#billboard charts 2021 | Explore Tumblr Posts and Blogs

hugshughes · 3 months

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𝐏𝐄𝐑𝐒𝐔𝐀𝐒𝐈𝐎𝐍 - 𝐐𝐔𝐈𝐍𝐍 𝐇𝐔𝐆𝐇𝐄𝐒

𝐙𝐄𝐑𝐎 - 𝐁𝐀𝐂𝐊𝐒𝐓𝐎𝐑𝐘

ˏˋ°•*⁀➷

𝐐𝐮𝐢𝐧𝐧 𝐇𝐮𝐠𝐡𝐞𝐬 𝐱 𝐟𝐞𝐦!𝐟𝐚𝐦𝐨𝐮𝐬!𝐫𝐞𝐚𝐝𝐞𝐫 𝐞𝐱!𝐌𝐚𝐭𝐡𝐞𝐰 𝐁𝐚𝐫𝐳𝐚𝐥 𝐱 𝐟𝐞𝐦!𝐟𝐚𝐦𝐨𝐮𝐬!𝐫𝐞𝐚𝐝𝐞𝐫

𝐬𝐲𝐧𝐨𝐩𝐬𝐢𝐬 - 𝐘/𝐧 𝐘/𝐥/𝐧'𝐬 𝐕𝐨𝐠𝐮𝐞 𝐛𝐢𝐨.

𝐰𝐜 - 600 𝐬𝐨𝐫𝐫𝐲 𝐢𝐭'𝐬 𝐬𝐨 𝐬𝐡𝐨𝐫𝐭 𝐢𝐭'𝐬 𝐣𝐮𝐬𝐭 𝐭𝐡𝐞 𝐠𝐞𝐭𝐭𝐢𝐧𝐠 𝐭𝐨 𝐤𝐧𝐨𝐰 𝐘/𝐧 𝐩𝐚𝐫𝐭! 𝐩𝐚𝐫𝐭 𝐨𝐧𝐞 𝐰𝐢𝐥𝐥 𝐛𝐞 𝐫𝐞𝐥𝐞𝐚𝐬𝐞𝐝 𝐥𝐚𝐭𝐞𝐫 𝐭𝐨𝐝𝐚𝐲!

𝐜𝐨𝐧𝐭𝐚𝐢𝐧𝐬 - 𝐜𝐮𝐫𝐬𝐢𝐧𝐠, 𝐢 𝐠𝐚𝐯𝐞 𝐫𝐞𝐚𝐝𝐞𝐫 𝐚 𝐛𝐢𝐫𝐭𝐡𝐝𝐚𝐲 𝐚𝐧𝐝 𝐛𝐢𝐫𝐭𝐡 𝐩𝐥𝐚𝐜𝐞 𝐈𝐌 𝐒𝐎𝐑𝐑𝐘!!!!!, 𝐦𝐞𝐧𝐭𝐢𝐨𝐧𝐬 𝐨𝐟 𝐬𝐡𝐨𝐮𝐭𝐢𝐧𝐠, 𝐬𝐜𝐫𝐞𝐚𝐦𝐢𝐧𝐠, 𝐜𝐫𝐲𝐢𝐧𝐠, 𝐚𝐬𝐬𝐡𝐨𝐥𝐞!𝐦𝐚𝐭𝐡𝐞𝐰 𝐛𝐚𝐫𝐳𝐚𝐥, 𝐧𝐨𝐭 𝐦𝐮𝐜𝐡 𝐢𝐧 𝐭𝐡𝐢𝐬 𝐜𝐡𝐚𝐩𝐭𝐞𝐫, 𝐭𝐚𝐥𝐤𝐬 𝐨𝐟 𝐚 𝐛𝐚𝐝 𝐛𝐚𝐝 𝐛𝐚𝐝 𝐦𝐞𝐬𝐬𝐲 𝐛𝐫𝐞𝐚𝐤𝐮𝐩, 𝐚 𝐛𝐢𝐭 𝐨𝐟 𝐚𝐧𝐠𝐬𝐭, 𝐦𝐞𝐧𝐭𝐢𝐨𝐧𝐬 𝐨𝐟 𝐜𝐫𝐲𝐢𝐧𝐠, 𝐢 𝐝𝐨𝐧'𝐭 𝐭𝐡𝐢𝐧𝐤 𝐚𝐧𝐲𝐭𝐡𝐢𝐧𝐠 𝐞𝐥𝐬𝐞(?)

𝐧𝐨𝐭𝐞 - 𝐨𝐟 𝐜𝐨𝐮𝐫𝐬𝐞 𝐢 𝐝𝐨 𝐧𝐨𝐭 𝐨𝐰𝐧/𝐜𝐥𝐚𝐢𝐦 𝐭𝐨 𝐨𝐰𝐧 𝐚𝐧𝐲 𝐨𝐟 𝐭𝐡𝐞 𝐬𝐨𝐧𝐠𝐬 𝐦𝐞𝐧𝐭𝐢𝐨𝐧𝐞𝐝 𝐢𝐧 𝐭𝐡𝐢𝐬 𝐟𝐢𝐜! 𝐥𝐨𝐨𝐤 𝐭𝐨 𝐭𝐡𝐞 𝐦𝐚𝐬𝐭𝐞𝐫𝐥𝐢𝐬𝐭 𝐟𝐨𝐫 𝐬𝐩𝐞𝐜𝐢𝐟𝐢𝐜𝐬 𝐨𝐧 𝐭𝐡𝐢𝐬!

