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#c: Pali
void-botanist · 2 days
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let’s start with 1-5 for all the polycules! -@vacantgodling
This is gonna be a long one lol. But first, a little note on these polycules for those who don't know: they're legally mandated for the royal family (Kiatcarmen, Marcus, and Minaya) and have at least one of each sapient species in them. That's why Jimmy was replaced in Kiatcarmen's polycule when he died, whereas in an organic polycule, that likely would not happen.
1 - How many members are in the polycule? How are they related to each other? Feel free to draw a flow chart.
Kiatcarmen: there have only ever been five at one time. But those members have shifted twice, when existing members died. Kiatcarmen and Ashmalo are Marcus and Minaya's parents.
First set of members:
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Second set of members:
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Third (current) set of members:
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Marcus: seven, technically. It remains to be seen whether Heith will stick around. With the exception of Heith, it's safe to assume they're all friends. Gren only knows OF Heith, since Marcus met her on another planet. Yera and Hossan recently had a baby. Also they don't actually have non-cow ears I just couldn't rally myself to make updated picrews for this post.
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Minaya: six, all pretty much friends. Dawn is currently pregnant with Arbores's baby. Lanya is permanently annoyed with Arbores because his state of being is sort of to just disappear into the woods and not engage that much with the administrative/royalty things he, Minaya, and Dawn manage.
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This isn't all the existent relationships in these polycules but it is all the most notable ones.
2 - Did the relationship start polyamorous, or was it a monogamous relationship that eventually opened?
All three of these started as technically polyamorous relationships, though they grew little by little. But if you look past the legal requirement it's a little more complicated. Kiatcarmen's polycule has always been a mess, and to be honest she would have been just fine having just Jimmy.
Yera and Hossan in Marcus's polycule started out as a functionally closed couple within the whole (they don't actually restrict each other to this but that was how it was anyway) but a couple years in, Marcus married Gren and Gren became besties with Yera. Over time this morphed into Gren being their third partner, but Gren is still very mobile between the different members and divisions of the polycule.
Minaya's polycule, once completed, was functionally three parallel couples (Minaya and Lanya, Dawn and Arbores, and Lucy and Ramona) until Ramona fessed up about her crush on Lanya and those two couples merged into something like a quad.
3 - If it started monogamous, how did the process of opening the relationship go?
Marcus: for a while it wasn't clear whether Yera and Hossan's relationship was going to open - maybe Yera just had a new fuckbuddy. But Gren and Hossan spent a lot of time together incidentally, and Gren also wanted to be friends with him too, and over time Gren just sort of got absorbed into their dynamic. There was a little jealousy they had to work out (Hossan was very used to being Yera's singular obsession), and there was a conversation at some point, though, when Hossan realized that he no longer thought of Gren as a separate external addition. He still doesn't think of himself as polyam but considers Gren in the same breath as Yera.
Minaya: opening her and Lanya's relationship felt easy. For a while, though, it was pretty much just sexual. That was easiest for everybody, especially with Lucy and Ramona being away for training and competition a lot. But over time it's developed into a more romantic dynamic, which has been fairly smooth, despite Lucy's defensiveness and Lanya's counter-defensiveness. There is some uncertainty about how things will change once Minaya ascends the throne, though.
4 - Are there any mono-poly relationships in the polycule?
Kiatcarmen: sort of. Despite having a sexual and quasi-romantic relationship with Pirianus the only person she's ever considered her partner is Jimmy, so in essence she has always been the monogamous person connected to her own polycule through her very popular spouse.
Marcus: no, but only because Heith isn't monogamous.
Minaya: Lucy teeters on the edge here. She's never outright decided she's monogamous, but she also doesn't have a lot of patience for maintaining multiple romantic partnerships.
5 - What “shape” is the polycule? A triad, a “V”, a straight line of metamours, or incomprehensible?
Kiatcarmen: currently, a cul-de-sac. Kiatcarmen only considers Pirianus anything close to a partner, Pirianus has complicated relationships with her and Thade, and Thade, Caladea, and Orvi are all just vibing with each other. In other words: almost entirely metamours and meta-metamours from Kiatcarmen's perspective, and something resembling a cohesive whole from Thade's.
Marcus: in Marcus's absence, it became kind of a bow tie, with Gren in the middle between Yera & Hossan and Umedes & Pali, and Marcus and Heith as a separate island. Upon his return, it expands into more of an anglerfish - Gren is still the point of connection between Yera & Hossan and Umedes & Pali, but Marcus has joined Umedes and Pali, and also has a connection to Heith.
Minaya: it's more or less a quad (Minaya, Lanya, Ramona, Lucy) with an orbiting couple (Dawn and Arbores).
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soldier-poet-king · 1 year
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I was writing some thoughts down about a book I'm halfway through (I am trying not to let things stew in my brain as much. Writing incoherent thoughts is good for my nerves) and it's a fantasy 'let's get the gang back together' fetch quest featuring a 60 smthn yr old protag but also I wrote, imo, the best thoughts I've ever had about coming of age stories and my unconventional love of them . An excerpt bc you don't need all my thoughts about the book specifically:
Life is a constant state of becoming, a coming of age novel is supposed to be about growth and self discovery and inching your way towards some sort of peace (loosely defined). If we're a different self everyday, if we are constantly changing and growing, I think all good stories are, in a way, coming of age novels. We're all just, coming of a certain undefined age. We often speak of selves as discrete phases "the former self" as if they're completely disconnected to who we are now, as if our current selves are not just a blend and growth of everyone we have been and are becoming. I hate the common equation of coming of age with "grim or edgy novel about teens and the loss of innocence" because it can be so much more than that! It should be so much more! There no clear loss of innocence, no clear delineation between childhood and maturity, there's no automatic flipped switch in real life. We're never "done" while we're still living, there's no Telos or permanent state of self in life, so how can coming of age be limited to teens? We're ALWAYS in a state of becoming and that is the most wonderful thing I've ever believed
Sometimes "that's just the (innate) human condition" is a source of immeasurable Joy and Hope
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ranboo5 · 1 year
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jan toki Lanpu li jan ike, tawa sina? mu mu ?
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wp100 · 2 years
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damn it's hard to believe that heroes of the storm released 7 years ago.
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lindsayraindrops · 2 years
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Twitter AMA with Victoria Goddard about the upcoming sequel to The Hands of the Emperor:
At the Feet of the Sun
slated for release on November 1st !
I CANNOT overstate my excitement for this book !!!!! It’s gonna be another chonker and I really and truly cannot wait *-*
Preorder directly from the author here: https://www.victoriagoddard.ca/products/at-the-feet-of-the-sun
Link to the twitter thread: https://twitter.com/_vgoddard/status/1557056200017051649?s=20&t=SVcu8hZiJy_34fK4qG5F0g
ID for above images in alt text, ID for the rest of the images below bc tumblr wont let me add alt text for images added to the text of a post
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[Complete ID for the very first tweet:
Tweet from Victoria Goddard @_vgoddard: Exciting developments for fans of HANDS OF THE EMPEROR: the sequel is now up for early preorder on my website! Cliopher is impatiently awaiting his lord’s return when adventure quite literally hits him from behind…
image reads: The long-awaited sequel to The Hands of the Emperor coming November 1st, preorder now! image shows the book cover of At the Feet of the Sun by Victoria Goddard. Top of the cover reads: Lays of the Hearth-Fire 2. Cover depicts a blue whale against a background of dark blue with many stars like a night sky. The whale has white belly and blue skin with stars and constellations.
ID for the images in the body of the post:
Amanda @AceOfJersey asks: Will we meet any new members of the Red Company? Victoria Goddard answers: Depends on what other books you’ve read first!
