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ohwereusingourmadeupnames · 4 years

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It’s the Colours You Have

Pairing: Peter Parker/Tony Stark Rating: Mature (M) Notes: This is my ballet au fill for @starkerfestivals summer bingo. I had a lot of fun doing some research and watching some ballet to get a feel for this one - here’s hoping you enjoy! (Title is from Colours by Grouplove) Warnings: Peter suffers a pretty not good injury and there’s some NSWF stuff. Summary:

Peter Parker grew up in the dance studio and thought his entire life would revolve around it. All of a sudden, an injury takes that dream out from under him. He finds a way to stay in the world of dance through photography, his knowledge giving his work a different edge. What happens when he meets Tony Stark, a new dancer for NYCB? (Love stuff happens, that's what.)

Read on AO3 here.

Peter always thought professional dance would be his life.

At a young age, he convinced Uncle Ben to let him try one of the local studio’s classes. It took a bit of convincing – Peter was 6 years old at the time and didn’t quite understand the man’s hesitance. In the months leading up to Peter’s plea, he danced around the sofa in their living room and obsessively watched Step Up – where most boys his age were rolling around in the dirt, Peter studied the lines of dancers’ bodies and pictured himself making those same exact moves.

After what felt like a lifetime for Peter, Ben finally gave in and signed him up for all of the classes available. In his excitement, Peter took everything seriously and excelled through the beginner’s classes before the year was over. Madame Romanoff pulled Ben and May aside when sign-ups and company auditions for the next year were about to take place – in the simplest of terms, she let them know how talented of a dancer Peter was; he needed to be taking more advanced classes.

So, he did – Ben and May didn’t hesitate to put him where he needed to be; they already knew his potential, he was steadily moving through grades at school, too. Their nephew had an innate sense of talent for just about everything. Peter put his entire being into the things he liked – it made putting the squeeze in worth it. For a while, he didn’t see what that meant for the two of them – he simply enjoyed the fact that he could dance and get better at it with every single day that passed.

Landing a place on Romanoff’s dance company gave him access to top notch ballet instructors. He was very small but made up for it in the strength that he possessed. With the intention of making him one of the male pas de deux dancers, Peter cut out the rest of his classes and focused solely on ballet and pointe. It made him feel powerful and in a lot of ways beautiful, too. Even if it was weird for boys his age to love dance and feel their best while doing it. He’d gladly take the teasing – Peter loved to dance and no one was going to stop him.

The dance world took him under and guided all of his decision making. Peter worked hard all of middle school to get into Midtown Fine Arts and Dance, a high school that catered to those that were seeking entry into art’s colleges like Juilliard and TISCH. Getting in was a validation he’d been searching for and everything about his life moved to revolve around his time there.

Between Romanoff’s and Midtown, Peter was working so hard that he didn’t even realize he’d put himself in a position where his body couldn’t handle the stress. He wanted to get into Juilliard so bad and knew the only way he’d be able to go was through a scholarship. In every class since his freshman year, Peter heard about senior showcases and how every second in the walls of Midtown were preparation for that.

Every dancing piece in productions, Peter took part in. Whenever they needed a volunteer teacher to run through the parts with the younger kids, Peter volunteered. The desire to succeed overwhelmed him and by the time he got around to preparing for his senior showcase, he was at a loss and so physically exhausted, there were times when he didn’t know how he was actually still standing.

That should’ve been a clue – the fact that every part of his day felt like a chore, and that when he sat down to rest, he was comatose within seconds. Other things were trying to warn him of the ultimate shut down coming his way. His toes never recovered from the extensive pointe exercises and his muscles were always aching. If he knew that pushing himself would have been the thing that brought the world he created down – well, he still probably would have done it.

Two weeks before senior showcases, Peter was warming up when he felt a sharp shift in his lower back during a turn. The wince it pulled from him almost doubled him over. He stopped suddenly and took a couple of limping steps towards the long bar across the back wall. Hiking his leg onto the bar, Peter let out a loud ‘fuck’ when he felt the shift again. The want to keep going couldn’t override the numbness he felt in his toes.

As elegantly as he could, Peter hit ground and laid down as flat as he could, his entire lower back on fire.

It took 3 people to get him up off the ground; any sort of shift in weight made the source of his pain explode with unmanageable stimulus. Peter didn’t remember much of the movement from the floor to a gurney and into the back of an ambulance – his brain turned off to counteract the significant shift in his life happening.

The next few hours were spent getting scans and assessments done – Peter floated along from one place to another in the haze of the drugs they gave him to relieve the world ending pain. He didn’t need to hear the doctor’s words after he saw the look in his eyes – any chance of getting to Juilliard on his feet was out the window. 2 fractured lumbar vertebrae that would need to be fused and 3 ruptured disks were the thing to finally take him out. He wondered briefly, if Flash would feel undercut by his injury – he’d been gunning after Peter for years.

Thankfully, Midtown was sympathetic to his situation and let him stay around to finish the end of the year and graduate. It took a lot out of him to gimp around and be within viewing distance of the classes he’d been leading only days prior.

Being stuck with a walker for the first couple of weeks after his back surgery pushed him to work hard and get his feet back under him. Though he’d never get to dance again, at least he could walk – walking was one of the things Peter wanted to be able to do for the rest of his life. The necessity to put his all into walking and just getting around took the brunt of the blow off losing dance – it served as a good distraction, at least.

By the time the second part of his senior year came around, Peter was able to walk and get around. He was looking forward to finishing up his school year and finding out what the rest his life would be like without dance. Yet, he also longed to be close to the one thing he loved so dearly. And thankfully, Madame Romanoff offered him a good solution right before the big company recital at the end of the year.

When he walked into the studio, his heart thumped painfully against his chest. It felt like such a long time since he walked through the doors and caught his reflection in the mirror upon first glance up. A part of him wanted to walk over to the bar at the back of the room and start his stretching process, that piece of him craved the elegance of his long lines and powerful turns. Yet, the rational part of him understood that walking was more important and pushed him to move further into the studio towards Natasha’s office.

“Ah, Mr. Parker – glad you could join me. Please, have a seat,” Natasha said the second he walked in the door, the dark red lipstick coating her lips making her smile look big and bright. She kept her hair in the traditional ballerina bun and walked around in high heels – but she was kind and knew talent when she saw it. Grimacing at the little bit of a twinge he still felt, Peter took a seat in the chair in front of her desk, his fingers knitting together in front of him.

