#bob filmography

[loveforbobandeliza]

BOB MORLEY as PETER K in LOVE ME 2.01

#bob morley #peter k #love me series #love me spoilers #bobmorleyedit #lovemeedit #edits #bob filmography #2023 #tvactorsdaily #filmtvdaily #cinematv

[windy-apple]

#bob odenkirk #entourage #just going through his filmography...making gifs...having a good time hell yeah

[hotvintagepoll]

Propaganda

Ginger Rogers (Swing Time, Top Hat)—Look I’ll level with you, I’ve never seen her in a musical and I know that she’s an amazing dancer and she’ll be even hotter when I finally watch Top Hat but I’m not submitting her as a dancer I’m submitting her as an ACTRESS. Her comic timing is impeccable!!!!! She’s full to bursting with life and in every role she seems to be having FUN, you can practically feel the twinkle in her eye. With her natural warmth it’s like she’s letting you in on the joke, y’all get to have this fun together! Making me laugh is hot!!! [If you'd like to see Ginger dance, videos below the cut]

Dorothy Lamour (The Jungle Princess, Road to… movies)—Ok, to be honest, I get if no one wants to vote for her--she's kind of like my ~problematic fave~ because she started in the Road (Singapore, Bali, Hong Kong, etc) movies with Bob Hope and Bing Crosby, which are full of all sorts of exoticism tropes and usually have her playing very side-eye type roles..island princesses and things...yeah. also she banged J. Edgar Hoover. not very hot. but your honor i still think she's pretty despite all that she's pretty please look at her and tell me she's prettyyy

This is round 1 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Dorothy Lamour propaganda:

She started in jungle and South Seas movies and became famous in the Road series. She learned quickly to improvise when facing Bob and Bing. Road to Bali almost has her character marrying both of theirs, since she's island royalty and nobody had a problem with it - a nearly poly relationship, an epiphany for a viewer who didn't even know that that could happen! She was a popular pinup girl during World War 2, and was the first singer for the popular standard "It Could Happen to You". She sang often in her movies and has a lovely voice!

Ginger Rogers propaganda:

She needs no introduction! An undeniable powerhouse on the dancefloor, and no less talented an actress. I once watched a compilation of cinema's greatest dance scenes and one of her and Fred Astaire's dances was featured, and one of the talking heads said he pitied her for 'having to keep up with him' - or something to that effect. Bullshit, I cry. Ginger Rogers was his absolute equal, and underplaying her incredible skill is downright criminal. I want the 'Cheek to Cheek' sequence from Top Hat to be permanently burned into my memory.

"Backwards in high heels", as the saying goes (though the pedant in me must point out that she in fact spent her fair share of time leading or dancing side-by-side). One of the earliest twinkle-toed ladies of the silver screen, and in terms of acting/persona, her balance of wide-eyed cuteness and movie-star glamour has never quite been replicated.

we all know her beloved string of musicals with fred but ginger also has an extensive and varied non-fred filmography that she's great in! a few ginger moments that are important 2 me personally ginger singing “we’re in the money” in gold diggers of 1933, complete with a verse in pig latin bc this whole movie is kinda mocking the concept of anyone actually being in the money in 1933; ginger and una merkel singing a verse of “shuffle off to buffalo” in 42nd street, providing some statler & waldorf-esque commentary on newlyweds from the upper berth of a railway car (interesting that belly was apparently a risque word in 1933 - maybe its bc the lyric is innuendo-ing about out of wedlock pregnancies - and that panties was a term for men’s underthings!); a favorite fred & ginger number

Ginger Rogers could do everything! She could sing, dance and act. She was hilarious in comedies, moving in dramatic roles (she won an Oscar for Kitty Foyle in 1940) and absolutely gorgeous!

Listen, no shade to Fred Astaire at all, but she both kept up with him step for step and then later went on to WIN AN OSCAR FOR ACTING. (which he did not.) truly a double threat!!!

One of the best dancers in Hollywood! Her work with Fred Astaire is just incredible.

