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misscammiedawn · 7 days
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Legitimacy vs Selection Bias in Hypnosis
This has been on our mind a lot recently. It's mostly been sparked by the recent Mindless Banter podcast run by @theleeallure @enscenic and @hypno-sandwich where the three hosts spoke about how they dislike academic models of hypnosis and a recent post by @h-sleepingirl discussing why they herald hypnotic education.
One thing that is always going to be true about the advocates of our kink who have been involved with the community for a long time is that we are going to be experienced and capable hypnotists and/or hypnotees.
Likewise those who join and find themselves brought in to the fold tend to self-select; if a person is not able to find any success or joy in hypnosis because it's not working or they do not gel with the styles taught and practiced then they will not hang around.
This means that we have a functioning ecosystem of people who know the lingo, who are primed to react as they should and tend to have things work for them.
Which is great! It makes it so much easier to work out when everyone is on the same page.
But it also creates an insular community.
I've written before on why the insular nature of our community worries me.
One of the lines I wrote in that post was this
One of the big differences between the online erotic hypnosis community and the NGH (National Guild of Hypnotists) who rue our existence is that we do not require legitimacy to function when they themselves exist in a half-truth state where when receiving both of my certifications it was impressed that we needed to perform an uneasy dance of providing services without practicing medicine because hypnotherapy is not licensed psychology in the same was that chiropractors are not performing medicine.
Legitimacy is the idea of taking what we do, what we are, what we believe and what we practice and trying to make it valid to those outside of the community. It's performing studies, it's building a framework of hard rules, it's about pretending that we understand how the brain works beyond the anecdotal evidence that we witness it every day within our corners and communities.
Fact is, hypnosis is a malleable and belief-based practice that rests right in the middle between faith and science. As mentioned in the above linked post, trance can be detected on an EEG:
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Our last post on this topic just spoke about accepting that we exist in a soft science where what we believe, how we approach our beliefs and what ideas we allow to take root in our minds will have a firm impact on how the minds of the hypnotists and hypnotees we interact with.
Today I want to talk about why keeping the education and the science involved in the conversation is important.
Because, like the Mindless Banter crew, I have reached the point of my career in hypnoplay where should Dawn wish to induce a trance she need only find a partner, lay out what will happen and perform. The rest of it just happens.
Once you reach a level of confidence and community, it pretty much takes care of itself. The interaction between a hypnotist and a person who has never experienced trance before and the interaction between a hypnotist and an enthusiast will play out differently.
What I mean by this is if Dawn is approached in DM by someone who wants a session she will be able to pick up a number of tells without even noticing it on their confidence and experience. Someone shy, unsure and untrained will not dive straight in. Which makes the encounter less likely and even if it does happen it comes from the power dynamic of a teacher and student rather than two enthusiasts going to town.
This is normal and it's not a bad thing. It just means that the typical educator in the hypnokink community is typically aware of the "weight class" of their hypnotees which paints their expectations of how things will go and allows for a line between the way hypnosis is taught in 101 and how it is practiced in enthusiast circles.
It's why Progressive Muscle Relaxation is something which gets scoffed at a lot in our circles. The typical enthusiast does not need to spend 20 minutes on an induction when their typical partner is someone they can hold the shoulders of, stare at with intent and give permission for the hypnotee to drop.
That isn't to say that experienced hypnotists only play with experienced hypnotees. It just means that the majority of the play from those who educate does not match the material that we teach to beginners. Not a bad thing.
But it does breed this divide I mentioned. Between the experience of those who do this all the time and what is "academic".
So, besides helping new people into the community or playing in pure theoretical space, why must we keep the academic approach involved?
Well, first... the science does inform what we do. Yes, a lot of this is based on belief but there is a large amount of the science which is just fact no matter what we do. The neuroplasticity of traumatized brains is a topic we type about a lot given our dissociative disorder. I mentioned in my Dissociative Disorders and Hypnosis post that there are multiple studies that there's a higher hypnotic suggestibility in those with conditions that include dissociation as a symptom. The fact that this was being taught in a 101 class was why I made that post to begin with.
From my Mind Makes It Real post I mentioned that we need to be aware of the truths to keep ourselves in check. We should always be wondering "am I wrong?" about everything and the moment one lets go of the academic framework and commits to the loose ethos of "it just works" you lose a little bit of that footing and external perspective. We're an insular community and there's an element of "the popular ideas win out", not to stress a point too much but the whole hatred of the progressive muscle relaxation induction is a good example of this. I know a few community leaders who reflexively rant any time they hear it. These people have the ability to control the con schedule. They teach classes and part of their lesson is their personal disdain for that approach. This goes into the minds of those who were taught by that person and becomes part of the internal dogma. Suddenly you have a situation where a minority of people in the community need to defend the PMR.
