back in. It chugs back to life, and the kids responsible for its upkeep cheer and high five. One of them waves at the ceiling, where a power conduit runs overhead. "Thanks, Mister Raph!"
And it spreads like wildfire.
Every time something works the way it's supposed to - every time a much-needed device pops back to life, or the emergency doors close correctly, or a dying lightbulb flickers on one more time - they thank Raph. In gleeful shouts and careful whispers, they show gratitude for the person who gave up his life - and his second chance at life, at that - to keep them safe. It makes the emergency base, ramshackle and barely held together as it is, feel a little more like a home. A little more alive.
It doesn't take long for a few unspoken rules to develop.
They never say it in front of the metal shell. It's one thing to say it to the walls, the cables, the electricity; it's something else to say it to a figure with a face, seated against the wall like a sentinel that will awaken and protect them when danger arises.
(Nevermind that they've been in danger, constant and unending, for decades, and that this sentinel is already protecting them in smaller, everyday ways.)
They learn very quickly never to say it in front of Raph's surviving family, either. Master Leonardo gets angry when he hears it. It's an anger born of grief and loss, painful but not dangerous to allies, but given how terrifying Master Leonardo can be on the battlefield or a bad day, nobody really wants that anger directed at them. Master Michaelangelo just stops when he hears it, lips curling up in an expression too devoid of life to truly be called a smile. It's almost worse to witness than Master Leonardo's anger. No, they learn to watch themselves in front of the family, carefully taking their gratitude towards a dead man elsewhere.
Until the day someone forgets and says it in front of Casey Junior.
The kid looks up at Roger with wide, almost hopeful eyes. "Why did you- is he here? Can you feel him?"
Roger stares back at him with equally wide eyes. He'd just been grateful the computer had booted correctly for his monitor shift, and he hadn't been looking, and now he has to try to explain this to a kid who's never known a life outside the apocalypse. Oh boy. "No, uh- I mean- I don't have magic like your dads do, Casey, I couldn't-" He sighs. "It's just...a thing people do, when things work. Before the Krang, we had all sorts of machines that made life easier, and...we'd talk to 'em. Thank 'em when they worked, yell or beg when they didn't...I remember threatening a fax machine once, not that that made any difference. I think that just...kinda carried over here." Wait. "Not that your uncle was a machine or anything-"
"His body was a machine," Casey says simply, with a pragmatism that Roger hadn't been expecting. Apocalypse-raised kid. Right. "That wasn't what made him Uncle Raph. He was- it's-" Casey falters, expression starting to crumble. Pragmatism be damned, the kid is still grieving-
Rem, just coming off her shift, steps in smoothly. It's not the first time she's saved Roger's ass, both on and off the battlefield, and it won't be the last. "We know," she says gently, putting an arm around Casey's shoulders. "What Roger means is that we're grateful he's keeping us going, and that people like to bond with machines even when they're too simple to bond back. We all used to name our cars - can you believe it?"
"I named mine Red Rider," Roger says wistfully. He still misses that car.
"And I used to sneak out of the Hidden City with my cloaking brooch and go joyriding outside of human cities," Rem says, a grin splitting her feline muzzle. "I named every car I stole Phantom, like I thought I was cool."
Casey smiles - small and watery, but there nonetheless - and Roger breathes a sigh of relief. "What else did you name?"
"I mean, it was mostly cars, but some people named their computers."
"I had a friend who named her phone and just kept adding numbers when she had to replace it. It was Duchess O'Brien the eighth last I'd heard."
"I know some Yokai named their weapons, but I never really kept track of those. It was more of a Battle Nexus fandom thing."
Another Yokai leans in - a four eyed lizard whose name Roger could never remember no matter how hard he tried - and Roger shuts up. She's in charge of security now, and honestly she intimidates him. She looks around - at him, at Rem, at Casey - and then intones seriously, "I once named a kitchen appliance Toasty McToastFace."
There's a beat of silence. Casey has a lopsided grin growing on his face, like he doesn't get the joke but he knows it is one, and that's enough to lift his mood.
And then Rem doubles over, cracking up, and Bob smiles carefully. "Really loved that toaster, huh?"
"It was my closest friend," the lizard Yokai replies, deadpan as hell, before leaving the conversation.
Casey turns that confused grin on Roger. "Was she serious?"
"Kid, I have no idea. Some people are just really into this kinda thing."
Rem finally straightens up, wiping a tear from her eye with a paw. "Ohhhh boy. Oh, I needed that." She turns her smile back on Casey. "Point being, naming something makes it a little more real, and makes you a little more likely to take care of it. The system here...already has a name. We're just saying thank you, you know?"
The grin on Casey's face settles down into consideration. "Yeah, I think I do. I- Thanks. I'm gonna-" He waves at the door to finish his sentence.
"Go for it, kid." Roger waves him off as he departs, then sighs once he's gone. "God, that kid is just hemmhorraging family, isn't he."
"We all are, Roger, it's the fucking apocalypse." Rem flicks an ear.
"Yeah, but still. It's rough." There's a second or two of silence. "Also, if he says it in front of Master Leonardo, I'm denying all knowledge of this conversation."
"Spirits, same."
Roger learns a few days later - from Rem, of course - that Casey has named his chainsaw hockey stick Killer, because it's what his mom used to call him. Well damn, if kids like him are gonna be the future, then maybe they have some hope after all. He raps on a wall lightly, just below where the power conduit is mounted. "I know you didn't have a lot of time with the kid, but you did a good job." He can't help but smile. "Thanks, Raph."
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pinkanonwrites · 6 months
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HEHEHE I LOVE THE RODIMUS STORYY I'm obsessed with all the first contact au stories with rodimus and I would love if you could please do more if you ever feel like it 😭 the ones with language barrier and size difference are muah 🤌💫
If youre ever up for it or would feel comfortable, would you be willing to please write one where maybe the reader is sick with the flu and is either about to or actually does throw up and rodimus has no idea what the flu is or what throwing up is for humans and he has no idea how to deal with it 😅 and ofc the human can't explain bc language barrier.