ONE LINE: "Everything Fred did, Ginger did backwards and in heels" AND THEYRE RIGHT! Rogers was a total dance badass, and a lot of movie buffs know the story, but the Never Gonna Dance number from Swing Time took almost 50 takes, and allegedly by the end of filming it her white shoes had been stained pink because her feet were bleeding. As a note, she looks crazy gorgeous in this number. Watching these two dance is insane. They match up to each other in a way my mom describes as "divine" and she's right. DANCE NUMBERS!

Let's Call The Whole Thing Off (Shall We Dance, 1937, dancing starts at 3:14, they're in ROLLERSKATES)

(Ginger Rogers is the hottest woman ever to live in this number. seeing this as a teenager altered my brain chemistry)

(also watch her feet and how she moves opposite Astaire in this one. We all know our boy Freddie had that precision demon but jesus christ Miss Rogers, let a girl live!)

Pick Yourself Up, Swing Time 1936 (Everyone's seen this one but by god you are going to see it AGAIN!)

Shall We Dance, 1937 (duet begins at 2:34)

Smoke Gets In Your Eyes, Roberta 1935 (There's just something about Ginger Rogers in a slick black dress man)

The Continental, The Gay Divorcee 1934 https://www.youtube.com/watch?v=Cjv6nmF7wdk God she's MAGIC in this one.

Gay Divorcee's Ending Montage 1934The infamous table and chairs spin happens at about 0:49. Pay CLOSE attention to her in this bc it looks like witchcraft and I feel lightheaded whenever I watch this movie bc shes THAT awesome.

She is a miracle to watch. Sorry for the sheer amount of clips. My entire family is like madly in love with Ginger Rogers.

#dorothy lamour #ginger rogers #hotvintagepoll #fuck that old woman #ladies 1 #Youtube

[carolinehelenc]

Quoi de neuf sur Netflix en juin 2022

Quoi de neuf sur Netflix en juin 2022

Les critiques culturels ont passé beaucoup de temps à devenir poétiques sur la façon dont l’ère du streaming – et Netflix en particulier – dévalorise les œuvres créatives en les transformant en un simple “contenu” plongé sans réfléchir dans un gros sac de détritus en streaming et en attendant les téléspectateurs (et un algorithme sournois) faire le reste. Et même si je suis certainement d’accord,…

View On WordPress

#Adam Sandler #Agitation #Amy Schumer #Angry Birds #Ben Falcone #Bill Burr #Bob Saget #Californie #Courtiser #Cristela Alonzo #Culture #David Letterman #Dieu #Divertissement #Filmographie et discographie de Brian Volk-Weiss #Jean muet #Joan Rivières #Joël Kim #L&039;informatique #Les Tenenbaum royaux #Logiciel #Logiciel Xbox 360 #Los Gatos #Martha Mitchell #Mélissa McCarthy #Netflix #Pete Davidson #pirate de la vie #Systèmes d&039;exploitation #Toma Ikuta

[estellaestella]

Do you suppose they came across a 1984 Toyota Celica by chance or they took it to the shoot to complement the retro vibe of his styling ?

Sidenote: while checking Martin Scorcese's '80s filmography* I found out he did a Bob Dylan docu-film in 2019 called "Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese". Small world!

*coz i think i've seen this exact outfit in one of his films

#timothee chalamet #timothée chalamet #gq #cass bird #btw google told me the car model name and number - i bear no responsibility it its wrong #martin scorcese

[smilingformoney]

Alan Rickman filmography >> Bob Roberts (dir. Tim Robbins, 1992) as Lukas Hart III

#alan rickman #arickmanedit #bob roberts #bobrobertsedit #filmedit #lukas hart iii #film #fun fact: alan put some of his own personal dolla towards this movie #and good thing too bc it was really good #a terrifyingly accurate prediction of trump #alanfilms

[bitter69uk]

“Monique was the kind of character that exists only in Fellini movies: hyper-sophisticated, hyper-dramatic, hyper-hysterical. Tall, buxom and blonde, she even looked like Anita Ekberg in La Dolce Vita. She claimed to have discovered Hiram Satyricon Keller and to have lost many of her admirers to her close friend and frequent house-guest Rudolf Nureyev. She was always heartbroken but never missed a party.”