I do not actually care too much about PMR but it really is one of the most accessible entry level trances and the disdain for it is a little gatekeepy, if I am being honest. I don't think any individual means for it to be something they keep out of the community but enough individuals following a trend creates a community concept, a widely held belief.
And hypnosis is entirely about widely held beliefs. Thus it is now a fact that PMR is boring and ineffective and there's more fun ways to do trance. That is an example, hopefully one that is understandable to an audience who are also into hypnokink (apologies to my non-hypnosis Tumblr followers, I hope if you're reading this you enjoy this peak into a little internet sub-culture).
Which brings me to legitimacy.
Do we really need it?
Hypnosis is both science and fantasy. A person attending a hypnokink convention could treat hypnosis with the technical skill and care that one would approach as ropeplay, learning all of the different terms and all of the safety procedures and treating it as a psychological version of what can be physically observed.
But you may also have someone who treats hypnosis as roleplay and improv with a framework not too dissimilar from a tabletop sourcebook for D/s shenanigans that they can learn and play within much the same as a D&D player can switch to World of Darkness. I guarantee there are a large number of people in the hypnosis community who do this and they're not wrong for doing it.
But as I mentioned above. Hypnosis is a scientifically observable phenomenon and it is dangerous if abused. Heaven knows I know that more than most. One must not believe in the dangers for them to be real. An immature hypnotist is a danger to a hypnotee regardless of if they think they are roleplaying or performing edgeplay. And the same is true for a hypnotee, too. If one believes it's all roleplay then their limits and safety will be at a different level than someone who is aware of the risks.
One need only look to the dark corners of our community where covert hypnosis is practiced eagerly, recruitment is a game and personality erasure is an aesthetic to know that there are uncomfortably large swaths who are practicing hypnosis from the perspective of fantasy. I do not want to pull out the news articles about how Disney Deer brainwashing ruined people's lives again.
The good news is that within the educator/convention going portion of the community we do teach this stuff. We do make everything clear. We're not currently in a community where academic approaches are shrugged off.
But it makes me uncomfortable when experienced educators in the community forget how far their words reach and dismiss the academic for the sake of "what works".
We do not need to seek legitimacy for the eyes of those outside of the community. We do not Demand To Be Taken Seriously. We have a community where people are welcome to join or not join. We do not need external legitimacy.
But we need internal legitimacy.
We need the people who practice within our care to know that they're practicing with dangerous tools that can and will mess a person up if treated without proper care.
Safety and education require we keep room for the academic and seek to legitimize what we do or those who look at hypnosis as pure fantasy will not be able to recognize the risk.
At least, that's my opinion.
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For more of our ramblings on hypnosis and the hypnosis community, please check out our Hypnokink Writing tag for other bits of education and commentary like this <3
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sexynetra · 3 months
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I haven’t stopped thinking about this post since I saw it btw
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swallowedswan · 9 months
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daya betty appreciation post
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midnight-moth · 8 months
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marian-1122 · 1 year
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Joe Strummer at manager Bernie Rhodes's Rehearsal Rehearsals studio in Camden Town , London , UK , April 1977 .
©️ Chalkie Davies/Getty Images
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lonestarbattleship · 1 year
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Yard workers fitting out IDAHO (BB-42) at the New York Shipbuilding Corporation of Camden, New Jersey.
Photographed on March 15, 1918.
NARA: 45546558
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smeagles · 1 year
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Camden, NJ • October 14th 2005
“A few years back, my friend Ray asked me if I wanted to take over his job at a photo lab becuase he was going to try and do this "band thing". Fast forward to today and they've been nominated for five MTV music awards, been on tour with Green Day, and their record has gone platinum. Most of these pics are from a show they played in Camden at the Tweeter Center, but a few are from Continental Airlines arena in East Rutherford.” - Adam Pantozzi
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Charles Ginner
Victoria Embankment Gardens. 1912
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jackinalex · 1 month
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dubmill · 9 months
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Regent's Park, London; 21.6.2020
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l-e-i-k-o · 5 months
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so this is love?