“I’ll cut right to the point. Life has dealt you a shitty card and it’s ridiculously unfair. You should be involved in dance, Peter. It’s a part of you. So, I thought – why not see if you can capture it, instead.” She turned in the big chair she was sitting in and grabbed something off the filing cabinet behind her. The fancy camera with the biggest lens he’d ever seen coming into view was not what he expected.

Her smile grew when she saw the look on his face. The whiteness of her teeth was slightly intimidating, even now, after knowing her for more than 10 years. Peter tossed a smile back her way and looked tentatively at the camera now sitting on her desk.

“What’s that, Madame Romanoff?” Peter asked, unable to keep the curiosity from getting the best of him. He was always on the other side of pictures and hadn’t picked up a camera ever in his life. The big screen and fancy dial on the back looked intimidating from where he sat, and he hadn’t even picked it up yet.

“Go ahead, Peter – it’s my solution. Figure out how to use it and then apply what you know about the art of dance to the art of photography. You know what’s beautiful. Long lines, sharp movement patterns – the beauty of a picture is how you capture it. The technical shit can be learned, the inherent knowledge you have about dance can’t.” She grinned wider when he didn’t hesitate to take the heavy camera from her.

“I want you to come to classes. You have a home in this studio, Peter. Don’t think because you’re not using your feet doesn’t mean you can’t be a part of what we do here.”

With that, she shot him another smile, then shooed him out of her office with a swift flick of her wrist.

----

Taking to the task like he tried to do with everything else, Peter dug his nose into the Canon Mark IV 5D user manual that he found online and figured out how to change the settings on the camera. It blew his mind, how many things the camera could do and how in depth the pictures could be. That was the first step.

After another couple of weeks of figuring the camera out and taking it with him on the daily walks he started embarking upon during his recovery – Peter finally felt comfortable enough to return to Romanoff’s in an attempt to do exactly what she said; capture dance.

It took a while – a lot of trial and error and frustration that Peter hadn’t ever experienced before. Things usually came easy for him. Yet, the more he did it, the better he started to feel about it. Thoughts of graduation and the future were out the window for a while – Peter dedicated himself to figuring out how to keep a foot in the world that seemed so unfairly gone from him.

He shot the end of the year recital and felt proud of the results that he ended up with. Of course, it wasn’t nearly as fulfilling as actually being on the stage, but – it brought him a sense of happiness, nonetheless. When he handed over the files to Natasha, she pulled him in for a hug. The clench of her arms kept him close, the words she whispered to him abundantly clear – “There you are.”

For some reason, those words hit him hard. His injury at the beginning of the year took a lot from him. With his rehab and the changes that came with the debilitating loss of the use of his body to create an art he devoted his life to, Peter bounced around, slightly lost. The realization that he could still connect with dance drove him forward – finally, Peter felt like he had a direction again.

Trying to get into TISCH’s photography program was a nerve-wracking experience and forced him to have to really evaluate why he wanted to make still frame his focus. The life of movement stayed alive in the photographs and he grasped onto that through the application and interview processes. His portfolio and approach must’ve been enough – Peter got acceptance and scholarship money to start the next semester.

Natasha, upon learning that he’d be in town and pursuing photography, brought him on as the in-house photographer. It didn’t pay much, but he got to have unlimited access to subjects and people that were always looking to show off the skills they worked so diligently to achieve. Peter appreciated the opportunity that Natasha provided and worked hard to provide her with his increasing talents.

Little by little, Peter honed in on his skill and absorbed as much knowledge as he could in his classes and on the job. College passed by in a blur of attending company ballet and TISCH dance productions to shoot as much as he could. He put his work in every showcase available to him and learned from the critique that people threw his way. In the dance world, critique was fodder and fed into the challenge that photography constantly imposed upon him.

Upon graduating, Peter took a job with Juilliard in the arts department as a media director and took care of the photography and visuals for all of the productions the entirety of the department put on. And because Juilliard had a direct link with New York City Ballet, Peter did the media for them as well.

When he took a step back and looked at it, his life was still wrapped around dance – and now, he didn’t have to sweat it out and perform on the stage to be directly within it. He lived in a great apartment in Manhattan and got to see his Aunt May every Sunday for whatever concoction she decided to come up with for them. All and all – his set up wasn’t terrible. Now that he had his professional life worked out, Peter felt desperate to see where the other parts of his life could take him.

As luck would have it – Peter got a nudge in right direction a couple of weeks later when he found himself in the Lincoln Center waiting for the dress rehearsal for the Nutcracker. It was one of his favorite ballets and he enjoyed being able to shoot the multitude of versions he’d get to see throughout the holiday season. And if rumor was to be believed, there was a new prince dancing with the prima ballerina.

The music started up a little while later and Peter got lost in the movements. He didn’t need to take any snaps tonight, but wanted to make sure he knew what the lighting looked like and where every group would be coming in from. Since he was working both video and film, he needed to be able to shoot from all angles. For a while, he let his camera dangle from his side and just let the dance run away with him.

By the time it got to the Prince and Sugarplum Fairy’s dance, Peter had his camera poised over his eye, the entirety of the pass one of the most important things he needed to get during the show. Their initial andante maestoso brought the two of them on the stage and in a swift dance across it – the prince in fact a totally different one than the year before. His tight calves and well sculpted thighs and hips were packed into white tights that highlighted every one of his movements.

Peter’s finger stuttered a few times through the tarantella, his focus on the dancer’s beauty and strength as he leapt and landed across the stage. When he pulled the camera down to make sure he got at least a couple of shots to play around with, Peter sucked in a sharp breath – the man was even more gorgeous than he expected, the details of his well-kept facial hair and dark brown eyes standing out the most.

Satisfied that he knew enough about the show, Peter packed up his equipment and headed out before the final act with all of the dancers came on – he knew from experience that it would be a free for all and didn’t need to plan for that. He wanted to play around with some of the images and got lost in the thoughts of the prince as he was walking out – not noticing that he was walking right into someone until well after they collided.

“Holy shit,” Peter gasped out, his long-lost dancing skill coming into play when he managed to turn and barely hit the person, instead of barreling through them and bringing them both to the ground. “I’m so sorry!” Peter put a hand on the wall and let his heart rate calm down before looking over at the person he almost took out.