Bob Colacello reflecting on Monique Van Vooren in his book Holy Terror: Andy Warhol Close Up (1990). Belgian-American actress, dancer, cabaret chanteuse (she released the album Mink in Hi-Fi in 1958), international sex kitten and plastic surgery enthusiast Van Vooren (25 March 1927 – 25 January 2020) was born on this day 97 years ago. If you’re unfamiliar with Van Vooren, think of her as a kind of “lost Gabor sister” – or at least a kissin’ cousin. Her wayward filmography encompasses Tarzan and The She-Devil (1953), playing Queen of Skulls in Pier Paolo Pasolini’s The Decameron (1971), Andy Warhol’s Frankenstein (1973) and the Liz Taylor face lift melodrama Ash Wednesday (1973) (in which she is billed simply as “German woman”).

#monique van vooren #sex kitten #international sex kitten #lobotomy room #kitsch #starlet #glamour girl #international jet set #decadence #queen of skulls #andy warhol #andy warhol's frankenstein #tarzan and the she-devil #pier paolo pasolini #glamour #glamorpuss #pinup

[paulmescal-s]

Nine People I'd like to know better

@toooldforthisbutstill tagged me so here we go?

Last Song I listened to: “And She Was” - Talking Heads

Currently Watching: Rewatching Moon Knight and catching up on Bob’s Burgers (I somehow got a season behind)

Sweet/Savoury/Spicy?: Anything but spicy

Relationship Status: Ugh (single)

Current Obsession: Uh… Idk? I’m working through Paul Mescal’s filmography, does that count? LOL.

npt: @ladamedusoif @quarantineddreamer @gaygingersnaps @frostbitepandaaaaa @buckybarnesss

@beskarandblasters @andorerso @astromechs @romantic-revolution-iv

#personal post #tag game

[hanasnx]

i've loved the whole starlet reader little bits and bobs recently. she's my babygirl, i have posters of her up on my walls and her playboy cover under my bed <33

i know the au! is hayden-based, but my brain circled around anakin for this one. 

in my mind the prequels take place in what would be our 1940s or 1950s as the ogs reflected closer the political context of the 60s. 

which lends itself for a golden-age starlet reader, and i wanted to share a thought! ITS SO LONG IM SO SORRY  ;;

-🥩

with a war raging on, people need some sort of distraction as to not go insane with the politics and bloodshed of it all - an escapism the entertainment industry is more than happy to provide. anything you could possibly want to escape your own life for a little while, they have. 

i like to imagine each clone legion has has their own taste when it comes down to their poison of choice - the 302th are very into the thrillers of an acclaimed silver fox actor. the 127th favour comedies regardless of whoever stars in them.

the 501st claimed starlet!reader as their girl. that's quite literally how she's known in the clones barracks, "the 501st's girl".

the legion is very familiar with their girl and her filmography. even though not all of her repertoire is romance, that's the one genre they indulge in the most.  

in the two hours they get to spend with her, they get to live the romance of a lifetime they may never get to experience otherwise. she's their forbidden lover, their wife, their temptress.

their girl, really.

she's special to them, even if in a parasocial way. it's a tragic thought to think how many of them passed with a picture of her on the windshield of their ship. 

maybe that's why anakin agreed to watch a holo-film of hers with the 401st. it's important to them, so it's important to him. a little bonding time. 

he just didn't expect to become so quickly enraptured with you, too - not in the same way his clone comrades are, their girl is the vessel for their fantasies. to anakin? you're his fantasy. 

i doubt he cares much for your movies, i think he prefers your interviews and commercials.  he has a few favorite frames he comes back to often. 

he lingers on them more than he should - a parasocial relationship *hardly* counts as an attachment anyways. 

considering how most holo-projections are 3D, i'm sure he's already familiar with your form, from head to toes. 

but no projection can compare to seeing the real thing for the first time - you were actually real? he couldn't wrap his head around that idea. 

