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#bedevil 1993
stretchbrock · 10 months
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Bedevil, stylised as beDevil, is a 1993 Australian horror film directed by Tracey Moffatt, the first feature directed by an Aboriginal Australian woman.
The film is a trilogy of surreal ghost stories. Inspired by ghost stories she heard as a child from both her extended Aboriginal and Irish Australian families, Moffatt created a trilogy in which characters are haunted by the past. All three stories are set in Moffatt's highly stylised, hyper-real, hyper-imaginary Australian landscape.
BEDEVIL (1993) dir. TRACEY MOFFATT
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SUMMARY: Three Australian stories of the supernatural are recounted in this anthology.
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crumb · 8 months
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beDevil (1993) dir. Tracey Moffatt
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vintagerpg · 6 months
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Dragon 197 (September, 1993). “The Bedeviled Met his Fate,” by Brom. I can’t read this as anything other than an Elric portrait. The yellow and purple color combo is something only a Melibonean could pull off (and also Marvel’s Tigershark).
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acmeoop · 7 months
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Like A Warner Out Of Hades “Hot, Bothered and Bedeviled” (1993)
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devilledgreggs · 7 months
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Christina’s world (Andrew Wyeth, 1948) // BeDevil (Tracey Moffatt, 1993)
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fictionz · 6 months
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New Horror 2023 - Day 31
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"Why are you in such a hurry to be old?"
"Bloodchild" by Octavia Butler (1984)
Doesn't take much to just roll with it, does it?
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"So, who d'you want done?"
"Fair Ground" by Jo Duffy, Mike Manley, Jackson Guice, James Fry, Kevin Cunningham (1992)
Something always catches up.
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"We could've helped that child."
Bedevil dir. Tracey Moffatt (1993)
We need more surreal expressionism in set design. That alone lends a movie those spooky vibes.
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"This one's gonna make you have to change your chonies."
Regular Show - "Terror Tales of the Park" I-VI (2011-2016)
I've never watched a regular episode of Regular Show, but I get the sense that the Halloween specials aren't all that out of the ordinary.
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"Oh, you know kids. Still missin'."
The Simpsons - "Treehouse of Horror Presents: Not It" (2022)
Hm, sticking too close to the source material is a longtime problem with their parodies, and this one certainly suffers for it.
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"C’mon, how powerful could a god from a dump like this be?"
Silent Hill 3 dev. Konami (2003)
The first half kind of drags before it finally gets to the titular setting, then it's surreal melty wall terror. That makes up for the slow start and cements it as another great entry. I'll be back for the next one in 2024.
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"So, just be aware, the characters do tend to wander a bit."
Five Nights at Freddy's dev. Scott Cawthon (2014)
I always avoided this one because the jumpscare gameplay wasn't for me, but I figured I had to at least see the first one through to the end. I don't know that I can recommend it what with Cawthon's problematic nonsense, but it's an interesting product from an indie dev of the time.
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kornwarner · 1 year
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My Most Favorite Animaniacs Episodes (also including songs) by Animation Studio
Original series (1993 - 1998)
TMS: Hello Nice Warners, Yakko’s World, Ups and Downs, Potty Emergency, The Brave Little Trailer, Roll Over Beethoven, Temporary Insanity, Noel, The Great Wakkorotti: The Master and His Music, Drive-Insane, Little Drummer Warners, LA LA Law, The Monkey Song, Hooked on a Ceiling, Pavlov’s Mice, the Wheel of Morality segments, The Senses Song, Piano Rag, Turkey Jerky, The Three Muska-Warners, No Place Like Homeless, The Flame, Clown and Out; the Tower Escapes, Chases, and Returns segments, A Christmas Plotz, Fair Game, Newsreel of the Stars, I’m Cute, Babblin’ Bijou, The Great Wakkorotti: The Summer Concert, Taming of the Screwy, Garage Sale of the Century, H.M.S. Yakko, Cutie and the Beast, the Mime Time segments, Cookies for Einstein, The Warners’ 65th Anniversary Special; Hot, Bothered, and Bedeviled
Startoons: Wakko’s America, Chairman of the Bored, Ragamuffins, Bully for Skippy, Dot - the Macadamia Nut, Wally Llama, Meet Minerva, Magic Time, Cartoons in Wakko’s Body, Slappy Goes Walnuts, There’s Only One of You, It, Plane Pals, …And Justice for Slappy, Critical Condition, Guardin’ the Garden, Windsor Hassle, Be Careful What You Eat, What Are We?, The Big Candy Store, Testimonials, the Randy Beaman segments, Meet John Brain, Meatballs or Consequences, Bumbie’s Mom, Karaoke-Dokie
