J.M.W. Turner, Snow Storm - Steamboat off a Harbour's Mouth, 1842
J.M.W. Turner, Peace - Burial at Sea, 1842
766 notes
·
View notes
Joseph M. W. Turner (British\English, 1775-1851) • Rain, Steam and Speed - the Great Western Railway • 1844
27 notes
·
View notes
Joseph Mallord William Turner - Sunset ?c.1830–5
14 notes
·
View notes
Snow Storm – Steam-Boat off a Harbour's Mouth Making Signals in Shallow Water, and going by the Lead. The Author was in this Storm on the Night the "Ariel" left Harwich, Joseph Mallord William Turner (1842). Tate Gallerie in London.
130 notes
·
View notes
MWW Artwork of the Day (5/29/22)
Joseph Mallord William Turner (British, 1775-1851)
The Scarlet Sunset (c. 1830–40)
Watercolor & gouache on paper, 13.4 x 18.9 cm.
The Tate Gallery, London (Turner Bequest CCLIX 101)
This composition is painted with a limited range of colours, arranged to give strong contrasts between primary colours. It also incorporates the pale blue wove paper so that it makes a significant contribution to the image. Artists who try to copy a Turner watercolour in order to understand his methods often seem to be drawn to this work, and a description of one way to go about it, using modern materials, has recently been published. Turner quite often used blue paper, especially at this period. It was usually of medium or heavy weight, made predominantly from linen fibres, and like all his papers it was prepared by the manufacturer with an animal glue size on both sides.
53 notes
·
View notes
“Snow Storm: Hannibal and His Army Crossing the Alps” (1812), J.M.W. Turner
Light, light, light. Light in all its effervescence; light falling in scattered shining flecks, shimmering incandescent pigment. Light like it had never before been painted.
J.M.W. Turner (1775-1851) became the leading artist of his era.
5 notes
·
View notes
Joseph Mallord William Turner
Death on a pale Horse
1825
1 note
·
View note
A photo of the full moon rising behind the Temple of Poseidon in Cape Sounion, near Athens, Greece in early July.
"The fragmented columns of the ruined structure, dedicated to the formidable "master of the sea", glimmered amber in the amplified lunar light of the so-called "Buck Moon" – a Native American designation for a full moon that coincides with the emergence of a male deer's new antlers. The magic sparked by the quiet friction of moonlight against ancient stone ignited the imagination of British Romantic artist JMW Turner. His 1834 painting The Temple of Poseidon at Sunium (Cape Colonna), which illustrates a scene from Lord Byron's satirical epic poem Don Juan, is testimony to the timeless allure of the visionary scene."
Joseph Mallord Turner - The Temple of Poseidon at Sunium - 1834
228 notes
·
View notes
After the eruption of the Tambora volcano in Indonesia in 1815, particulates in the atmosphere caused cloudier skies and more colorful sunsets. Artists all over the world captured the atmospheric effects, even though they didn't know what was causing the changes:
JMW Turner’s sketchbook of sky studies is full of dramatic red-and-orange sunsets:
Perhaps the most iconic Tambora painting is Caspar David Friedrich’s 1818 Woman Before the Rising Sun:
See more spectacular sunsets here:
{Buy me a coffee} {WHF} {Medium} {Substack}
149 notes
·
View notes
could i request a jmw turner piece with bugs? :') he's my favorite artist and bugs could only improve his work
463 notes
·
View notes
anyways before it's over also wishing a happy trafalgar day specifically to: jmw turner for spending weeks with naval officers correcting his painting of the victory over his shoulder & still managing to produce something they all hated on purpose; the person that wrote the hardy monument sign that mentions he's famous for kissing nelson but doesn't explain who nelson was, making me think they were gay as a kid; whoever the french guy who shot him was, because wow; and most importantly all the ceramicists and other artists & manufacturers who got to capitalize on the battle by producing a truly impressive amount of nelson commemorative merchandise, some of it hideous
37 notes
·
View notes
J.M.W. Turner, Old London Bridge, 1794
87 notes
·
View notes
Highlights From a Recent Visit to the Museum of Fine Arts, Boston
Jean Baptiste Armand Guillaumin (French, 1841-1927) Bridge in the Mountains • 1887 • oil on canvas
Paul Cézanne (French, 1839-1906) • Madame Cézanne in a Red Armchair • c. 1877 • oil on canvas
Gustave Caillebotte (French, 1848-1894) • Les dahlias, jardin du Petit Gennevilliers • 1893 • oil on canvas
Giuseppe Maria Crespi Italian (Bolognese, 1665-1747) •
Woman Tuning a Lute • c. 1700-05 • Oil on canvas
Joseph Mallord William Turner (English, 1775-1851)
Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On), 1840 • Oil on canvas
At first glance, a dazzling sunset distracts from the confusion and terror in the foreground of this painting. Its lengthy title alludes to an atrocity, probably the 1781 incident of the slave ship Zong. The ship's crew murdered 132 sick and dying enslaved Africans by throwing them overboard to collect insurance money for those "lost at sea." The resulting outcry galvanized abolitionism in Britain.