His stomach dropped when he noticed the dancer he’d been eyeing up from his spot at the edge of the stage – his eyes were even darker up close and his mouth pulled into the most charming of smiles. Sucking in a breath, Peter just barely stopped himself from slapping his hands over his face. A dark red blush moved across his cheeks instead, the heat of it warming up his skin alarmingly.

“You’re pretty quick on your feet,” the man said instead of the 20 other things that could have easily come out of his mouth. Peter quirked a brow and let the slightest trace of a smile slip across his lips.

“I used to dance,” Peter replied quickly, the openness he was feeling in that moment as fleeting as some of the grumpier moods he sometimes found himself in. “Glad I still have it.” That made him smile wider, Peter a little surprised when the man across from him also smiled. It led to the slightest wrinkles in his cheeks and made Peter’s heart race.

Before the man could say anything else, a wide stagehand came walking down the hall, his eyes intent on them. “Tony, it’s the final number – you’re up.”

They shared another looked before the man, Tony, turned and started walking back in the direction he came from. Peter felt himself smiling and was surprised to see Tony holding the dressing room door open, his arm and head peeking out from behind it. “What’s your name?” He looked at Peter hopefully, his eyes wide.

Peter tightened his grip on the case he’d been pulling behind himself and let a couple of heartbeats pass before he answered – it was important that he thought before he spoke. “I’m Peter Parker,” he finally remarked, his eyebrows knitting slightly.

With a wave, Tony shot him a wink and started to disappear behind the door. “See you later, Peter Parker.”

----

The next 5 days were busy and filled with too much looking down the scope of the camera and 3 showings of The Nutcracker daily. Despite that, Peter found some time to look up the beautiful dancer – the name Tony was enough to get him a full career rundown and multiple links to pictures and videos of his past performances. Though a little older, Tony Stark seemed to be hitting the peak of his career now, instead of at a young age like most dancers. The write up he looked through said something about engineering, but he didn’t delve any further. It felt a little weird to have looked as deeply as he did to begin with.

Every night, Peter found himself watching Tony a little closer – he was all long limbs and taut muscle, his form technical but not exactly perfect. His lifts were where he excelled, though – the bundles of muscles waiting to spring into action were stretched to the limit, making the intensity of his strength standout even more.

Unable to find the courage to actually approach him, Peter spent too much time editing the images of him, ever click of his mouse meticulous and precise to create the perfect balance of camera work and Photoshop manipulation. After too many nights of it, Peter forced himself to acknowledge that talking to Tony seemed pretty necessary. Making sure to put some of his favorite on his phone, Peter felt resolved to at least show some of his work off in guise of starting up a conversation.

The final show came around with excited energy – Peter always enjoyed the last curtain call the best; there was always a certain sense of satisfaction that only that round of applause could bring. He switched up his shooting position and did some clicking from the flanks to catch a little backstage action – the decision proving to be a good one when he heard a throat clear during the first act.

“Fancy seeing you here, Peter Parker,” Tony said, his eyes shining in the bright light streaming in from the stage. He looked at Peter without blinking, a slight tilt to his head.

Peter forced himself to take a couple of breaths, his head suddenly spinning from the flush of epinephrine that his sympathetic nervous system decided shoot through his veins. The excitement of bumping into Tony probably more than obvious. “Right – fancy seeing the photographer taking photos,” Peter replied as he moved the camera to his eye and took a couple of quick shots of Tony who’d started to stretch in the open space around them.

Tony’s beaming smile made Peter’s breath catch, his eyes going to the back of the camera out of habit – the image he found there already one of his favorites of the bunch. Looking up, he gestured down at the camera in his hand. “Want to see?” Peter asked, his hands already turning it, making it more inviting for the man.

It took everything in him not to watch Tony walk towards him in the sheer shirt that, in the light, made his tanned skin stand out through the white fabric. At this closeness, the tights on his legs were translucent, Peter privy to the thick vein that ran from Tony’s calf all the way across the front of his highly muscled thigh. All those details in just the span of 5 steps – Peter wondered what he would find with an unlimited amount of time to explore him.

Shaking his head, Peter forced himself to focus when he felt the inevitable warmth of another human body getting close to him. He used his thumb to scroll back through the last 4 images he shot, a grin slipping across his face. “You have a nice smile,” Peter mumbled softly, the muscle in his forearm twitching with every click from one picture to the next. He got to the end of the roll before daring to turn his head.

“I think you’re just a good photographer,” Tony retorted, a chuckle rushing from his chest. They were close enough that Peter could feel his arm lift and clench with the sound. It made him stiffen, his skin breaking out into prickly gooseflesh. If he didn’t move, maybe he wouldn’t have to lose the rise and fall of Tony’s rhythmic breathing against him.

“Must be both then.” Peter shifted, his brain all of the sudden realizing that he was missing key pieces of the show in favor of flirting with the very attractive and incredibly distracting male dancer. “Come find me after the show – I’ll show you some from the week.” He gave Tony an encouraging smile, then turned back to look out through the curtain.

Peter heard him laugh again then the softest “okay” before the closeness of his presence could no longer be felt. Forcing himself to not turn and look, Peter did his best to pay attention to the rest of the first act – his racing mind all of the sudden not completely dedicated to the art before him on the stage.

As usual, the second act went a lot faster than the first – there was a bit more action and the dancing was not as convoluted with plot. From this perspective, Peter could see a lot more of the sideline action and felt glad he decided to trust his gut and move around a little more. When Tony stepped onto the stage, Peter gripped his camera harder – his eyes peeled for the smallest of details.

The cheeky bastard managed to look his way a couple of times throughout his solo, Peter more than certain that he got some snaps where Tony was staring directly down the pipe of the lens. It took more focus than ever for Peter to actually finish without dropping the camera and watching the ending number – since it was the last one, they changed it up and gave more solo time to each of the leads; then finished with a long bow with a few teary words from NYCB’s director. While she spoke, Peter got his equipment together and disappeared to start downloading some of the shots.

A little while later, Peter was pulled from the culling process by a tap on his shoulder – he squinted behind his glasses to make sure he was at a stopping point and turned, his fingers pulling the frames from his face when he noticed it was Tony.