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misscammiedawn · 7 months
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Ethical Personality Play
So. I've written about my experiences with Personality Play in the past. A couple times, actually.
The TL;DR is that from early 2000s-2019 this was my signature move that the first three hypnotists I was tied up with utilized on a near daily basis. The damage of this abuse has never been fully tallied, but if you want my "how to alter your personality with hypnosis" guide in a word it is simple:
Don't.
"But what if I want to do hypnotic edgeplay?"
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But saving that... let me impart some wisdom in hopes that y'all will play nice and safe with this.
Firstly let me define the terms.
Personality Play is any form of hypnosis scene that alters aspects of the individual's identity whether it be for a scene, as a permanent trigger or as permanent conditioning. The danger amplifies with the more severe and lasting the changes are but there is always danger.
So, let's cover each area of what can be done, how it can be harmful and how to avoid that harm.
General rules
Before even negotiating this kind of play. Disclose.
If you are engaging with intimate hypnosis at this end of the danger spectrum then you need to have a level of intimate trust relative to that risk and this trust needs to go both ways. If I were a hypnotist introducing this kind of play into the mix I would do so only if I could trust in my hypnotee partner's mental state.
I disclose my BPD and DID at the start of any hypnotic relationship and talk about how they impact me. How the depersonalization and derealization symptoms require a level of grounding before and after play and what to do if my emotional state switches during the middle of a scene. This is not an easy thing for me to do, especially if time is a limited factor, but it's a necessary thing to do.
I do not expect every person playing be willing to disclose every mental condition they have or open up about possible abreaction triggers. That's sensitive information and it's natural to not want to be open about that with every partner. I do, however emphasize that it is vital for that information to be known when approaching these topics. It is unfair for the partner in the scenarios to be responsible for managing safety on either side of the watch when they are unaware of the depths of vulnerability.
I have experience with this fallacy myself. In utilizing hypnosis to ignore my triggers I did severe damage to myself and I am now plagued with intrusive memories and nightmares of events that happened during scenes that I was able to effortlessly indulge in during the scene but as they say "The body keeps the score" and I was in fact doing further damage to myself. Something which my partner at the time was not equipped to deal with because I'd failed to disclose or even treat the situation as worth being safe about.
Now I am just burdened with further damage by ignoring my brain's defenses on my existing pain.
Once again, I refer to my first bit of advice on how to ethically perform Personality Play: DON'T.
Once you have a trusting understanding of both sides of the watch's limits and comforts the next step is grounding.
Grounding is mandatory.
I wrote about my feelings on this before in more depth. The short version, though:
Before and after a scene with intense reality distorting you should take an effort to make a person feel aware of their surroundings, to offer them connection "during the scene you will know I am here and you can pause the scene at any time for any reason" and for them to take stock of their mental state and how they are feeling. Just ask them to display curiosity and provide comfort in the connection between hypnotist and hypnotee. You will be returning here and you need to make it an inviting space.
Grounding should also include a reminder that the hypnotee will be aware of what is happening the whole time. I'll cover this more in the more risky portion, but the key to safety is to ensure that the hypnotee is not immersed in any headspaces they may slip into (with the understanding that there is another gradient here of subspace and highs and peaks from scene play which are chemical reactions and those highs are a little more natural than the altered headspaces I am referring to).
For another grain of personal experience and warning here, I just want to talk about the three hypnotists who played with me utilizing personality play. One knew what he was doing, one didn't know what they were doing and one didn't care. I'll refer to them as Noel (knew better), Dinny (didn't know) and Carrie (didn't care).
Dinny expected that if a scene got too much for me that I would drop out of trance or end the scene. To them they assumed that no one will do anything in hypnosis that they didn't want to do and that it was just extreme play-acting. They likely didn't believe in hypnosis all that much and used it as a framework for roleplay, which is their true indulgence.
So if a scene got too intense for them they would safeword. End the scene. They were in control.
As someone who was immersed in the play and had no grounding, there was no escape because within the framework of the scene, there was no "out of character" there was the scene and that was all that was happening.
You cannot assume that a hypnotee will safeword and end a scene unless they receive the proper grounding and instruction to do so. If you're going to be doing edge play, you have to surrender the fantasy and make sure reality is in the scene at all times. Both sides of the watch. If you are entering in a scene where a person is altered throughout then you cannot expect them to act on their agency. It's a CNC scene by default and you need to introduce safety and consent to avoid that.