Tom Farrell @smackledawbed asks: Does anyone arrive from Ysthar? Victoria Goddard answers: yes (eyes emoji)
Janvi Rakshi @HellLucifer1509 asks: On a scale of 1 to 100, how many times will we lie on the ground gasping for breath after reading certain lines or paragraphs? (For reference, HoTE ranked a 2,34,560 on my scale) Victoria Goddard answers: I can’t speak to lying on the floor, but you may want to stock up on wooden spoons to bite through. Or maybe a wooden spoon factory.
kylie owens @sofihatters asks: Will there be more of Kip dancing? Do we get to see any other Islander dances? Victoria Goddard answers: Kip might find an opportunity. Or two.
Mary @kilerkki asks: Does Cliopher find out what happened to Basil? Victoria Goddard answers: Cliopher does find himself with a little more free time to look into these important questions, yes. (winking emoji)
Rae @2punkroch4shul asks: I have another, which books do you recommend giving read before ATFOTS? Victoria Goddard answers: THE HANDS OF THE EMPEROR and RE RETURN OF FITZROY ANGURSELL are key. PORTRAIT OF A WIDE SEAS ISLANDER and THE REDOUBTABLE PALI AVRAMAPUL would provide excellent context but aren’t strictly necessary.
free-c @AgentFreeWill asks: follow up - how much is his Radiancy missing Cliopher? (grinning emoji) Victoria Goddard answers: As we know, his Radiancy does not really do math (he has Cliopher for that), so “[sad harp noises]”
Cassandros1000bce @Cassandros10001 asks: Looking forward to this so much! Will Kip’s family be there? Victoria Goddard answers: Of course! Not to mention, there’s ALWAYS another Mdang.
Ordinary Realities @naryreal2 asks: Any minor characters you’re particularly excited to revisit? Victoria Goddard answers: Oh, all of them, but the Household (Ludvic, Conju, Rhodin) have shown themselves to have many unexpected layers. (onion emoji)
Lin @gremlinry asks: On a scale from 1 to 10 how would you rate Cliopher’s huggability in this book. Victoria Goddard answers: It depends on whom you’re asking, but 2/100 emperors would recommend finding your own Islander to hug
End ID]
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typingtess · 2 months
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NCIS: Los Angeles Season 14 Rewatch:    “Of Value”
The basics:  The team works to save a married team of architects with DoD contracts who were kidnapped in front of their children and nanny
Written by:   Kyle Harimoto wrote "Omni", "Merry Evasion", "Chernoff, K", "Command and Control" as episode 150, "Granger, O.", "Ghost Gun", "Kulinda", "767", "Se Murio El Payaso", "Assets"/"Liabilities", "Venganza", "Superhuman", "One of Us", "Let Fate Decide" (season 11 premiere), "Decoy", "Answers" , "Watch Over Me", "Cash Flow", "Fukushu", "Bonafides" and “Come Together” (season 13 finale).  He co-wrote "Three Hearts", "Leipei", "Humbug", both ends of the "Matryoshka" two-parter, "Smokescreen" part two, "Searching", "A Fait Acompli" and "A Tale of Two Igors" (season 12 finale). 
Directed by:   Diana C. Valentine who directed "Lokhay", "Fallout", Three Hearts", "The 3rd Choir", "Forest for the Trees", "Beacon", "Unspoken", "Seoul Man", "Crazy Train", "Under Pressure”, "Better Angels" and “The Circle”.  This is Valentine’s first episode with the series since season 11.
Guest stars of note:  Bar Paly as Anastasia "Anna" Kolcheck and Duncan Campbell as NCIS Special Agent Castor are both back from “Come Together”.  Gregory D. Gadson as Army Colonel Jackson Ladd, Sigrid Owen as Mila Curren, Regina Ting Chen as Navy Commander Cheng, Melanie Hawkins as Linsey Sandhagen, Lawrence J. Hughes as Emmett Sandhagen, Elester Lantham as Jerry, Dominic Zamprogna as Paul Figueiredo, Kaya Jackson as Sophia Sandhagen, Devin Looc as Ty Sandhagen, Matthew Law as Josh McCall, Alain Mora as Chito Aldana, Torshawn Roland as Jay and Glen Steele as Man.
Our heroes:   Are oddly paired up in this episode.
What important things did we learn about: Callen:   Wanted to be an architect when he was a kid. Sam:   Taking Raymond to a specialist in Orange County. Kensi:   Parent teacher meeting attendee. Deeks:   Getting in required time at the range. Fatima:   Likes the Lakers, especially Lakers games with her dad. Rountree:  Running Ops like a boss. Kilbride:  Searching for a friend.
What not so important things did we learn about: Callen:   Misses Sam while teamed with Deeks. Sam:   Absent. Kensi:   Not a big sister to Fatima, certainly not a favorite aunt. Deeks:  Writing essays and not doing calculus. Fatima:   Using the entirely wrong skincare products according to her mom. Rountree:   Arguing with Kilbride about college football. Kilbride:  Arguing with Rountree about college football.
Where in the world is Henrietta Lange?  Not a mention.
Who's down with OTP:   Kensi and Deeks spent almost no time together in this hour.  The chatted about Rosa to start the episode and grabbed a bite with Callen and Fatima to end the hour.  Callen and Anna had a nice coffee run to start the day and some wine in the garden at the end.
Who's down with BrOTP:  Forget the bros, Kensi and Fatima were sisters doing it for themselves.  They had a lovely chat in the Kensi’s Audi, worked hand in glove to save the day. 
Fashion review:   Callen wore a blue/green/white plaid button down shirt.  A white with thin black stripes henley for Kensi.  A grey long-sleeve tee for Deeks.  Fatima is wearing a white turtleneck under a royal blue sweatshirt.  A denim jacket with a pink tee-shirt for Rountree.  A blue three piece-suit with a white dress shirt and red tie for the Admiral.
Music:   Lots.  This is season one level of music usage.  “Collect Your Things and Run” by Hot Water Music opens the episode in the teaser.  “L’enfant roi” by Noir Desir plays as Kensi and Fatima are taking out the bad guys.  “Blue on Black” by Kenny Wayne Shepherd is playing at the bar where Col. Ladd is drinking.  “Good Things Come with Time” plays while Callen and Anna are having a moment at the end of the episode.
Any notable cut scene:   Not today.
Quote:  Col. Ladd:  “When I was a junior officer, I was a door kicker.  First one through every time.  Every time.  Then I moved to Intel, where I protected and led some of the toughest, most well-trained men on the planet.  And you know what happened on Sunday?  I'm walking into the store.  Old lady runs ahead of me opens the door, looks at me with those eyes.  Like I was less than.  I was a damn super hero, Hollace.  And now I got some old lady's pity.”
Anything else:    A young guy is skateboarding down a street with a friend recording him.  As they wrap out this shot, a delivery robot, Yum Inside, tries to pass them.  They think about stealing the food inside when an older neighbor tells them to not to steal.   Things get tense until a van comes barreling down the street.  It runs over Yum Inside (RIP) with food and beverages going everywhere.  A woman runs to the older man and the skateboard crew yelling “stop that van!”
Callen and Anna are walking home from a great coffee shop near their new home.  She has a job interview with the Surfrider Foundation, an environmental group.  Callen is bit surprised Anna is leaving law enforcement but remembers she made up a story about working in an area destroyed by fires when she was looking for Katya.  They pass an older man gardening.  Callen has a Pembrook flashback.
Updating Deeks by phone, Kensi is leaving a meeting with Rosa’s teachers, who are impressed with how well she is doing considering the turmoil she been through over the last six months.  The teachers did notice that Deeks helped write one of her essays and that Rosa could use a math tutor.  Deeks thinks they should be the people Rosa turns to when she has problems.  Kensi agrees.  She’s ordering a calculus text book and Deeks can start tutoring her immediately.  For the sake of the economy, Deeks thinks they should hire a tutor.