𝐦𝐚𝐬𝐭𝐞𝐫𝐥𝐢𝐬𝐭 - 𝐧𝐞𝐱𝐭 𝐩𝐚𝐫𝐭

𝐭𝐚𝐠𝐥𝐢𝐬𝐭 - 𝐧𝐨 𝐨𝐧𝐞 𝐲𝐞𝐭. 𝐥𝐞𝐭 𝐦𝐞 𝐤𝐧𝐨𝐰!

Social Media!

thevogue.com/artists/yn-yln/#bio

Artists / Y/n Y/l/n

Pop Female Vocalist Indie Folk Post-teen Pop Singer-songwriter

Published December 2nd, 2023. 11:29AM PST

Y/n Y/m/n Y/l/n (born January 11, 2001, in Annapolis, Maryland) is an American singer-songwriter. Y/l/n is a 3-time Grammy winner with a total of 11 nominations (as of October, 2023). As of October, 2023, Y/l/n has sold 26 million albums and 88 million singles worldwide.

Y/n Y/l/n is a internationally praised pop-indie phenomena. She quickly rose to fame at only 17 when she released her debut album Pause (February 19, 2018). Pause sold over a million copies in less than 48 hours, soaring to the top of the Billboard Hot 100 chart. 8 of Y/n's songs took place on the top ten and it took 41 weeks for Y/n's songs to exit the top 10. Pause racked up 3 Platinum singles, including Blouse, Innocent, and Bags.

Y/n Y/l/n's fame somehow skyrocketed higher when she released her second album Chaser (January 19th, 2020). The album features mostly love songs, rumored to be about her then boyfriend, NHL player Mathew Barzal. The album featured best sellers such as Cruel Simmer, Habits, and Happiness is a Butterfly.

As we stay on the topic of her ex boyfriend, she has been stuck in one scandal regarding her love life. In September of 2021, 20 months after releasing Chaser, there were paparazzi videos released of the IT couple in a shouting match on the street outside of popular restaurant, BOA Steakhouse, in Los Angeles, California. Video depicted Y/l/n crying as she fought with the hockey player, who was caught insulting Y/n very explicitly. The video ends with Barzal storming back into BOA Steakhouse, and Y/l/n sitting on the curb, awaiting her ride after the NHL star shouted, "Get a f***ing Uber back if you're going to be a b***h and embarrass me like this!" Bystanders watch as Y/l/n entered long time friend Tate McRae's car.

Less than a week later Y/n confirmed the end of the three year long relationship, with no further comments. While there have been no albums released since Chaser, in January 2020. Y/l/n has released two singles, Memories, and The Cut That Always Bleeds, both released in the summer of 2022.

As of now, December 2023, there has yet to be any major news of new music, but there's always the tiny bits and rumors that get down to the public. While Y/n has promised an album in 2024, she has yet to set a release, causing fans to believe it will come in the later months of the new year.

All in all, Y/n Y/l/n is a talented, young superstar. She captivates audiences like few can, and with the way her career is going now, could be one of the biggest star the world's ever seen. Most recently, Y/n was spotted in a cozy Baltimore suburb alongside Taylor Swift, who Y/n has repeatedly mentioned as her biggest influence when it comes to music, as well as her biggest fan. Swift seemed to take Y/n under her wing in 2019, even having Y/n open a stretch of her shows at The Eras Tour, in 2023, as well as the US shows in late 2024!

There are obviously large things in store for this young influential woman, and I can't help but applaud all of her hard work and dedication to her work.

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lostcauses-noregrets · 6 months

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By Rafael Motamayor, New York Times, Nov. 5, 2023

On Saturday, the final episode of the anime adaptation of Hajime Isayama’s “Attack on Titan” premiered on Crunchyroll and Hulu, ending an epic tale that started back in 2013.

Like the manga, which ran from 2009 to 2021, the anime was an instant hit, becoming one of the defining shows of the modern anime era, with spinoffs, live-action and video game adaptations, and even a comic book crossover with Marvel’s “Spider-Man” and “Avengers” titles.

Since the fourth and final season started airing in 2020, “Attack on Titan” has been one of the most popular shows on the internet — episodes have routinely trended on social media, streaming servers have occasionally crashed, the opening theme song became a rare anime song to hit the U.S. Billboard charts. Parrot Analytics said it was the most “in-demand” show in the world in 2021, a metric based on analysis of streaming, social media, search and other online behaviors. The manga has continued to be popular as well, selling over 120 million copies worldwide, and several of the published volumes have charted on the New York Times graphic novels and manga best-seller list.

What started as a thrilling yet relatively simple tale of a young boy seeking revenge against the giant humanoid monsters that ate his mother quickly evolved into a thought-provoking war epic. The tonal shift in “Attack on Titan” also came with one of the biggest heel-turns in modern anime, with the protagonist, Eren Jaeger, devolving into a radicalized monster threatening worldwide genocide.

Since the manga ended in 2021, there has been plenty of speculation and debate over Eren’s antagonistic turn and what the story’s ending means. Ahead of the release of the final episode, the manga creator Hajime Isayama, speaking through an interpreter, David Higbee, talks about the restrictive nature of writing and the story’s dark ending. These are edited excerpts from the interview.

The manga ended a couple of years ago, and the anime is just finishing now. How do you feel about the story coming to an end?