Likewise I want to note the power imbalance that comes from play like this. A motivated hypnotee can fling themselves into this arena and do harm to the hypnotist. This does fly both ways. A hypnotee not advocating for themselves or exercising their agency will make a hypnotist accessory to the damage.
This is a sin I have committed.
A hypnotist has a responsibility to themselves to not allow a self-neglecting hypnotee use hypnosis as a method of psychological self-harm. This guide is as much to protect a hypnotist from being abused as it is for hypnotees to avoid allowing themselves to be abused.
Every side is vulnerable in these exchanges.
So... now that we understand the basics before we can even start, let's start in the shallow end and work out way up.
Emotion Control/Intelligence Play
Starting soft. This is fairly standard play and so long as you're being mindful I doubt many would have too many problems with these suggestions.
Infatuation potions, ditzy spells... this is fairly standard stuff.
The key thing to do is to ensure that the effects are temporary and impersonal. For instance for an intelligence play scene you may want to picture a dial in the hypnotees head that has a default setting. Take a moment to ground that default setting. What is normal. What it feels like out of hypnosis. Then you can suggest that it will always return to this default setting after a time but for now we intend to dial it back down, as you feel yourself growing sillier and sillier.
This is a safe way to handle a scene like this because even if you do not perform a post-session grounding (which you always should), the default will naturally return.
Likewise infatuation potions you can mention how your body will metabolize and you'll be aware of the artificial nature of the emotions you feel.
Being aware of the artificial nature of the emotions at play will prevent lingering effects. Even after you clean up there will always be a little bit left over and it's a matter of limiting how much sticks around and where the mind will return to.
I safely play with suggestions like this to this day even when Personality Play in the broader sense is Red for me. This is safe. It's manageable. It's temporary and with a partner who is willing to make space for it, you can keep reality in the room. Safe and secure.
But it can still be dangerous.
Let's see the intelligence play scene was handled poorly. Instead of a temporary dial which defaults to normal a hypnotist instead asked "Debra" to imagine herself with platinum blonde hair, a larger chest, all her thoughts evaporating into a pink bubblegum mist as boundless confidence overcomes her until she transforms into her bimbo persona, "Debbie" and Debbie can be summoned at a simple turn of phrase.
That right there? That's DANGEROUS.
We'll cover more as to why when I go over persona/character play, but it's a good example of how a "bimbo trigger" can be performed ethically and how it can be performed dangerously.
*sighs*
So let's move on...
Altered Headspaces
By altered headspaces I mean suggestions and scenes that play on your ability to perceive and process things. This can be the drugged/drunk sequences, hallucinations of any variety. It can be impulsiveness or boosts of confidence or terror.
Y'know. Stage hypnosis stuff. Because as we know, stage hypnosis tricks are a bastion of "ethical" suggestions.
Seriously though. The prevalence of these types of suggestion in the public perception make us as a community look bad and it's why doing them safely is vital, especially if we do get people entering the community with the idea of types of play which are risky at best from the get-go.
For these suggestions you want to provide the above grounding, but the hypnotee also needs to be able to have an objective view to their state so they can advocate for themselves.
Any altered headspace will supplement agency. It's why you cannot negotiate with someone when they are fractionated. Thusly, any interaction you have with someone in an altered headspace is going to be dubious consent by default. What if you made someone slutty for a scene and they escalated the scene to a sexual one without prior negotiation or existing rapport.
The correct thing to do is end the scene there and then. Otherwise the hypnotist is taking advantage of the hypnotee.
That's a fairly plain example, too. Hence why I feel even this level is edge play.
I don't particularly want to share my personal experience in this realm. Suffice to say I've never once in my life had lucid sexual intimacy with a partner. Every single time I was altered. I literally cannot approach the concept/act without being altered first. I invited it.
The body keeps score.
The way to practice this safely is to encourage the hypnotee to maintain an awareness and presence in the scene. There is a risk to this as incentivizing a dissociation between the conscious self and the altered self is the exact thing we are trying to avoid in these scenarios.
I refer again to the shining DON'T at the top of the post.
But with the correct grounding and temporary status of any scene this risk is lower than the risk of allowing a hypnotee to dive into a scene so heavily that they will ignore their personal ethics and safety for the consideration of the scene at play.
It's either allowing them the ability to advocate for themselves while altered, "the hidden observer will always be present during the scene and can stop things for any reason or just to check in" basically it's keeping reality in the room. A hypnotee should be discouraged from throwing themselves headlong into the fantasy and an awareness of waking self and the artificial nature of play is important, particularly the more immersive you go...