Callen arrives to a nearly empty office.  Fatima is there with news that Sam is taking his father to see a specialist in Orange County.   She also mentions that Kilbride and Rountree are fighting over college football but she quickly tuned that out.  Callen is surprised – Fatima said she was a sports fan.  No, she’s a Lakers fan and a Lakers fan when she can go to a game with her dad.  Callen asks about Fatima’s mother, who is doing well.  So well, in fact, that she can focus her attention on all the things Fatima is doing wrong with her life.  Starting with skincare.  Callen finds this all interested so he’s joining them for the next family brunch.  Rountree texts Fatima – he's in Ops and they have a case.
The case is the kidnapping of Linsey and Emmett Sandhagen from their Westwood home.  The kidnapping was witnessed by their nanny, Mila Curren.  The Sandhagens have two children – a boy and a girl - and are architects.  Callen asks why NCIS is involved.  Rountree explains that the Sandhagens specialize in designing secure facilities and are civilian DOD contractors working close with the Seabees.  Callen details Kensi and Fatima to Port Hueneme to talk to the Seabees while he and Deeks will interview Mila Curren.
With Agent Castor, the Sandhagen children are playing a game in the interview room.  Juice boxes for everyone.  Curren is being interviewed in the boatshed’s main room.  She was getting the kids ready for school when she heard Emmet yell.  Three men with ski-masks were in the kitchen as she started down the stairs.  Seeing the men, she ran back upstairs and put the kids in a secure safe room.
Deeks asks if the men went after the kids – they did not.  Curren is confused since the house has a lot of pricy items, expensive pieces of art.  The only thing the kidnappers wanted was the Sandhagens.  Asked about any stress points in their lives, Curren is stunned – the Sandhagens are the nicest people.  Everyone loves them.  They took her on a family vacation with the kids to Hawaii.  There were no money issues.  Curren is upset for the children and Deeks looks worried too.
In Ops, the Admiral arrives, asking if Kensi and Fatima are at Port Hueneme yet.  They are about 20-minutes out.  He asks Rountree for information about a Col. Jackson Ladd.  Rountree finds some info but it likely isn’t current.  The address had Col. Ladd’s name removed from the utilities a while back.  Rountree asks about Ladd.  The Admiral calls Ladd the finest the man to ever serve in the Army in every conflict going back 25-years.  In his last deployment, Ladd lost both legs in a door breech explosion.  Ladd is struggling to figure out where he belongs in the world after being the best of the best and losing it all in an instant. 
Driving to Port Hueneme, Fatima asks Kensi about “the whole parenting thing” – easier or harder than they thought it would be.  Kensi says it isn’t easier or harder, just different.  She was so worried about how Rosa would be emotionally after settling in with them but things are going really well. 
Kensi asks about Fatima about Akhil.  Fatima thinks they are solidly in the friend zone.  Fatima isn’t sure what she wants.  The last time she was dating, she was acting, partying, going out all night every night.  After the accident, she changed everything about herself.  Literally, everything except her family.  Kensi thinks it is a good thing.  Fatima agrees but New Fatima doesn’t know how to do relationships the way Old Fatima did.  Kensi likes the New Fatima and is honored to consider her a friend.  Fatima is happy since she admires Kensi.  Kensi stops Fatima and tells her not to compare her to an older sister.  Fatima wouldn’t, she thinks of Kensi more like a favorite aunt.  That didn’t go well.
Exiting interrogation, Castor tells Callen and Deeks how much he likes the Sandhagen children. Callen thinks for their safety, Castor should take the kids and Curren to Seal Beach and have them guarded at the base.  On the plasma, Rountree has the Sandhagens’s financials.  No credit card debt, large savings and retirement accounts.  There is a vacation home in Hawaii.  Deeks thinks he and Kensi are just like the Sandhagens except for the vacation home, saving and retirement accounts and oh yeah, money. 
Signing off with the boatshed, Rountree turns to a returning Admiral with questions about Ladd.  Rountree hasn’t found any credit card or ATM activity in days.  The Admiral wants LAPD to do a welfare check at Ladd’s home. 
Finally at Port Hueneme, Kensi and Fatima meet with a Commander Cheng.  Cheng supervises the work done by the Seabees.  The Sandhagens were well-regarded by both the Seabees and the Navy staff.  Kensi asks about what the Sandhagens did for the Navy.  As soon as Kensi asks a question, Cheng stops and asks about the Sandhagen children.  She is relieved to hear they are safe.
The Sandhagens are civilian contractors currently working with on three of the Navy’s top projects.  Fatima explains that the SECNav has been in contact with Kilbride.  The three projects all have enhanced security since the kidnapping.  The three locations include a weapon depot at Camp Pendleton and an underground drone control base in the Mojave.  The third location was the Sandhagens’s “masterpiece”.  Kensi and Fatima were not briefed on that project and could only speak in person with Cheng about it.
The third location is a multiservice missile deterrence command and control center built directly into a mountain in a classified location.  Cheng can’t share the location with Kensi or Fatima.  The command center is responsible for over 300 missiles on US soil.  If a hostile foreign government or terrorist get control of that location, they could “take out most of our domestic military operations with the ballistic missiles,” according to Cheng. 
Back on the plasma, Rountree found a partner in the Sandhagens business.  Paul Figueiredo has some money but it all pales in comparison to the Sandhagens fortune.  And he has a ton of credit card debt.  They are all equal partners in the firm.  Deeks wonders if the Sandhagens are funneling company profits right into their accounts.  Callen thinks they could be selling classified info to the highest bidder. 
Paul Figueiredo is in the boatshed’s main room – Castor picked him up.  He’s sick about what happened to the Sandhagens and will do whatever is needed to help.  But first he asks about Ty and Sophia – the Sandhagen children.  He’s also asking if Mila is with the kids.  He’s relieved to hear they are all in a security location.
Callen asks about the business.  Figueiredo owns a third, Linsey owns a third and Emmet owns a third.  Looking at the Sandhagens’s financials and Figueiredo’s, Callen points out the difference.  Figueiredo is a bit surprised he was being investigated but he has nothing to hide.  He explains that while he is a partner in the military contracting business, the Sandhagens have a civilian business and he’s not a part of that.
It is Deeks’s turn to be surprised since there is no record of that business in any of the Sandhagens’s financials.  That was intentional, according to Figueiredo.  The business is held by a series of trusts so make sure nothing could be traced back to the family.  The civilian jobs were safe rooms in houses and businesses, “bug out” cabins in the mountains.  Wealthy people are willing to pay for safety. 
Figueiredo was offered an equal share in that business but he wasn’t interested.  Unlike the Sandhagens, he doesn’t live to work.  Working allows him to camp, hunt, surf, do jujitsu – things he wants to do.  Callen asks if he has any remorse about not joining with the Sandhagens when he saw the money coming in.  He doesn’t because the Sandhagens worked 24/7/365 to get the business launched.  And it was a huge accomplishment.  While Figueiredo does not know who the Sandhagens’s private sector clients were, he knew all business was done from their home office. 
Driving back from Port Hueneme, Kensi tells the Admiral they are about 40-minutes out.  The Admiral is going to send Kensi and Fatima a list of the Sandhagens’s private clients.  This makes more sense – anything the kidnappers could get from private clients would be a lot easier to sell than military items.  The SECNav is still protecting the military projects.
Deeks is blown away by the Sandhagen home.  Being an architect pays.  Callen mentions wanting to be an architect as a kid.  Deeks thought he’d like it too without the math and engineering.  Near the door is a group of fun family photos of the Sandhagens – family events, skiing, bike riding, just living their happy lives.  Deeks is horrified they were taken from their own home.  Callen asks about Rosa.  Deeks is in awe – Rosa fit in a like a champ though he’s pretty sure she’s really sick of him asking if there is anything she wants to talk about.  “Well, I think we all are at this point,” Callen snarks. 