For this anime to be made and for that to go beyond the borders of Japan and to reach a worldwide audience is something that’s been a very happy occurrence for me. In a sense, “Attack on Titan” has connected me to the world, and that’s something that I’m very glad happened.

How much of the ending from the manga did you have in mind when you first began writing “Attack on Titan”? And how much did it change along the way?

That was pretty much there from the beginning, the story that starts with the victim who then goes through this story and becomes the aggressor. That is something I had in mind right from the get-go. Along the way, certain aspects of the story didn’t go as expected, and I adapted and fleshed out certain aspects. But I would say the ending of the story didn’t change much

There’s a much-talked-about scene where Armin, who is struggling with Eren’s turn into a mass murderer, seems to thank him for his actions. Can you talk about the meaning behind that conversation?

My thinking there wasn’t really that Armin was trying to push Eren away for the sake of justice or whatnot. It was more that he wanted to, in a sense, take joint responsibility. He wanted to become an accomplice. In order to become an accomplice, Armin had to make sure that he used very strong wording so that he could take those sins upon himself. And so that was the intent behind it.

You have a scene where Eren apologizes to a kid for the carnage he’s going to commit and says he was disappointed in the world he saw beyond the walls. What does that say about his motivation?

I think that refers to the fact that Eren was dreaming of going to this world outside of the walls where there was nobody and there was nothing. There was an excitement about this world that was just empty, a clean slate. I don’t really know whether that’s a good or a bad thing, and I don’t really know why that was the ideal that I set up for Eren as a part of this story. But what I can say is that, when he does get across the wall at that point, he says he sees that the world is really not that different from what’s within the walls in the world that he already knows. I believe that’s probably the disappointment that I’m referring to in that specific scene.

Eren says in the final episode of the anime that he had no choice but to follow the future that he saw, that he was powerless against the powers of the Founding Titan. Armin even asks if he’s really free. Was he telling the truth or do you see this as him telling an excuse?

So the truth is the situation with Eren actually overlaps in a certain sense with my own story with this manga. When I first started this series, I was worried that it would probably be canceled. It was a work that no one knew about. But I had already started the story with the ending in mind. And the story ended up being read and watched by an incredible number of people, and it led to me being given a huge power that I didn’t quite feel comfortable with.

It would have been nice if I could have changed the ending. Writing manga is supposed to be freeing. But if I was completely free, then I should have been able to change the ending. I could have changed it and said I wanted to go in a different direction. But the fact is that I was tied down to what I had originally envisioned when I was young. And so, manga became a very restrictive art form for me, similar to how the massive powers that Eren acquired ended up restricting him.

You have been involved in the anime production for a little while, supervising the adaptation’s storyboards, and have been known for asking for changes to the story in the adaptation. Did you personally ask for anything for the final episode?

Yes. Absolutely. I checked the script, but the main thing was the storyboards. There were different things I suggested. When it comes down to it, it’s really the role of the production to make those decisions. But I wanted to at least give my input so that they could take those into account when they were making the final decisions.

The manga ends with you showing the future of Paradis and sort of the cycle of war continuing. Is there no end to the conflict and the cycle you present in the story?

I guess there could have been an ending where it was a happy ending and the war ended and everything was fine and dandy. I guess that could have been possible. At the same time, the end of fighting and the end of contention itself kind of seems hokey. It kind of seems like it’s not even believable. It’s just not plausible in the world we’re living in right now. And so, sadly, I had to give up on that kind of happy ending.

[New York Times, 5 November 2023]

#hajime isayama #this is really interesting #the analogy between himself and eren is fascinating #interview #new york times #snk

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slavghoul · 1 year

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Hello, I prepared some statistics to give you a short overview of Ghost's amazingly successful 2022. It is based on data I collected between 22/12/2021 and 22/12/2022.

The big Ghost event of 2022 was of course the release of the band's fifth album, IMPERA.

Since March 11, it has sold nearly 500,000 copies, won the American Music Award for Favorite Rock Album and received a Grammy nomination for Best Metal Performance ('Call Me Little Sunshine').

Within the first week of its release, the album reached #2 on the Billboard 200 (ranking the 200 most popular music albums and EPs in the United States) and ranked in the top 20 best-selling albums in 19 countries across the world:

#1 in Sweden, Austria, Germany, Finland, Spain

#2 in US, UK, Belgium, Norway, Netherlands

#3 in Australia, Canada

#5 in Switzerland, Ireland, France

#7 in Poland

#8 in Hungary

#12 in Denmark, Portugal

#20 in Italy

IMPERA is Ghost’s best charting album to date.

On YouTube, the band amassed a staggering 260 million views. 840,000 people subscribed to the channel this year, which makes up 42% of all current subscribers.

5 most watched videos on YouTube in 2022:

Mary On A Cross (Official Audio) – 32 million views

Call Me Little Sunshine (Official Music Video) – 15 million views

Square Hammer (Official Music Video) – 11 million views

Mary On A Cross (Live in Tampa 2022) – 8.2 million views

Spillways (Official Music Video) – 6.8 million views

On Spotify, the band amassed 1,285,625 new followers. That’s around 61% of all followers since the band appeared on the platform.

5 most streamed songs on Spotify in 2022:

Mary On A Cross - 193,709,473 streams

Call Me Little Sunshine – 41,108,589 streams

Square Hammer – 29,720,042 streams

Dance Macabre – 26,494,053 streams

Spillways – 24,910,870 streams

It goes without saying that the viral success of Mary On A Cross on TikTok brought in a lot of new fans this year, but the magnitude of it becomes even more astonishing if you look at numbers.

