something about eddard xiii is changing my brain chemistry upon reread. ned coming to see robert paralleling him finding lyanna; the three kingsguard outside, ascending a tower, finding them in a pool of blood, begging for ned to protect their children. lyanna’s voice echoing in ned’s head as robert speaks. ned reassures him him was never as bad as aerys, but even robert knows he is not a good king. ned not being able to tell robert the truth of his children and of cersei, he doesn't want his friend to die in more pain than he already is. robert saying ned he was always a bad liar, when that is so far from the truth.
the way ned had no time to grieve for robert before. he wishes to go to the godswood and pray for him and to the gods. he knows people will whisper that ned had betrayed his best friend who had more than a brother to him, but there's no time and its enough that the gods will know he didn't, at least not this time. he cries as he writes to stannis, and refuses to take action when renly offers his men; let robert die thinking joffrey tommen and myrcella are his children, and the comfort of ned's promise to protect them. the way ned died not long after robert did, the way mercy for robert killed him as well. man.
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☕️ OTP: Nameless ladies
(Yes, I am targeting you with this) ≖‿≖
Your emoji looks like Nanami smiling before realising she is adopted.
2.
Th€yne? Thram$ay? Gre¥$now? Nah man, let's Stan the true unproblematic hot Ironborn x thirsty Mainlander OTP:
Captain of the Myraham's daughter x Hagen's beautiful red haired daughter.
I want them to hook up. Let the captain of the Myraham's daughter live her erotic saltwife fantasy with the one (1) woman in Asha's crew that we know of, the one ironborn hot murderous pirate who would actually understand the struggle that is to act as a narrative prop for some authorial entity to showcase one of the Greyjoy's siblings lack of ideological integrity.
I have been marinating in my own theories with little to no contact with the fandom since 2016. I have a lot of weird non-sensical thoughts that might be overreaching in their significance but you know that already and the worst possible thing that could develop from posting this is that people will laugh at it.
I think that Kyra and Urri serve as similar narrative props for Theon & Aeron, I think Jeyne & Falia also serve as similar narrative props for Theon & Aeron and I also think that the Captain of the Myraham's Daughter & Hagen's beautiful red haired daughter serve as similar props for Theon & Asha.
In Theon's case the concept of the captain of the myraham's daughter has already been discussed countless times and in all honesty I don't have much to add to it. Yes, he does treat her rather disrespectfully, he does take advantage of her in a way, he doesn't really care for her physical pleasure, he is dismissive of her uneasiness and has a few unkind thoughts about her which made him so loathsome, but all in all I wouldn't call him abusive or violent. Just disappointing.
There is something unbelievably funny about how bad that sexual encounter goes though. The captain of the myraham's daughter is endearingly enthusiastic about the concept of thraldom and salt wives and even begs Theon to take her with him, something he denies her.
Why though? He has been romanticising the Old Way (Or what he thinks he understands about this idolised and romanticised view of the Old Way) the entire journey and if he truly considers himself to be one of the exemplary Ironborns who would take what they wanted with no qualms, why does he leave her there? She could have even served as an example of virility or status, a mark to say "I am Ironborn. I haven't forgotten our history and culture."
But no, he just leaves her there to the mercy of an angry father.
I know she has been read as a narrative vessel hundreds of times and she is one, but the message behind her presence varies depending on interpretation and, to me, this could be (among other things) a way of displaying Theon's subconscious lack of ideological compromise, which we see often through the text (his reaction to the raids on the stony shore, his disappointment at how commonly the other Ironborn treat him, Smiler, etc.)
To me Hagen's beautiful red haired daughter is also evidence for an ideological divide concerning Ironborn culture and tradition, but she is there to signify Asha's, not Theon's.
Ironborn culture is so interesting to me and I tend to think of it more fondly than I'm probably supposed to because of hundreds of reasons I've already told you about and one of those is that it allows women more liberties than most of Westeros but still chains them to a place of submission compared to men. A woman might be the captain of her own ship, which would make her a queen if going by Theon.