Deeks asks about the engagement.  Callen tells him that Anna is looking at life in Los Angeles without a career in law enforcement.  Deeks is sorry that Anna wants out of law enforcement but understands better than anyone the downside of a “two badge family.”  Deeks starts talking about future Callen-Anna kids but Callen is happy to have found the Sandhagen office.
With Rountree, Callen and Deeks get a list of the Sandhagen clients.  The Admiral is now back in Ops.  There are a lot of banks, stores and high net-worth individuals on the client list.  Kensi-Fatima and Callen-Deeks are going to check clients near their locations, the FBI HRT will also help.
Rountree breaks the news to Kilbride that LAPD found nothing but some empty whiskey bottles and a lot of empty beer cans in Col. Ladd’s home.  The Admiral is waiting for another bit of bad news but the empty bottles and cans were Rountree’s sad story.  The Admiral is outraged.  Long before meditation and mindfulness unleashed by Rountree’s generation, “many, many generations before you achieved the exact same result using a combination of whiskey and beer.”  The Admiral storms out.
Kensi and Fatima checked out an armored truck depot and a fancy watch store.  Next on their list is a Santa Monica bank, a place called Even Mavrik and a high-end cigar and wine place.  Kensi wants to go back to Even Mavrik, which in Hebrew mean “brilliant stone.”  They are diamond brokers.
As Callen and Deeks leave and Sandhagen home, Rountree calls.  The client list was last downloaded a month ago.  Callen thinks it could be for quarterly taxes but the Sandhagens were working on a project in Port Hueneme.  Commander Cheng verified they were with her.  Mila the Nanny becomes a suspect.
Castor brings Curren to the interrogation room.  She notices it is a lot more cramp than the outside area where she was questioned earlier.   Deeks want to clarify that Curren was working for the Sandhagens since she graduated from Harvey Mudd, one of the country’s top colleges for engineering.  Curren explained that it took her a little longer to finish college because she didn’t have rich parents but she graduated with a computer science degree. 
Deeks mentions the $230,000 in student loan debt.  And while the Sandhagens pay well, with rent, cellphone bills, Wi-Fi costs and food, that doesn’t leave much for monthly student loan payments.  But even with all money going out, Curren hasn’t missed a loan payment.  She tries to explain that she’s worked hard but Deeks cuts her off.   He knows it is hard to come up with spare cash like that every single month to buy a money order from the local 7-Eleven to pay for the monthly loan.  Curren asks if that is a problem.  It isn’t, Callen tells her, as long as she has records for the incoming cash.  She sells clothes to Buffalo Exchange and they pay in cash.  It’s not a problem for Deeks, he’ll just get the records from Buffalo Exchange.
Nervous, Curren explains that her parents were so excited when she got into Harvey Mudd.  They just didn’t understand how much debt she’d wind up incurring by getting her degree.  She actually makes more money as a nanny than she would working and using her degree.  With a sick mother, Curren has to live in Los Angeles but it is impossible with the debt she has.  Playing bad cop, Deeks wants to know who gave her the money.  Good cop Callen knows that Curren doesn’t want to see the Sandhagens hurt and wants the kids to see their parents again. 
Curren explains she met a man in a restaurant.  He was so nice.  She now owes him so much money there is no way to pay her back.  The man wanted to rob a place the Sandhagens designed.  She never thought they’d be kidnapped, she never thought anyone would get hurt.  The man’s name is Josh McCall – Deeks is on the phone with Rountree trying to track McCall down.
Kensi and Fatima come up to the building  – a very locked-up building - housing Even Mavrik.  One of the vents has been removed.  Kensi and Fatima go in.
Josh McCall, according to Rountree, has been in and out of the system his entire life.  DUI, assault, grand theft auto to name a few of his crimes.  LAPD RHD believes he is working with Chito Aldana, who runs a high-end heist crew.  They robbed an art gallery in Beverly Hills recently.  Callen and Deeks are going to check out McCall’s home.
Kensi and Fatima are checking out the insides of Even Mavrik.  While they are looking around, Aldana is checking in with McCall.  He wants to know what is taking so long.  The diamond dealers locked themselves inside in their diamond vault.  Since the Sandhagens built them, they can probably get into the vaults.  Kensi and Fatima worry that once the Sandhagens get into the vault, they’ve outlived their usefulness.  Kensi tries to call the office but there is no service.  Without their cellphones or ability to use their guns (too much noise), Kensi and Fatima have to rescue the Sandhagens on their own.
Callen, Deeks and the tactical team go into McCall’s home.  It’s empty.  Deeks keeps talking and Callen misses Sam.  Deeks finds some lottery tickets and is bothered that Callen misses Sam.  He sends a photo of the tickets to Rountree.
The Admiral and Rountree are concerned that Kensi and Fatima are offline.  Rountree goes back to when they last had cell service and found that McCall and Aldana have a scrambler.  He has no idea where they are.
A guard is walking through Ever Mavrik when Fatima stun guns him.  As she and Kensi hide his body, a co-criminal calls for the guard.  Kensi puts him in choke hold.  She drags him to the room with the guard.  Taping both of the bad guys’ mouths closed, the women lock the men into a janitor’s closet. 
Outside the vault, Kensi tells Fatima she sees the Sandhagens working on the vault.  McCall starts yelling that Red and Bobby are gone.  Kensi and Fatima hide while McCall and Aldana talk.  Aldana thinks Red and Bobby ran but McCall has Red’s guard hat.  It fell off during the struggle with Fatima.  Aldana believes the facility has more real guards on duty.  Aldana wants the guards found now.  “You won’t leave this building alive.”
Rountree traced the lottery tickets to a gas station outside of Ever Mavrik.  Callen and Deeks are on their way.  Deeks asks if Kensi and Fatima are on their way.  Rountree mentions they are missing and Deeks is not pleased.  “Find them.”
As the Sandhagens manually drill through the vault, Aldana is getting impatient.  When Emmett tells Aldana it will take as long as it takes, that gets Emmett a gun pointed at his chin.  Fatima wants to go in but Kensi stops her – Aldana needs the Sandhagens.  McCall returns with an extra goon.  Extra goon is going to stay with the Sandhagens, Aldana and McCall are going to search the building.  Kensi is going to distract Aldana and McCall while Fatima works to rescue to the Sandhagens.
Kensi breaks some glass on the first floor so Aldana and McCall are on the move.
Deeks tells Rountree he and Callen are five minutes out.  When he asks about Kensi, Rountree doesn’t haven an answer. 
Aldana finds a door ajar.  Opening the door, he finds Red and Bobby.  Kensi finds a pipe and whacks Aldana in the head.  He joins Red and Bobby in the unexpected nap room.
While the Sandhagens are working, the goon hears some noise from a printer room.  He find a copy machine making hundreds of copies of a smiley face.  Fatima comes up from behind him and starts beating him with her baton.  Several kicks to the head later, the goon is out cold on the ground. 
On the first floor, McCall gets several shots off at Kensi.  The two have a good old fashion fight.  He tosses her around, she does the same.  She gets him into a sleeper hold and the Rock would be proud as how quickly he went down. 
Fatima gets the diamond brokers out of the vault.  The Sandhagens are assured their children are safe.  They are incredibly grateful. 
LAPD is taking the bad guys away.  The Sandhagens are facetiming with their kids, who are happy Agent Castor got them ice cream.  LAPD is bringing them home.
The team recap the case.  Fatima is thirsty.  Deeks knows about a Cuban place nearby.  Kensi is hungry and Callen is paying.
At a bar, Col. Ladd is drinking alone.  The Admiral joins him, wondering why Ladd “no-showed” a job interview.  Ladd is grateful for what the Admiral and “the guys” are trying to do for him but he’d rather “do a deep dive with a weight belt and no tank” than do phone sales in a cubicle.  The Admiral admits the job wasn’t the best match for Ladd.  Ladd explains that he was a door kicker as a junior officer – the first one in every time he was sent out on a mission.  When he moved to Intel, he led the toughest, best trained soldiers in the world.  On Sunday, he was going to the supermarket and an old lady ran to help him at the front door.  He felt that she saw him as “less than”.