On this graph, I marked a few events that resulted in a noticeable spike in the number of monthly listeners on Spotify, including the approximate time when MOAC began to gain traction on TikTok. As you can see, nothing, not even the release of a new album, gave the band as much attention as the 3-year old song suddenly raising in popularity on one single platform.

Between end of July and beginning of October, the number of monthly listeners on Spotify skyrocketed from 2.5 million to 12 million. This is a 380% increase.

Although the numbers have been in decline since then, it appears that for the past month they have stayed at a steady 9 million. As of today (Dec 22, 2022) the exact number is 9,110,996. Exactly a year ago (Dec 22, 2021) the number was 1,999,951. A hefty 355% increase in only a year.

Some other milestones and fun facts:

On June 7, Cirice, Dance Macabre, and Square Hammer were all certified Gold by the RIAA for sales of 500,000 units in the USA. Following the viral success, Mary On A Cross was also certified Gold on November 20.

The band's most liked post on Instagram this year was a video of Papa throwing the first pitch at the White Sox game (273,241 likes).

The episode of Jimmy Kimmel Live where Ghost performed Call Me Little Sunshine was watched by around 1.3 million people.

In September, Ghost reached over 12 million monthly listeners on Spotify and was the 450th most streamed artist globally - that's 450 out of over 11 million!

As of today with over 1.6 billion accumulated streams Ghost is one of the 1,000 most successful artists on the platform of all time (currently #808).

On September 11, Mary On A Cross peaked at #1 in the Viral Hits chart on Spotify in 54 countries across the world.

It was also the highest charting Swedish song on the platform in 2022, peaking globally at #31.

At this point I think it’s safe to declare that Ghost’s global success reached unprecedent heights this year and even allowed them to officially join the ranks of mainstream artists. With all of the above, 70 completed shows this year and many more to come in 2023, and with media of the likes of The Wall Street Journal proclaiming Ghost “the next generation of arena stars,” it looks like that the band is well on the way to become one of the biggest rock acts of this century. Not bad for a side project started by one Swede in his bedroom somewhere in Linköping.

Let us hope 2023 will be as devilishly good!

#the band ghost

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lonelystarbuckslover13 · 7 months

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You know what’s a crazy butterfly effect we never talk about?? The musical film ‘Grease’ eventually leading to Olivia Rodrigo’s fame. Think about it:

The film ‘Grease’ was released in 1978, and its immense success led to the sequel ‘Grease 2’ (1982). In 1999 a script for ‘Grease 3’ was developed, but the project was shelved until 2004 when the script was adapted into ‘High School Musical’. ‘High School Musical’ was then released in 2006, becoming an instant hit and earning the film two sequels. The movie series had such lasting fame, that in 2017 a TV show inspired by the film series was developed titled ‘High School Musical: The Musical: The Series’ (‘HSMTMTS’ for short). Olivia Rodrigo was cast as one of the leading roles in the show, and was given the opportunity to write an original song for her character - the song she ended up writing titled ‘All I Want’. Upon the release of ‘HSMTMTS’ in 2019, ‘All I Want’ began gaining popularity and charted on the Billboard Hot 100. This gained Olivia interest from label executives, and she ended up signing a record deal with Interscope/Geffen. During Olivia’s time on ‘HSMTMTS’ she met and dated a fellow co-star, and their subsequent break up inspired her to write the song ‘driver’s license’. She then released ‘driver’s license’ as her debut single in 2021, and the song charted at number 1 and skyrocketed her to a whole new level of fame.

So without ‘Grease’, you wouldn’t have ‘High School Musical’, and without ‘High School Musical’ you wouldn’t have ‘HSMTMTS’, and without ‘HSMTMTS’ Olivia would not have written the song that got her a record deal or met the person who inspired ‘driver’s license’, and THAT is how Grease led to Olivia Rodrigo’s fame over 40 years after its release.

#I’ve been thinking about this for so long for some reason and jsur needed to info dump lol #reblog though because this took me ages to write lmaoo #shit like this makes me believe in fate and stuff lol #olivia rodrigo #drivers license #high school musical #hsmtmts #grease #butterfly effect #swifties #jemma’s thoughts #jemma’s favourites #come back to later

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mohae · 11 months

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we seriously need halle bailey and jonah hauer-king in more movies together... their chemistry is off the damn charts. even rob marshall said he had no choice in who would play prince eric (even though it was the right choice regardless) because as soon as halle screen tested with jonah they clicked instantly and the chemistry was crazy.

we need them in rom-coms or literally anything. i will take anything at this point. they can be "work wife and husband."

HEAR ME OUT... imagine when the remake of The Bodyguard is made like it was said it would in 2021. Billboard said the best option would be halle bailey, and many others agreed. we would just need jonah as the bodyguard. hollywood.... i'm begging! don't let chemistry like this go to waste!

#halle bailey #halle #jonah hauer king #jonah hauer-king #the little mermaid #tlm #the bodyguard #jalle #halle and jonah #jonah and halle #we need more from them #im begging #chloe bailey #chloe and halle #prince eric #ariel #ariel and eric

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killltheidol · 3 months

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🕰️ ˖ ࣪ εïз ⬦ REJECTS DISCOGRAPHY.

