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#cannot promise my attitude to r studio will always be positive
solarsapphic · 3 months
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some outside studying in the nice weather ☾⋆⁺₊✧
not always glad to live in a warmer area, but days like these definitely make it worth it !! so glad i got to get some sunlight and away from my roommate lol. also very proud to say I'm slowly getting the hang of r studio <3
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shemakesmusic-uk · 3 years
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This segment features artists who have submitted their tracks/videos to She Makes Music. If you would like to be featured here then please send an e-mail to [email protected]. We look forward to hearing from you!
Dahlia
Dahlia is an Edinburgh-based singer-songwriter and the music she creates is a hybrid of trip-hop, R&B and witch house with lyrics which focus on mental health and bizarre life experiences. Alongside Jordan Russell-Hall on production and Jamie Clapton on drums and live arrangements they are influenced by the forward thinking sounds and attitudes of FKA Twigs, SOPHIE and Young Fathers. Dahlia has just released the double single 'Clarity' / 'Slip Slowly' and here is what she had to say on the offering: "I chose to release these two songs together because they are bookends to a time in my life when I was learning how to identify toxic behaviours in others and unlearn them in myself—shout out to the queens of boundaries themselves Florence Given and Michelle Elman for that one. Opening up dialogues about mental health is something that’s very important to me and my music and these songs demonstrate that. I grew up singing Gaelic folk songs. I’ve found this style of singing and the storytelling style of songwriting has woven it’s way into my current way of working. I’m also heavily influenced by late ‘90s and early 2000s sounds and aesthetics like Portishead but also more contemporary sounds like FKA Twigs and Sevdaliza. These two songs are a marriage of all these things with a little Dido drama at the end for good measure." Listen below.
Gillian Stone
Gillian Stone is a Toronto-based multi-instrumentalist who aims to reconcile tenderness and dark emotion in her work. Her music is an exploration of inner and outer landscapes, turbulent feelings, recovery, and the juxtaposition of femininity and imperfection. She uses vulnerability to create a safe space to explore the dichotomy of beauty and discomfort. Her background in jazz and ethnomusicology has heavily influenced her work. Her upbringing on Vancouver Island also led her to Coast Salish hip hop and the soundscape and scene of the Cascadian bioregion. Stone uses an interdisciplinary approach to explore disparate genres in order to produce a singular sonic environment. New song 'Bridges' is the soundscape of recovery. "I wrote this song in 2009 after a summer of self-imposed turbulence," says Gillian. "I don't remember exactly when or how I wrote it, but it stayed with me and became predictive. For over a decade, I've returned to it as a space to safely express shame. Now it's morphing into a reminder, a call for self-temperance. I'm still discovering what it means. 'Bridges' follows a journey of dysregulated emotions exacerbated by alcohol abuse. The e-cello movement is meant to evoke the feeling of losing one's mind. This is a post-rock night song that ends with a promise of the sun." Listen below.
Gillian Stone · Bridges
Jenna Kearns
Jenna Kearns is a disabled songwriter from South Wales. She has rheumatoid arthritis and spent a lot of time as a young child in and out of hospital, having treatments, tests and operations. She grew up and has lived in a small town most of her life. "I’ve always had music in my life in one way or another but when I was younger it was musical theatre," says Jenna. "It was while studying at university that my passion for writing songs became my main focus." She worked with a songwriter/producer in Leamington Spa and it was there she wrote her first EP Time Has Passed which was released in July 2016. Last year in 2019 the title track of the EP was used on the TV show Dance Moms. During lockdown since March she has been writing nonstop with different songwriters/producers. "I now have such an incredible team behind me that I’m very excited for the near future as a disabled artist," she says. "Personally for me being a disabled artist in the industry who cannot get out of her wheelchair the biggest challenge has really been access into studios/songwriting spaces. The studio I worked with on my first EP wasn’t accessible however it was a simple fix they had someone build ramps for me to be able to access the parts of the studio needed." 'Thank you' is the latest single from Jenna. Co-written with and produced by hotly tipped singer/songwriter Joe Dolman, 'Thank You' is a new spin on the damaging effects of toxic relationships.  Offering a positive outlook on this negative experience, the song thanks someone for showing their true intentions. "This year during my 8 months of shielding, I've been writing loads, creating an identity and really honing in on my sound and skills. Part of what makes me unique is being a female disabled artist, having a physical disability people don't see that much disability representation within the music industry, physical disabilities even less so. Talking about disabled creatives or in my case disabled artist will push forward barriers, because I  simply do not want to be seen as just the disabled girl, but want to find those who are about inclusivity and talent." Listen to 'Thank You' below.