i mean, you looked real when you arrived in a pretty little white-blue outfit, accompanied by palpatine, (who ofc organized the whole thing). you were all smiles and waves, clearly trying to make contact with as many eyes as you could before you went onstage.  

you sounded real when you yelped and giggled when you almost tripped on the slippery stairs when you were headed center to deliver a small speech to your boys (as you so lovingly called them). 

but what really almost sold him on the fact that you were real, was feeling you. physically you were meters away, but with his connection to the force? you were almost breathing down his neck with how close he felt your force presence. the very essence of what makes you, you. 

you were singing your heart out up there -  oblivious to how you intoxicated almost all of anakin's senses by simply existing in the same space as him. 

he just really needed to confirm you tasted real, to be completly sold on your existence as something beyond a hallucination of his haunted mind. 

WHAT THE FUCK

look i dont like long inbox msgs bcos its rly difficult for me to focus on them and all that etc etc whatever whatever but this.. this i loved reading. i want more of it. i want to hear more about the 501st's girl and how ppl joke about it "oh hows your lil girlfriend??" as if shes the collective gf of this division sldfj. i wonder how anakin gets closer, do you feel drawn to him too? if so, is it cos hes pretty or is it a magical thing? are the 501st jealous or playfully jealous over anakins success in bagging you??

my cheeks slowly heated up the entire time i read it i rly enjoyed it omg

#🥩anon #starlet!reader #anakin #thanks for the msg!! #indy shoots the shit

[ducktracy]

Idk how easy this will be to answer but what was the best year for Looney Tunes? I'm more fixated on Tom and Jerry myself, but I can't pick between 1947 and 1949. Looney Tunes has many more shorts tho, so its probably a lot harder to say. Would love to hear your opinion! (Loving the Mel Yell polls btw!!)

OH THIS IS SUCH A GOOD ASK!!!! (and thank you so much!!) GEEEEZ that is hard because there are so many different aspects to go by!

i think in general, i would probably say 1945 is the one year that consistently has banger after banger after banger. Wagon Heels maybe being the only exception, but it doesn’t necessarily count since it’s a remake of a previously existing cartoon—and even then, as eugh as the material in it is, i do think Heels does tangibly improve upon its source material in some considerable way. speaking purely in terms of technicalities, there is a noticeable uptick in animation quality and voice acting and timing. there are very few remakes i can say the same for.

i’d argue it’s also a relatively significant year, too—not as significant of a year as, say, 1937 when Mel first officially began voicing characters, Bob Clampett adopted the directing chair and set the tone for a lot of permanent changes, the Porky “that’s all folks” ending is instilled, the first usage of “The Merry Go Round Broke Down” is used for the opening titles—but as far as character introductions go you have Pepé, Sylvester and Yosemite Sam (and all of their respective introductory cartoons are very good—i enjoy what they did with Pepé in that one more than i do any other short with him HAHA), Frank Tashlin is in his element with every short he released, Bob Clampett’s cartoons are likewise top notch and full of lush animation, Chuck Jones has masterpieces like Fresh Airedale and Hare Conditioned, and Friz Freleng’s shorts are consistently hilarious

1946 is an answer always in my head too, but it doesn’t have the benefit of 1945’s short release year (which is one of the shortest out of the entire filmography due to a Technicolor backlog thanks to the war) and so there are a few more mediocrities involved. NOT MANY, and it’s likewise very significant in being the last year for Tashlin and Clampett (who is at his absolute apex this year. no director ever had a stronger string of hit after hit than Clampett with Book Revue, Baby Bottleneck, Kitty Kornered and The Great Piggy Bank Robbery released all in a row), Bob McKimson and Art Davis’ first year of directing, Gossamer and Foghorn Leghorn are introduced… but it does have a few weak spots in the foundation, namely The Big Snooze and Bacall to Arms especially being finished up by Art Davis after Clampett left and it shows. i enjoy both cartoons, but you cannot deny Bacall is a bit of a mess of a cartoon HAHA.