Wang: Space-Probed, Go Fish, Soda Jerk, The Return of the Great Wakkorotti, Win Big, A Hard Day’s Warners, Battle for the Planet, Three Tenors and You’re Out, Mobster Mash, Dot’s Quiet Time, Hiccup, Gold Rush, The Sound of Warners, Yes, Always; With Three You Get Eggroll, Lookit the Fuzzy Heads, Super Strong Warners, The Party, Message in a Bottle, Take My Siblings Please, King Yakko, From Burbank With Love, the Good Idea, Bad Idea segments; Night of the Living Buttons, Fake, I’m Mad, Bones in the Body; No Pain, No Painting
Freelance: Chalkboard Bungle, Nighty-Night Toon, Moby or Not Moby, Survey Ladies, Of Nice and Men, Les Boutons et le Ballon, When Rita Met Runt, The Cat and the Fiddle, Katie Ka-Boom: The Blemish, General Boo-Regard, The Mindy 500, Animator’s Alley, Katie Ka-Boom: The Broken Date, Up a Tree, the Dot’s Poetry Corner segments
AKOM: Hurray for Slappy, Bingo, Raging Bird, Astro-Buttons, Multiplication, Noah’s Lark, This Pun For Hire, Dough Dough Boys, I Got Yer Can, Hello Nurse, Goodfeathers: The Beginning, Opportunity Knox, Boot Camping, White Gloves, The Girl with the Googily Goop, Mesozoic Mindy, Star Truck, Moon Over Minerva, Anchors A-Warners, Bad Mood Bobby, Back in Style, Dot’s Entertainment, No Time for Love, Jokahontas, Ten Short Films About Wakko Warner, You Risk Your Life, A Very Very Very Very Special Show, We’re No Pigeons, Kiki’s Kitten, Four Score and Seven Migraines Ago
Koko: Boo Wonder, The Carpool, Birds on a Wire, Cute First (Ask Questions Later), Here Comes Attila, The Sunshine Squirrels
Revival series (2020 - present)
Titmouse: WhoDonut, Math-Terpiece Theater: Apples, The Cutening, Hindenburg Cola, Manny Manspreader, Rome Sweet Rome, No Brainer, Bun Control, Mousechurian Candidate, Warner She Wrote, Teeniacs, Please Submit, Yakko’s Big Idea, Wakkiver Twist Parts One and Two, Talladega Mice: The Ballad of Pinky Brainy, Rug of War, How To: Brain Takes Over the World, Rejected Animaniacs Characters, Warner’s Ark, Equal Time, The Warners Are Present
Snipple: Gold Meddlers, Gift Rapper, Jurassic Lark, Fear and Laughter in Burbank, Good Warner Hunting, Suspended Animation: Part 1 and 2, Of Mice and Memes, Warners Unbound, Ex Mousina, Ralph Cam, Close Encounters of the Worst Kind
Digital eMation: Yakko Amakko, All About the Benjamin, Slappy’s Return, The Warner’s Vault, Mouse Madness, The Pinktator, My Super Sour 16, The Flawed Couple
Saerom: The Apology, WARnerGAMES: Parts 1 and 2, Christopher Columbusted, Wakko’s Short Shorts: Now Loading, Know Your Scroll, Santamaniacs, The Longest Word, The Hamburg Tickler
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infirmux · 2 months
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complete list of australian movies
bedevil 1993
mad max 1980
thirst 1979
bloodlust 1992 ← new
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thewarnerbrothers · 3 years
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akajustmerry · 4 years
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just wanted to let you know that I got a VPN and managed to watch Dark Place! It was INCREDIBLE. My favourite segment definitely was "Scout", about the poor woman who gets abducted into sex slavery. It was an incredibly hard watch but very well-made, I cried so hard. If you have any other recommandation for content made my Aboriginal people (especially horror, it's my very favourite genre), I'd be delighted! x
i’m so glad you appreciated it!! being abducted it was one of my biggest fears so that section did a number on me too, but it's so well-acted and made social horror!! i especially love the atmospherics in The Shore!
there isn’t a lot of horror made by Aboriginal people (hopefully more will come with Dark Place’s critical success), but Bedevil (1993) is a horror film, and the first-ever feature directed by an Aboriginal woman! It’s tricky to find, but u can stream it on vimeo, or just google “Bedevil 1993 stream” there’s a couple of *free* streams if u catch my drift...Since you have access to iview you can also watch, Nightwalkers, a comedy-horror web series sorta in the vein of What We Do In The Shadows, which is an Indigenous production.
Other than that! Some of my fave content made by my people are:
Sweet Country (2018). SBS on Demand. Free, Use a VPN. Anti-colonial western follows an Aboriginal man on the run after killing a white man
Cleverman (series). American Netflix (or just google a stream). Scifi/Dystopia/Speculative fiction about a future where an ancient race that pre-dates Aboriginal people become refugees.
Black Comedy (series). View on ABC IView with a VPN. Comedy sketch show made by young Indigenous people about being Aboriginal
Mystery Road (neon-noir crime drama). View on ABC Iview with a VPN, co-written, co-directed by and starring Aboriginal men and women.
Top End Wedding (2019). Netflix. Rom-com about an Aboriginal woman bringing her white fiance home to the Northern Territory to get married only to find her mum is missing. Netflix also has The Sapphires, a true story about an Aboriginal girl group who toured Vietnam performing for the troops, during the war.