The Admiral agrees that Ladd was never meant for the private sector.  Ladd was a soldier, always was, always will be.  Getting him a job with people who don’t understand that was a mistake.  And if Ladd puts his drink down, the Admiral will get him a job fit for a soldier.  Ladd doesn’t want charity.  This isn’t charity.  Kilbride won’t be holding the door open for Ladd.  The Admiral leaves.  Ladd stands up with the help of a cane. 
Callen and Anna are hanging out in their garden, sipping wine.  Anna got the job but didn’t take it.  She would be in the office all day and it wasn’t what she was trained for.  Instead, she looking at a company that specializes in finding kidnapped children.  She isn’t sure that what she wants either.  Anna turns the conversation to Callen.  She knows he thought he saw Pembrook earlier that day.  He says he did.  She understands that he needs to track Pembrook down.  “But,” Callen says.  So much had to go right for the two of them to wind up together, maybe they should just enjoy the good.
What head canon can be formed from here:    The Kensi-Fatima scene during the ride up to Port Hueneme was terrific.  The program did a great job over the year with the Kensi-Nell friendship and there, they were planting the seeds for a Kensi-Fatima friendship.
The Admiral’s whiskey and beer rant looked like it had Caleb Castille laughing just a bit.
Col. Ladd was a character this program needed years ago.  In seasons one and two, Daniel Hugh Kelly popped up as an unnamed military person who knew things.  The program needed that type of character.  Kilbride was that character for a while until Nell decided running off with Eric was more fun than running the team.
Finally, this episode had a Covid season feel.  Everyone was siloed with another team member and basically worked that that member only.  Yes, Callen had a chat with Fatima but that was in a perfectly empty office.  There was a short scene with most of the team (save Kensi) in Ops and the meet-up at the end.  Not a bad episode but I like the team when they work together.
Episode number:     Season 14, episode two.  This is 304 overall. 
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trylogia-po-prostu · 2 years
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Rycerze na czarnych koniach
Myślę, że jest powszechnie wiadomym, iż Bohun, Kmicic i Azja to jedna osoba w trzech wcieleniach. A właściwie to jeden schemat postaci.
Czystą jego wersją jest Bohun - dzika, porywcza i szalona dusza, zakochana na zabój w pięknej białogłowie. Bohun jest czystą wersją, bo też jego postać się w trakcie historii nie zmienia i tak jak zaczął, tak i kończy. Bez białogłowy, ale przynajmniej wciąż jako wolna dusza hasająca po stepie.
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Kmicic jest pozytywną wariacją tego schematu. Tak samo dziki, szalony, porywczy i zakochany na zabój, ale jego zakochanie doprowadza go do przemiany na lepsze. Kończy swoją drogę mając i białogłowę, i sławę, i chwałę, i generalnie wszystkie splendory świata.
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Azja to z kolei negatywna wariacja na ten temat. Dziki, szalony, porywczy i zakochany (choć nieczystym ogniem), ale jego doprowadza to do spirali zemsty i przemiany na jeszcze gorsze. To dlatego Azja jest jedynym z tej trójki (i przy okazji jedynym czarnych charakterem Trylogii), który ginie na koniec. Nie dość, że nie zdobywa białogłowy, to jeszcze kończy jako przypalony szaszłyk bez oka. Nie dostąpił nawet zaszczytu pojedynkowania się z Wołodyjowskim jak jego poprzednicy, bo już nawet tego nie był godny.
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W tym szufladkowaniu trylogiowych typów spod ciemnej gwiazdy umyka nam jednak jeden jegomość - Bogusław Radziwiłł. A właściwie niesłusznie. Tyle, że to już jest kwestia wyjątkowości samego „Potopu” pod tym względem. Bogusław jawi się bowiem, jako niemalże produkt uboczny przemiany Kmicica. Bo nie można zaprzeczyć, że przez spory kawał „Potopu” to Kmicic jest czarnym charakterem, a przynajmniej ma wszystkie cechy takowego (pali wieś, porywa niewiastę, zostaje poszczerbiony w pojedynku z Wołodyjowskim i zdradza ojczyznę). Dopiero, gdy po wielu niefortunnych wydarzeniach dostrzega w końcu zdradę i manipulacje Radziwiłłów, staje się tym dobrym. I w tym właśnie kluczowym momencie do fabuły wkracza nam Bogusław, przejmując miejsce antagonisty, zwolnione właśnie przez Kmicica. I to Bogusław będzie teraz porywał białogłowę oraz przegra pojedynek, może nie z samym Wołodyjowskim, ale z jego uczniem, czyli oczywiście Kmicicem właśnie.
I nie dajmy się zwieść tym Bogusławowym koronkom, perukom i nienagannym manierom, bo pod tym przypudrowanym licem kryje się taki sam zwyrodnialec i człek gorączka jak reszta, a pewnie nawet i gorszy. Tak samo porywa niewiastę, a gdy ta nie chce mu się oddać po dobroci (t.j. pod wpływem dworskich zalotów, balów i prezentów), jego dotychczasową powściągliwość zastępuje porywczość i chce ją brać siłą (jak Azja) oraz grozi rychłym ślubem (jak Bohun).
Co jednak jeszcze lepiej podkreśla pewną ciągłość między tymi wszystkimi czarnymi charakterami, to pewne ciekawe symboliczne elementy, które dodano im w ekranizacjach, a które pewnie łatwo można przeoczyć. I nie wiem na ile jest to jakaś tylko teoria spiskowa, a na ile świadomy zabieg Hoffmana, ale zwróćmy teraz proszę uwagę na rumaki, jakich ci antagoniści dosiadają - wszystkie są czarne!
Bohun przez całe „Ogniem i mieczem” jeździ na swoim wiernym karym koniu. Na nim pojawia się w swojej pierwszej scenie i na nim, w bardzo majestatyczny sposób, stojąc dęba, kończy cały film.
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W „Potopie” zaczyna się z tym robić ciekawie, bowiem Kmicic zaiste na początku filmu ma czarnego konia, ale jak wiadomo, po swoim nawróceniu na dobrą stronę, oddaje go Bogusławowi. Przechodzi to oczywiście potem w całą nieudaną próbę porwania księcia, w wyniku której koń ten na dobre trafia w ręce Radziwiłła i dosiada on go już do końca filmu. Kmicic tymczasem jeździ na różnych rumakach, ale jednak nie karej maści. Czyli zaiste, gdy Kmicic przestaje być czarnym charakterem, pozbywa się też czarnego konia, symbolicznie przekazując go nowemu wielkiemu złemu całej historii.
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W „Panu Wołodyjowskim” Azja również jeździ wyłącznie na czarnym wierzchowcu, ale traci go podczas próby porwania Basi i rumak ten jest tym, którego następnie spotyka smutny koniec w rzece pod lodem. Czyżby zwiastując śmierć samego Azji?
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Idąc tym całym końskim tropem, nie możemy też pominąć tego, który przez wszystkie trzy filmy konsekwentnie jeździ na białym koniu, czyli Wołodyjowskiego. Przypadek? Nie sądzę.
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I tak wszystkie czarne charaktery na czarnych rumakach zostają, pośrednio lub bezpośrednio, pokonane przez naszego (małego) rycerza na białym koniu.
Podzięki za wspólne rozkminianie tych teorii lecą do @babinicz, wraz z pozdrowieniami dla całego serwera trylogiowego!
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void-botanist · 1 month
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19, 20, 21, 22 for the polycule of your choice? :0
whoops we're doing it for two of them :3 and I'll include Heith too
19 - Summarize your character's goals in one sentence.