Or any other rodimus with lil human stuff you can post I will happily gobble up hehe
I liked this idea too much for it to just be in bullet points, so it turned into a mini fic. Hope you enjoy!
Rodimus/Reader First Contact AU, Human Reader, GN Pronouns, Sickfic, emeto mention
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Gazing blearily up at the ceiling as fluorescent lighting above whizzed past, you couldn’t fully tell if the nauseating pitch and wave of your surroundings was just from your sickness, or if panic was making Rodimus significantly less gentle than usual. Either way, if you had anything left in your stomach you probably would have thrown up again by now.
How foolish you were, to assume that being on an interdimensional traveling spaceship meant you would be less likely to suffer from the illnesses and maladies that you would normally find on Earth. No, now you were subject to an entire galaxy’s worth of potential contractible ailments instead. And though you could compare this one to some of the worse stomach viruses you’d had throughout your life back home, you didn’t really have a way to communicate to Rodimus that you weren’t, in fact, dying. No matter how much it felt like you were.
The hiss of a hydraulic powered door was almost drowned out by your caretaker’s panicked boops and screeches as he ran up to another one of the bots aboard the ship. A black helm and a shoulder-mounted cannon stepped into your nausea-warped vision, and a familiar gleam of a single, blue lens stared down at you. One of the scientist bots, the nicer one of the two that had poked and prodded at you when Rodimus first presented you to them. His name was… Perceptor?
But when he reached out a giant metal finger to you, Rodimus was quick to pull you back against his chest and out of the other’s reach. A kind gesture, but one that left you nearly gagging from the sudden wave of vertigo that racked your system. You winced at the feeling of Rodimus’s thumb brushing your cheek, the sticky pull of sweaty skin against hot metal, and the warble he let out in response sounded absolutely heartbroken. Through your hazy vision you could see tense corners of his mouth pull down, the soft glow of his eyes looking dimmer than usual as he cradled you. Then, with as much care as he could muster, he laid you so delicately upon Perceptor’s desk. His fingers stroked the top of your head, hands still bracketing you as if he was afraid you’d slip through his fingertips and right off the edge of the table as soon as he let his guard down. Despite everything, you couldn’t help but feel safer knowing he was worried about you. It was hard to imagine many worse scenarios than getting sick in outer space, but getting sick alone in outer space seemed pretty high up there.
So you let yourself be gently prodded at and scanned by Perceptor, Rodimus’s hands never straying far enough for you to not reach him. They murmured back and forth to each other all the while, a chittering of mechanical whirs and buzzes like an old fax machine pumping out a distant message. The chill of the metal surface under your back left goosebumps crawling up your skin, another detail that quickly drew Perceptor’s curiosity. After an amount of time you couldn’t possibly have estimated with your sickness-addled, swimming mind working at less than half the capacity of usual, both bots leaned away from the table to discuss something, like they were afraid you’d somehow overhear.
The sudden, harsh glow of the ceiling lights above left you squinting, a soft whimper escaping your throat despite yourself. Immediately Rodimus was upon you again, his giant chin resting on the edge of the table as his eyes flitted about over your shaking, exhausted frame. His hands hovered around you, fingers tense like he wasn’t sure if he should pick you up or not. But the warmth of his massive hands was a lot more comforting right now than the sterile chill of the tabletop, so with a great amount of effort you wormed your way back into his grasp.
Perceptor let out another, stern sounding buzz. Rodimus brought you back to his chest, resting your cheek against the smooth slope of metal as he responded in kind. You let your eyelids flutter shut as they continued to chatter. Whatever they were talking about didn’t really matter to you right now. Regardless of whatever was going on, you knew Rodimus would take care of you.
~ ~ ~ ~ ~ ~
“And it’s not atrophosia? You’re sure?”
“Just because atrophosia comes from organics, Rodimus, does not mean they can contract it. No, what we’re looking at seems to be some form of organic virus.”
“That’s good, right?” Rodimus peeked at Perceptor from the corner of his optic, unwilling to take his full attention off of you for too long. Your little frame was sprawled weakly across the scientist’s desk, organic coolant and these strange, microscopic bumps beading across your body. Perceptor let out a curious hum, lifting your tiny servo up with the tip of his pen. Rodimus stifled the urge to slap it away. “If it’s a virus, it can be removed, right?”
“It’s not quite that simple. Organics don’t have accessible coding to allow ourselves entry. Their only solution is the old fashioned way, get plenty of recharge and wait it out.”
“But look at them! They’re all shaky and covered in coolant! A-And just earlier today, they purged their tanks!”
“That’s a good thing. Organics will purge their tanks as an emergency reflex to intrusive disease or illness. There’s actually a fascinating organic, a form of amphibian which can expel their entire tank when in-”
“Great! Cool! Love the fun facts, Perceptor! But are they-” And here Rodimus gestured to your small, shivering frame, “-going to be okay?”
“I’ve acquired some information on human illness- from Swerve of all bots, if you’d believe it. When humans are ill they require copious recharge, plenty of clean, desalinated water, and, apparently, a fuel comprised of the boiled carcass of an Earth bird and various edible flora.”
“I don’t have any Earth birds! Earth has the Earth birds!” Rodimus sat up with a jolt, a bristling wave of heat rolling off of his frame that was swiftly ignored by Perceptor.
“I am certain the replicator could produce a suitable substitute. It has worked for providing nourishment thus far.”
Both bots’ attention snapped back to you when you let out a small whine, squinting under the blaring light of the overhead systems. 
“Oh, hey, I’m sorry bud!” Rodimus’s voice dropped to a soft coo as he hovered his servos back around your frame. “Is it too bright in here, your optics sensitive?”
“Perhaps it would be good for the human to rest here, where they can be monitored. You have other duties aboard the ship, after all.”
“Yeah, but…” Rodimus stared as you dragged yourself across the table, curling weakly into the crook of his servo with a soft sigh. He cradled you again, letting you rest your helm upon his chassis as he supported you with both arms. “I- I think I’ll keep an optic on them. What if being in here makes them nervous? Then they can’t recharge properly.”