εïз ⬦ REJECTS is often called the brainchild of the now deceased and former Angelico CEO, Son Jinhwa, as he produced and composed all of their music. He also acted as the group's creative director until his departure from the company.

Originally starting off with a soft and sweet concept, Rejects would debut with the mini album "Jukebox Hits" and its accompanying title track, Dance On. The group would gain attention for being a female-heavy co-ed group with three female members and only two male members. The attention also came from members Sunhee and Miyu, both being members of previously failed Angelico groups. The public also enjoyed the softer concept, something that hadn't been seen in K-pop for a long time.

The group's popularity would take off with COPYCAT, their second mini album with a title track under the same name. The group would catch the public eye due to them all dying their hair bleached blond and wearing matching outfits for the entirety of their promotional period. They would snag their first win with this song and gain a sizable fanbase thanks to the unique sound and concept.

HYPEboy would act as the group's first single and only heighten their popularity, introducing the group to international audiences as the song would chart on the Billboard Hot 100. Despite the success in the West, REJECTS would adamantly refuse to tour or promote overseas, which was strange to fans as two of the five members, Reid and Aiden, were from America. Despite this, HYPEboy would become their most awarded track with over 7 music show wins and multiple SOTY nominations.

Their last project as a five-piece would be their third mini album, Water Slides, with the title track FLIP THAT. Flip That performed well but could not live up to the success of HYPEboy. Not like it mattered much anyway, as three weeks into their promotions, their former leader Sunhee would be found dead, only being able to be identified by dental records.

The groups, releasing very few statements about the loss, would go on a year-long hiatus where they would regroup and rebrand.

REJECTS reappeared in 2021 with eight members: Reid, Jieun, Aiden, Miyu, Hanbin, Love, Jisu, and Bea. The soft concept was seemingly dropped for a more mature and darker concept while still keeping a light and easy sound to their music. They reentered the scene with their first full album, "The Diary of a Lost Cause," with the title track Loving Me. Loving Me would prove to be a success, with the music video causing a stir as the members were very touchy during it, which would become a theme throughout their music videos.

After Loving Me came Ditto, which was a repackable of The Diary of a Lost Cause. Ditto would absolutely destroy any chart it managed to find itself on. Korea, America, Europe, Japan, Thailand––This song was everywhere, and everyone was obsessed with it and the music video for it. Ditto would break their previous record of 7 music show wins and gain 17 music show wins for the group and win them Song Of The Year at MAMA, making them the first co-ed group to win in a major category.

Either way, a mini album with a title track of the same name would not live up to the success of Ditto but would mark the first time Rejects would travel overseas to promote their music, mainly promoting in Europe, Japan, and Southeast Asia with only a few stops in America which rang weird to fans as a majority of the group was American. Still, their success was undeniable.

Sensitive, a controversial track amongst fans, came with a sudden member change. In the midst of promotions, Jisu would just vanish from the lineup and be replaced with Ash, a former Cicada member. There was never an official statement from Jisu or Angelico on the matter. They just continued on as if nothing happened. This left a weird taste in fans' mouths, but their worries were washed away when their creative director, Son Jinhwa, explained that this move is a part of the group's evergrowing lore. Jisu would make a public appearance again to assure fans that this was the plan all along and that he knew this was coming. Strangely, Jisu would make no other public appearances after this, and his social media would go dark. He hasn't been publicly heard from since 2022.

Marking their first comeback without Jinhwa with their second full album, "The Scratch At The Door," its title track, "Oh My God," would captivate audiences everywhere thanks to its provocative music video and even more provocative lyrics. The song, though immensely popular, would be heavily censored on music shows and sometimes outright banned. This only seemed to draw people towards the group, keeping them on their toes for their next comeback.

#🕰️ ˖ ࣪ εïз ⬦ MUSIC !#idol oc #ficnetfairy #fictional idol group #fictional idol community #kpop fanfic #kpop oc #fake kpop oc #kpop au #idol au #kpop addition #idolverse #oc girl group #bts addition #fake kpop girl group #fake kpop idol #oc kpop group #stray kids addition

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folklorefearlessts · 2 years

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All Taylor's pictures from the vmas 2022 😩❤️

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doyoulikethissong-poll · 6 months

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Green Day - Basket Case 1994

"Basket Case" was the second single from Green Day's third studio album, Dookie (1994). The song spent five weeks at the top of the US Billboard Alternative Songs chart and garnered a Grammy Award nomination in the category for Best Rock Vocal Performance by a Duo or Group. In 2001, the song appeared on their greatest hits album International Superhits!. In 2021, "Basket Case" was ranked number 150 in Rolling Stone's "500 Greatest Songs of All Time". Billie Joe Armstrong said "Basket Case" is about his struggle with anxiety; before he was diagnosed with a panic disorder years afterward, he thought he was going crazy. He commented that at the time, "The only way I could know what the hell was going on was to write a song about it." The video was nominated for nine MTV Video Music Awards in 1995, but did not win in any of the categories. It received a total of 85% yes votes!

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#finished #high votes #high yes #high reblog #low no #green day #90s

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bananaofswifts · 10 months

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Taylor Swift’s third re-recorded album, Speak Now (Taylor’s Version), has earned over 575,000 equivalent album units in the U.S. in its first four days of release (July 7-10), according to initial reports to Luminate — marking the biggest week for any album in 2023. Of that sum, album sales comprise over 400,000 copies – the largest sales week for an album this year, too.