So...
Character/Persona Play
Which brings me to the final warning.
Please do not even attempt this. I see kids in tulpa communities and roleplayers who can't see the harm in becoming their characters and I wish I could share a grain of my experiences.
I did this for 18 years. Eighteen years. Daily. The damage it has done to me is never ever going to be fixed.
The thread I made on Twitter received a number of supportive messages from others with dissociative disorders who echoed my sentiments. I'm legitimately at the point where I ask "were we attracted to this type of play because we were predisposed to it" or "do we have serious disorders due to our time playing in the deep end"
Neither one need to be true. Doing so did damage. A lot of damage.
So here's my first question off the bat.
"What if your hypnotist gets hit by a bus?" what if one day you wake up and you no longer have someone to explore this gigantic portion of your soul with. What if access to this kind of play existed only within a relationship. Are you willing to allow that much of your personal experience and agency be left to someone else's hands?
What about trust. Can you trust someone to shape a part of yourself? Dinny, Carrie and Noel each did harm in their own way handling the bits of me I shared with them. Noel warped and twisted and perverted them to the point of which these characters, real and living aspects of me feel violated by his impact upon them. Carrie abandoned them and let them wither and die without even considering attachments I had made to them... attachments they had to the stories and connections they had made... and then Dinny? Dinny never treated them as real. They were fantasy and the situations were fantasy and it was all just a game.
Let me tell you about that last one. If you want to play out a hateship scene and utilize hypnosis to make your partner think that they are in that hateship scene, the emotions exist. They will bleed through and poison you in your waking state. If you are made to perform as a vampire who wants nothing more than to taste flesh then you are going to feel that desperate hunger and be trying with every fiber of your being to overpower the hypnotist who has the ability to end the scene if things get rough but, and this is the important part, unless you set up grounding-- you will not know that in the moment.
I legitimately have nightmares about the things I did while acting in scenes Dinny ran.
And lastly...
Are you willing to accept that there are parts of you that can do things that you in your waking and natural state, simply cannot do?
I do not know if doing these things makes you more vulnerable to the symptoms of a dissociative disorder or not, but I know that a damn lot of people who did this stuff excessively happen to have these symptoms.
Look. I don't hide my DID diagnosis on Tumblr. It hurts that I have a mesmerizing Fae in my heart who is more lovable than I am, more confident, more capable, more experienced and charming. I hate that she can perform feminine voice better than me. I hate that she can push boundaries and harm me without a thought. I hate feeling inferior to me. I hate feeling like I'm just a function of a person that people want around more.
I hate finding evidence that she had a whole online life that we hid so well that even post-diagnosis I am not fully sure what she did. I hate feeling powerless that I'm not in control of my own life and reality.
Dawn scares me. I am afraid of the part of me that most people love.
...and I have no way of communicating that as a warning that doesn't sound exotic and enticing. Because dissociative disorders are not exotic and enticing. They're boring, exhausting and tedious and though I am 50/50 on whether it can be accidentally induced through hypnosis play, I know there is no damned chance in hell any person should willingly gamble with that possibility.
I know so many systems and people who have endured extreme brainwashing who would be behind me when I say this.
DO. NOT. DO. IT.
...and so... assuming you have read all the warnings and you're not actively trying to invoke installed personalities into a person (which I do not condone under any circumstances at all).
How can we do character play and not leave lasting damage?
That's a question I have asked myself so so many times.
Firstly, avoid anything that makes the character headspace an extra layer. Do not use hypnosis to mold them. Do not give them their own triggers. Do not do anything which can be used as a divide between the waking self and the constructed persona.
But that's more "Don't" isn't it. Here's what you can do.
I think the best way is instead of having the hypnotee monitor the scene and step in when they need to, ask them to treat it as a performance. That they are aware of the artificial nature of the scene but at all times they will commit to taking on the role as an actor would on stage.
The key is to associate the role with the hypnotee enough that they are present in the scene while allowing them to commit to the actions without experiencing the thoughts and feelings of their own. Insist that no matter the morality and behavior of the character, the hypnotee as the actor will never cross their personal limits or ethics for the sake of the scene.
Then at the end of the sequence be sure to end the scene and ground the hypnotee, have them remember everything that had happened, remember them performing the act and deciding how to handle every decision. Make sure that the entire time that character and actor are one and the same and all hypnosis is doing is allowing the actor to invest in the bit.