Perceptor let out a soft huff, pinching the bridge of his olfactory ridge between two digits. “...Whatever you insist, Rodimus. But do allow them to rest. No joyrides.”
As Rodimus looked down at your frame in his arms, for once, joyriding was the last thing on his mind.
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pippytmi · 2 months
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kacy + a break-up AU based on this prompt list: "you’re my emergency contact and i’ve been in an accident so you drop everything to come to the hospital"
———————————————————————
The thing no one says about breakups is that they're an utter inconvenience.
Kate tries to rationalize it; she was dating Lucy Tara for twelve months and thirteen days, it's only natural to have established a routine that will take some time to unlearn. So when she wakes up and reaches for a warm body that isn't there, it still takes a while to remember why. And when she makes her morning coffee, maybe sometimes she will pour the creamer that Lucy likes by accident. (By the end of the week, she will have to pour the whole container down the drain). That’s normal too. Mostly.
Lucy’s absence hits the most in the morning, but Kate goes through the motions anyway. Before Lucy she would always take her coffee outside and sit on the balcony to watch the sunrise, so she still does it. Of course now there’s no Lucy wrapped up in a blanket and insistently making her way onto Kate’s lap to sleep while she does it, but. Kate sips from her mug and watches the clouds roll in over the gloomy horizon and pretends nothing has changed.
The drive to work is quiet save for the gentle patter of rain against her windows. Her radio is still set to the station Lucy likes, and Kate hasn’t managed to change it. Baby steps—that’s all it takes. Maybe tomorrow Kate might have the courage to switch it back to her own.
And when everything at home is too loud and simultaneously too empty, there’s work. Kate gets to her desk and finds a mountain of files with new assignments, and she welcomes them with open arms; her work has always been separate from Lucy, and it's the one constant she doesn't need to readjust to.
For a blissful hour and a half, Kate is in her own world. She argues with a client about what confidentiality means (and what it doesn't). She reschedules the deposition of a plaintiff on a particularly high-profile case because opposing counsel has accidentally double-booked. She creates an Excel spreadsheet to keep track of her new cases but organizes the clients by market value. 
By all accounts, her morning is shaping up considerably. That is, until her cell phone starts buzzing.
She ignores the first call from the unknown number flashing on the screen. Instead, she gets coffee from the awful machine in the break room. The second call comes thirty minutes later, and Kate ignores it again, spends her time politely explaining how to use the fax machine to her confused new paralegal.
When her phone rings a third time—just as Kate has gotten out of a grueling meeting with the senior attorneys which should've been an email—she answers it solely for peace of mind: “This is Kate.”
There's a brief shuffle on the other end. “Hi, I'm calling from St. Joseph Hospital for a Katherine Whistler?”
“Speaking,” Kate says curtly, prepared to give a spiel about how she won't donate at this time when the caller continues,
“Oh—good morning.” More shuffling. “Is this a good time? I have a sensitive matter to discuss.”
Kate frowns even if the person on the other line can't see it. “Yes, it's fine,” she says, and watches as her work phone lights up with another call that she will just have to return later. 
“I'm calling on behalf of a patient: Lucy Tara. She has you listed as her emergency contact. She is unresponsive and we were wondering if you could come in to discuss the particulars of her care…”
The rest of the call is static. Kate almost drops her phone entirely, only grasping onto select words like they're a lifeline. Lucy is alive. Lucy is hurt. Lucy was found unconscious. Lucy has yet to wake up. Lucy is alive.
Kate doesn't even tell anyone she's leaving; she just goes. Later, senior attorney Michael Curtis will tell Kate that she looked extremely pale and sickly when rushing out of the office, but Kate will only remember a vague blur from that phone call to actually arriving at the hospital. It might be the most reckless thing she’s ever done, come to think of it.
Dr. Carla Chase is the physician assigned to Lucy’s care, and she takes one look at Kate and blinks as if surprised to see her. “Forget an umbrella?”
“I'm sorry?” Kate says, heart caught dangerously high in her throat. She's literally choking on worry—Dr. Chase’s words don't sink in until she takes a step forward and realizes she is currently dripping all over the linoleum floor.
Dr. Chase gives her a small, sympathetic smile. “Let me ease your mind,” she says. “Ms. Tara woke up. Our timeline is good, she was not unconscious for long. Has a concussion and a nasty bump, but she's going to be just fine.”
Kate breathes. “Oh,” she says shakily, and embarrassingly, hot tears spring to her eyes at the confirmation. “That's…great. Thank you.”
“You can come inside, see her. I'll go find you a towel.” Even though Kate is a sopping mess, Dr. Chase still pauses to place a hand on her shoulder and squeeze reassuringly.
Even with the worst over, the hardest part is still walking into the room—harder still is watching as Lucy looks up with those wide, curious eyes that become expressionless the instant she sees Kate.
“Kate? What are you doing here?” Lucy asks, voice not quite harsh but definitely not welcoming.
Kate opens her mouth, but is unable to form words. She's too stuck just staring at Lucy: at the bruise that colors the entirety of the swell of her cheek, at the large bandage over her jaw, at the purpling of her black eye. Any relief at knowing that Lucy is awake sinks into horror at the state of Lucy’s injuries.
“Kate,” Lucy repeats, frowning. “Why do you look like someone died?” A beat. “And why are you wet?”
“The—the hospital called me,” Kate manages. “Are you okay? How are you…how are you feeling?”
“I'm fine. I just fell down a stupid mountain.” Lucy smooths down her blanket, twisting the corner between her fingertips the way she does when she's uncomfortable.
“A mountain?”
“It's not as dramatic as it sounds,” Lucy says. “Kai and I were searching for a missing kid and we got separated, and with the rain it was muddy and foggy and…well, you get it.”
“And he left you there? Unconscious?” Kate has met Kai Holman once or twice, and knows very little about him except that just like Lucy, he volunteers for search and rescue missions to escape his normal job. Beyond that, Kate’s opinion of him is quickly going downhill.