Marcus: be okay and go home, but also never have to tell Heith about all of his lies by omission
Heith: figure out if she's actually for real serious about Marcus (she thinks she might be actually for real serious about Marcus) and one way or another move out of her hotel room on Aephar
Yera: be a mom and try to make peace with the fact that Marcus is not here to be a part of the family
Hossan: be a dad and help Umedes figure themself out
Gren: see Marcus again and hopefully find out that there was no need to be jealous about his girlfriend, and make sure everyone's okay, especially the baby
Pali: prevent Kiatcarmen from finding Marcus (though that isn't a very active job), make sure the shifter coalition in the court doesn't budge, and get somewhere with her studies of shifter magic
Umedes: figure out whether they want to have a kid or not help
Kiatcarmen: find Marcus, because Minaya must not ascend, and do whatever else she can to preserve her accomplishments in the kingdom
Pirianus: broaden Kiatcarmen's vision beyond legacy, or, failing that, as he has for some 30+ years, get her to open up to him
Caladea: see Marcus again, and for his polycule's sake believe with all her heart the lies they tell Kiatcarmen
Thade: continue completing the political project du jour and end up in a happily ever after with Pirianus, which might also make him more welcome in the palace
Orvi: complete the one thing he was installed in the palace to accomplish
20 - Who's in the way of those goals?
Marcus: his mother. Always his mother. And honestly a little bit himself
Heith: herself, mostly. This is so not like her - well, specifically the part where she's still here when there have been plenty of times to go home
Yera: realistically, Kiatcarmen. But she still sometimes feels like she's lost some of her verve
Hossan: Umedes is the big challenge here. They're just so indecisive
Gren: Kiatcarmen, but sometimes it's easier to focus on the fact that Marcus has an interstellar girlfriend that none of them have ever met and that's so frustrating
Pali: herself. There aren't enough hours in the day for everything, and she has to sleep ugh
Umedes: themself, because they were the one who said this would be a great idea for when Marcus comes back. Who 100% believed Pali and Minaya and her ferasca spouses that this would go great. And who also took one look at Yera & Hossan's baby and thought that maybe they were signing up for more than they realized
Kiatcarmen: Marcus. Always Marcus. But she also blames Minaya and Yera and Pali for his disappearance, and she needs Pirianus to just shut up. This would have been so much easier with Jimmy
Pirianus: Kiatcarmen because he put his eggs all in one basket. But he mostly blames himself
Caladea: Kiatcarmen, but she tries to focus on what she can do better, and how she's getting in her own way
Thade: he's beginning to suspect he's been in his own way this entire time but it can't be understated how much Pirianus is constantly hot and cold
Orvi: it changes frequently, but always some contingent of the court
21 - What is your character's relationship with their emotions?
Marcus: he can't control his bad emotions, so he suppresses them. This has never caused any problems
Heith: she's just as cynical about her emotions as she is about everything else, but sometimes she just can't not feel something completely unironically
Yera: she's gonna feel them whatever they are so [grits teeth] negative emotions are part of the fullness of experience (she will be screaming into this pillow later)
Hossan: left to his own devices, he would feel his emotions, and then let them cast away upon the wind. Being with Yera and Gren has made him learn how to interrogate them more
Gren: he feels everything. A lot. He also conceptualizes things in terms of feelings a lot
Pali: she would like to believe she doesn't have them, but then she lays awake at night deconstructing them
Umedes: they tend to put intense feelings away for later, but don't ever get to later unless later comes for them first
Kiatcarmen: her emotions are so rich and nuanced and nobody understands that, so all of her emotions collapse into some flavor of annoyance
Pirianus: don't like that feeling? Repress it! This will never result in it returning in continually more warped and incomprehensible forms
Caladea: being in the palace seems to have stunted her emotions - they're flatter, duller, and way more anxious no matter what they are
Thade: don't like that feeling? Deflect it! The more mirrors there are between you and your emotions the less you will ever know what they are and the less you can ever be responsible for them
Orvi: he has a mental Tupperware for emotions that allows him to keep control of himself. He is the only person on this list who will actually open that Tupperware on purpose later
22 - What regrets do they have, if any? (From any part of the story, not just exposition.)
Marcus: missing out on eight years of his "real" life, and especially not being there when Gren's grandmother died. If only he'd been stronger, he could have stayed
Heith: before finding out about Marcus, that she's kind of a flake to her band, but they don't seem to mind that much. After finding out about Marcus, that she ever thought there was some kind of "magic" between them and maybe she could feel naïve about love for two seconds
Yera: she regretted drifting away from her father and sister, so she's fixing that now
Hossan: most of his regrets are from the now-distant past and don't make much sense - even he will say so - but he always finds himself regretting that he can't seem to do more for people
Gren: not going home even more before his grandmother died, even though he was practically splitting his time between his home city and the palace. He also regrets letting Marcus leave, even though he had to, and there was no other real choice
Pali: after getting married, she got more distant from her professor mentor, and the regret hit her hard when they died
Umedes: most immediately, thinking that having a kid was a good idea (they are beginning to think that this is a pregnancy kink that got out of hand). But more than anything they regret not going with Marcus, even though they couldn't
Kiatcarmen: Ashmalo was a liability, but she still regrets that he died (despite her image she does not think that assassination is the right way to deal with most problems, including Ashmalo). Conversely, she regrets that she couldn't save Jimmy, even though medical science itself could not have saved Jimmy. She also regrets letting Minaya slip out from under her thumb, because if she hadn't, she wouldn't be stuck looking for her runaway son
Pirianus: that he can't seem to permanently extract himself from Thade. If he stops and thinks about it (read: gets drunk and sad) he regrets spending so many years of his life trying to get through to a woman who would just as soon throw him to the dogs
Caladea: that she couldn't do more for Marcus or Minaya or Ashmalo, and that she still can't. And that being stuck in the palace has left her struggling to try and pick up the pieces of her creativity and her passion even though it should have given her unlimited resources to pursue them
Thade: things he's said to people. Most of them used to be seared in his brain because he thought they were funny, and eventually he figured out that oh, maybe they weren't. But some of them seemed bad from the moment they came out of his mouth (not before that, unfortunately, because he wasn't thinking about it) and he wishes he could take them back for real, especially the things he's said to Pirianus
Orvi: that he's still here. He had one thing to accomplish, and even though it was complex, it's taking SO. LONG. He knew that marrying into the royal family meant that he probably wasn't going to permanently go home again, but the longer this drags on the less he even wants to show his face there, and he wonders if it was worth it at all
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onenakedfarmer · 2 months
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Currently Palying
Dmitri Shostakovich THE JAZZ ALBUM
JAZZ SUITE NO. 1 (1934)
PIANO CONCERTO NO. 1 IN C MINOR, OP 35
JAZZ SUITE NO. 2 FOR PROMENADE ORCHESTRA (1938)
Riccardo Chailly Royal Concertgebouw Orchestra
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sioster · 9 months
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Hello good people I was watching tf2 achievement speedrun video while waiting for the next gameplay ep of ruin and paused the vid just for the 'Mutually Air-sured-Destruction' achievement to be on the screen. I am very fine and did not scream into the void after that.
Anyway did I already tell you guys about how I think 'Fire of love (Pali się)' by Tulia fits c!madduo if you twist the meaning of the song?
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ranboo5 · 9 months
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EN: I've been told there's a formalized method for submitting propaganda to this bracket and because this has awakened a vicious instinct within me I will participate
Techno and Wilbur are not nothing Pogtopia did slay and the Techno+Ghostbur interactions are excellent. In many circumstances I would vote this. In many circumstances I would campaign or this. And in general I tend to vote cTechno over cRanboo. So it is not lightly that I say
VOTE BURGERDUO
The lame ass 5D chess game we got to see during burger arc was a highlight of the otherwise dismal prolonged petering out of the SMP and also was fantastic
Common foil dynamic W
They have separate c and cc duo names because of how influential the cduo is
Man this shit just drives me insane. Each sees himself in the other and for cWilbur this is initially a second chance a validation and for cRanboo this is a condemnation and the culmination of this w/ cRanboo fucking killing itself in front of cWilbur to change the trajectory of his life forever irreversibly changed my brain chemistry
This dynamic GAVE US cbee resolution, GAVE US cTechno apology stream and apology arc in general. The largely-unspoken spectre of cRanboo hanging in the air in Bust is unparalleled in cinema.