“Don’t take those off on my account,” Tony said with a smirk, his hair freshly wet and brushed back from his face – the natural look of his skin even better than the brightness the spotlight and well-placed makeup gave him. His lips settled into a light smile and he leaned against the table Peter found to spread out on. He must’ve been nose deep in his work for longer than he thought.

“I just need them for the light,” Peter mumbled, jamming them into the pocket of his shirt. Glancing down, he shifted the computer so Tony could see. “Your tarantella was great tonight.”

Tony leaned in a little to look at the picture more closely, the move bringing the sharpness of his cologne into Peter’s space. As if he was trying to measure his own arms on the screen, Tony reached out to trace the line of his hand down to the middle of his chest. “You said you danced, right? You can tell – the fact that you framed up that specific move says a lot. That’s so crisp, Pete,” Tony admitted, the man pulling back, his hands shoving the long sleeves that were trying to settle on his wrists up his lean forearms.

Taken aback, Peter adjusted himself in his chair. It’d been a long time since he talked to anyone about that part of his journey through dance. Sometimes May would look at him wistfully and relive some of the memories with him, but even that made his heart ache. Licking his bottom lip, Peter nodded his head. “I did about ten years at Romanoff’s, she got me started with the photography thing after my injury.”

They locked eyes for a second, Tony’s eyebrows up, almost completely buried in the hair that was now creeping down, trying to cover his forehead. “Natasha Romanoff? She’s still on 5th, then?”

Grinning, Peter nodded again. “5th and then a newer studio on 64th. She’s flourishing,” Peter said, his hands coming up to make air quotes with his fingers. “Do you know her?”

“She was a couple years ahead of me at Juilliard. I didn’t get into the dancing world until a little later in life, so we were the same age, despite not being the same year. We partnered for pas de deux once,” Tony remarked, his eyes glowing with the memory. “You must’ve been good.”

Peter put his hand on the touch pad of his computer and went about saving the photo on the screen to distract himself – his heart started to beat a little harder at the thought of how much talented he cultivated in his youth. “I wasn’t terrible. I did not treat my body very well, however – back gave out before I could really see how good I could have been.” Clenching his lips shut, Peter wondered where all the words came from – he hadn’t been this chatty… ever.

Tony crossed his arms and leaned more heavily against the table, his forearms now on display, the lines of muscles firm and wrapped in tanned skin, the veins there pulsing from the work the man did that night. “Ah – that’s the worst. I’ve been fighting off a bum toe for a couple of years – the pointe gets harder and harder as the time goes by,” Tony muttered wistfully, his foot shifting subconsciously. “How long have you been taking photos?”

Without much thought, Peter started the process of packing his computer and hard drive into their cases, his eyes never leaving Tony. “About 7 years now. I went to TISCH for a 5-year program and have been working for Juilliard and NYCB ever since.” Finally done with the menial tasks that kept him preoccupied, Peter stood up. “What about you? You here to stay or just doing a stint with the company this season?”

Despite not saying anything, Tony followed Peter when he started walking – the natural way they just sort of accommodated each other weird for having only met once before. Tony waited until they were in the foyer of the Lincoln Center before speaking again. “I’m here to stay. NYCB gave me a company spot and choreographer position. After being on the road so much the past couple of years, coming home felt right.”

Though they were right by the door, neither man made any move to go exit through any of them, the two men obviously more than willing to mill around and talk. Peter pulled his camera case close to him, the metal of it cool against the thin material of his khaki pants.

“There’s something about the city, right?” Peter asked, his head turning to look at the still busy street right outside the door. “I’ve been here my whole life.”

Smiling wide, Tony nodded – the gesture answer enough. Peter watched him shift and smile a little bigger. “Any chance you’re free for headshot type stuff? I could use an update.”

The question caught him off guard for a second, his hopes of maybe getting to know the guy slowly starting to become more of a reality as the moments passed. That thrust him into gear – Peter fumbled into his pocket and scrolled through a couple of his photo files before he found his infographic.

“Everyone is on break for the holidays, so I’ve got lots of time. Turn your AirDrop on, I’ll share my info with you,” Peter replied without hesitation, his cheeks warm from the events of the night and the distracting way Tony was making him feel. “The Juilliard studio has great lighting.”

After grabbing his info, Tony reached across the space between them and gripped his shoulder, the touch firm and friendly. “I’ll get ahold of you. Thanks for making me look good.” Throwing him a final smile, Tony hitched his bag up his shoulder and walked quickly out the door and into the cold December night.

----

A couple of days passed before Peter heard from Tony – they decided on a time and agreed to meet at the Juilliard studio that Friday. For 4 days, Peter immersed himself in the editing process to make the time go a little faster. It didn’t, but that was always how it worked when he was looking forward to something.

In his need to fill up all the spaces of time, Peter did a bit of online shopping and ordered a couple of different backgrounds to play around with. When the day came, Peter used his key to head in a little early – his lighting set up would take a while to get put together and if his hands were busy, he didn’t have any time to fret about the nerves coursing through him or the hopes he hadn’t been able to put to bed since meeting Tony. Getting ahead of himself seemed like a recipe for failure – but he wasn’t one to not step out on the limb just because of a little fear.

Two solid hours of preparation went by much faster than he figured it would – Tony walked in through the door while he was still fiddling with the long backdrop, the sturdiness of it important if Tony was going to jump and move on and around it. He didn’t notice until he looked up to see how straight it was and caught Tony’s reflection in the mirror behind him.

“Hey, Tony,” Peter started, his face breaking out into a familiar smile. “I’m just about ready. I got the door to the bathroom unlocked, so you’re free to change as much as you’d like.” He tugged at the backdrop one more time before finally feeling satisfied – he knew what he was doing, the nerves needed to go the hell away.

Tony looked at him for a moment, his whiskey-brown eyes roving over his face without any shame. It felt good – being looked at like that. Whatever it meant; Peter wasn’t going to be mad about the attractive man in front of him not being able to tear his eyes away. The only thing that ever made his heart race like it was in that moment was dance – that had to mean something.

“I’m ready to go. I just need to put my bag down and change into my flats,” Tony finally said, his eyebrows quirking as a soft grin lifted his cheeks.