NITV also has lots of free Indigenous programs, films, short films, shows, etc that you can access with a VPN here: https://www.sbs.com.au/ondemand/channels/nitv
DO NOT WATCH Cargo, or The Nightingale, or Australia (2008). These films are deeply problematic, to say the least and had little to no significant insight or consult from Aboriginal peoples in their production. Lots of Australian content features Aboriginal people but is made without consult. Be careful and do research.
enjoy! We are the oldest living culture and thus, the oldest storytellers! and “Australia” always was always will be Aboriginal land. x
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Stats from Movies 901-1000
Top 10 Movies - Highest Number of Votes
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Scooby-Doo On Zombie Island (1998) had the most votes with 906 votes. The Privilege (2022) had the least votes with 312 votes.
The 10 Most Watched Films by Percentage
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Scooby-Doo On Zombie Island (1998) was the most watched film with 67.3% of voters out of 906 saying they had seen it. The Key (2023) with 0.2% of voters out of 457, and Martin's Close (2019) with 0.2% of voters out of 415, had the least "Yes" votes.
The 10 Least Watched Films by Percentage
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The Masque of the Red Death (1964) was the least watched film with 50.3% of voters out of 485 saying they hadn’t seen it. The Tractate Middoth (2013) had the least "No" votes with 5.3% of voters out of 433.
The 10 Most Known Films by Percentage
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Frankenweenie (2012) was the best known film, 2.4% of voters out of 622 saying they’d never heard of it.
The 10 Least Known Films by Percentage
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Madayen (2016) was the least known film, 93.8% of voters out of 388 saying they’d never heard of it.
The movies part of the statistic count and their polls below the cut.
The Devil Rides Out (1968) In the Dark Half (2012) The Isle (2018) Lord of Tears (2013) The Hole in the Ground (2019) The Hallow (2015) Hollow (2011) The Pit and the Pendulum (1961) The Masque of the Red Death (1964) The Haunted Palace (1963) The Den (2013) The Wolf House (2018) When Black Birds Fly (2015) I Saw the Devil (2010) Speak No Evil (2022) Fall (2022) Paradise Hills (2019) Spoonful of Sugar (2022) Coherence (2013) I See You (2019)
Eden Lake (2008) Magic (1978) Twice-Told Tales (1963) Vile (2011) Velvet Buzzsaw (2019) The Privilege (2022) The Loved Ones (2009) Fender Bender (2016) Cherry Falls (1999) Scooby-Doo On Zombie Island (1998)
Bedevil (1993) The Rezort (2015) Aquaslash (2019) X-Cross (2007) Impetigore (2019) Gonjiam: Haunted Asylum (2018) The Killing of a Sacred Deer (2017) Jeruzalem (2015) The Key (2023) A House in Jerusalem (2023)
Frankenweenie (2012) The Milpitas Monster (1976) Blood Diner (1987) The Sickhouse (2008) Opera (1987) Vampires (1998) Vampires: Los Muertos (2002) Antichrist (2009) Cure (1997) It's Alive (1974)
It's Alive (2009) Donnie Darko (2001) The Second Coming (2014) Delicatessen (1991) Vamp (1986) 13 Beloved (2006) 13 Sins (2014) Jesus Christ Vampire Hunter (2001) Frontier(s) (2007) The Third Saturday in October Part V (2022)
The Third Saturday in October (2022) Tomie (1998) Coven of Sisters (2020) Alucarda (1977) Blood Monkey (2007) The Skin I Live In (2011) Maniac Cop (1988) Phoenix Forgotten (2017) Area 51 (2015) Livid (2011)
976-EVIL (1988) Header (2006) Dachra (2018) Djinn (2013) Leviathan (1989) Halloween III: Season of the Witch (1982) Madayen (2016) Tales from the Crypt: Demon Knight (1995) The Night (2020) Achoura (2018)
