Woman from Bou Saada, Algeria
French vintage postcard
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“Scenes and types - bou-saada woman”
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Cpl. John Lodge gets a free shoe shine as U.S. forces enter Bou Saada, Algeria. 15 February 1943
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GUSTAVE ACHILLE GUILLAUMET (1840-1887) HOUSE INTERIOR IN BOU-SAADA INSIDE A BOU-SAADA HOME
Oil on canvas signed at the bottom right.
Tajan
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سيفتح الله باباً كنت تحسبه من شدة اليأس لم يخلق بمفتاح ”
” Dieu t’ouvrira une porte, que tu croyais avoirété créée sans clé, à cause de ton profond désespoir “
اللوحة باب مفتوح على مدينة بوسعادة ~ Porte ouverte sur Bou Saada
للرسام الفرنسي يوجين جيراردي Eugène GIRARDET 1853-1907
من بوسعادة - الجزائر
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MWW Artist of the Day (8/5/22)
Jules van Biesbroeck (Belgian, 1873-1965)
The Snake Charmer (c. 1930-36)
Oil on panel, 60 x 50 cm.
Private Collection
Jules van Biesbroeck was a child prodigy who sold his first painting "The Shepherd" at the early age of 14 during the Triennial Ghent Exhibition. He painted symbolist work before turning to orientalism. Because of WWI he left Brussels in 1914 and settled in Bordighera, in the villa “Nid Propre” where he dedicated himself to impressionist painting and sculpture. Finally appealed by new horizons, he started to travel in North Africa in 1926. Then in 1927, he discovered Algeria, that is for the painter a real revelation. He changed his palette in lighter tones and represented orientalist scenes, most precisely the inhabitant of Bou-Saada. He stayed in Algeria until 1938, and back to Ghent, he mainly continued to paint orientalist paintings.
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Mada'in Saleh, also called "Al-Hijr" or "Hegra", is an archaeological site located in the Sector of Al-`Ula within the Province of Al-Madinah, Saudi Arabia. A majority of the remains date from the Nabatean kingdom (1st century AD).
Hegra - the Nabateans southern-most & largest settlement after Petra, their capital.
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The Ouled Nail – Berber tribes living in the vicinity of the towns of El Djelfa, Bou Saada Chellala and the Ouled Nail Mountains, a part of the Atlas Mountains of Algeria.
The origin of these tribes lost in the depths of history.
And though they were converted to Islam in the 7-8 centuries AD, they were able to preserve their identity and uniqueness until the 20th century. Traditionally, women held the central role in the tribe.
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ملثم dz
bou saada/dz
أحصل عل أموالك بمشاركة الروابط الخاصة بموقعك!
أحصل عل أموالك بمشاركة الروابط الخاصة…
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Moorish girl from Bou Saada, Algeria
French vintage postcard
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J’AI MANGÉ LES MEILLEURS FROMAGES D’ALGERIE À BOU SAADA 😱🇩🇿
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Algeria: 17 people die of carbon monoxide poisoning Seventeen people have died of carbon monoxide poisoning in Algeria over the past 24 hours, the Algerian Civil Defence said yesterday. Nine people from one family were found dead on Monday evening in their home in Bou Saada, about 250 kilometres south of Algiers, the Civil Defence said. The family consisted of the father, mother, five children, and two guests Read more.... https://africanfutureleadership.com/algeria-17-people-die-of-carbon-monoxide-poisoning https://www.instagram.com/p/CnUuc0lN7Wp/?igshid=NGJjMDIxMWI=
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Lucien Adrion
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مبروگ للجزائر و للعرب ~
🇩🇿 🏆
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NOIRÉ Maxime, 1861-1927
Orientals and palm trees oil on canvas
Bou Saada à Midi oil on canvas
signed and located at the bottom right,
signed on the back with the mention: Algiers
Interencheres
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Town View Bou Saada, Algeria
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MWW Artwork of the Day (7/12/22)
Jules van Biesbroeck (Belgian, 1873-1965)
The Caravan (El Kantara)(c. 1930-36)
Oil on board, 99 x 122 cm.
Private Collection
Jules van Biesbroeck was a child prodigy who sold his first painting "The Shepherd" at the early age of 14 during the Triennial Ghent Exhibition. He started to travel in North Africa in 1926. Then in 1927, he discovered Algeria, that is for the painter a real revelation. He changed his palette in lighter tones and represented orientalist scenes, most precisely the inhabitant of Bou-Saada. He stayed in Algeria until 1938, and back to Ghent, he mainly continued to paint orientalist paintings. El Kantara (literally, 'The Bridge') is a town in the province of Biskra, Algeria. An important caravan-station in Eastern Algeria, the name also refers to the nearby gorge depicted in the present work, known as the 'Mouth of the Desert'.
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