Even outside of burger arc, cWilbur's legacy impacted cRanboo's ideological development more directly than it did cTechno's, bc cTechno had more grounds to worry about direct manifest troubles and cRanboo had primarily to deal with dread, anticipation, and understanding how to navigate the social context it found itself in, which had been shaped by Wilbur's legacy
And finally
If you vote cRanboo and send me a screenie of you doing so I will doodle you something of your request
TOK: mi kama sona e ni: toki pi ante wile la nasin suli pi pana toki li lon. utala ni li kama e pilin utala WAWA a lon lawa mi la mi o pana
jan Tekuno pi lon ala en jan Wipa pi lon ala li lon poka la ni li ken suli, li ken musi, li ken toki e ijo mute. ni li lon. tenpo pi ma Patopija la toki ona li suli. toki ona pi jan Wipa moli kin li suli. mute la mi wile wawa e nimi pi kulupu ni, e nimi pi jan Tekuno. mi la ijo ale pi jan Tekuno li suli tawa ijo ale pi jan Lanpu. ni la sina ken sona pona e ni: mi toki e ni la mi toki WAWA, li toki e ijo SULI A:
O WAWA E NIMI PI KULUPU PAKATU
ona tu li utala toki la ni li wawa a e musi Simesenpi lon tenpo pi kama moli
ona tu li sama la musi wawa
jan lon tu ni en jan tu ni pi lon ala li jo e nimi tu ante a. kulupu pi lon ala la sina ken sona pona e suli ona tan ni
ONA! TU! LI SAMA! LA! MUSI! WAWA! ona tu li lukin sama la ona tu li toki insa e sama ni: "jan ante ni li sama mi." jan Wipa la ni li pona, li toki e ni: "mi awen ken pona, mi awen ken ante; lon mi li pakala ala! jan pi sama mi li ken lon li ken pona!" taso jan Lanpu la ni li ike, li toki e ike ona e ike pi jan Wipa. nasin ni li kama suli ike li kama wawa; jan Lanpu li moli tan ona la ni li wawa ike tawa jan Wipa. ni li wawa tawa pilin mi kin a ona li ante wawa e nasin pi lawa mi lon tenpo ale
TAN NI TASO LA musi pi kulupu Pitu li ken pini. NI TASO LA toki pini pi jan Tekuno li ken lon. NI TASO LA jan Wipa li open e nasin pi toki pakala mute. ona li wawa tawa toki suli pi musi Simesenpi. kon pi jan Lanpu li lon toki musi "pakala"; jan ale li toki lili e ona lon toki, taso kon ona li awen lon. ni li wawa a. pilin li wawa. kon li wawa.
tenpo ante la kon pi jan Wipa li suli seme tawa jan Lanpu tawa jan Tekuno? tenpo pi ma Nulemanpe la jan Tekuno li lukin e ijo ante. ona tu li wile sama, li wile awen tan ken pakala, taso jan Tekuno li wile awen tan ken lon. jan li lon, li wile lon e moli ona; ona li sona e tan, li sona e ken. taso jan Lanpu la, tan ni en ken ni li len lili. ona li sin tawa ma Simesenpi la ona li sona ala e nasin – ona li wile sona e ken pakala la ona o kama sona e nasin kulupu. jan Wipa li suli tawa pali ni. la pali pi jan Wipa li suli tawa jan Lanpu lon tenpo ni, li suli sama ala tawa jan Tekuno lon tenpo ni
ni ale li ante ala e wile sina la o sona e ni:
sina wawa e nimi pi jan Lanpu li pana e sona pi pali ni tawa mi la mi sitelen e ijo pi wile sina
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autismmydearwatson · 1 year
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THIS BLOG IS PRO ROMEO AND JULIET (SHAKESPEARE)
This blog is pro Romeo and Juliet. R+J Haters DNI
Romeo is NOT an adult. Their age gap is three years at most. He is 15 at least, 17 at most.
Their relationship may be immature but it is no less valuable. Teenagers are capable of deep emotions, they are HUMAN.
It did NOT take place over three days. If you have bothered to research the time period and actually read the book instead of bitching about it, you would notice how it actually takes place over two weeks or even a MONTH.
If you think Juliet should have obeyed her abusive parents and married the actual Grown Man Paris, WHO FREELY TALKS ABOUT IMPREGNATING UNDERAGED GIRLS (Act 1 Scene II, "Younger than she are happy mothers made.") you are gross. get off my blog.
If you think it's unrealistic for people to commit suicide over love, L+ ratio + they're children + Juliet is in an abusive home, would be forced to marry a grown man who she does not love whatsoever+ both of them have nowhere to go+ Romeo might actually end up being sentenced to death anyway for breaking exile
If you think Romeo is stupid and didn't wait long enough/ didn't check to see if she was alive, Act 5 Scene III: "How long hath he been there?" "Full half an hour."/ Act 4 Scene I: "no pulse shall keep his native progress, but surcease. No warmth, no breath shall testify thou livest. the roses in thy lips and cheeks shall fade to paly ashes, thy eye's windows fall like death when he shuts up the day of life. Each part, deprived of supple government, shall, stiff and stark and cold, appear like death."
You only hate Romeo and Juliet because you a) lack reading comprehension, b) are bitter that your school made you read things, c) had a shit English teacher, d) social media taught you to hate Shakespeare to seem cool
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sleptwithinthesun · 10 months
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few things to clarify about the h/ouse m/d t/ourette's au i've started:
c/hase has t/ourette's s/yndrome, and was diagnosed at the age of sixteen. he did not display symptoms in his youth; they developed as a response to stress and just... stuck around. he started ticcing when he was roughly fourteen.
the vast majority of his tics are categorized as simple and complex motor tics. basically, that means that his tics involve one (simple) or more (complex) muscle groups to trigger movement.
however, c/hase also does have vocal tics, which can be simple (usually just a sound) or complex (words or phrases). simple ones are far more common for him.
vocal tics can be loosely separated into verbal or phonic tics. verbal tics involve sound creation from vocal cords; phonic tics are sounds made with the mouth that don't involve vocal cords. examples of both are, respectively, humming and whistling.
c/hase does not have coprolalia or copropraxia, which are the 'cursing tics'. personally, i have both. i didn't want to give them to chase, though, for fear of perpetuating a stereotype.
he does have echolalia/echopraxia (repeating other people's words or actions as a tic), and palilalia/palipraxia (repeating one's own words or actions as a tic).
the previous three types of tics (copro-, echo-, and pali-) mentioned are all complex tics. the suffixes -lalia and -praxia pertain to vocal and motor tics, respectively.
a premonitory urge is the feeling, which is usually described as a building pressure or sense of wrongness in a certain area, that a person may feel before ticcing. it usually makes that person aware of the need to tic, and doesn't go away until the tic is completed. c/hase does experience this, but his premonitory urge builds up quickly, meaning that he's often unaware that he's going to tic until right before he does it. complex vocal tics usually surprise him.
c/hase's experiences and tics are based off my own. as i flesh out the au, specific tics that c/hase has may change. you may take those instances as him losing some tics and gaining some others, or certain tics changing. for example, i used to have a vocal tic that had me sing two notes, but now, i hum it.
my writing is not going to be entirely accurate. i have never written a character with t/ourette's before, and it will take me time to understand how to word my experiences.
i will do my best to remain consistent. if there are issues, please don't point them out. not every tic presents on a daily basis, and severity changes. my tics fluctuate day-to-day. that's how it is.
as a warning, there will be self-harming tics in the future, which involve c/hase hitting or punching himself in some capacity. again, i directly experience this. if you are uncomfortable or feel unsafe, do not read it. trigger warnings will be before the cut.
having t/ourette's does not prevent c/hase from being a doctor. there are certain struggles, yes, but he is perfectly capable of performing his tasks and taking care of patients. if i did not make this very clear in the first fic, here is your reminder.
stories will alternate between snz-focused and t/ourette's-focused. if you just want to read the snz ones and ignore the others, i won't blame you in the slightest. TS is uncomfortable for some people. still, discomfort is healthy. please do not push yourself beyond your boundaries. only read if you feel safe to.