“He wasn't there when it happened,” Lucy argues. “I already texted him and explained, but, I told him he didn't have to come see me or anything.” She stops. “So why did you come?”
“Because the hospital called,” Kate says again, which is pretty self-explanatory.
Apparently, Lucy does not feel the same way. “But you didn't have to answer the phone,” she points out. “We’re not together. You could've just said ‘sorry, she’s my ex’ and called it a day.”
Kate stiffens. “You're the one who has me as your emergency contact. It was the…decent thing to do,” she says.
Lucy rolls her eyes. “Okay, congratulations,” she says, “you have done your civic duty of not being an asshole. But I’m alright, so you can go back to deep-sea diving in your pantsuit or whatever you were up to before this.”
“Hold on,” Kate says, a flare of panic overtaking any objection she might have to Lucy’s disdain (which is completely unwarranted, by the way). “How are you getting home?”
“They’ve invented a modern miracle called an Uber, not sure if you heard.” Lucy waves her phone exaggeratedly. “I’ll survive.”
It's an out, and Kate should take it. She should walk out that door and never look back, let all the unsaid issues between them continue to morph and mutate into something ugly and irreversible. But she can’t. 
“I’ll drive you home,” Kate says at last.
Lucy immediately shakes her head. “That’s not necessary,” she says. “Seriously. If you’re that against Ubers, I can call Kai and get him here in two seconds. He’d be more than happy to take me home.”
“That would be unnecessary. I’m already here.”
“And you don’t have to be,” Lucy reiterates, staring Kate down like she expects her to cave.
If it were any other situation, Kate would. She's soaked head to toe from the rain, she has no obligation to be here, and by all accounts either reason would be a rational excuse to extradite herself from this hospital. Especially the former—the chill of her wet clothes is finally beginning to catch up to her, and she blindly brushes back her damp hair while resisting the urge to shiver. It would be the rational decision to go home and change into warm clothes (and explain to her boss why she left without as much as a text explaining why).
But for once in her life, Kate isn't being rational. “I'm not leaving,” she says, crossing her arms in an attempt to look firm. 
Lucy sighs, sagging backwards against her pillow. “Come on, Kate,” she says. “This is awkward enough. I don't need a babysitter after one tiny little fall.”
“Down a mountain,” Kate says, unable to let that fact go. “What do your parents think about this?”
“I…might've not told them. Exactly.” Lucy bites her lip in an obvious effort not to wince. “I asked for the day off when I woke up, so.”
Kate blinks. “You woke up after a traumatic fall,” she says slowly, “and…asked your parents for PTO.”
“I wouldn't call it traumatic. That's such an ugly word. Limiting, even,” Lucy says. “It would've been a total badass move if it hadn't been, you know, raining.”
A knock against the wall announces Dr. Chase’s arrival, who has thankfully brought Kate that towel. “How are we doing?” she asks.
“Ready to get out of here,” Lucy says, sitting up eagerly. “Whenever you say so, doc.”
“Well, I really would recommend a CT scan to be on the safe side,” Dr. Chase says. “But given that you've passed all our cognitive tests and your vision is good, I can consider a discharge…as long as you have someone at home to monitor you today and make sure no further symptoms arise. And no sleeping until your normal bedtime.”
“I’ll be with her,” Kate interjects as she towels off her hair. Lucy looks like she might argue, but her desire to leave must win out, because she doesn't speak up.
“Fantastic. Let me get your discharge paperwork and a prescription for some painkillers—all over the counter. Then we're going to have a serious discussion about what you should and should not do, okay?”
“Got it. Thanks, Dr. Chase,” Lucy says cheerfully, but the instant the doctor leaves, so does her smile. “What was that? You obviously can't stay with me.”
“I know,” Kate says defensively, even if—for a second—she had been completely prepared to. “I'm sure Ernie or Jane can monitor your symptoms just fine.”
“...yeah,” Lucy agrees slowly, as if she had been expecting Kate to argue. Then, “Oh, shit. I actually forgot to tell Jane I'm here.” She frantically opens her phone and starts texting up a flurry, her brow crinkling as she concentrates on her screen, and Kate is brought back to movie nights spent scouring Wikipedia articles and faux-arguing over date night picks and it's…too much.
This is the opposite of unlearning; this is an all too painful reminder that Lucy Tara is no longer in her life. Kate wrings the damp towel between her hands and takes a deep breath to save face. At the very least, Lucy doesn't seem to have caught on to Kate’s internal turmoil, because when she looks up again all the cheerfulness from before is back.
Kate knows in that instant she never wants Lucy to lose that cheer again. “Everything okay?” she asks, aiming for just-polite-enough interest, and Lucy is gracious enough to allow it.
“They found the missing girl,” Lucy says, sagging backwards in obvious relief. “Thank God.” When she smiles, even if it’s down at her phone, Kate nearly tears up all over again.
“That’s great.” Kate clears her throat, places her hands in her (wet) pockets, and tries very hard to act casual. “So is Jane going to stay with you, then?”
“No—she’s the one who found the kid, she has to stay and give the police a statement,” Lucy mutters, biting her lip distractedly as she types out another message. “I’ll see what Ernie’s up to.”
By the time Dr. Chase comes back with discharge paperwork and a spiel about avoiding screens (during which Lucy noticeably peeks at Kate, like she might rat her out), Kate has already resolved herself to zero interference. Obviously it’s not what she wants, but she listens to Dr. Chase and nods along at all the right times while in her head she is already drafting a very long message to Ernie with all the relevant information. Then she drives Lucy home to that bleak apartment that Lucy lives in mostly as a general “fuck you” to her parents, which Kate swears is either haunted or infested by very spirited roaches.
The entire ride there, Lucy doesn’t say anything about the car’s radio being set to her favorite station (and which  Kate would always complain about), which is just as well. Kate isn’t sure how she would’ve explained it.
“This not sleeping thing sucks, I’m honestly dead tired with our without a concussion,” Lucy groans as she exits the vehicle, stretching her arms overhead.