“You should probably stretch, too,” Peter remarked offhandedly, his eyes returning Tony’s stare, inch of skin by lovely inch. He was happy to see that there were a couple different cuts of shirt in his hand – they’d have a lot to work with. With that in mind, Peter went about making sure his camera was connected to his computer while Tony got ready.

As expected, once they got started, things went seamlessly. Tony was used to be instructed and took Peter’s suggestions in stride. They did a bunch of different poses in each outfit, Peter making sure that Tony switched to pointe at least once during the process. By the end, Peter was laughing at the faces Tony made at him when he switched positions.

Almost satisfied, Peter put the camera down and stepped onto the backdrop. He swung his arms from side to side to get his blood flowing, then swopped up into a one footed stance without much trouble (the twinge would come later.) “I want you to leap and land like this – I’d demonstrate, but this is as far as that goes,” Peter joked, his body saturated with endorphins from the rush doing any sort of movement with his body always brought.

Tony didn’t move to get in position, so Peter straightened up and started to think about how else he could describe it. A hand on his arm stopped him, Tony’s fingers squeezing lightly. “You still have such good technique,” Tony mumbled, his hand moving to pull at Peter’s until he was a little further onto the backdrop. “No turns, right?”

Nodding, Peter relaxed his body and let himself be led into a resting position, Tony’s hands now on his hips. “Let’s see how well you remember your backwards steps,” Tony whispered, his lips just a few inches away from Peter’s ear. His fingers tapped on the right side of Peter’s hip and they were off in that direction – his arms widening when they got to the edge of the pass.

It felt weird for a second, being in the hold position; but he quickly got over it, the relief of any stress on him quickly taken by Tony’s hands and their tight grasp on his hips, Peter’s feet barely touching the ground. They went through a couple of moves before Peter was stopping their movement with a subtle touch to Tony’s hand.

“That’s enough for me.” Peter was grateful for the brief experience and threw an even more sincere look over his shoulder at Tony. “Thank you, though – I haven’t moved like that in years.” He lifted his hands over his head and stretched himself as long as he could go before walking back over to his camera set up, his fingers wrapping around the base with ease.

When they were all done and Tony was walking out of the bathroom in street clothes, Peter looked up and motioned to him. He let his eyes linger on the way Tony’s jeans sat on his hip, the cut of his shirt enhancing the slimness there. Tony moved with ease, the man more than familiar with his body and the things he could do with it. Shaking his head, Peter moved away from that thought – it could very easily get him in trouble.

With Tony by his side, Peter smiled at him, then started to go through the frames he took throughout the two hours they’d been working. Tony spent a lot of time critiquing himself and grinned when Peter went out of his way to say the exact opposite of whatever came out of his mouth. The stills were beautiful and after a little work, would be more than enough to circulate around in resumes and show leaflets.

“Those are great, Pete – I like how well you capture the action; I honestly don’t think I’ve ever seen anything like it,” Tony commented, his eyes still wide from the cruise through the photo gallery. At some point, he let his hand drift to Peter’s shoulder and kept it there, his fingers now gripping on and off. “I’d love to see more – want to grab a coffee, or something?”

As it happened, coffee ended up being a quick walk to Peter’s apartment where he got as far as pulling his computer out before Tony was flung across his hips, muscular thighs clenching with every move he made. Peter was surprised for about two seconds before he grabbed a handful of Tony’s ass, and dragged him closer, their mouths meeting in a heated kiss without either of them hesitating.

Peter didn’t usually do stuff like this – kiss people he didn’t know much about, but at the same time, he didn’t like to miss out on good things, either. He watched Tony reached down and take his own shirt off, the muscles of his stomach and arms rippling as the cells fired and clenched. When he relaxed, Peter was pleased to see that Tony was very cut up and would ripple gloriously as he thrust into him in the near future.

The fact that Tony managed to get his shirt off of him and the button of his pants undone without him noticing blew Peter’s mind, the man had a way with his mouth and let his tongue do terribly dirty things. In 25 years, Peter had never been kissed like that before – Tony’s carnality was exactly like his dancing, thorough and highly skilled.

It seemed like Tony came prepared because Peter was suddenly naked and on his back with Tony between his thighs, a packet of lube and a condom dangling from his fingers. They made eye contact for a moment, the desire in Tony softening as an affectionate look rolled over his face. “This okay? You’ll tell me if you’re not comfortable?” Tony’s questions rolled off his tongue without him stopping the scandalous press of his hips.

“It’s a lot more than okay. As long as you don’t roll me up into too much of a ball, I’ll be just fine. Just don’t stop whatever it is you’re going to do,” Peter babbled, his lips totally loose now that most of his thoughts were clouded with lust and completely focused on the delicious press and pull of Tony’s fingers on his skin and cock against his own.

He was pleasantly surprised when Tony shifted and pushed at his hip until Peter took the hint and rolled over. Leaning on his forearms, Peter spread his legs as much as he could on the couch and thrust back a little, his ass entirely on display. Groaning when Tony used his hands to spread his cheeks, Peter looked over his shoulder to see dark eyes staring at him longingly.

Tony emptied the packet of lube on the flat of Peter’s back and swiped his fingers through it. His free hand ran along Peter’s flank and lulled him into a sense of comfort – the breach of Tony’s fingers around and then against his rim secondary to the sensation of first a knuckle and then an entire finger slipping into him. While he moved his hand, Tony peppered all the skin he could reach with kisses and licks – he was obviously in the business of taking Peter apart one piece at a time.

Progressively, Peter got lost in the rush of his lust for Tony and the scorching touch that made his skin prickle and the well of heat in his stomach start to trickle over the edge. Tony’s weight held his hips down just enough that with every thrust back against talented fingers that were now aggressively stretching him open, Peter got the slightest amount of friction against his cock. It was both too much and not enough in one agonizingly delicious movement.

Draped completely over him, Tony pressed his lips to Peter’s ear when he pushed in. The stroke to slide inside was firm and didn’t stop until Tony’s hips were pressed against the muscle of his round ass cheeks. Peter shifted until he could accommodate his weight on one hand – he reached back and gripped Tony’s hair hard with the other, the moan slipping from his lips forcing a flush down the length of his chest. “Oh, Tony – “

From that point on, Peter lost track of time and space – he was so completely wrapped up in the tactile sensations and the sensitivity of nerve fibers that were constantly being stroked and prodded. With Tony’s arm wrapped around his middle, Peter gave himself over to the sensations, the long, slow glide of a firm cock in and out of him driving him absolutely mad. Little by little, he melted into the rhythmic bump of Tony’s cock against that spot deep inside of him and got closer to a finish that felt like a long time coming.