Speak Now (Taylor’s Version) is a re-recorded version of Swift’s 2010 No. 1 Billboard 200 studio album Speak Now. The 22-track re-recorded edition includes new recordings of the original album’s 14 standard tracks, along with bonus cuts and previously unreleased “From the Vault” recordings. Speak Now (Taylor’s Version) follows Swift’s re-recorded Red and Fearless albums, released in 2021. Both debuted at No. 1 on the Billboard 200 chart.

If Speak Now (Taylor’s Version) debuts at No. 1 on the July 22-dated Billboard 200 chart (which reflects the tracking week ending July 13), Swift’s count of No. 1 albums will rise to 12, surpassing Barbra Streisand (with 11 leaders) for the most No. 1 albums among female artists. Swift would also tie Drake for the third-most No. 1s among all acts, with only The Beatles (19) and Jay-Z (14) ahead of them. (The Billboard 200 began publishing on a regular, weekly basis in March 1956.) The top 10 of the July 22-dated Billboard 200 chart is scheduled to be announced on Sunday, July 16.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album.

2023’s previous largest week, by equivalent album units earned, was tallied by Morgan Wallen’s One Thing at a Time, which launched with 501,000 units in the week ending March 9, as reflected on the Billboard 200 chart dated March 18. The year’s largest sales week was held by the debut frame of Stray Kids’ 5-STAR with 235,000 copies sold in the week ending June 8, as reflected on the June 17-dated charts.

Sales: With over 400,000 sold in only four days, Speak Now (Taylor’s Version) already has the largest sales week for any album since Swift’s own last studio album, Midnights, debuted with 1.14 million copies sold last year (week ending Oct. 27, 2022; as reflected on the Nov. 5-dated Billboard charts).

Vinyl sales comprise over half of Speak Now (Taylor’s Version)’s sales – as the three-LP set has sold over 225,000 copies on wax. The latter marks the second-largest sales week for a vinyl album in the modern era (since Luminate began electronically tracking sales in 1991). It is second only to the first week of Midnights’ vinyl LP, with 575,000 sold in its opening frame. Speak Now (Taylor’s Version) is available in three color variants on vinyl – orchid marbled, violet marbled and a Target-exclusive lilac marbled color.

The remainder of Speak Now (Taylor’s Version) sales is comprised of CDs, digital album download purchases and cassette tape sales.

Streaming: The collected 22 songs on Speak Now (Taylor’s Version) generated more than 200 million on-demand official streams in the U.S. July 7-10, according to Luminate. The most-streamed tune on the album, by audio on-demand official streams, is the “from the vault” cut “I Can See You (Taylor’s Version),” with over 13 million on-demand official audio streams in those four tracking days.

#taylor swift #charts #speak now tv

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zaynjmsource · 10 months

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ZAYN has signed a new record deal with Mercury Records, Billboard can confirm. Along with the news, the singer wiped his social media yesterday and has launched a new pre-save link and teaser in preparation for his Mercury Records debut single, which is said by the label to be arriving “very soon this summer.”

Label president Tyler Arnold says of the deal, “As soon as ZAYN and I met, I knew we had to work together. I was blown away by the new music, but just as impressed by his vision, drive and spirit. We’re honored he and his team have joined us at Mercury Records. We’ve got an incredible opportunity to tell the next chapter of his story together.”

Mercury Records was relaunched in April 2022 as a U.S. imprint of Republic Records, helmed by Arnold and Ben Adelson as president and general manager, respectively. Mercury’s roster includes Post Malone, whom Arnold signed to Republic in 2015, and James Bay, signed by Adelson in 2014. Other signees at Mercury’s launch included Stephen Sanchez, Chelsea Cutler, Jeremy Zucker, Lord Huron, Noah Kahan, BoyWithUke, Ka$hdami, Lyn Lapid and Camylio.

Mercury Records also acts as the hub for Republic’s partnerships with Big Loud Records, home to Morgan Wallen, and Imperial Music, the independent distributor that released Bo Burnham‘s Inside (The Songs).

As a solo artist, ZAYN has released three records: Mind of Mine (2016), Icarus Falls (2018), and Nobody is Listening (2021). They peaked at No. 1, No. 61 and No. 44 on the Billboard 200 chart, respectively. He has also placed six songs in the top 50 on the Pop Airplay chart, including two in the top 10. “PILLOWTALK” peaked at No. 1, and “I Don’t Wanna Live Forever” reached No. 2 on the chart. The two songs also reached those same chart positions on Billboard’s Hot 100 chart as well.

#zayn malik #billboard #mercury records #27.06.2023

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mr-styles · 1 year

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Harry Styles' Sonic Evolution: How He Grew From Teen Pop Idol To Ever-Evolving Superstar

Harry's House' not only gives Harry Styles his most GRAMMY recognition yet — it serves as a testament to how much he's expanded his sound over his already storied career.

GABRIEL AIKINS | GRAMMYS/JAN 25, 2023 - 12:02 PM

Watching 16 year-old Harry Styles walk onto the stage for his "The X Factor" audition in 2010, it's remarkable how little some things have changed in the following 13 years. Though his rendition of Stevie Wonder's "Isn't She Lovely" was rather unpolished — even receiving a "no" from judge Louis Walsh — his magnetic charisma and natural talent were more than evident. And at just 16, Styles clearly knew he was on the right path.

"Singing is what I want to do," Styles said in an interview before his audition. "And if the people who can make that happen for me don't think that I should be doing that, then it's a major setback in my plans."