It Lives Again (1978) Beau Is Afraid (2023) It's Alive III: Island of the Alive (1987) Dark Dungeons (2014) Teen Lust (2014) Bubba Ho-Tep (2002) The Wraith (1986) The Mutilator (1984) Vampire Hunter D: Bloodlust (2000) Mermaid in a Manhole (1988)
Slashers (2001) Martin's Close (2019) The Tractate Middoth (2013) Julia's Eyes (2010) 30 Days of Night (2007) Otesánek (2000) A Dark Song (2016) The Blackcoat's Daughter (2015) Mr. Jones (2013) I Am the Pretty Thing That Lives in the House (2016)
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miguelmarias · 3 years
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TOP 2020
25/12/2020
 A)    Great movies made since 2015 seen for the first time in 2020: 
Buoyancy(Freedom;Rodd Rathjen, 2019)
Les choses qu’on dit, les choses qu’on fait(Emmanuel Mouret, 2020)
L’Île au trésor(Guillaume Brac, 2018)
Le Sel des larmes(Philippe Garrel, 2019/20)
Ghawre Bairey Aaj(Home and the World;Aparna Sen, 2019)
Undine(Christian Petzold, 2020)
Happī awā(Happy Hour;Hamaguchi Ryūsuke, 2015)
Netemo Sametemo(Asako I & II;Hamaguchi Ryūsuke, 2018)
Adolescentes(Sébastien Lifshitz, 2013-9/20)
Family Romance, LLC.(Werner Herzog, 2019)
Demain et tous les autres jours(Noémie Lvovsky, 2017)
Gamak Ghar(Achal Mishra, 2019)
Lunana:A Yak in the Classroom(Pawo Choyning Dorji, 2019)
Semina il vento(Sow the Wind;Danilo Caputo, 2020)
Objector(Molly Stuart, 2019)
La France contre les robots(Jean-Marie Straub, 2020)
Paris Calligrammes(Ulrike Ottinger, 2019/20)
Un film dramatique(Éric Baudelaire, 2019)
 B)    Great movies made before 2015 seen for the first time in 2020: 
Là-Haut, un Roi au-dessus des nuages(Pierre Schoendoerffer, 2003)
Pangarap ng Puso(Demons/Whispers of the Demon/Hope of the Heart;Mario O’Hara, 2000)
Les Films rêvés(Eric Pauwels, 2009)
La vida en rojo(Andrés Linares, 2007/8)
Come Next Spring(R.G. Springsteen, 1955/6)
Song of Surrender(Mitchell Leisen, 1948/9)
Adventure in Manhattan(Edward Ludwig, 1936)
Strannaia zhenshchina(A Strange Woman;Iuli Raízman, 1978)
Chastnaia zhízn(Private Life;Iuli Raízman, 1982)
Málva(Vladimir Braun, 1956/7)
Zhila-byla devochka(Once There Was a Girl;Viktor Eisimont, 1944)
The Unknown Man(Richard Thorpe, 1951)
Aisai Monogatari(Story of a Beloved Wife;Shindō Kaneto, 1951)
Practically Yours(Mitchell Leisen, 1944)
A Summer Storm(Robert Wise, 1999/2000)
Lettre d’un cinéaste à sa fille(Eric Pauwels, 2000)
Sombra verde(Untouched;Roberto Gavaldón, 1954)
Fantasma d’amore(Dino Risi, 1981)
Adieu, Mascotte(Das Modell vom Montparnasse;Wilhelm Thiele, 1929)
Mori no kajiya(The Blacksmith of the Forest;Shimizu Hiroshi, 1928/9;fragment)
Zwischen Gestern und Morgen(Between Yesterday and Tomorrow;Harald Braun, 1947)
Last Holiday(Henry Cass, 1950)
Dialogue d’ombres(Danièle Huillet & Jean-Marie Straub, 1954-2013)
Out-Takes from the Life of a Happy Man(Jonas Mekas, 2012)
Nice Time(Claude Goretta & Alain Tanner, 1957)
Aloma of the South Seas(Alfred Santell, 1941)
A Feather in Her Hat(Alfred Santell, 1935)
La Danseuse Orchidée(Léonce Perret, 1928)
Underground(Vincent Sherman, 1941)
Time Out(in Twilight Zone-The Movie)(John Landis, 1983)
Lackawanna Blues(George C. Wolfe, 2005)
Janie(Michael Curtiz, 1944)
Dernier Amour(Léonce Perret, 2016)
Jeunes Filles en détresse(Georg Wilhelm Pabst, 1939)
Kisapmata(Blink of an Eye;Mike De Leon, 1981)
La Dernière Lettre(Frederick Wiseman, 2002)
The Lady of the Dig-Out(W.S. Van Dyke II, 1918)
Their Own Desire(E.Mason Hopper, 1929)
 C)    Very good movies made since 2015 seen for the first time in 2020: 
Zumiriki(Oskar Alegria, 2019)
Atlantique(Mati Diop, 2019)
J’accuse(An Officier and A Spy;Roman Polanski, 2019)
Richard Jewell(Clint Eastwood, 2019)
Alice et le Maire(Nicolas Pariser, 2019)
Contes de Juillet(July Tales;Guillaume Brac, 2017)
Dark Waters(Todd Haynes, 2019)