Paul Signac (French, 1863-1935) • Antibes, The Pink Cloud • 1916 • Oil on canvas
In a 1916 letter to a critic, Signac annotated a sketch of this "portrait of a cloud" to reveal the cloud's "personalities." He referred to the vaporous form at upper left as Loïe Fuller-an American dancer who had taken Paris by storm in the 1890s-and pointed out "some Michelangelesque figures" in the dark underside of the cloud at right. Signac called the German gunboats in the lower right corner "the black squadron."
Paul Signac (French, 1863-1935) • Port of Saint-Cast • 1890 • Oil on canvas
Port of Saint-Cast is one of a series of four seascapes that Signac painted along the coast of Brittany in northwest France.
Eugène Louis Boudin French (1824-1898) Fashionable Figures on the Beach • 1865 • Oil on panel
Carlo Crivelli (Italian [Venetian]), c. 1430/35-c. 1495
Lamentation over the Dead Christ, 1485 • Tempera on panel
With its gilding and elaborate patterning, this painting feels like a precious object. The raised decoration and the dimensionality of the forms heighten the intensity of Jesus's suffering. John the Evangelist's mouth stretches wide in grief, while the Virgin Mary's face bears the agony of losing her son. The perspective encourages the viewer to look up at the dead Christ, just as Mary Magdalen does while supporting his body. The fruits and vegetables hanging above, lush and full of life, have specific meanings, but together they remind the viewer that Christ will soon be resurrected. Crivelli, a master of pairing ornamental splendor with emotive power, has signed and dated the painting along the stone ledge.
Photo credit: ©Pagan Sphinx Photography
2 notes
·
View notes
by the way this is terrible picture quality but this is what I ended up doing with my wall last week. I still have to stick everything down more securely and I might make a few adjustments but I'm pretty satisfied.
I even made a shitty gallery guide:
1. Pictures of me with the 4 core members of Darlingside
2. Picture of me with Aaron Tveit
3.-4. Carousel animal ornaments from the Smithsonian
5.-9. Photo collages with my college friends
10.-12. Drawings of Les Amis de l'ABC as pigeons by me
13. Portrait of Victor Hugo by Alphonse Legros (Harvard Art Museums)
14.-15. Winnie-the-Pooh pencil drawings by E.H. Shepard (Victoria & Albert Museum)
16. Isabella Stewart Gardner museum, photo by Clements & Howcroft
17. Etching from Carceri d'invenzione (Imaginary Prisons) by Giovanni Battista Piranesi (British Library)
18. Cantica de Medicina by Avicenna (Boston Medical Library/Center for the History of Medicine)
19. Vanitas Still Life by Herman Henstenburgh (Morgan Library & Museum)
20. Mystique by Amy Brown
21. Art by Ulla Thynell
22. Medea by William Wetmore Story (MFA Boston)
23. Rockets and Blue Lights (Close at Hand) to Warn Steamboats of Shoal Water by JMW Turner (Clark Art Institute/MFA Boston)
24. Twilight by George Inness (Williams College Museum of Art)
25. Path to Shambhala by Nicholas Roerich (Nicholas Roerich Museum)
26. Star of the Hero by Nicholas Roerich
27. Palden Lhamo by Nicholas Roerich
28. First Touch (redraw of a still from Pride and Prejudice (2005)) by Kalogh on redbubble
29.-43. Art by @ullathynell (bought from artist's website, but she also has society6)
44. A Thousand Cranes (left screen) by Kayama Matazo (National Museum of Modern Art Tokyo)
45. Art of northern flicker by Sarah Martinez
46. Bird art by me
47. Cover design for Bury the Lede by Dora Lariat by me
48. "ex libris" book plates from my college English department
49. Ship with seven men, net and gull by Alfred Wallis (Kettle's Yard, Cambridge)
50. Farewell by @riisinaakka-draws
51. Piece of eight necklace
52. "Know no shame" inscription from Black Sails
53. Book of adventures by dandingeroz on redbubble
54. Farewell and Good Riddance to Skeleton Island by riisinaakka
55. The Walrus at Night by riisinaakka
56. The map from Treasure Island
57. Hush by @finngualart (SaskiaDeKorte)
58. Returned to the Sea by SaskiaDeKorte
59. Flint coloring page by SaskiaDeKorte, colored by me
60. Madi by riisinaakka
61. Longing by riisinaakka
62. Watercolour raven by SaskiaDeKorte
:)
And (doll tw) here's a "before" shot from a while back (I'd changed the curtain and taken down the mirror in between)
7 notes
·
View notes
Dido building Carthage by J.M.W. Turner (1815). National Gallery in London.
10 notes
·
View notes