hey i don't know what writer needs to hear this today but you can have characters in your work who exist only to move the plot forward. you can create an oc for a fanfic who exists to ask a question at the right time and is never seen again. you can create a novel and have random characters that exist to move the story. characters are elements of narrative. not every single one has to have a whole backstory and a life fleshed out. sometimes they can just be there for a scene and then never be involved again. isn't that how life works? don't we meet people and then they vanish? aren't our lives simply moments spent to drive forward the plots of others? your character can be pointless. you character can exist in a moment. your character can take up space. your character can exist, even if you don't know their birthday and their mother's favorite song.
characters are not people. you do not have to make them into people unless you want to. you owe them nothing. use characters however you want in your story. develop them as is relevant. otherwise, it literally does not matter.
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the fact that O.B. remembers meeting Mobius before indicates that the TVA forgot to wipe his memory because they forgot he was even there at all
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Refusing to believe that Snake is dead tbh. I mean shinigami are there to review the reels and decided wether someone lives or dies, even though we know 99% of the time they die, but I feel like Snake has a bigger part to play in the story so I wouldn’t be surprised if he becomes one of those exceptional cases. I mean to be fair we haven’t seen that “complete” stamp yet
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Something that still doesn't sit right with me while being a part of the HOTD fandom is how Laena was done so dirty, from being placed as a "second" option for Daemon and having him keep her from returning home, from having her daughters see Driftmark, from seeing her own brother and parents before she died! That added on to the fact of how Daemon just sucked at loving her the way she deserved makes my blood boil. And to make matters worse, to drive the knife further, is during her funeral (added on to him laughing during it, which wasn't appropriate at all no matter the context or what anyone says) where she and her unborn son were only just recently placed at the bottom of the sea, Daemon and Rhaenyra sleep together and then marry each other all within the span of the same episode (don't even get me started on how they went heavy into the romantics of the moment but couldn't even bother to show Daemon be affection with Laena like he was in the books I believe).
And some in the fandom reaction to all this can be such a turn off. Because you can have people, mainly black fans, rightfully call out problems with this plot change, with Rhaenyra and Daemon sleeping together only right after Laena's funeral and will be met with so many heinous responses (a lot in which tie in with centering Rhaenyra and going "oh so you hate her" type beat) and it's so frustrating. That, and how we barely see Daemon interact with his daughters, let alone be affectionate as well as protective over them---that scene where the girls are bruised from a fight and clear in distress and yet Daemon doesn't even move to check on them nor go into a rage at the fact that his daughters were harmed, let alone the fact that his now dead wife's dragon was claimed by another on the day of her funeral. None of that. But will stand protectively by Rhaenyra and her sons' side without second thought. Make it make sense.
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I was definitely expecting and braced for Shinichi's "Ah-le-le" in the Kyoto Trip arc, but it still hit me like a truck!
It's like going full-circle from when he first became Conan and was trying to solve cases the way his older self would do LMAO 🤣🤣🤣
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inter mundos's inspiration re: the whole teleporting thing came from a series called f.ringe - specifically the season 2 episode 'jacksonville' where it's revealed that while objects can be sent to the parallel universe that exists, something must come back from said parallel universe to make it 'even.'
this is specifically shown as really bad in this episode because an entire building from the parallel universe teleports into the main universe and they have to act very quickly to figure out which building from the main universe is going to suddenly disappear to make it an even exchange. this is done in a couple of ways, one of them being calculating the sizes of every building in the area to find one that's approximately the same size and then evacuating it.
which I hope sounds kind of familiar, because that's some of the same logic inter mundos runs on. it finds a building approximately its size, schloops it out of reality for a bit, and replaces it. when it's time to leave it sucks the original building back into its place and vanishes.
io specifically has applied a bit of logic to this, and troubleshot a lot of things over the years. inter mundos not only targets buildings its size, but also abandoned/empty ones. inter mundos is also a little freaky to be in once it settles because it attaches itself to whatever grid it needs. water, power, etc. which means things in the walls... move.
it can also settle itself in empty areas, too, but if io is working in a city for a bit then it's easiest to replace a building with their own.
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one day I'll go insane and release a 234 page essay on why I love Wheatley X GLaDOS so much and its underrated and Love as a construct [link] is the best fanfiction I've ever read as long as u stop reading After chapter 26 bc imo after that it gets a bit repetitive and jumps the shark a bit and if u see the tags u might understand KJNSDFGKJNFDSD
but the very basics of it, is it's that two very bad people with a ton of truama learning to become better via each other <3. Also its weirdly disliked by a lot of portal fans for being... Abusive,,, which is hilarious considering both Wheatley and GLaDOS are canonical abusers who may regret their actions by the end sure but are still on some level very abusive people to Chell. I think that's also one of the reasons I love Gladley just bc it doesn't feel like Chell has to get into a relationship with these two people that canonically I think she's absolutely had enough of dealing with.
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Not me thinking about how part of why Minkowski didn't want to go back to Earth may have been because she and her husband didn't part on good terms after she chose her career over him (not shaming her for it but a two-year absence is not the kind of decision you unilaterally make when you're married) and she can't face him now that she chose a death trap over him. Not without having something to show for it.
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