IT IS SO HARD TO JUDGE because there are so many different factors… especially when narrowing it down to directors, who i think each had their own respective “best” years at different times. Chuck Jones unquestionably hit his peak in the ‘50s, whereas McKimson was quicker to hit his peak in the late ‘40s… i actually dont know when Friz’s peak would be, though i do tend to enjoy his efforts from the ‘40s more when he’s not bogged down by middling Tweety cartoons. what i enjoy doesn’t necessarily coincide with what his objective best is, though!

THANK YOU FOR THIS ASK! maybe the deeper i carve into doing my reviews i’ll be able to come out with an actual answer at some point! for now i’d have to say 1945, but there are so many different peaks and highs and lows spread so far apart

#1942-1946 i think are my personal ‘golden years’—i have always stood by the fact that i think 1943 is when the true Warner identity is #solidified once and for all #likewise that year boasts a bunch of my favorites… but also is bogged down a bit by WWII jingoism that’s still particularly egregious #cherry-bomb-ships #asks

[destinyc1020]

I can’t take anons seriously when they talk about Tom’s range when he just SHOWED y’all his range in The Crowded Room, a CCA nominated performance. There is no question about his range - he has it, he has an impressive amount of it, and in terms of acting ability he’s absolutely among the top of his gen. Like there is no question about that at this point, so anons writing paragraphs trying to argue otherwise makes no sense. Now you can critique the scripts sure but his talent? Nah. That’s been shown many many times by now across all his films tbh.

Thank you Anon! 👏🏾Tom's talent is undeniable for sure! Whether you have an issue with the plot, writing, or storyline of his films is one thing, but Tom has ALWAYS been a standout in his films, and his talent is unquestionable. Critics usually have an issue with the writing in some of his newer films, but NEVER an issue with his acting. I've never seen a critic talk badly about Tom's acting. I know some critics want to keep him in a Spiderman box, but other than those, I don't usually see critics having issues with his acting in his projects.

I think Anon was actually coming at me about Timmy though. They assumed I was saying that Timmy doesn't have range, when I didn't mention "range" at all.

I was simply talking about DIVERSITY of films, which is much different from acting range if you ask me. You can do several drama films and have a variety of range in them, but NOT have a diverse filmography dramas because you've mainly done dramas.

That's basically all I meant. 🤷🏾‍♀️

Up until the last few years, Timmy has primarily been an indie darling. He's now starting to do blockbusters with Dune, kids movies with Wonka, and biopics with Bob Dylan, and more mainstream films. But let's be honest here, before Dune, Timmy was primarily more of an indie actor.

Whereas, Tom has done indie AND commercial films, children's films, voice over work, cartoons, action, etc.

Like, c'mon.... 🙄

[loveforbobandeliza]

Bob Morley in Love Me 2.01

#bob morley #bojana novakovic #peter k #love me series #love me spoilers #bobmorleyedit #lovemeedit #edits #bob filmography #2023

[transmutationisms]

saw that you finished twin peaks! do you have any thoughts you'd like to share? also, if you haven't already, i high reccomend watching fire walk with me!

ya i saw fwwm after season 2 and before 'the return'. honestly i think my twin peaks opinions are fairly unpopular bc i simply cannot read the series in any way besides as being deeply conservative lol. this becomes especially clear to me in 'the return', which is largely motivated by a narrative of the loss of american innocence (the double r subplot, the numerous instances of drugs and violence tearing nuclear families apart, the encroachment of electricity and processed snack foods and gambling, &c). but this viewpoint is seeded too throughout the first season-and-change of the original series, and fwwm; because what was laura palmer if not the series's first use of rape as metonymous for what lynch sees as a broader process of social breakdown and irreversible change? i understand that some people try to read bob and laura as a critique of the family, in the sense that the violence comes through the father, but i don't think this reading holds even in the original series and it certainly doesn't after part 8 of 'the return', in which bob is explicitly and directly invoked in reference to the bombing of hiroshima and nagasaki, here construed as an originary act of american evil.