"If every captain was a king aboard his own ship, as was often said, it was small wonder they named the islands the land of ten thousand kings." (Theon | ACOK)
I think on the video games they could even become priestesses for the Drowned God, so if going by that as canon world-building (we shouldn't but it would be cool) they could also find a place in religious organisations. They can be stewards. The only two female stewards we have met in asoiaf are Iron Islanders (Manifesting for Noseless Jeyne to become Pyke or Harlaw's steward at the end of ADOS).
And yet...the most gender-non-conforming Ironborn woman we've met, asides from Asha...doesn't even get a name.
It seems curious to me how Hagen's beautiful red haired daughter is only known as that: "Hagen's daughter" and this coming from ASHA out of all characters who is actively struggling with her culture's sexism in order to get the seastone chair for herself.
Most Iroborn characters are referred to by mentioning some physical feature or disability accompanying their name, but in her case, instead of her name, we get her father's name used with a possessive apostrophe.
The main difference between Asha's character archetype and Hagen's beautiful red haired daughter's, is that one of them is lowborn and the other not, which could be a way of highlighting how class differences still exist among Ironborn, who consider themselves to be equals in their superiority of other races but still have a feudal hierarchy, but in all honesty the class issue is (in my opinion) overshadowed by how both characters identities are so depending on their fathers.
The text often remarks on Asha as someone who was "groomed" (the very use of that word in fanon text already has some unconscious troublesome connotation I don't agree with) into her personality by her father.
This girl forgets herself. Balon let her believe she was a man."
"Balon’s sons are dead. All I see is Balon’s little daughter!" (Aeron | AFFC)
Never do they ever speak of her as "Asha" when it is about her wanting the crown; it's about Balon's daughter. (In a way it reminds me of the Northerner's going to save Arya and also not referring to her as such. They speak of "Ned's girl")
But anyway, I never really expected them to refer to Asha as Asha, but I would have hoped Asha would have been conscious enough of her struggles to recognise her fellow warrior woman as more than just her father's shadow.
Whenever people speculate on how Asha's interactions with other gender-non-conforming women (ex. Brienne, Arya) might look like, I just think of Hagen's beautiful red haired daughter. and wonder whether this comes from a place of class privilege or unconsciousness against the thing she is consciously fighting against.
I have no idea what Asha's endgame might look like and usually, I like seeing her as Theon's puppeteer, but if we have to witness her settling to be the unofficial ruler or perhaps not even a ruler at all, it would be sad to see her haunted by her father's shadow. It also makes me wonder whether she really ever had a chance at the Kingsmoot.
Whatever, another possibility I like to fantasise about is simply that Asha and Hagen's beautiful red haired daughter hooked up, dated, had a messy breakup and now Asha is trying to distance herself from her.
That's a funnier alternative. Would also add angst and maybe some comedic potential to the nameless ladies OTP.
Ship, ship, ship, I ship.
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jon vii
i kinda like the idea of never knowing what happened to benjen. you dont always get closure. life is full of loose ends. sometimes stories should be too. but bran will prob find out
most animals are terrified of the wights but ghost wants to CHOMP
oh un!jon gonna have red eyes for sure. hes gonna look demonic 😈
love that sam got to prove himself
everything is blowing up and jeors just like new recruits??? please???
aw jon thinking that his sisters are all alone
hobb gave him extra bread and the boys are all trying to cheer him up. its so sweet.
oop a bit of attempted murder bc thorne is a prick
zombie shit is kicking off and a bird saved the day
bran vi
rickon was so attached to robb. poor baby.
i miss the greatjons insane energy
"arya and sansa had been murdered by the hound" lies
robb was so pissed that sansa didnt mention arya "damn her!" and bran’s "she lost her wolf"
shouldve listened to osha
bran overhearing the other lordlings say they’d rather be dead and that hes broken is so hurtful
bran is lord of winterfell and robb will never return home or see his siblings ever again #depressed
i wish i didnt know what hodor meant honestly
daenerys vi
dany being "delighted" to find sausage and peppers. shes so cute.
and shes buying presents for her handmaidens
wineseller ruins a perfectly nice day. now danys afraid again
i mean she has no choice but to play offense? the lords of westeros actively tried to kill her and her unborn child.
and honestly why should she settle? for Vaes Dothrak? or even the free cities? nobody ever says that shit about any other westeros based character
first try at hatching the dragon eggs was a bust but dany intuitively senses the power in them
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