Kate follows her outside, and when Lucy gives her a questioning look, she says, “Ernie’s not here yet, is he? I can at least wait with you until he does.”
“I’m sure I can survive thirty minutes alone, Kate,” Lucy says. “I won’t pass out the instant you walk away or anything.”
“I’d really rather wait,” Kate says, and Lucy sighs.
“Fine. God, I would’ve changed my emergency contact ASAP if I’d known you would be such a stickler for lame hospital rules.” Lucy wraps herself up in a  large black hoodie which Kate recognizes as her own, still muddy from the fall but otherwise intact.
“Why did you?” Kate finds herself asking, mouth three steps ahead of her head, and Lucy pauses outside her apartment door.
“You mean why didn’t I change it? Because I forgot, I wasn’t exactly expecting to land in the hospital.”
“No, why…why did you make me your emergency contact in the first place?” Kate clarifies, her voice strangely quiet even to her own ears.
Lucy methodically unlocks her door, but her hands falter. “Just because,” she says at last. “You know how it is. Anything was better than my parents. Sorry I didn’t…ask you first.”
“Well, I mean,” Kate shrugs, “I didn’t ask you either.”
At that, Lucy whirls around, mouth agape. “You made me your emergency contact?”
Kate hesitates. “Yes? After like six months. It was a practical decision, we spent pretty much all our time together and I assumed…”
Somehow, she’s said the wrong thing, because Lucy’s eyes darken. “Right.” She moves away, digging through her fridge in search of something to drink, and Kate awkwardly leans against the kitchen counter and tries to make sense of what’s going on.
“Did you eat anything today?” Kate attempts to change the subject. “I can make you something before Ernie gets here.”
Lucy takes a gulp of a water bottle and doesn’t respond, just eyes Kate from across the kitchen with a sharp, unyielding glare. Finally, the words seem to burst out: “I wish you weren’t so—fucking—” She shakes her head. “Do you even know how you sound, sometimes? No girl wants to hear that they’re the practical choice. Just once, I wish you’ve would picked me because you wanted me.”
Kate feels her entire body prickle, partly in shock and partly in indignation. “What are you talking about? I did pick you.”
“Did you?” Lucy tilts her head. “”Cause it kind of feels like you picked the idea of me. At least, that’s how Cara tells it.”
“Seriously? Cara? She—” Kate pauses to exhale, swallows back a frustrated sob. “She’s wrong. I’ve never trusted anyone like I trust you. Fuck, I’ve never loved anyone like I love you.” This time, her voice quivers like the sob might escape, and some of the steel in Lucy’s gaze softens.
“Then why did you leave?”
“I thought that was what you wanted,” Kate says. “You were pushing me away, Lucy. What was I supposed to think?”
“You should’ve fought harder for me,” Lucy says. “You could have talked to me. Jesus, Kate, I don’t—I can’t have this conversation right now. I’m basically a prisoner in my house, this is the last thing I need.”
Kate’s shoulders fall. “I know,” she says. “I’m sorry.”
“Don’t do that either,” Lucy snaps, and she chugs the remainder of her water before she stalks out of the room. “No apologies. Okay?”
“Okay.” Kate waits to see if Lucy will come back to the kitchen, but she doesn’t. Instead, she hears the tell-tale sound of Lucy banging around through her board game drawer, because the chess set Ernie gave her rattles and gives it away. Kate tentatively enters the living room, finds Lucy sorting through a Monopoly box, but doesn’t try to say anything else.
Lucy breaks the silence all on her own, eventually. “I have nothing to cook,” she says. “But I asked Ernie to bring food with him.”
“Alright.” Kate doesn’t sit down because her clothes are still damp, but she does wait by the couch. “Can I help with anything?”
“No.” Lucy is sitting cross-legged on the floor and carefully stacking Monopoly money into piles by color, her muddy hoodie occasionally smearing against the carpet. “I’m fine.” She obviously isn’t; her jaw is clenched, her back stiff, her entire demeanor still a perfect mirror of her anger.
Kate wisely doesn’t push. And when Ernie arrives carrying Thai food and a thick stack of books which Lucy is outwardly horrified at, Kate doesn’t try to stay.
“I’m going to send you the doctor’s discharge instructions,” she tells Ernie instead, as Lucy gingerly pokes through one of the books Ernie has handed off. “Make sure Lucy eats something before she takes her meds.”
“On it, Dr. Whistler,” Ernie says seriously, his voice going low so Lucy can’t hear afterward. “And thanks, for being there. Even if you two aren’t…”
Kate casts one final look at Lucy Tara, bundled up in her clothes and adorably pouting at the prospect of reading all night instead of playing board games, and feels her heart beat so hard it hurts. “Take care of her,” she says, but it’s not a request.
Ernie gives her a small, sad smile. “I will.” 
Lucy doesn’t say goodbye, but she does spare Kate one brief, sorrowful once-over like she wants to. Kate memorizes that look—lets it linger in the back of her mind—and doesn’t cry until the first cheery pop song from Lucy’s favorite station starts playing on the drive home.
She hits the button to turn off the radio altogether, but her finger slips and she accidentally switches stations instead. Kate eases the car to a stop at a red light, watches as rain begins to drizzle once more, and then she makes the executive decision to switch it back.
Baby steps.