...i think that's it. idk. there's a lot to it, and i haven't even touched on the other symptoms of TS besides tics. i might reblog this later with more information, but i think this is what's necessary to understand going forward. i really appreciate you all letting me write these stories as it means a lot for me to be able to share this. your respect, kindness, and enthusiasm are received well and with appreciation.
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ncisladaily · 2 years
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AFTER A DUO OF ARCHITECTS WHO DESIGNS SECURE BUILDINGS IS KIDNAPPED, THE NCIS TEAM LAUNCHES A MASSIVE SEARCH TO BRING THEM HOME SAFELY, ON “NCIS: LOS ANGELES,” SUNDAY, OCT. 16
“Of Value” – After an architect duo who specializes in designing secure buildings is kidnapped, the NCIS team mounts a search to bring them home. Also, Deeks and Kensi realize they may need to get Rosa some help with her schoolwork, and Anna considers a career outside of law enforcement, on the CBS Original series NCIS: LOS ANGELES, Sunday, Oct. 16 (10:30-11:30 PM, ET/PT) on the CBS Television Network, and available to stream live and on demand on Paramount+*.
REGULAR CAST:
Chris O’Donnell
(Special Agent G. Callen)
LL COOL J
(Special Agent Sam Hanna)
Linda Hunt
(Operations Manager Henrietta “Hetty” Lange)
Daniela Ruah
(Special Agent Kensi Blye)
Eric Christian Olsen
(NCIS Investigator Marty Deeks)
Medalion Rahimi
(Special Agent Fatima Namazi)
Caleb Castille
(Special Agent Devin Rountree)
Gerald McRaney
(Retired Admiral Hollace Kilbride)
GUEST CAST:
Bar Paly
(Anastasia “Anna” Kolcheck)
Gregory D. Gadson
(Army Colonel Jackson Ladd)
Sigrid Owen
(Mila Curren)
Regina Ting Chen
(Navy Commander Cheng)
Melanie Hawkins
(Lindsey Sandhagen)
Lawrence J. Hughes
(Emmett Sandhagen)
Elester Latham
Dominic Zamprogna
Kaya Jackson
Devin Looc
Matthew Law
Alain Mora
Torshawn Roland
Glen Steele
Duncan Campbell
(Jerry)
(Paul Figueiredo)
(Sophia Sandhagen)
(Ty Sandhagen)
(Josh McCall)
(Chito Aldana)
(Jay)
(Man)
(NCIS Special Agent Castor)
WRITTEN BY: Kyle Harimoto
DIRECTED BY: Diana C. Valentine
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zumpietoo · 1 year
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typingtess · 2 years
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Tiptoeing through the “Of Value” guest cast
Bar Paly as Anastasia "Anna" Kolcheck Duncan Campbell as NCIS Special Agent Castor Both return from “Come Together” (season 13’s finale).
Gregory D. Gadson as Army Colonel Jackson Ladd Greg Gadson is a former colonel in the Army, a West Point Graduate.  In May of 2007, he lost both of legs above the knee and had a severe arm injury due to a roadside bomb in Iraq.  Gadson is a well-regarded motivational speaker.  A speech given to the New York Football Giants early in the 2007 season was credited with helping the team during the Super Bowl run.  He is often seen on the sidelines of Giants games in his wheelchair.  
Gadson was in the feature film “Battleship”.
Sigrid Owen as Mila Curren Owen appeared in episodes of Geeks Outside, Married, Code Black, The Middle, Roadies, Hand of God and General Hospital.  She was Elisabet in Silicon Valley.  
Regina Ting Chen as Navy Commander Cheng Was in episodes of American Dynasty, Dynasty (2019), The Outsider, The Resident, Black Lightning, The Falcon and the Winter Soldier, Queen of the South, Queens, Woke and Stranger Things.  Played Alice in Dreamsville.  
Melanie Hawkins as Lindsey Sandhagen Had guest roles in Strong Medicine, Tell Me You Love Me, The Middleman, Eleventh Hour, CSI: Miami, Sam & Cat, Dirty John and 9-1-1.
Lawrence J. Hughes as Emmett Sandhagen Was Rhino in the streaming series Party Betchez.  Guest roles include Stitchers, A La Carte and the limited series Mike about Mike Tyson.
Elester Latham as Jerry Starred in the series Blended Family and The Rich & The Ruthless.  Guest starred in episodes of Bitch Please, Dabsity, Insecure, Off the Track, Nice Guy Finish Last, Quinta vs. Everything, I Am the Night, Frank James, Thrilling Stories, Grace and Frankie and Baby Gay.  
Latham was a Marine in Vietnam, left the service to go to college. Joined the Air Force to become a pilot, retired and was a United Airlines pilot for decades.  
Dominic Zamprogna as Paul Figueiredo Was Mark Deosdade in Edgemont, Jammer in Battlestar Galactica (2006), Greg/Jim in The L Word (2008) and Dante Falconeri on General Hospital.  
Guest roles include Are You Afraid of the Dark, The Neverending Story, Ready or Note, Kung Fu: The Legend Continues, Wind at My Back, Tales of the Cryptkeeper, MythQuest, Leap Years, Odyssey 5, DaVinci’s Inquest, StarGate Atlantis, Cold Squad, Tru Calling, Supernatural, Blade: The Series, Painkiller Jane, Bionic Woman (2007), The Border, Smallville, Stargate Universe and Tin Star.
Kaya Jackson as Sophia Sandhagen Was in an episode of Call Me Kat and two episodes of Side Hustle.
Devin Looc as Ty Sandhagen Child actor.
Matthew Law as Josh McCall Was Kendrick in The Paynes, Agent Julian in Marvel’s Agents of SHIELD and Kareem Richardson in The Oval.  Guest roles in Shooter and Home Economics.
Alain Mora as Chito Aldana More appeared in episodes of CSI: Miami and Lawless.  Was Brian Escobar in the series Los Teens.
Torshawn Roland as Jay Appeared in an episode of Just Add Magic.
Glen Steele as Man Appeared in a number of short films.
Written by: Kyle Harimoto wrote "Omni", "Merry Evasion", "Chernoff, K", "Command and Control" as episode 150, "Granger, O.", "Ghost Gun", "Kulinda", "767", "Se Murio El Payaso", "Assets"/"Liabilities", "Venganza", "Superhuman", "One of Us", "Let Fate Decide" (season 11 premiere), "Decoy", "Answers" , "Watch Over Me", "Cash Flow", "Fukushu", "Bonafides" and “Come Together” (season 13 finale).  He co-wrote "Three Hearts", "Leipei", "Humbug", both ends of the "Matryoshka" two-parter, "Smokescreen" part two, "Searching", "A Fait Acompli" and "A Tale of Two Igors" (season 12 finale).  
Directed by: Diana C. Valentine who directed "Lokhay", "Fallout", Three Hearts", "The 3rd Choir", "Forest for the Trees", "Beacon", "Unspoken", "Seoul Man", "Crazy Train", "Under Pressure”, "Better Angels" and “The Circle”.  This is Valentine’s first episode with the series since season 11.
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