That is legitimately the only safe way I think one can engage in this kind of play and from that angle it seems as harmless a suggestion as any scene.
But no shortcuts. No triggers that induce character headspace. No trying to breathe life into characters and allow them to inhabit. Even channeling them or letting them speak through the hypnotee courts a level of dissonance between states.
It's possible to enjoy the spontaneity of character play without suppressing the ego of the hypnotee. As I mentioned at the start, it may seem like a desirable outcome for some hypnotees to experience a state of ego-death and allow themselves to experience becoming someone else for a little while. It sounds appealing on paper.
A responsible hypnotist should never indulge that kind of desire and a respectable hypnotee should never burden a hypnotist with that level of responsibility. The damage is too risky.
Lastly, and this applies to all.
DEBFRIEF
Every major scene in any kink should involve a debrief segment. This helps with the grounding and it helps establish the in and out of scene dynamic while allowing the hypnotee to associate with their actions. "I did" rather than "they did".
One of my bigger mistakes in character play in my younger days was that I baked amnesia in and allowed my play partner to tell me about the scenes after the fact. This made it seem like the characters in the scene were the ones controlling things and I was a passive and absent spectator. Not good for healthy associations.
During a debrief the hypnotist and hypnotee should discuss their roles in the scene, how they felt during the experience. It gives both parties an opportunity to interrogate how the other is perceiving things, catch any flags (abuse of control over the scene, losing reality to fantasy etc) and give one another ideas for how to improve for future scenes. Debriefs make all kink play better in my opinion. Plus who doesn't like a bit of feedback on how you handled things in scene?
...look... I don't want to be an old lady yelling at the kids for doing things when I did them myself at that age.
I'd be a hypocrite if I didn't pretend I didn't see the allure on both sides of the watch.
I just... there weren't 20+ year experienced hypnosis veterans who had been in my character play abusing position when I was growing up. No one warned me. I learned all this the hard way and I hurt people. People I loved. Moreover I hurt me. In ways that will never heal.
I just want to spare anyone I can the pain of going through this.
So, in quick summary:
Ensure reality is always in the room.
Ensure the hypnotee is always aware of themselves and their action.
Reset after every scene.
Do not allow situational scenes to become direct triggers.
If you insist on reusing altered headspaces and characters then install and deinstal every time to limit any lingering traces out of scene. Do not allow them to have programming/conditioning unique to them.
Avoid allowing the hypnotee to circumvent their own ego and agency in a scene.
Debrief
Play safe... if you must play at all.
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ratgirlcopia · 4 months
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woman post
for my own entertainment i'm compiling every time something ghost-related connects copia and women in some way. subject to change because i might be forgetting stuff or missing things.
general visuals
the cornette worn in the "spillways" video and during live performances of "year zero" is a nun's hat historically worn only by women
in "spillways," one of the women has a white eye
the "spillways" art by zbigniew bielak features a woman with mismatched eyes and a cornette-shaped hat
merchandise
the "papa iv theatrical" tee is based on "the bat woman"*
the "mondo mucha" tee is based on "médée"
the "venus iv" tee is based on "the birth of venus"
the "flying broomstick" hoodie is likely not based on a specific image, but it's a general halloween witch reference.
chapters
copia taking the audition tape to the mailbox in chapter 12 is a reference to sophie in mamma mia
miscellaneous/honorable mention
"sexy nurse" is the answer option associated with copia on ghost's 2023 halloween quiz.
bra
songs
disclaimer: this section isn't very copia-specific, because copia canonically does NOT write any of the songs. if you want to get speculative about songs, i do that here.
"helvetesfönster" is swedish for "hell window," which is a term for open-sided medieval dresses worn by women
"kaisarion" references the murder of hypatia
"respite on the spitalfields" references the canonical five victims of jack the ripper and (likely) emma smith and martha tabram (two speculated victims) in the line "seven sisters"
"respite on the spitalfields" references jezebel
*t-shirt designs sold by ghost are generally designed by the artist and then submitted to the merch team for approval, so these ideas and references likely did not come from the ghost team directly.
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geritsel · 1 year
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Ruskin Spear - Children in the Snow
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8iunie · 2 years
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Måneskin - The Loneliest | The Underworld Camden | London, UK | 06.10.2022
🎥 CarlosSmith
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marian-1122 · 10 months
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Paul Simonon , Chalk Farm Road , Camden Town , London , 1980 .
©️ Clare Muller/PYMCA/Avalon/Getty Images
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