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#brazilian 00s
tokyicons · 18 days
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kelly Key 2000s icons por favorzinho
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like/reblog if you use or save
follow @tokyicons for more
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vintage-tigre · 2 months
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Adriana Lima for Photo France, July 2004
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zanephillips · 1 year
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João Gabriel Vasconcellos and Rafael Cardoso From Beginning to End (Do Começo ao Fim) 2009
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disease · 9 months
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"ONIONS ON MARBLE" RENATO MEZIAT // 2003 [oil on canvas | 75.2 x 100 cm.]
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newestcool · 11 months
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Adriana Lima for BCBG Max Azria s/s 2000 rtw Creative Director Max Azria Newest Cool on Instagram
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celluloidrainbow · 1 year
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MADAME SATÃ (2002) dir. Karim Aïnouz In the 1930s slums of Rio de Janeiro, João Francisco dos Santos is many things - the son of slaves, an ex-con who spent more than two decades in prison, a gangster, a homosexual, and patriarch to a surrogate family of social outcasts. João seeks an outlet of expression through a cabaret act, where he cultivates the drag stage persona Madame Satã and becomes a revolutionary icon for society's neglected during a time of upheaval in post-abolition Brazil. (link in title)
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cyberwavebabe · 4 months
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Rouge - Popstar (2002)
Via
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imaslave4u · 1 month
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Rouge (2002)
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803o208 · 2 years
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gisele bündchen on the set of "taxi", 2004
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vetteldixon · 1 year
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2007 was an incredible, unforgettable Formula One season. What specific thing will Rubens Barrichello remember about it?
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the-memphista · 2 years
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The beauty of O Clone series 🥰
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“Forgive and Forget” by São Paulo, Brazil-based ethereal goth band Scarlet Leaves off of their 2005 release Compilation of Early Dreams.
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vintage-tigre · 8 months
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Gisèle, 2007
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jesterv1 · 1 year
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disease · 2 years
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“FAINTING COUCH” (PROTOTYPE) VALESKA SOARES // 2002
“...Approaching the work, a grid of evenly spaced holes drilled in the surface of the object becomes apparent, as does a heady aroma that pervades the air around the work. The perfume is that of the Stargazer lily, a highly scented flower. Bunches of these lilies are concealed in drawers inside the couch and replenished as needed while the object is on display.
While the object provides a structure to support a fainting body, the overpowering scent from the lilies mean that the very act of reclining on the couch might itself cause one to become faint. The implied action of lying down to recover, being further overcome by the scent, so needing to lie down, and so on, forms a neat embodiment of the circular narrative that occurs throughout much of Soares’ work...” [Maria Bilske]
[fibreboard, perspex, fabric, polyfibre and flowers | 36 × 62 × 205 cm.]
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Isolated indigenous group in the Amazon seen from a helicopter flying over the region during a Brazilian government expedition in 2008.
📷  Gleison Miranda/Funai
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