A shout left his hips when Tony used the grip around his chest to pull him up until his back was firmly pressed against the skin of well-muscled pecs and abs that were clenching with every thrust Tony delivered. Peter felt him slow down and move the grip of his hand from his chest to his hips, long fingers digging in. “The way you move against me, Pete – it’s driving me insane. It’s like you know me. Like you’ve studied my body and know exactly what it needs.”

His cock throbbed at the trueness of Tony’s words. Though he didn’t have a chance to physically explore it, Peter knew a lot about the way Tony moved from the images he’d been editing non-stop – it seemed like he learned a lot more about Tony than he originally imagined. Bringing his hands until they were resting over Tony’s on his hips, Peter laced their fingers together and let out a long moan; the carnal noises the only thing he could conjure up in that moment.

Another few thrusts of Tony’s cock dead against Peter’s prostate had him coming without a single touch to his throbbing erection. It was a novel thing for him, so he watched with wide eyes as he shivered and clenched and finished with the most release he’d ever seen come out of himself hitting the bedspread underneath him. Tony rolled his hips and thrusted through it until he was moaning against Peter’s neck and collapsing them both on the bed – the man courteous enough to turn them on their sides and away from his own puddle of cum.

Peter couldn’t stop the helpless moan that slipped from his mouth when Tony pulled out and rolled away to get rid of the condom. He turned and watched him move around until Tony finally joined him on the bed again. It shouldn’t have surprised him, the fact that Tony wrapped a hand around his arm and pull him back until they were resting as close together as possible. A nose ran through the sweaty hair at the back of Peter’s head – Tony pulling in a long breath before settling in.

“You can still dance. That was the most flawless piece I’ve ever been a part of,” Tony said softly, his hand flattening against Peter’s stomach to pull him even further back, despite the fact that there wasn’t any space left between them. “Rest up for a bit – I’ll take you out for another spin in a little while.”

Laughing, Peter let his hand rest against Tony’s, their fingers lacing with ease. He snuggled in, Tony’s warmth lulling him into a sleep haze.

----

The fact that Tony didn’t leave the next morning spoke volumes – Peter didn’t do a lot of dating, but he understood wanting to spend time with someone. They made pancakes that were barely edible and talked about Tony’s travels through Paris the previous two years. He’d been traveling with an international company that did a long stint in France. When it came time for Tony to leave and get some practice in for the day, Peter went with him.

It took on a different sort of intimacy, shooting Tony after that. Because he knew so much about the freckles on Tony’s skin and the way the dancer moved in the throes of passion, Peter could appreciate the thrust of his hips and the powerful strides for a completely different reason. It brought a whole new meaning to a long, slow seduction. They didn’t make it out of the locker room before Peter was on his knees, worshipping the cock and hips attached that moved with such poise and grace.

Spending the rest of the day together felt like the right thing to do after that – Tony came down his throat and watched with wide eyes as Peter stayed on his knees and stroked himself with a tight fist in long, quick strokes. The soft pet of his hair lulled him into a daze for a while, his cheek laying against the bottom of Tony’s stomach until he felt the tingle leave his toes and lower limbs.

Tony pulled him into a deep kiss when he stood up, strong arms wrapped around him and his swift tongue chased the taste of his own spend in Peter’s mouth. Peter didn’t know who was moaning but it was almost enough to bring him back to full hardness, though, he knew he couldn’t handle any more time on the hard floor or any of the surfaces available to them there. Suggesting a late lunch made Tony smile and when he grabbed Peter’s hand on the way out of the building, Peter let the hope of things actually going somewhere wash over him.

So, maybe Peter couldn’t dance on his own 2 feet anymore – with Tony by his side, he quickly learned that dancing was just as much a feeling as it was a collection of movements and lifts. Lying in bed with Tony between his legs later that night, Peter figured out that the roll of his hips and the caress of his hands felt just as good as the carefully crafted choreography that he’d be so accustomed to. The same way his body used to take the crowd apart, Peter slowly tugged at Tony’s seams until the dancer was thrusting into him with abandon. His name on Tony’s lips at the end of their coupling the ultimate standing ovation.

And as the days past and Peter got to spend more time not only wrapped up in the fun of watching someone else succeed, but also in the beauty and grace that was Tony Stark. The spring brought Bourne’s version of Swan Lake, which consisted of an all-male cast. Peter, having decided that NYCB was where the most opportunities were available, applied and got the job as the full-time photographer. Which meant he got to spend all of his day shooting ballet and only ballet. An absolute dream come true.

Watching Tony dance the part of the prince was absolutely magical – between trying to catch all of the best shots and catching every single one of his pristine moves, Peter spent all 7 days of multiple shows trying to capture him in the best possible way. They hadn’t been dating all that long, but Peter was moved to make sure Tony understood how he truly saw him.

It took a few weeks to find the perfect picture and get it blown up and printed to perfection. After getting it in the mail, Peter measured and built a custom frame for the photo – the dark brown wood a beautiful contrast to the white costume Tony was wearing in the print. Finally finishing it a couple of weeks into May, Peter stepped back and looked at the physical manifestation of his heart with a critical eye. It was Tony – Peter had a hard time finding any sort of flaw.

His ears prickled when he heard Tony putting his key in the lock – a couple of months prior, Peter pulled out one of his old TISCH key chains and made a copy of his apartment key. He left it in Tony’s pointe shoes and got a screaming call when he didn’t notice – the tip of the key stabbed him; but, the sincerity of the gesture made the large cut he had to nurse for a couple of weeks totally worth it.

He waited until he heard the keys clatter against the bowl that Peter kept right by the door to pick up the frame and carry it out into the living room where Tony was standing, his feet and arms bare, his dance tights still framing his legs in the sinful way they always did. Peter stopped dead in his tracks when Tony noticed him, the man’s dark brown eyes caught between looking at Peter’s face and the big frame he had in his hands.

“What’s that?” Tony asked, his cheeks coloring at the bluntness of the question. The man might’ve been a few years older than Peter, but he never failed to project youth and reckless wonder. The words made Peter laugh, his face spreading wide with the smile overtaking him. Instead of answering right away, Peter closed the gap and jammed the frame into Tony’s arms.

