Tracklist:
Astronaut • Runs in the Family • Ampersand • Leeds United • Blake Says • Strength Through Music • Guitar Hero • Have to Drive • What's the Use of Wond'rin'? • Oasis • The Point of it All • Another Year • Straight • Leeds United - Lounge Version • Guitar Hero - Alternate Version
Spotify ♪ Bandcamp ♪ YouTube
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Amanda Palmer
The Art of A alternate book cover
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Look,, I love all the mob vote options, I won't be disappointed no matter who wins cause they're all good <3
With that said, my vote's going to the Armadillo because LOOK. AT IT? BEAUTIFUL THING?? MAKES ARMOR TO PROTECT PUPPY???? IS ROUND?????? (as round as a cube can be)
Reblogs > Likes, thank you!
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Amanda Palmer by Allan Amato
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"If you think you're seein' double,
let me save you some trouble
This ain't no two-for-one bargain here, mister!
'Cause I'm much more than just twice shy
I've had enough two-timin' guys
Who only want me 'cause they want my sister."
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btw about Neil Gaiman I periodically agree with the 'Neil Gaiman is annoying' stuff bc I feel like both he and Amanda Palmer seem like people who I would go insane stuck in a room with bc we have very different ideas about art and suchlike. and I also do think that the career trajectory he's on lately is cynically redoing his greatest hits and pretending that was the dream all along when it clearly was not. which is at best meh.
having said which
as far as I can tell by far the most common complaint about Neil Gaiman is "Snow, Glass, Apples is problematic/gross/it's got incest and rape and frames the child as the aggressor"
which strikes me as a weird complaint to pull out of a 40 year body of work tbh when that short story is pretty clearly coming from a place of 'how far can I push this'. like you don't have to like the story. I don't really like the story. but it is. a horror story.
like and this is the thing with particularly 90s alt horror right? a lot of the interest is in transgression and sitting in the worst possible perspective and seeing what happens if you pull those strings. like I really like Clive Barker for example but there's a good chunk of his short stories that I'm like I'm not picking up what you're putting down Clive this seems Kinda Off. but that willingness to write some trite or Bad Message horror fiction that doesn't land is imo a side effect of being willing to try writing uncomfortable and unpleasant fiction at all. which is what horror is for, among other things, it's for creating discomfort as a form of catharsis or engagement.
like I am not a huge fan of the type of sex-horror that pops up in a lot of Gaiman's work and other contemporary horror writers - to me I don't find it upsetting or horny it just ends up feeling kind of edgy and tryhard - but I'm also a bit like. it does seem like a lot of people's beef with Neil Gaiman is that In The 90s He Was A Horror Writer
and this approach to Problematic Horror in Snow, Glass, Apples I find kind of microcosmic of how The Discourse often approaches art in this kind of 1:1 way. if you write a story which seems to line up with rape apologia it can only be because you agree with it. if you write a story about transphobia you're a transphobe. if you write a story that makes me genuinely uncomfortable you're attacking me.
but artwork, especially art like horror that's not necessarily trying to provoke enjoyment as its main response, is necessarily hit and miss. and if what you're shooting for is discomfort then whether it works, falls flat or goes too far incredibly depends on your audience. and making good art - as in art that makes its audience think, art that opens the audience up to discomfort and catharsis and sticks with them and changes them - requires the space to experiment and tbh the space to fuck up. like they aren't all going to be winners and they certainly aren't all going to work for you as a singular audience.
personally I don't see the appeal of Snow, Glass, Apples, less cause it's nasty and more cause it's hack. ooh an edgy monstrous version of a fairy tale where there's lots of rape and cannibalism? you're soooo original Neil. but like. that's fine. I don't really vibe with like 70% of Neil Gaiman stuff I've read but I still like Neil Gaiman because the stuff that works for me really works for me.
idk I think there's a lot of folk on this website who shouldn't interact with horror cause they clearly aren't interested in being horrified. that's not everyone who dislikes Snow, Glass, Apples, but it's a real undercurrent to a lot of the criticism and tbh this kinda vibe is shit for art. making standout art What Is Good also requires being ready to make art which stands out for the wrong reasons. sometimes they'll be the same art to different people.
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i'm revisiting my dark cabaret roots
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Amanda Palmer
"It's Just a Naked Woman "
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Amanda Palmer by Allan Amato
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How about Life's Too Short and Evelyn Evelyn. Classic ivy and dove lol
the first one i just genuinely had never heard someone mention as being particularly popular or formative, and the second one is disqualified for amanda palmer crimes
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“Evelyn, Evelyn, why do we bother to stay?”
I listened to the entire “Evelyn Evelyn” album and I enjoyed it a lot. Such a sad and bittersweet story.
(Characters belong to Amanda Palmer)
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