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#bc i do have a dennis pov scene written for that
charmac · 3 months
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DUDEEEE pls more dennis pov ive seem posts of u saying its gonna be macs pov for a while but omfg i loved the chapters where its dennis’ so bad
It's not that I don't enjoy it, but that I think the audience being in Dennis' head too much is... a little dangerous. Sometimes I write stuff from Dennis' POV and then re-write it from Mac's (the beginning of Chapter 9, for example, was originally Dennis' POV).
So, it's unfortunately more of a narrative decision on my side to keep out of there. There's is always potential to go back, it's just trickier for me (and more spoiler-y for you) to give Dennis' perspective on things. How do you build angst if the reader is aware of both sides! I have yet to figure that one out, but the night is still young.
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upslapmeal · 7 years
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Opinion: Jane The Virgin it's losing it's charm. It let me down after episode 10 and I tried to keep watching but it's disappointing me so far. I just feel is not as funny and smart written as it was and it's just reusing storylines. And I'm still not used to the characters now after the 3-year jump, it feels so hurried.
Ok so I know the point of this ask game thing is just to say whether you agree or disagree but I have way too many thoughts about this to just leave it at that. So. In general I agree, at least to a point. And I’ve literally written over 1000 words as a reply so I’m putting it under a readmore bc….whoops…….
Right to start off, I know something everyone used to complain about the crime plots but that was something I really thought was missing at the start of S3. Those plots were usually good at providing drama that really contrasted with Jane’s life and I’d been looking forward to Michael finally going back to work so we’d get them back. Which obviously didn’t happen, and I know we have Dennis and they’re still part of the plot but it’s different from having one of the main characters directly involved. 
Something else that definitely hasn’t helped but isn’t necessarily the show’s fault is that we’ve lost side characters because the actors have become involved in other shows - specifically Luisa, Lina and Rose. This limits the interactions we can see, and means that when they’re on the show they don’t get any meaningful longer storylines because they won’t be around for long. This has been a specific problem for Luisa who seems to appear for an episode or two then get sent off to rehab. Rose was a great villain and that’s something else the show’s been lacking, especially since Mutter’s dead though she was never as compelling as Rose. 
I remember back in S1 wondering how long the show would last because it seemed unlikely that they would be able to keep generating such elevated plots and ridiculous twists, and I think that’s just part of the nature of the show unfortunately. In that during S1 (and S2 though less so) all the ~telenovela aspects were new and fresh, but they used up a whole bunch of tropes and plotlines, and also we’ve just got more used to it and better at predicting what will happen. That’s not to say repeated elements don’t always work - the Anezka twist at the end of ch39 completely caught me off guard despite the Roman/Aaron plot in S1. I had thought that Rafael finding out he wasn’t a Solano would be an opening for more telenovela plots, possibly involving the art theft and Italian orphanage, but instead it fed the more grounded emotional plots in that it made Raf want to turn over a new leaf. Which isn’t necessarily a bad thing, and that’s not to say it won’t lead to those plots in the future, but considering that the show seems to be lagging a bit in its telenovela side it does feel like a bit of a missed opportunity. 
Which brings us to ch54, Michael’s death, and the time jump. Considering what I’ve said about plots running out it made sense that they needed to shake things up, and Jennie said Michael’s death was the mid-show equivalent to Jane’s insemination in that it was an event that completely turned Jane’s life upside down and changed what she’s imagined her future to be. And it certainly did that but I do think it also did several things that hurt the story. Firstly, it just added to the problem I talked about with the show losing characters and so losing different interactions and relationships to explore. Brett said after the end of S2 that he’d love Michael to have more scenes with Alba and see what the relationship is there, and personally that was a relationship it really hoped we’d get to see, especially after those vows. Losing characters hits harder when they’re part of the main cast. Then we also lost our main connection to the police side of all the telenovela crime drama. And as well as losing a telenovela aspect we also lost many more grounded potential storylines. What’s Michael’s role in bringing Mateo up as he gets older? How do they deal with the difference between Mateo, who’s constantly moving between parents, and JM’s potential future child(ren) who would live with them all the time? Would we get to see Rogelio take Michael, Rafael and Mateo out on an over-the-top Father’s Day bonding adventure? Idk, it just feels like there were so many more potential storylines to mine from that family.
Then there’s the issue of trying to use the death in the same way as the insemination. The problem comes from the fact that they gave the show very different things. The whole show sprung up from Jane’s insemination. The show would not exist without it and the whole show since then has been dealing with the consequences of this event. We got to see the very real and emotional effects, the difficulties it caused and how hard it could be, really letting Gina flex her acting muscles, but it was also a ridiculous telenovela event that could be used as a source of humour and ultimately ended up being one of the best things to happen to Jane. And the problem with using Michael’s death to similarly shake up her life is it only provides the first half of that, the difficult, emotional side. It’s not something that can be joked about or used for fun drama.
And so then we have the time jump. I absolutely understand why they decided to have the jump, if the show had gone straight into the period after his death it would have been too dark for the show, and the jump lets us see the long-term effects. Unfortunately though, they literally killed their protagonist’s husband after they were married for 7 months. They created a situation where the consequences are dark and difficult and heartbreaking. And so while I appreciate that we’re seeing Jane still affected by it after three years, we need to see more of this difficult stuff that the show made for itself. I’ve already rambled a lot about this here so I won’t get into that again but if the show’s going to use this death supposedly to be a mid-show insemination equivalent, it mustn’t shy away from the situation it’s made for itself. And I’m not saying the show isn’t showing Jane’s grief but I don’t think it’s changed enough or doing it in a way that justifies killing him in the first place.
In fact the biggest change to the show that’s come from Michael’s death is the time jump. And honestly, outside Jane’s story I do think it’s done the show good. It’s refreshed a lot of storylines and from a practical pov has made sure they have good kid actors instead of just hoping that Aiden (who played young Mateo) turned out to be a good actor. And you know what? I think the time jump would have been a great thing to happen to show without Michael dying. Because then you haven’t lost one of the pieces in the game, just rearranged them. Rather than carrying the weight of showing Jane moving out of deep grief, the flashbacks would help fill in the gaps better for more characters. Everyone would be in a new place and there wouldn’t be the weird rushed disconnect there is now where the show has gone from an incredibly traumatic event back to near-normality in the space of less than an episode. 
I know this all sounds really negative. I do appreciate how the show has decided to tell a story of coming back after having dealt with terrible grief and I don’t want to fully judge how good a job it’s done until the end of the season, and even without quite the same spark as the start it’s a fantastic show. I’ve tried to be as objective as possible with this and look at the show without thinking about personal opinions of characters etc (though I am incredibly bitter and sad about Michael’s death for non-storytelling reasons), and I think that the heightened and balanced nature of the show at the start has made a bit of a fall inevitable. But it’s done a damn good job of trying to keep as close to that place as possible, even if that has included missteps or repeated storylines. I’ve still loved every episode so far, not all as much as each other, but there is yet to be an episode I dislike. And so yes, it has lost a bit of its charm and it’s made decisions I’m disappointed in, but as a whole I still think it’s a clever and important show that I love. And long may that last.
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