Ofrenda a la tormenta(Fernando González Molina, 2020)
Nomad:In the Footsteps of Bruce Chatwin(Werner Herzog, 2019)
Into the Inferno(Werner Herzog, 2016)
The Zookeeper’s Wife(Niki Caro, 2017)
Journal de septembre(Eric Pauwels, 2019)
La Deuxième Nuit(Eric Pauwels, 2016)
Kaze no denwa(Voices in the Wind;Suwa Nobuhiro, 2019/20)
Da 5 Bloods(Spike Lee, 2020)
Izaokas(Isaac;Jurgis Matulevičius, 2019)
A Metamorfose dos Pássaros(Catarina Vasconcelos, 2020)
Tabi no Owari Sekai no Hajimari(To the Ends of the Earth;Kurosawa Kiyoshi, 2019)
La Nuit d’avant(Pablo García Canga, 2019)
My Mexican Bretzel(Nuria Giménez, 2018-9)
Domangchin yeoja(The Woman Who Ran;Hong Sang-soo, 2019/20)
Öndög(Wang Quanan, 2019)
Hatsukoi(First Love;Miike Takashi, 1959)
Million raz pogivaet odin Cheloviek(One man dies a million times;Jessica Oreck, 2018/9)
The Two Popes(Fernando Meirelles, 2019)
Félicité(Alain Gomis, 2016/7)
Salt and Fire(Werner Herzog, 2016)
Ni de lian(Your Face;Tsai Ming-liang, 2018)
Qi qiu(Balloon;Pema Tseden, 2019)
River Silence(Rogério Soares, 2019)
Charlie’s Angels(Elizabeth Banks, 2019)
La boda de Rosa(Iciar Bollain, 2020)
Guerra(War;José Oliveira & Marta Ramos, 2020)
My Thoughts Are Silent/Moyi dumky tykhi(Antonio Lukich, 2019)
Namo(The Alien;Nader Saeivar;co-script-Jafar Panahi, 2020)
Los silencios(The Silences;Beatriz Seigner, 2018)
Terminal Sud(Rabah Ameur-Zaïmeche, 2019)
Tu mérites un amour(You Deserve a Lover;Hafsia Herzi, 2019)
Les Misérables(Ladj Ly, 2019)
Padre no hay más que uno(Santiago Segura, 2019)
Honeyland(Tamara Kotovska & Ljubomir Stefanov, 2019)
Izbrisana(Erased;Miha Mazzini & Dusan Joksimovic, 2018)
This Is Not A Burial, It’s A Resurrection(Lemohang Jeremiah Mosese, 2019)
Primero Enero(Darío Mascambroni, 2016)
Lahi, Hayop(Pan, Genus/Genus Pan;Lav Diaz, 2020)
 D)    Very good movies made before 2015 seen for the first time in 2020: 
Topaze(Marcel Pagnol, 1936)
The SIGN OF THE RAM(John Sturges, 1947/8)
Abandoned(Joseph M. Newman, 1949)
Bewitched(Arch Oboler, 1944/5)
La Femme du Bout du Monde((Jean Epstein, 1937)
The Outcast(William Witney, 1954)
Saadia(Albert Lewin, 1953)
Un monde sans femmes(Guillaume Brac, 2011)
Dishonored Lady(Robert Stevenson, 1947)
Always Goodbye(Signey Lanfield, 1938)
A Blueprint for Murder(Andrew L. Stone, 1953)
Bedevilled(Mitchell Leisen, 1955)
That Forsyte Woman(Compton Bennett, 1949)
The Miracle(Irving Rapper, 1959)
The Madonna’s Secret(Wilhelm Thiele, 1946)
The Town That Dreaded Sundown(Charles B. Pierce, 1976)
Grayeagle(Charles B. Pierce, 1977)
Barricade(Peter Godfrey, 1949/50)
Tomorrow is Forever(Irving Pichel, 1945/6)
David Harum(James Cruze, 1934)
The Vanquished(Edward Ludwig, 1953)
Keisatsukan(Uchida Tomu, 1933)
...Enfants des courants d’air(Édouard Luntz, 1959, short)
The Winds of Autumn(Charles B. Pierce, 1976)
Suddenly It’s Spring(Mitchell Leisen, 1946)
Uchūjin Tōkyō ni arawaru(Warning from Space;Shima Kōji, 1956)
Swiss Family Robinson(Edward Ludwig, 1940)
Ludwig der Zweite, König von Bayern(Wilhelm Dieterle, 1930)
Faithless(Harry Beaumont, 1932)
Botan-dorō(Peony Lanterns;Yamamoto Satsuo, 1968)
Ginza 24 chou(Tales of Ginza;Kawashima Yūzō, 1955)
Goodbye Again(Michael Curtiz, 1933)
Lines of White on a Sullen Sea(D.W. Griffith, 1909)
You Gotta Stay Happy(H.C. Potter, 1948)
Cave of Forgotten Dreams(Werner Herzog, 2010)
Riff-Raff(Ted Tetzlaff, 1947)
The Moon is Down(Irving Pichel, 1943)
The Bride Wore Boots(Irving Pichel, 1946)
Adventures in Silverado(Phil Karlson, 1948)
The Stolen Ranch(William Wyler, 1926)
Congo Maisie(H.C. Potter, 1940)
Marcides(Mercedes;Yousry Nasrallah, 1993)
Hell’s Five Hours(Jack L. Copeland, 1958)
Daniel(in Stimulantia;Ingmar Bergman, 1967)
Diên Biên Phú(Pierre Schoendoerffer, 1992)
Canyon River(Cattle King;Harmon Jones, 1956)