Jenna Kearns · Thank You - Next Single 13th november
Total Brutal
Total Brutal is the new indie pop solo project from Los Angeles based singer, songwriter and multi-instrumentalist Emily Moore. Moore is known as a professional touring musician, having shared the stage with the likes of Grammy award-winning band FUN, Børns, Ella Vos, X Ambassadors and many more. With the goal of spreading positivity and self-empowerment, Total Brutal has an ethos of standing up for yourself in order to be heard and seen, facing fears head on and being comfortable in your own skin. Her latest single 'Egypt' is an 80’s tinged song, reminiscent of Phoenix meets Fleetwood Mac. Oozing with soaring harmonies and warm, muted vocals, the funk-fueled track shimmers brightly, creating the ultimate dance-worthy anthem. 'Egypt' narrates trying to get the feeling back of being a kid and the excitement of what the future holds. Nowadays we live in fear of the uncertainty, wanting to bury our heads and hide ourselves away. Moore confides, “I constantly need to remind myself to play more and lighten up. It’s easy to get lost in the seriousness of life but I want to go through life having fun and viewing everything with curiosity.” The sun-soaked track succeeds in lifting spirits, certain to put a smile on your face from the very get go. Inspired by strong female artists, Total Brutal is determined to help other young women make their worth known and their voices heard. She shares, “It took me a really long time to understand that I am allowed to speak up, have opinions and speak directly. I’m starting to realize that I can be myself and be liked and professional all the same. I want to help foster that adventurous spirit and confidence in young women!” Listen to 'Egypt' below.
Total Brutal · Egypt
Kate Boothman
Hailing from The Ganaraska Forest in Southern Ontario, horse trainer turned singer-songwriter, Kate Boothman, emerges with her forthcoming sophomore record, My Next Mistake this fall. Recorded at producer, Thomas Knox D’Arcy’s, Taurus Recording, over 2 snowy weeks in January, 2019, Kate and Thom made what they referred to in the studio as a “massage rock” record. Writing as they went, Kate and Thom’s life-long friendship enabled them to tuck into their shadows. This provided them with instant fodder for the moody narrative that Kate delivers as part prayer, part animal, and entirely her own. This sits nicely against the sweeping strings, heavy bass, twangy guitars, organ swells and sometimes thunderous drums that make the trippy washed out folk scape reminiscent of something Lee Hazelwood would have dreamed up with the help of Mazzy Star. Latest single '17' "is one of those songs that emerged fully formed," says Kate. "It's about that confidence and arrogance that comes with being a spicy youth, and then all of a sudden you're an adult and you realize you knew nothing. You look back and can't help but examine everything you've learned and lost. I wrote '17' after a particularly heavy day during a particularly heavy time in my life. I was overworked, overwhelmed, underslept, heartbroken, and generally confused. I got home late, laid down on the floor, and when I got up, wrote the song in 20 minutes. My songs come fast, but they build up slowly. Festering away inside until they simply can't be contained." Listen below.
Kate Boothman · 17
Clara Byrne
Clara Byrne is a socialist singer-songwriter from Bray. She seeks her lyrical inspiration in the world around her and seeks solitude from that world in the music she creates. 'Conflict Bound' is her first single from her upcoming debut album Handstitched. Clara on 'Conflict Bound': "In a world filled with juxtaposed opinions and clashing ideals, it is getting progressively harder to know where to stand. It can be nearly impossible not to get bogged down in fighting the opposition or slaving towards winning small mercies. It all seems so vast, so utterly impossible to grasp. But there are rare occasions when a clearing appears through the density. These moments when everything is laid out in its most digestible form, is worth waiting for. The woods briefly comes into view and with it a sense that it is all so obvious.We cannot go on like this, in this pressure cooker waiting to be boiled alive. We are heading towards a grand finale; the likes of which mankind has never seen before. As we navigate through the late stages of capitalism, its true face appears clearer now than ever before; we the people are expendable. And like the true dying beast that it is, it will not go down easy. It will not go down alone. Don’t let it’s dying cries drown out what has become clear to you; we’re conflict bound." Listen below.
Conflict Bound by Clara Byrne
Just Costa
For Just Costa, music is just the ticket — to their own sonic theme park. "We call it Just Costa Land," quips Jesse Just Costa, who leads the Montreal outfit with sister Juliana. "We want to bring the sense of an amusement park to our music. The excitement, the enthusiasm, the joie de vivre; that's what we're bringing to life." They have all the building blocks they need. First and foremost are their vocals: Hers clear, supple and sweetly flowing, his lightly sanded and breezy. They blend with the grace and beauty of siblings who finish each other's sentences. Then there are the songs: Richly melodic, lyrically life-affirming and — most crucially — irresistibly groovy. Laced with Jesse's tasteful guitar work, crafted from an amalgam of contemporary R&B, soul, funk, pop and more, their tracks can hold their own next to hits from Bruno Mars, Michael Jackson and Khalid. Enjoy the ride. "'514' is our ode to the beautiful city of Montreal," say the dup of their latest single. "Our hometown's energy is creative and electric. The people are kind and open – you can feel the joie de vivre in the air, especially in the summertime. If your city inspires you, pushes you to open your heart and do better, then this song is for you. This is our first fully self-produced single, recorded in our own studio, with some help from the retro synth wizard himself, Paul Shrofel. The beauty of a song about a city is that everyone has their own unique stories and experiences within that city. Montreal has no lack of open-mindedness, artsiness, or beautiful people, and this city is an ongoing narrative that threads through the story of our own lives."
Just Costa · 514
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