i think in david lynch's mind, the spiritual forces and influences in the show are literal and apolitical, and frequently he seems to mean to depict them more as sources of artistic inspiration than anything else ('twin peaks' is in many ways a tv show about making a tv show, hence the double use of electricity throughout 'the return' and fwwm, in particular). but i find this really irritating frankly, because it's at best ignorant of the inherently political nature of the constructions of small-town americana, teenage innocence, violence as an act of moral corruption, and so forth—and also because, after the return, it's simply impossible to deny that the show's overarching narrative IS plugged in to political and historical lines of critique. like, i am not trying to 'force' a reading that deals with us imperialism—lynch put the show on this discursive terrain explicitly and deliberately, through not just the bomb footage and the penderecki threnody but also the inversion of classic symbols of american 'greatness' (the unlucky penny, the evil lincoln impersonator), culminating again in the violation of a young girl's body by the forces of evil. what this all adds up to is the invocation of american empire as a kind of universal moral struggle, stripped of its historical specificity or even the barest pretense of material critique or commentary. if it sounds like i'm asking too much of network television... i mean, maybe i am, but again, these were deliberate choices lynch made and specific historical events he invoked on purpose, lol. see also the jacoby trump commentary in 'the return' (cringe and yawn).

i'm not a lynch scholar but i do think there's a tension throughout his work (what i've seen) between the desire to make art about what he sees as the purely spiritual process of making art (heavily informed by his own TM beliefs), and the conservative elements that creep in anyway, noticeable especially in his commentary on american history, corruption, modernity, &c. the idea of any pure, transcendent, apolitical spiritual dimension of human existence is itself, i would argue, at best a misguided conservative fantasy, and 'twin peaks' ultimately shows these cracks more blatantly than some of his other work (say, 'inland empire') because it tries to subordinate the material to the spiritual in a kind of fantastical historical parable. but, you can see this recurring tension throughout his filmography, eg, the loss of small-town innocence ('blue velvet') and a kind of generalised modernity anxiety ('eraserhead', though taken on its own this one would permit other readings depending on how you interpreted the role of german expressionism in it).

i don't think lynch is an ideologue or even considers himself particularly political, but nevertheless his narratives do idealise a certain conservative vision of post-war america, mourn its loss, and wax nostalgic for its perceived ethos (& it's not a coincidence lynch is/has been a reaganite, lol). anyway, i thought 'twin peaks' had some really incredible moments of visual artistry (part 8 of 'the return', for example!) and i found much of it frankly beautiful and compelling to watch. so, i don't mean any of this to dismiss lynch as a filmmaker—he is, if nothing else, highly technically adept. unfortunately i did just really hate most of what the series was actually saying, lmao.

#twin peaks

[sidewayspeace444]

It's funny how there was anons saying "sHe's shY" earlier this week and now, all of sudden, she mentions about how "shy" she is. LMFAO, try to be less obvious, you dumb b.

Shy and introvert ppl don't post videos of them at the shower on their own account. Shy and introvert ppl don't make movies where they portrays underaged girls try to seduce or having s*x w older men. Shy and introvert ppl don't have their filmography filled w p*rn.

This girl is so fvcking pathetic, be serious.

The anons are HER. She refreshes everyone’s pages more than she refreshes her breath. Which, btw, must not be often with those tonsil stones. It’s called floss, honey. Maybe Bob Evans can give you a sample.

[fortheturnstiles]

i said i was going to venture into bob dylan acting filmography over winter break and i still haven't quite yet . but its going to happen

#i want to watch more westerns this year so pat garrett and billy the kid is in my sights #hearts of fire i'm scared of if im being honest . #and masked and anonymous i'm ????? i dont even know im mostly curious

[passed-out-real]

Alan Rickman Filmography Part 2

Revolutionary Witness: The Preacher (1989)

Quigley Down Under (1990)

Truly Madly Deeply (1990)

Closet Land (1991)

Robin Hood: Prince of Thieves (1991)

Bob Roberts (1992)

Mesmer (1994)

An Awfully Big Adventure (1995)

Sense and Sensibility (1995)

Rasputin (1996)

#alan rickman #Revolutionary Witness: The Preacher #Quigley Down Under #Truly Madly Deeply #Closet Land #Robin Hood: Prince of Thieves #Bob Roberts #Mesmer #An Awfully Big Adventure #Sense and Sensibility #Rasputin