Peter gave him a few minutes to get his bearings and process what was in front of him. In the many days’ worth of searching, Peter finally decided on a picture of Tony in the middle of a leap. His eyes and chin were up, his hips completely square – but the thing that really caught Peter’s eye was the look of pure happiness of Tony’s face. There were many dancers that could get their legs completely straight through a leaping straddle, but there weren’t many that looked to be in absolute rapture when they did it. Every time he passed by it, the look made his heart pound, so he figured that was sign enough.

Tony looked up at him, his eyes wide. “This is what I look like, huh?” Tony asked, his fingers doing the customary reaching out to touch thing they always did. Peter watched him trace the length of his body across the glass – the idea of fingerprints not even registering. The appreciation of his work never meant so much.

“Beautiful, right? I thought, for a really long time, that I’d never really have the same connection with dance that I did when I actually got to do it myself. Then, I met you and got to see talent and passion in a totally different light. I don’t need to be moving to feel what it’s like to be on the stage when I watch you. Maybe it’s because I love you so much and I’m biased, but I’m a fan – your biggest one, probably.” Peter let all of the words flow from him before stopping for a breath. He felt his lips slip into a beaming smile – it felt so damn good to let that off his chest.

Even the very first ‘I love you’ between them felt good coming from him – he didn’t need Tony to say it out loud to know that he loved him. It was apparent in the way he touched, his fingers were constantly seeking – whether it was knowledge or pleasure, Tony was always interested in finding out. It was glaringly obvious in the way bourbon hued eyes followed him around the room when they weren’t standing together and looked so deeply within his own when they were. His gentle words and the innate ability to know just what Peter needed said things that a singular phrase never could.

Yet, when it came from Tony’s lips, Peter couldn’t have imagined a better moment. “You’re a big softy, Petey,” Tony mumbled, his lips pressing together for a second before continuing. “I love you, too. By the way. I know you know, but I also know how good the words sound. I love you. I’ll say it however many times you want to hear it.” As elegant as always, Tony moved to lean the frame against the edge of the couch to free his hands up, then tugged Peter into them, their lips finding each other in a soft kiss.

“I don’t think there’s a limit, Tony,” Peter muttered, his voice scratchy from the rush of arousal and happiness and a billion other things.

Tony gripped his cheeks and pulled him in for another kiss, his next words said against his lips like a prayer – “sounds okay to me.”

----

Later that year, Peter and Tony stumbled through their apartment after opening night of The Nutcracker. As a veteran this year, Tony wowed the audience in a way that only someone seasoned and comfortable could. The performance was flawless, Peter a little disappointed that he couldn’t show his enjoyment as much as he would have wanted to. The second they got behind the door of his car, however, his hands were all over Tony. They almost didn’t make it into the house before Peter was straddling him and really letting his appreciation show.

They fumbled through the door and passed through the living room that was littered in Peter’s work – when they first hung the few framed photos of Tony, he complained about it being a little weird. Yet, the more Peter added to it, the more Tony seemed to be behind the idea. It just took a little prodding for him to play into the narcissism that all dancers were inherently in possession of. He really started to relax when Peter added a few of the two of them, the idea of looking up to see physical representation of their connection a nice one, one that they both wanted to get behind.

Peter let his eyes glance over them briefly before crowding against Tony’s back and herding him towards the bedroom. All of the walls on the walk there were covered in Peter’s work – his own narcissism showing in the diligent way he went about making sure all of the frames throughout the house matched and looked absolutely perfect.

When they moved in together, Tony wanted to go all in, so they got all new stuff and created something that was joint and completely Tony Stark and Peter Parker mixing all the aspects of their lives. From the bedding to the bowls they ate out of, everything was picked out together.

When he was finally able to settle between Tony’s legs with just his boxer briefs on, Peter sucked in a deep breath and gave himself a second to enjoy the man stretched out beneath him. The strain from the night’s performance had Tony’s muscles taut and his veins bulging from lack of water and electrolytes – he’d be ravenous for the next few days.

His eyes were wide and completely glazed over, the pupils taking over the bourbon Peter so eagerly drank in every time he looked in Tony’s eyes. The hands that were normally so sure of themselves were reaching to touch Peter searchingly, their next step still undetermined.

Allowing himself to share a heated look with Tony, Peter shook his head and forced himself to focus – there was plenty of time to get distracted in the beautiful view of his boyfriend later. He sat up a little and reached into his bedside table, the lube and condom hitting the comforter below them, the movement enough of a decoy for Peter to get the square box he’d been hiding there open and on the muscled expanse of Tony’s chest.

They weren’t traditional, so he bypassed the one knee thing – instead, he pressed his body weight into Tony, one of his hands holding the box so he could see it while the other ran through shower wet brown hair. It wasn’t the most romantic thing, but it felt right. Everything about Tony felt right. A forever of that was the only thing he’d ever want.

“If you’ll have me, I’d like to be your number one fan forever. Please, marry me,” Peter whispered, his nose caressing Tony’s as his lips pressed the words into any piece of stubbly skin he could reach. “Please,” he prompted again, the plea unneeded, but falling from his lips, anyway.

“How could I possibly say no to that?” Tony asked, his response coming with a quick lift of his head and warm lips pressed against Peter’s. His hands moved into the long hair at the base of Peter’s neck, fingers tugging lightly.

“Put that ring on me so I can find out how it looks against your skin while I’m holding you down.” Shooting him a wink, Tony dragged him in for a deep kiss, the box on his chest momentarily forgotten.

