Medusa having a good time :D
Design breakdown + Explaination below the cut
Reblog, do not repost. Comissions are open!
So, I recently had a late-night class on Medusa and her various depictions across time, and I felt very inspired by my prof’s descriptions of her and also intensely frustrated by the mythos as a whole, because unless you buy into one of the dozens of - fun but not historically backed - feminist retellings of her story, there really is nothing satisfying to Medusa, her fate or her death.
But i also felt like the victim part of her life had been more than explored and I honestly just thought her monstrous energy was sick as fuck, so I wanted to show her indulging in a heart and some intestine >:D
Here are some of the sources I used for the design, since she isn't often depicted with wings anymore:
This Vase should be around 600 BC and shows Medusa as a monster with clear inhuman/non feminine features: I borrowed the most from this depiction, since that is what i wanted to embrace. The loincloth is dotted in the style of the depicted fabric, the face has prominent tusks and the large wings turned upwards are also from here.
This is another depiction from a similar timeframe, late archaic/early classical period. This one was mostly an inspiration for the facial features and the way the hair is laid over the head in a way that looks sorta like cornrows, I thought it looked pretty cool!
Lastly, this bust is a roman replica, and is fairly controversial, but I had to include it because the "wing ears" are just awesome and i wanted desperately to include them, even if this bust is significantly younger and removed from the other sources.
All in all, I wanted to make an image of Medusa as a "fun" monstrous lady who is living her best life, and not a seductress (ew. looking at you, giuanni versache) or a tragic figure. She most definitely deserved better, but I like to think she enjoyed herself, too. Thanks for reading, if you made it this far! I oversimplified some things for the sake of making this rant short, but I am also only a first year classicism student, and I didn't take notes during the class, so I may have made some mistakes.
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All of you are probably aware that I am a man who loves to think about the Ancients’ daily lives, but most of all I am a man who loves to think about them being happy.
The lives not spent in perpetual meditation and self-sacrifice, those spent truly living for something other than the hope to properly die.
Moon speaks of big festivals, of classical paintings so adored that people forged family portraits in their style – family portraits – they cared for their families enough to get them painted together!
She reads a fragment of a poem, from an ancient farmer. Their name is Pel, nowhere near as vivid as those of the others. In the mists of memory, your image dances, like the motes of dust, in a ray of sunlight that pierces a dark room. It is a love poem, it seems; to whom, no one knows. Nonetheless, it is a work of love, and nothing else.
She reads a dark pink pearl. In it are over six hundred memories of one person, who lived near the end of their civilization. They were married with children. They spoke in debate contests, and were apparently incredibly stylish. They preserved the memories of a tasty meal from their childhood, a triumphant victory in a debate, and a peaceful moment in their older years. They were left here to be cherished by those who remained. None do, except you.
But still, you are here. You remember what they were.
And they were alive.
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10 October 19 AD: Germanicus dies in Antioch. Here are some of his portrayals on screen:
Eric Flynn in The Caesars (1968)
David Robb in I, Claudius (1976)
Alessandro Fella in Barbarians Season 2 (2022)
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"The consciousness shaped by the transsexual body is no more the creation of the science that refigures its flesh than the monster’s mind is the creation of Frankenstein. The agenda that produced hormonal and surgical sex reassignment techniques is no less pretentious, and no more noble, than Frankenstein’s. Heroic doctors still endeavor to triumph over nature. The scientific discourse that produced sex reassignment techniques is inseparable from the pursuit of immortality through the perfection of the body[...]. Its genealogy emerges from a metaphysical quest older than modern science, and its cultural politics are aligned with a deeply conservative attempt to stabilize gendered identity in service of the naturalized heterosexual order."
—Susan Stryker, My Words to Victor Frankenstein above the Village of Chamounix
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i think every. single. day. about this masterpiece. to think that someone came up with all these ideas, animated them, gave them colours, movement, life, everything… and now i can watch it as many times i want. there are so many hidden references to art pieces besides the heroes and the cultures themselves…
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