Dos Basuras(Kurt Land, 1958)
Smart Girls Don’t Talk(Richard L. Bare, 1948)
The Big Shakedown(John Francis Dillon, 1933/4)
Corvette K-225(Richard Rosson;p.,collab.Howard Hawks, 1943)
The Gay Deception(William Wyler, 1935)
The Invisible Woman(A.Edward Sutherland, 1940)
Rage in Heaven(W.S. Van Dyke II;collab.Robert B. Sinclair,Richard Thorpe, 1941)
Wild Side(Sébastien Lifshitz, 2004)
I bambini e noi(Luigi Comencini, 1970//7)
The House Across The Street(Richard L. Bare, 1948/9)
The Doughgirls(James V. Kern, 1944)
The Love Trap(William Wyler, 1929)
Torch Song(Charles Walters, 1953)
The Meanest Man in the World(Sidney Lanfield, 1942/3)
Cole Younger, Gunfighter(R.G. Springsteen, 1958)
Ballerine(Gustav Machatý, 1936)
Via Mala(Josef von Báky, 1945//8)
Sky Giant(Lew Landers, 1938)
Les Invisibles(Sébastien Lifshitz, 2012)
Promène toi donc tout nu(Emmanuel Mouret, 1998)
A Story for the Modlins(Una historia para los Modlin;Sergio Oksman, 2012)
Something in the Wind(Irving Pichel, 1947)
Spoveď(Confession;Pavol Skýkova, 1968)
Guilty Hands(W.S. Van Dyke II;collab.Lionel Barrymore, 1931)
Atto di accusa(Giacomo Gentilomo, 1950)
Suspense(Frank Tuttle, 1956)
This Is The Night(Frank Tuttle, 1932)
Escape in the Fog(Oscar ‘Budd’ Boetticher,Jr., 1945)
The Price of Fear(Abner Biberman, 1956)
Happy People:A Year in the Taiga(Werner Herzog, 2010)
Urok(The Lesson;Kristina Grozeva & Petar Valchanov, 2014)
Le Naufragé(Guillaume Brac, 2009)
Lili Marlen(Peter Mihálik;script.Dušan Hanák, 1970;short)
Deseo(Antonio Zavala Kugler, 2013)
  E)     Great movies that improved by new watchings: 
Shanghai Express(Josef von Sternberg, 1932)
The Best Years of Our Lives(William Wyler, 1946)
Till We Meet Again(Frank Borzage, 1944)
Man’s Favorite Sport?(Howard Hawks, 1963/4)
Along The Great Divide(Raoul Walsh, 1951)
Hondo(John V. Farrow, 1953)
Where The Sidewalk Ends(Otto Preminger, 1950)
Mrs. Miniver(William Wyler, 1942)
Driftwood(Allan Dwan, 1947)
‘Good-bye, My Lady’(William A. Wellman, 1956)
Touch of Evil(Preview version, 1975;not later ‘improvements’)(Orson Welles, 1958)
Le Crabe-Tambour(Pierre Schoendoerffer, 1977)
Unfinished Business(Gregory LaCava, 1941)
Madigan(Don Siegel, 1968)
Big Business(James Wesley Horne;s.Leo McCarey, 1929)
Putting Pants on Philip(Clyde A. Bruckman;s.Leo McCarey, 1927)
The Runner Stumbles(Stanley Kramer, 1979)
Yushima no Shiraume(Romance at Yushima;Kinugasa Teinosukē, 1955)
David Harum(Allan Dwan, 1915)
The Virginian(Cecil B. DeMille, 1914)
Island in the Sky(William A. Wellman, 1953)
All About Eve(Joseph L. Mankiewicz, 1950)
L’Eclisse(Michelangelo Antonioni, 1962)
The Roaring Twenties(Raoul Walsh, 1939)
The Plainsman(Cecil B. DeMille, 1936)
JLG/JLG-Autoportrait de décembre(Jean-Luc Godard, 1994)
‘Je vous salue, Marie’(Hail Mary;Jean-Luc Godard, 1984)
La Roue(Abel Gance, 1923)
They All Laughed(Peter Bogdanovich, 1981)
Innocent Blood(John Landis, 1992)
An American Werewolf in London(John Landis, 1981)
The Thing Called Love(Peter Bogdanovich, 1993)
Into the Night(John Landis, 1985)
The File On Thelma Jordon(Thelma Jordon;Robert Siodmak, 1949)
The Little American(Cecil B. DeMille, 1917)
In Our Time(Vincent Sherman, 1944)
The Hunters(Dick Powell, 1958)
Phase IV(Saul Bass, 1974)
L’Honneur d’un Capitaine(Pierre Schoendoerffer, 1982)
Backfire(Vincent Sherman, 1948//50)
Five(Arch Oboler, 1951)
Somewhere in the Night(Joseph L. Mankiewiz, 1946)
A Man Alone(Ray Milland, 1955)
Die Geiger von Florez(Paul Czinner, 1926)
Living on Velvet(Frank Borzage, 1934/5)
La Recta provincia(Raúl Ruiz, 2007//15)
La Noche de enfrente(Raúl Ruiz, 2012)
Carrie(Sister Carrie;William Wyler, 1951/2)
The Spiral Staircase(Robert Siodmak, 1945/6)
The Paradine Case(Alfred Hitchcock, 1947)
L’Amore(Una voce umana+Il Miracolo)(Roberto Rossellini, 1947/8)