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gotham-ruaidh · 1 month
Text
Little Bit Better Than I Used To Be
Catch up: Chapter 1 (Starry Eyes) || Chapter 2 (Save Our Souls) || Chapter 3 (Dancing On Glass)|| Chapter 4 (Merry-Go-Round)|| Backstage (1) || Backstage (2) || Chapter 5 (Danger)|| Backstage (3) || Chapter 6A (Love Walked In) || Chapter 6B (Without You) || Backstage (4) || Chapter 7 (Stick To Your Guns) || Chapter 8 (Time For Change) || Backstage (5) || Chapter 9 (Take Me To The Top) || Backstage (6) || Chapter 10 (Home Sweet Home) || Backstage (7) || Chapter 11a (Nightrain) || Chapter 11b (Nothing Else Matters) || Chapter 12a (Handle With Care) || Chapter 12b (I’m So Tired of Being Lonely) || Chapter 13a (Angel) || Chapter 13b (She’s My Addiction) || Chapter 13c (Patience) || Chapter 14a (Where Do We Go Now?) || Chapter 14b (Where Do We Go Now?) || Chapter 14c (Where Do We Go Now?) || Chapter 15a (Dreams) || Chapter 15b (I Sing A Song of Love) || Chapter 15c (You Can Do This If You Try) || Chapter 16 (Let That Feeling Grab You Deep Inside || Chapter 17A: Never Tear Us Apart || Chapter 17B: It’s Tough To Be Somebody, And It’s Hard Not To Fall Apart  || Chapter 17C: I’m Wishing, Lord, That I Was Stoned || Chapter 18: Turn The Page || Chapter 19A: When You’re Alone, Do You Let Go? || Chapter 19B: Heading For A Spin ||| Also posted at AO3
Chapter 20A: I Don't Need Nothing When I'm By Your Side
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So hold me close, better hang on tight Buckle up, baby, it's a bumpy ride We're two kids hitching down the road of life Our world, our fight
-- “Born To Be My Baby,” Bon Jovi (1988) [click here to listen]
North Carolina || February 1989
Jamie frowned, looking back and forth between the shelf he’d just put together and the three unpacked boxes of books (two marked CLAIRE, one marked JAMIE).
Would she like them organized alphabetically by author? Genre? Size?
He rubbed the back of his neck, thinking. Or perhaps she wanted medical books in her workroom? And maybe he could put his music books on the cabinet in his studio –
“There you are.”
He hadn’t heard Claire pad into the room – at some point they would need to get throw rugs to protect the gorgeous old hardwood floors – and smiled as she effortlessly stepped into his embrace.
They held each other for a long moment – his lips against her hair, her face buried in the safety of his neck.
Almost three months since the acoustic tour had ended, the night before Claire’s birthday. About six weeks since they had closed on their dream house, nestled against a mountain in the forests of North Carolina, not too far from The Ridge. And about two weeks since the items in storage – from her packed-up apartment in Boston, and his packed-up house in Los Angeles – had arrived.
The property had everything they needed. Privacy and solitude, of course. An old barn that they were using as a garage for Jamie’s motorcycle and cars. The house – an old cabin, really, dating from the 1800s and which had been lovingly expanded over the years – was perfect. A spacious living room, complete with the original stone fireplace. An eat-in kitchen, with newly replaced appliances. Two small rooms off the back that were now his music studio and her workroom – spaces to pursue their interests. A modestly-sized master bedroom. And a small extra bedroom – which for now was for guests, though God willing would be a nursery very soon.
Claire had insisted on doing two things quickly, before spending their time unpacking all the boxes.
The first was to hang his six gold and two platinum records in his studio – and he agreed, after he had hung her framed medical school diploma on the wall of her workroom.
The second was to install the fax machine on the bare floor of the studio – which, together with the phone, was their only link to the outside world.
For as much as they isolated themselves in this beautiful, peaceful place – the world pushed along without them.
In March, they would leave for L.A. and three weeks of rehearsals with the band. Maybe play a few small gigs in clubs on the Sunset Strip – Jamie had always wanted to do that. And in April, they’d fly to Europe, and kick off the tour that had swelled to 120 dates and stretched into 1990.
Colum was busier than ever – finalizing logistics, negotiating with local promoters, running interference with the suits from the label, upgrading the concerts from arenas to soccer stadiums. He had a conference call with the band every Tuesday – with Ian calling in from Lallybroch in upstate New York, and Angus from various resort spots in Mexico and the Caribbean (“I can’t believe Charlotte and Molly haven’t worn him out yet,” Jamie had mused to Claire one day. She had only shrugged and said, “they take care of each other”). Colum would always have a punchlist of decisions for the band – OK to book studio time during the week off in Scandinavia in July? The roadies couldn’t figure out the pyro setup without the band, OK to wait until rehearsals? They would need to film at least three music videos, which one could be a live performance? – and follow up with decisions in a fax sent later that day.
Jamie had been clear with Colum that he had three conditions for the tour: that Claire would be with him, that Raymond would be traveling with the band, and that the same no alcohol/drugs/groupies rule from the acoustic tour would carry through to this tour. Of course Colum had agreed. Just as he’d agreed to make provisions for Jenny to periodically fly out to visit Ian, and for Angus to always have a suite with two bathrooms to keep his girlfriends happy.
Claire and Jamie knew that this tour would be difficult, for so many different reasons. But they would be better prepared this time, to draw strength from each other, and to have Raymond for support. And maybe, just maybe they would return home from Europe with the best souvenir of all…
“Another fax from Colum,” Claire murmured after a long while.
Jamie snorted against her hair. “I don’t know whether to be impressed or annoyed.”
“I do admire how hard he’s working for you and for the band. And how much he’s keeping all of you in the loop on the decisions he’s making. He doesn’t want any surprises.”
“I’d imagine not. The amount of bullshit he has to be putting up with right now must be insane. I just hope he doesn’t crack.”
“He never said if he’s bringing Tricia on the tour.” Tricia – Colum’s wife of more than ten years. She stood a head taller than her husband, still impossibly beautiful in her late thirties, smiling for every frown on her husband’s face. Claire had only met her once – couldn’t say she really knew her – but she knew enough about her.
How she had first met Colum at a party in 1970, when he was a roadie for Led Zeppelin and she was part of a gaggle of groupies that held court at the Riot House in L.A.
How, when she and her girlfriends joined the Led Zep tour the following summer, he had punched out the lighting guy at the Cow Palace in San Francisco when he heard the guy didn’t understand what Tricia meant by saying “no”.
How Geordie Ash – the reporter who had put Jamie (and, in a way, Claire) on the map last year with that Rolling Stone article – had sent flowers to her hotel room every day for a month during Led Zeppelin’s 1973 U.S. tour. Not knowing, of course, that she was allergic to lilies – or how Colum, who knew more about her by that point than he cared to admit, had wordlessly disposed of them for her, every day that month.