Of course, so much else has changed in the ensuing decade. Styles was tabbed alongside other contestants Liam Payne, Louis Tomlinson, Niall Horan and Zayn Malik to form the group One Direction. As the band stormed the charts and captured the love of fans globally, Styles grew into his abilities — and now, he's achieved a rarified level of fame.

Even after being part of one of the most successful boy bands of all time, Styles has reached new heights of superstardom in his own right. In addition to selling millions of albums and selling out arenas around the world, he's starred in four feature films and became the first male cover star of Vogue magazine. The depth of Styles' charisma and drive he's shown from that first audition have made him an all-encompassing star like few before him.

While Styles was a solo star as soon as he emerged in 2017 — selling out his first-ever solo tour and debuting his self-titled first album atop the Billboard 200 — he has dominated the 2020s. His second album, 2019's Fine Line, spawned his first No. 1 hit in the U.S. in 2020 with "Watermelon Sugar," which also earned him his first GRAMMY in 2021 for Best Pop Solo Performance. But 2022 was the year he took his stardom to the next level — and it all began with an invitation to Harry's House.

The lead single of Styles' third album, "As It Was," became undeniable, debuting atop the Billboard Hot 100 and spending 15 weeks there — the most in history for a British act. And when Harry's House arrived less than two months after "As It Was," it was clear that 2022 was the year of Harry.

The album, featuring smooth electronic beats and funky bass riffs, went platinum in the UK and US, put four songs into the Billboard Top 10 at the same time, and earned Styles the most GRAMMY nominations of his career. His six nominations for the 2023 GRAMMYs include his first in the coveted Album Of The Year, Song Of The Year and Record Of The Year categories; Harry's House also earned a nod for Best Pop Vocal Album and "As It Was" is up for Best Pop Solo Performance and Best Music Video.

If you ask Tyler Johnson — who has co-written and co-produced the majority of Styles' three solo albums — the GRAMMY nominations may just be Styles' biggest validation yet. "It's really the music community recognizing him as Harry Styles — [his time in the band] is just another part of his resume, it no longer defines him. And that's really exciting."

In reality, Styles hardly ever let his past define him. Even Johnson sensed Styles' star power upon meeting the singer in 2015. "When I first met him, I knew a lot about him from the band, but it was obvious he was a star," he recalls. "Especially how he performed in the vocal booth, it was very brave. I was like, 'Wow, this person has no barriers.'"

With no barriers comes a willingness to always try something new — which is why the Harry Styles of Harry's House sounds much different than Harry Styles of One Direction. The change was heard immediately back in 2017 on his first solo single "Sign of the Times," released ahead of his self-titled debut LP later that year. It's a rock track to its core, starting with hearty piano chords and building to a crescendo of wailing electric guitar and crashing drums. This initial offering was a sign of what was to come, as Harry Styles is built on these rock sounds from beginning to end.

Even if reviews weren't outright surprised by this sound, they noted the seemingly brand new, well, direction. "Few people probably predicted the 23-year-old ex-One Direction superstar to drop the kind of album that makes your uncle or your mom perk up," read Variety's review. Pitchfork mused, "If you only know one thing about Harry Styles, it's probably that the album bucks the established trends governing bids for young male solo pop stardom." Styles becoming a rock star was something new, but looking back at the totality of his work, it's not quite as surprising as it might be at first glance.

When assessing the music of One Direction, the singles will of course stand out. Tracks like "What Makes You Beautiful," "Live While We're Young," and "Best Song Ever" are big and boisterous, with infectiously fun hooks. And while each of the group's five albums had rock influences — queue the Clash-like electric guitar opening of "Live While We're Young" — they're all pop projects at their core. And the writers and producers behind them were pop masterminds, too, including Rami Yacoub, Steve Mac, Ed Sheeran, and Ryan Tedder.

By nature of an essentially constant touring schedule and working with so many other people — especially the four other members of the group — there was simply less opportunity to write. Across the 86 songs in the band's discography, Styles has writing credits on only 21 of them, whereas he serves as lead writer on every track on each of his three solo albums.

"I think it was tough to really delve in and find out who you are as a writer when you're just kind of dipping your toe each time," Styles told Rolling Stonein 2017, recalling some of the struggles of being in a band. "We didn't get the six months to see what kind of s— you can work with."

Listening to the songs Styles did have a hand in writing for One Direction, though, the throughline of his career becomes clearer. Even the earliest tracks he co-wrote include key elements to his later songs.

The chorus of Up All Night's "Same Mistakes" takes his penchant for lyrical repetition, creating a folksy call-and-response feeling and pairing it with powerful guitar chords; he uses a similar pattern on Harry Styles' opening track "Meet Me in the Hallway." Made In The A.M. ballad "If I Could Fly" is strikingly vulnerable lyrically and melodically minimalistic; this combination is seen on Styles' solo ballads, like Fine Line's "Falling" or Harry's House's "Matilda."

Styles' solo success also stems from his versatility. Alongside folksy ballads, he has an ear for rock songs to fill a stadium (and after completely selling out his 2021 and 2022 Love On Tour stretches, stadiums may be where he's headed next). "Where Do Broken Hearts Go?" is one of One Direction's most anthemic tracks, tailor made for karaoke or shouting alongside a crowd. It's no surprise Styles is the sole One Direction member on the writing credits for it, and you can hear that same exuberance on his solo rock anthems, from Fine Line’s ultra cool smash "Watermelon Sugar" to the funk rock-infused "Late Night Talking" on Harry's House.