The Heiress(William Wyler, 1949)
 F)     Very good movies watched again 
Bluebeard’s 10 Honeymoons(W.Lee Wilder, 1960)
The Five Pennies(Melville Shavelson, 1958)
Take a Letter, Darling(Mitchell Leisen, 1942)
Escape(Joseph L. Mankiewicz, 1948)
Appassionatamente(Giacomo Gentilomo, 1954)
Así como habían sido(Trío)(Andrés Linares, 1986/7)
San Antone(Joseph Kane, 1953)
The High and the Mighty(William A. Wellman, 1954)
Taki no Shiraito(The Water Magician;Mizoguchi Kenji, 1933)
The Web(Michael Gordon, 1947)
The Buccaneer(Anthony Quinn;s.Cecil B. DeMille, 1958)
The Buccaneer(Cecil B. DeMille, 1938)
Desire Me(uncredited:George Cukor/Jack Conway/Mervyn LeRoy/Victor Saville, 1946)
Flaxy Martin(Richard L. Bare, 1948/9)
Swing High, Swing Low(Mitchell Leien, 1937)
Death Takes A Holiday(Mitchell Leisen, 1934)
Irene(Herbert Wilcox, 1940)
Beloved Enemy(H.C. Potter, 1936)
The Cowboy and the Lady(H.C. Potter, 1938)
Der Golem, wie er in die Welt kam(Paul Wegener, 1920)
Mia madre(Nanni Moretti, 2015)
Hell On Frisco Bay(Frank Tuttle, 1955)
Stormy Weather(Andrew L. Stone, 1943)
The Milky Way(Leo McCarey;w.Harold Lloyd, 1936)
Pietà per chi cade(Mario Costa, 1954)
Repeat Performance(Alfred L. Werker, 1947)
Das indische Grabmal:1.Die Sendung des Yoghi,2.Der Tiger von Eschnapur(Joe May, 1921)
Julie(Andrew L. Stone, 1956)
The Member of the Wedding(Fred Zinnemann, 1953)
Winterset(Alfred Santell, 1936)
The Right to Romance(Alfred Santell, 1933)
As Young as You Feel(Harmon Jones, 1951)
You’ll Never Get Rich(Sidney Lanfield, 1941)
The Woman Accused(Paul Sloane, 1933)
Foma Gordeiev(Mark Donskoí, 1959)
The Parent Trap(David Swift, 1961)
High Wall(Curtis Bernhardt, 1947)
Mr. Lucky(H.C. Potter, 1943)
Un Marido de Ida y Vuelta(Luis Lucia, 1957)
The Safecracker(Ray Milland, 1957/8)
She’s Funny That Way(Peter Bogdanovich, 2014)
Oh...Rosalinda!!(Michael Powell & Emeric Pressburger, 1955)
Caribbean(Edward Ludwig, 1952)
Harper(The Moving Target;Jack Smight, 1966)
For You I Die(John Reinhardt, 1947)
Crashing Hollywood(Lew Landers, 1937/8)
Le Souvenir d’un avenir(Chris. Marker & Yannick Bellon, 2001)
Susan Slept Here(Frank Tashlin, 1954)
Bishkanyar Deshot(In the Land of Poison Women;Manju Borah, 2019)
Pollyanna(David Swift, 1960)
A Tale of Two Cities(Jack Conway;collab.Val Lewton & Jacques Tourneur, 1935)
Café Society(Woody Allen, 2016)
Shadow on the Wall(Patrick Jackson, 1949/50)
Tonnerre(Guillaume Brac, 2013)
Le Jouet criminel(Adolfo G. Arrieta, 1969)
‘Once more, with feeling!’(Stanley Donen, 1959)
The Shopworn Angel(H.C. Potter, 1938)
The Absent Minded Professor(Robert Stevenson, 1961)
Gavaznha(The Deer;Masud Kimiai, 1974)
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feigeroman · 3 years
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Thomas OCs (sort of): Vanguard
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Number: 13 Class: Bagnall New Standard 18 0-6-0ST Built: 1951 Arrived on Sodor: 1994 Service (Shed): Arlesburgh Branch (Arlesburgh) Livery: NWR Goods Black
In the years since their arrival on Sodor, Donald & Douglas had proven themselves to be a most versatile pair, capable of working just about anywhere. They mostly found their footing on the Arlesburgh branch, although one or both of them would often find themselves working on the Brendam branch, or even on the main line. By the late 1980s, however, such a demanding workload was beginning to take its toll on the twins. To help ease the strain on them, Sir Topham Hatt decided to find another engine to take over on the Arlesburgh branch, allowing the twins more time to work elsewhere. In 1993, he borrowed Wilbert from the Dean Forest Railway, in order to assess the advantages of purchasing another Austerity like him.