“I don’t think she likes to tour.” Jamie’s thumb traced lazy circles on the skin of Claire’s back. “Too many bad memories.”
If you asked any rock journalist or musician who had found Alex MacGregor – assistant to Led Zeppelin manager Peter Grant – dead in his Seattle hotel room in the spring of 1975, they would all say quite confidently that it had been Colum Laird, who by that point had advanced to lead Zeppelin’s touring crew.
But a handful of people – Peter Grant, and Colum, and Jamie, and now Claire – knew the truth.
Tricia woke up, Alex cold beside her in bed, a needle in his arm. The only thing she knew to do was slip quietly down the hall, tumbling into Colum’s room…and finally, his arms. Where she had remained ever since.
“I couldn’t imagine being away from you for so long.” Claire sighed. “I don’t know how they make it work.”
Jamie shrugged. “They love each other very deeply. They fixed the broken pieces in each other. And now she has the two boys to keep her busy.” He kissed her forehead. “Something for us to aspire to, perhaps. What’s in the fax?”
She held it out for him to read. Sharing a smile at Colum’s scrawl.
J+C: I’m not calling because I interrupted enough moments between you on tour and I’ll probably do it again this year. I don’t have Raymond’s info pls have him get in touch so we have a copy of his credentials and the travel agent can make all arrangements for Europe. I got the label to foot the bill for his travel meals and hotels, convinced them it’s a business expense, you’re welcome. Stay out of trouble. Colum.
“We’ll have him give Colum a call after he arrives this afternoon,” Jamie mused, folding the fax and sliding it into the back pocket of his jeans.
Claire nodded. “The guest room is all ready. And I’m glad Dougal and Gillian and William will be here tomorrow – I’m so happy they’re so close by.”
Jamie squeezed her shoulder, and released her. “As am I. Now, I have a question for you about these books…”
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icedsodapop · 6 months
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God I really hate the wicked stepmother trope in this show becos the stepmother is solely held responsible for abusing Cheong Ah and erases Cheong Ah's father's own complicity in his daughter being abused and alienated from society. He separated Cheong Ah from her mother, brought the stepmother into the house and put her in charge of Cheong Ah's education, refused to get a private tutor to teach sign language to his daughter, does not allow her to attend dinners with his associates becos he places his own image over Cheong Ah's wellbeing. Am I supposed to root for him just becos he looked wistfully at an old family portrait or becos he looked at Cheong Ah jumping for joy over the fax machine? Like, the way he scolded Cheong Ah's stepmom for "acting like she calls the shots" in ep 11, as if he wasnt the one who put her in charge of taking care of the household?? I really hope there's no redemption arc for this sorry little man.
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pokeshadow · 1 year
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Ok so this image the official Scream twitter posted of the shrine has been eating my brain for days now. 
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WHO THE FUCK IS THIS GHOSTFACE? Just look at all the shit in this shrine! This isn’t just a Stab fanboy, because there’s stuff like the fax machine from Scream 3 and what looks like Richie’s shirt. This isn’t just a Billy/Stu fanboy because Mrs Loomis’s jacket’s in there, what looks like Kenny’s cap is in there, and again Richie’s jacket. But they also have crazy shit like Billy’s blood stained shirt, the robes Stu wore during the party, Tatum’s outfit, a recreation of Steve in the chair complete with the jacket, what looks like SKETCHES Stu or Billy made planning what they wanted to do to Casey, what looks like someone sketching portraits of Sidney Tatum Stu and Billy in the case next to tatum’s outfit, what looks like the CAMERA Gale used to film what went down in the house, there’s a gun next to Mrs Loomis’s jacket that looks just like the one she used, and what I think is most important, the ACTUAL GHOSTFACE COSTUME USED THAT NIGHT. Well, one of them at least, since most likely Billy did also get up at one point to help Stu out, meaning two ghosties were running around at once that night. It’s the only one behind protective glass, and you can see the blood stain on the right shoulder from where Sidney wore it (she was stabbed there and bleeding). If it’s the only one being that well cared for, it has to be the real deal. SO WHO THE FUCK WAS ABLE TO GET THEIR HANDS ON ALL THIS SHIT? Even if most of it is just recreations, HOW DID THEY KNOW EXACTLY WHAT TO CREATE? Why such obscure shit like Kenny’s hat? You don’t just recreate sketches when you don’t know someone did them in the first place. So who the fuck could get their hands on Stu/Billy’s art??
They made it clear at the end of Scream 2022 that they weren’t going to share the names or motives of the latest killers to try and break the cycle, so this is someone who KNOWS about Richie. There is a very small number of people in the know about what happened, so it’s someone we KNOW (theoretially). BUT, also someone who’s been religiously following ALL the ghostface murders since the beginning. AND it’s someone targeting Gale and Sam spesifically, NOT SIDNEY.
So, first obvious answer. Is this Stu? Honestly, I really don’t think so. Stu was never this obsessive, his end goal from the start was always just to have fun indulging in his dark desires, and because he loved Billy so much all he had to do was ask. Without a Billy, why would he be doing this? Especially to Billy’s daughter. Even if you want to go the route of he lived and is still full of that old hate, why would he be attacking Billy's daughter when presumably his motives would still be avenging Billy? At the end of the day, if Stu were to still be holding a grudge after all these years, his target would still be SIDNEY. Not Randy’s niece and nephew. Sure, Gale wrote the books that lead to the movies, which slammed the hell out of him, but his end goal has always been Sidney. Plus, the Ghostface we see in the trailers is someone who’s been training for this. They’re fast, agile, strong, they’re trying to be the ultimate killing machine. Even if we say that goofy ass Stu has been training all this time, he’s still at bare minimum, 44 years old. Sure, there’s some fit as fuck people in that age range out being commandos, but someone we know as a gangly stick tripping over his own feet? That and why would he collect stuff from the Stabs and murders not related to him? The Stab 3 case is the most prominant thing in that picture, and why would he track down and keep RICHIE's jacket? I love Stu to death, but it really doesn’t make sense that this is him as the killer.