In a 2017 New York Times interview, Styles explained his rock influence — and really, his musicality as a whole — stems from his own musical tastes. "I really wanted to make an album that I wanted to listen to," he said of Harry Styles. "That was the only way I knew I wouldn't look back on it and regret it. It was more, 'What do I want to sit and listen to?' rather than, 'How do I shake up compared to what's on radio right now?'"

Judging by the elevated sounds on Harry's House, Styles' musical interests have grown as he has evolved as an artist. While there are hints of his previous writing and growth on the album, Styles incorporated so many new elements, and that's what makes Harry's House so interesting and so refreshing.

Funk pervades the record, with synths and stylized loops fleshing out tracks like "Music For A Sushi Restaurant" and "Keep Driving." There's a constant sense of playfulness throughout all 13 tracks — something that was apparent to Styles' collaborators long before the world got to hear it.

"Harry just said that he's never been more proud of anything, and Tom [Hull, better known as producer Kid Harpoon] and I are just there for the ride," Johnson says. "We didn't feel too caught up in the kind of reality of who he is and having to put out an album very specific to the commerce side of it. It was a lot of having fun and just kind of burying our heads in the sand and enjoying doing it. That was very different from Fine Line."

Styles can seemingly feel his evolution himself, too. In a wide-ranging interview with Zane Lowe upon the album's release in May 2022, Styles revealed that he tried not to take direct sonic influences on this record like he had in the past. "I kinda felt like you can reference things by the emotions that they evoke," he said.

The same interview points out how much more comfortable Styles has become with being flexible and fluid, both in his own writing and his collaborators. And now that he's found his right-hand men in Johnson and Hull, he finds it easier to bring his ideas to life. This has allowed Styles to continue to expand his writing, and that resulted in an album that launched his superstardom to even greater heights — and showcased Harry Styles simply having fun.

Now 28 (almost 29!), Styles has been a beloved star for nearly half of his life. In that time, fans have watched his musical abilities mature, morph and expand; he has shown a willingness to always have an eye on what comes next — and that forward thinking paid off in a big way in 2022. However he evolves next, it seems Styles will never lose the drive and endearing charm the world first saw on the "X Factor" stage over a decade ago.

"He's a very similar person. He's a very consistent, loyal, kind person, very focused. That is all the same," Johnson insists. "He's just doing what people do when they do it more and more — he's focusing in on who he is more, he's gaining confidence, and he's becoming more and more himself — which is a very potent thing."

via Grammy.com

#harry styles #Grammys 2023

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gone2soon-rip · 11 months

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TINA TURNER (1939-Died May 24th 2023,at 83).American-born and naturalized Swiss singer, dancer, actress and author. Widely referred to as the "Queen of Rock 'n' Roll", she rose to prominence as the lead singer of the Ike & Tina Turner Revue before launching a successful career as a solo performer.Turner began her career with Ike Turner's Kings of Rhythm in 1957. Under the name Little Ann, she appeared on her first record, "Boxtop", in 1958. In 1960, she debuted as Tina Turner with the hit duet single "A Fool in Love". The duo Ike & Tina Turner became "one of the most formidable live acts in history".They released hits such as "It's Gonna Work Out Fine", "River Deep – Mountain High", "Proud Mary", and "Nutbush City Limits" before disbanding in 1976.In the 1980s, Turner launched "one of the greatest comebacks in music history".Her 1984 multi-platinum album Private Dancer contained the hit song "What's Love Got to Do with It", which won the Grammy Award for Record of the Year and became her first and only number one song on the Billboard Hot 100. At age 44, she was the oldest female solo artist to top the Hot 100.Her chart success continued with "Better Be Good to Me", "Private Dancer", "We Don't Need Another Hero (Thunderdome)", "Typical Male", "The Best", "I Don't Wanna Fight", and "GoldenEye". During her Break Every Rule World Tour in 1988, she set a then-Guinness World Record for the largest paying audience (180,000) for a solo performer.Turner also acted in the films Tommy (1975), Mad Max Beyond Thunderdome (1985), and Last Action Hero (1993). In 1993, What's Love Got to Do with It, a biographical film adapted from her autobiography I, Tina: My Life Story, was released. In 2009, Turner retired after completing her Tina!: 50th Anniversary Tour, which is the 15th highest-grossing tour of the 2000s. In 2018, she became the subject of the jukebox musical Tina.Having sold over 100 million records worldwide, Turner is one of the best-selling recording artists of all time. She has received 12 Grammy Awards, which include eight competitive awards, three Grammy Hall of Fame awards, and a Grammy Lifetime Achievement Award. She is the first black artist and first woman to be on the cover of Rolling Stone. Rolling Stone ranked her among the 100 Greatest Artists of All Time and the 100 Greatest Singers of All Time.Turner has a star on the Hollywood Walk of Fame and the St. Louis Walk of Fame. She has twice been inducted into the Rock and Roll Hall of Fame, with Ike Turner in 1991 and as a solo artist in 2021.She is also a 2005 recipient of the Kennedy Center Honors and Women of the Year award.https://en.wikipedia.org/wiki/Tina_Turner

#Tina Turner #American Musicians #Musicians #Music Legends #Notable Deaths in 2023 #Notable Deaths in May 2023 #What's Love Got To Do With It #We Don't Need Another Hero #Ike & Tina Turner

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