As demonstrated in my most recent fic, I'm obessed with the idea that Fabian's fire elemental ends up being so obviously biased towards Riz because it's influenced by all the affection he won't allow himself to shower on Riz. Like, when Fabian summons it to help the other Bad Kids, it does what it's told with haste and urgency but when Riz is involved it's so obvious that this living flame has a favourite.
The elemental kisses Riz’s cheeks, ruffles his hair, dries him off if he gets soaked, coos and fawns over him, and always moves just a bit quicker if he's in danger. If Fabian forgets to give it more orders, it won't stray more than its full movement away from Riz. Who doesn't mind most of the time because the elemental counts as an ally and can grant him sneak attack.
The other Bad Kids recognize this and joke about it between themselves while Fabian and Riz are truly clueless about it.
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hello hello helloo lovess! Carnaval is gone, but today I bring 2 arts I did for a dear friend freyja a little while ago of GI characters as mestre sala and porta-bandeiras, the standard-bearers of brazilian carnaval parade, wearing attire based off their og outfits from genshin but still keeping the og shapes for carnaval -and performing some traditional steps (your spin turned into being lifted gorou. You're too short! 🤣).
It was quite fun to design these! I was a bit torn on what to put on their flags because originally, the bearers showcase their school/group's flag for the competition. But then it occured to me both chs on each pic had the same element, so element flag it was! For gorou I took some liberties in adding some of miss hina's elements bc they are pretty! hehe
Between geo and dendro, who do you think would have the prettiest parade?🤔
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im afraid the brocedes brainrot has taken me. childhood friends who banded together because no one else liked them who spent years growing up together and helped each other to set up their karts and went on holiday together then ended up at a team (bought for them) before getting to f1 and living their childhood dreams and becoming teammates and outright saying that nothing could get in the way of their friendship only to be proven wrong in the most slow, agonising and horrific way possible and suddenly all those childhood secrets that you share become important weapons in a war against your arch nemesis as you turn an entire team against itself and you can’t eat can’t sleep all you can think about is beating your enemy, your rival, your best friend, your closest confidante and the fallout of the civil war that raged inside your team, inside your friendship, and inside your own head is so toxic and absolute that you can barely say each other’s names years later all you can manage is thinly veiled apologies on TV or declarations of love and remorse to the entire world except the one person you hurt the most and you’re adamant that even though the world whispers in quiet remembrance at the destructive nature of this war they have no idea what really went down or how completely you destroyed each other.
oh and also throughout all this you lived in the same apartment complex and take the same elevator and you do still.
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I think the thing that really makes it so frustrating that people insist that you can write good horror without liking or reading or watching horror is that it comes from a refusal to acknowledge that horror as a genre requires skill specific to it. It's this assumption that because they've felt fear they understand it, and can therefore inflict it on their audience using whatever skills they already have. There's just one issue: not a single person on this planet has never been afraid, so it's a really easy emotion to get wrong in fiction. It's extremely easy for a portrayal of fear to come off as, for example, cheesy, or unintentionally funny, or disingenuous, or for it to just be too personal to be scary to other people. Studying how fear is written and portrayed, both effectively and ineffectively, makes you better at doing those things yourself. In order to write better horror, you have to treat horror as a genre worthy of attention and study. And I, personally, would argue that means that you have to interact with it.
One of the biggest and most important pieces of advice that I got as a writer was to read. It's hard to be a good author who doesn't read, and it's even harder to be a good genre author who doesn't interact at all with the genre that you're writing in, because you have massive gaps in your knowledge that you're not even aware of. You might not even be able to properly critique your work! You have nothing to draw from, nothing to be inspired from except things that were not made for the purpose of inciting fear-- you're fitting a square peg in a round hole and hoping it works.
The people who say no, you can write horror without having read horror, are the same people who would never say the same thing about whatever genre they like the most. On some level they're aware of how much it sucks to have someone with no experience in a genre come in with 100% conviction that they are actually the genre's savior, before coming up with something stale, bland, and full of half-baked inspirations from whatever bits and pieces of genre media they picked up through cultural osmosis, all of which they're convinced are so original because they have no idea they're drawing on any sort of larger tradition. But, because it's horror, this for some reason does not cross their minds.
The argument seems to be that you don't have to read horror to write horror. You don't have to like horror to write horror. You don't have to care about horror to write horror. It's a genre that requires zero effort, zero knowledge, zero skill you can't get elsewhere. It has no value-- but you, the person who doesn't know anything about it, you can give it value.
They don't seem to realize just how insulting that is to hear.
(Final note: queer horror and horror by POC both have rich histories, as does horror that isn't USAmerican or Western European in origin. It's a genre that is popular almost worldwide and has a lot of really excellent offerings from everywhere. Also, in addition to horror movies and novels I really recommend checking out horror short stories/anthologies, which can really show where the genre shines. Don't shy away from older horror, as well! Some of my favorite horror stories are from the 19th century.
If you love the idea of horror but have never really found anything that clicked, I guarantee that there is something out there that you will probably like, and if you want to write horror seeing the sheer breadth of what's out there will help you write better horror-- if at least to show you what you would like to see more of, or what might be missing.)
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the zine’s officially out, so I can post my contribution for the @extraordinaryzine :D!
my piece is an interpretation of the caverns on Iron Island 🏝️ so I wanted to incorporate more of the water surrounding it by creating a sea cave to have light spill inside (akin to the modra špilja/blue grotto)
the focus of the zine was on the daily lives of trainers and their pokemon, so Riley uses a spot inside the caverns like this to meditate with his team, although any new Riolu he trains can’t resist wanting to jump into the water to play υ´˶ ・ﻌ・ ˶`υノ”
this piece alongside a ton of amazing artists can be found free to download digitally here! (and lastly some closeups bc I liked getting all the little deets down)
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