As it happened, during Wilbert’s visit, Sir Topham Hatt was unexpectedly contacted by the Royal Navy. It seemed they had an engine for sale which used to work on one of their lines, serving a naval base in the far reaches of Scotland (where exactly this line is remains classified information). This had recently been downsized, and now the Navy were desperately seeking a buyer - apparently the NWR had been mentioned at one point. Sir Topham Hatt agreed to come and take a look, and after spending a couple of days getting to know the engine, he agreed to purchase him at once.
That engine, when he finally arrived on Sodor in 1994, became known as Vanguard, after the recently commisioned HMS Vanguard, which had been constructed at the Vickers Shipyard in Barrow-In-Furness. This continued the military theme set by his siblings, who had been named after the RAF’s V bombers. Indeed, his official naming ceremony was held in the shipyard, alongside his namesake. As the number 13 happened to be sitting blank in the NWR’s books, this was allocated to Vanguard - and that, of course, is where the trouble began.
For those first few weeks, all sorts of trouble seemed to bedevil Vanguard - along with Donald and Douglas, who had been tasked with showing him the ropes - and it seemed as though his unlucky number was to blame. After a string of incidents, Sir Topham Hatt decided to only entrust Vanguard on simple jobs where nothing could go wrong...and sure enough, something did go wrong - while out pulling some empty ballast trucks to a permanent way site, Vanguard’s injectors suddenly failed, causing his fusible plugs to melt, and his firebox to be severely damaged. He was promptly sent to the Works, and it looked as though that would be the end of him... Happily, Vanguard eventually returned to service, as good as new - in fact, slightly better. As it turned out, his streak of bad luck had been caused by problems with his old firebox that’d gone unnoticed - he’d always had trouble with it, he said - and as part of his total rebuild, he was given a brand-new firebox that was less liable to suffer such issues.
Vanguard continues to work happily on the Arlesburgh branch to this day - well, relatively happier than he was, anyway. Having suffered from bad luck for most of his life, he tends to come across as rather pessimistic, bitter and sarcastic. He works under a constantly looming shadow of grief, and he used to worry about his supposed jinx striking back when he least expected it. Fortunately, his time on Sodor has helped him to cope with such fears, and he’s gradually learning to have a much more positive approach to life. Besides that, he’s as goodhearted as any other engine, and while he doesn’t care much about anything bad happening to himself, he always shows a great deal of concern for others - particularly those who’d been affected by his bad luck.
Trivia
Vanguard is my take on the Austerity Engine, an unseen, unnamed character who was intended to appear in the RWS. Unfortunately, due to the publishers’ demands for more stories about Thomas and other established characters, this engine was sidelined, and their story has never officially been told. There have been plenty of fan interpretations - from WildNorWester’s Sheffield to the Extended Railway Series’ Warrior - but this is my version.
He’s also partly inspired by Thirteen, a black saddletank from the magazine story The Unlucky Engine. From this, I derived Vanguard’s livery, number and resulting unlucky streak.
And yes, there’s a great deal of influence from Boomer from TUGS. There’s just some great black comedic potential to be had there.
The reason I didn’t make him an actual Austerity is simply because I wanted something a bit different, to make my interpretation of the character unique. And hey, it certainly looks cool!
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acmeoop · 3 years
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Center of Attention “Hot, Bothered, and Bedeviled” (1993)
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autonomystic · 5 years
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Susan Stryker, “My Words to Victor Frankenstein Above the Village of Chamounix: Performing Transgender Rage,” 1993:
The affront you humans take at being called a “creature” results from the threat the term poses to your status as “lords of creation,” beings elevated above mere material existence. As in the case of being called “it,” being called a “creature” suggests the lack or loss of a superior personhood. I find no shame, however, in acknowledging my egalitarian relationship with non-human material Being; everything emerges from the same matrix of possibilities. “Monster” is derived from the Latin noun monstrum, “divine portent,” itself formed on the root of the verb monere, “to warn.” It came to refer to living things of anomalous shape or structure, or to fabulous creatures like the sphinx who were composed of strikingly incongruous parts, because the ancients considered the appearance of such beings to be a sign of some impending supernatural event. Monsters, like angels, functioned as messengers and heralds of the extraordinary. They served to announce impending revelation, saying, in effect, “Pay attention; something of profound importance is happening.”
Hearken unto me, fellow creatures. I who have dwelt in a form unmatched with my desire, I whose flesh has become an assemblage of incongruous anatomical parts, I who achieve the similitude of a natural body only through an unnatural process, I offer you this warning: the Nature you bedevil me with is a lie. Do not trust it to protect you from what I represent, for it is a fabrication that cloaks the groundlessness of the privilege you seek to maintain for yourself at my expense. You are as constructed as me; the same anarchic womb has birthed us both. I call upon you to investigate your nature as I have been compelled to confront mine. I challenge you to risk abjection and flourish as well as have I. Heed my words, and you may well discover the seams and sutures in yourself.
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