A semi interesting theory, it’s Leslie Macher. She’s been there since day 1, she’d have some knowledge about Richie since her son was killed in the events of all that, and it’d make sense she’d have a grudge moreso focused on Gale since her books would have ruined her family. It’s implied her partner left her and she had to raise her son alone, if she kept the name Macher for any period of time she would have been hounded by people about what her brother did, given the way Stu seems genuinly upset about his parents finding out what he did it sounds like they were good people who’s lives would have been DESTROYED by what happened. If someone has a grudge against Gale, it’s Leslie. But she was Stu’s OLDER sister. All of the above about Stu’s age not matching the hardcore fitness killer we see apply to her moreso. Sure, she’d have the most direct access to things like Stu’s robes, sketches, the camera planted in her house, but how would she get her hands on all of the stuff not related to her brother. They don’t just let people walk into the police station and take evidence they’re not using anymore. It could be someone on behalf of Leslie, like how Mrs Loomis had her pet Mickey to run around and do the hard work while she cleaned up the mess, but that’s something we’ll just have to keep in mind until the movie comes out.
Another theory I’ve seen go around alot, it’s Sam’s new boyfriend Danny. Ok, kinda makes sense. Danny, like DBD Ghostface Danny, and the name of the irl killer than inspired Scream Danny. That has to be deliberate, or at least known by the film makers. But come on, are they really going to have “Ooo is it the boyfriend?!” for the 4th damn time. Plus with this focus on the history of the killings, why would the killer be just some random guy we met like 20 minutes ago? Unless Danny IS the little pawn mentioned in the above bit, but again are they really going to do the killer boyfriend song and dance *again*. 
There's a neat theory it's Gale given this shrine is in New York, where she's lived the entire time, and she would have the means to get her hands on all this stuff since she’s the reporter who covered all these cases. But really guys come on, after all these years of getting shot and stabbed by these people, and getting the love of her live killed by one, is she really going to turn around now and go "You know, maybe they had a point". Plus, to go back to why I think it’s not Stu, Gale is even OLDER and has a far more messed up body. She's been shot in the gut at least 3 times now. There’s no way she’s our hardcore commando Ghostface. PLUS plus, the starting phone call of the movie is HER being attacked, so why would she stage that when no one would see it but us the audience?
So to round it all back. The killer is someone who knows and worships the history of those behind the ghostface masks. Given the ancient looking mask on display, they might even HAVE the original ghostface mask (or at least one of them, Billy and Stu used like 4 in that first film). They’re someone who could get their hands on things probably SIDNEY didn’t even know exsisted, like the sketches. This isn't just a Stab fan boy, this isn't just a Billy/Stu fanboy, AND it's someone who knows about what happened in the last movie even though they never made the names and motivations of the killers public.
WHO THE FUCK IS THIS GHOSTFACE???
This post will be fun to go back to in a month after the release of the movie lol.
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drstonetrivia · 6 months
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Chapter 207 Trivia
The Nanami family has about as much backstory as the Ishigami family does at this point… What does this all mean… 🤔
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Two half adders make a full adder, which can carry values to the next adder and so on. Eight adders would allows sums up to 8 bits in length, the maximum of which is 11111111, which is equal to 255 in binary.
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Xeno's got his gamer chair back, complete with the headset! I bet he's pleased.
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Rather than writing E=MC^2 or choosing another scientific option, he chooses… Poop.
This is rather hypocritical of him, as he is now around 5 years older than when he was when he called Taiju immature for doing a similar thing.
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The printing paper they make is called thermal paper, as it contains dyes that change color with heat. The paper uses the zinc sulfide from sphalerite as a developer, which is used to improve the color of the dyes.
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The fax machine Senku makes is a rudimentary implementation of a rather advanced fax machine, in that the paper and overall design is modern, but lacks the fine details in the final prints that you can get nowadays.
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There's several potential issues Senku could be mentioning here depending on how they built the fax machine, but here are 2 likely options:
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Mechanical alignment of the two fax machines.
If the sliding of the pin is uneven, you could end up with some lines that are squashed or stretched. It may help to imagine this as pixels on a screen, but some have rows of pixels that are rectangular rather than square.
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Data loss.
If the information for a dot is lost, the pin won't move. Instead, it'll print the information for the next dot in its place. This results in the whole image shifting left.
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I'm still very impressed by Sai's active ambidexterity, though I'm not sure how he organizes how he writes since he's writing on even lines rather than one being on the odds and the other evens…
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Still no update on Joel's arm since the bottom half is hidden, but everyone looks so happy to be in the picture! I wonder if Minami was the one to take it since she's not shown.
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The faxed image isn't what it would look like with their setup, since it can only print a black dot or leave it white. In their image, there seems to be several shades of grey.
I altered it so that the dots were more uniformly dark which also brings out the misalignment.
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Ryusui goes silent upon seeing the photo, but from the flashback he seems to care more about how Sai feels rather than feeling left out.
What's sad is that Ryusui was missing from the group photo in chp. 99 as well, hopefully not because he feels bad being in one without Sai.
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Gen planned on only needing two cups for his casual interrogation of Sai, but then Chelsea happened, so Gen had to go get a third.
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Ryusui and Sai are both quite tall, and Ryusui himself is 187 cm. If we take that as the average height of an adult male in the Nanami family, that means that this man here is over 3 meters tall.
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Sai & Ryusui weren't born to the matriarch of the Nanami family, meaning they must share a father for them to be brothers. Since Sai looks half Indian and Ryusui doesn't, this likely means they have two different mothers, and that their father has had kids with at least 3 women.
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At long last, Sai has formally joined the Kingdom of Science, and team 1 is ready to leave India.
…Or are they? We still haven't seen the "Math city founded!" label, so they may still be traveling around India.
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This was a really good chapter. It feels like a classic: we have science, both fun and emotional character interactions, Gen doing important Gen things, poop jokes…
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