#starker #ironspider #it's the colours you have #starkerfestivalsevents #bobbie writes

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quartings-main-blog · 7 years

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SP Part 1

FADE IN: INT. EPHEME MINE-NIGHT A pickax swung by an unseen source strikes against a cave wall, releasing small flaming sparks and several small glowing green Epheme crystals. These crystals are picked up by an apparatus and placed into a container. These crystals are brought over to a machine which processes them and compacts them into small cells, which are all dropped into a box A man in a gold and purple outfit picks up one of these cells and places it into a pistol. He fires it, and a burst of bright green flame shoots forth from it. The man then loads the box onto an armored transport vehicle, and it drives off out to the desert outside. EXT. DESERT -DAY As the truck drives by through the sands, it startles a bizarre reptilian creature, which scuttles away in a panic. The camera moves upwards to show the wide blue sky filled with small flying barges. EXT. SKYRATE BARGE-DAY The shot is a moving aerial view of the expansive, sandy desert world. We can see bandits driving across the sands in modified bikes, the bizarre fauna of the deserts, and Epheme mining rigs and stations scattered around the region. Also visible are several smaller Skyrate fleet ships flying in the same direction. CIELA: (Offscreen) Ah, The Drylands Ya know, sometimes it can be just so relaxing to see my hometown from way up here. Oh! There goes a bunch of bandits! Looks like they're chasin' after that Epheme truck for a quick buck or somethin'. Large subterrenean worms burst from the sands, devouring the bandits. CIELA: 2. Well forget that. Y'know, on the surface, this place just looks like a sun-baked wasteland of sand, run-down villages, sand, Epheme drilling stations, and sand-and-oh yeah- MORE SAND. But once you get used to all the bandit attacks, sandstorms, Sand Worm attacks, and Sky-Pirate-oh, sorry-I mean "Skyrate" attacks, it's actually...nah, it still really, really sucks. SKYRATE #1: (Offscreen) -Shut up, already! The camera changes angles to show Ciela(20s) a lean young woman with a blue vest, leather cap and boots, with frizzy black pigtails, being held upside-down by her leg by the Skyrate off the edge of the flying skyrate barge that they are both on. Several other SKYRATES, pirates of varying heights, builds, and creeds, all with steampunk versions of stereotypical pirate gear (Cutlasses, flintlocks and hooks), with crude mechanical prosthetic limbs can be seen on this barge. CIELA: Yeesh, ya don't need to get all piped up about it. Heck, if anything, I should be the one stressed out here. You guys have been a real pain in my neck for THE longest time. I mean come on, WHO's the one blowing up towns to steal stuff from honest people? 'Cause it sure as heck aint' me! You know how despicable that is? How much that gets in the way of my business?! Nowadays I've been forced to steal from you guys, and, as far as I'm concerned, stealin' from thieves doesn't really count, so I've at least got that goin' for me. 'Sides, why would you care? I mean, you've got way bigger problems comin' your way in three, two-NOW! Ciela says this into a little radio she quickly pulls out of her pocket. Just at that moment, Ciela's giant airship, a large zeppelin with wings, turbines, and a large angular metal ship-shaped bottom, rises from below alongside the skyrate barge. We see the ship's name, "Skylark", engraved on its side. Ciela's sidekick and mechanic friend, VENTOR(20s) a young man with long white-and-brown hair wearing a red leather vest, is piloting this ship. 3. VENTOR: Ciela, here! Ventor tosses Ciela her Epheme-powered revolver from the deck of the Skylark. CIELA: Thanks, Vents! VENTOR: Could you please just call me Ventor? CIELA: Nope! Ciela then uses momentum to swing herself over the head of the skyrate, and kicks him over the side of the barge just as she lands. The other skyrates notice this, and chase after Ciela as she runs along the floating barge trying to reach the end of it. On her way, Ciela runs into more groups of skyrates, and fights through them with a mix of gunfire and hand-to-hand combat. When Ciela does reach the end however, but gets cornered by the skyrates, who point their guns at her once they catch up. SKYRATE #2: It's the end of the line, girlie. Howsabout you just give up? Ciela fakes a frightened expression just to mess with the skyrates, which quickly changes into a smirk as she fires her revolver at the ground beneath her feet. The resulting explosion of Epheme, one of compressed gas and bright green flame, propels Ciela upwards and blows a sizable hole in the barge, badly damaging it and causing it to start falling slowly. Ciela uses the explosion to somersault over the skyrates and lands behind them, firing her revolver again at them, sending them slamming into the side of the ship. CIELA: Mmhmm...How about you guys give up? It'll probably help ya cope with the massive butt-kicking you just got! 4. Ciela then quickly grabs a nearby metal tube off a table on the barge, and jumps off the barge towards her airship, grabbing the grappling hook and rope hanging off her belt and flinging it towards her airship. The hook latches onto a railing on the side of the Skylark, and Ciela swings back onto the side of the blimp. INT. SKYLARK-DAY Once she lands back on the deck of the Skylark, Ciela looks down at the crashing barge and mockingly waves goodbye at it. The inside of the skylark is a brass-coloured area with a pilot's seat and dashboard at the front, with several other seats behind it. The back wall of the deck is cluttered with tools and machine parts, with a solid metal door that leads to the airship's other rooms. CIELA: Hasta la vista, chumps! Ciela turns around to see an upset Ventor, arms folded. CIELA: What'd I tell ya? (Points to self) Ciela Altos never fails to deliver. Ciela shakes the metal tube she picked up earlier. Ventor initially ignores this. VENTOR: What were you thinking?! We could have easily shot down that barge from here! Heck, I actually had to fight some of them to get to you in time. I mean, you always do this! Ventor begins pacing the deck of the airship as he talks. VENTOR: We get a job, you charge blindly ahead into the fray, you get into trouble, I have to rescue you, we BARELY get out alive, and in the end, I'm the one who has to fix everything that got broken in the- Ciela shows Ventor the tube she stole earlier. VENTOR: -What the heck is that? 5. CIELA: Will you promise to shut your trap like a nice little boy and listen? VENTOR: ...Yes. CIELA: Good. This, Vents, my oblivious, old, friend, is why I was out there alone workin' my butt off to take down that barge, instead of letting you blow these little treasures here to smithereens. Ciela removes several small green glowing cylinders from the metal tube. VENTOR: A-are those?- CIELA: Wow, can ya BE any slower? Yes Vents, these sweet little babies here are top-of-the-notch Aridan Epheme charges. And unless the laws of physics everywhere just changed completely , all we need to do is hook these things up to whatever tech we want, and they're gonna give it way more- Ciela fires her Epheme revolver off the side of the Skylark to illustrate her point, and this blows up a small bird flying off in the distance. CIELA: -You know. Ventor takes out his tools and work equipment in response to this and prepares some old half-made weapons, vehicles and other contraptions to be built VENTOR: Alright then! So when are we going to install these in all our old projects? CIELA: Vents? What've I always told you? Food first, work later. C'mon! I'm taking us to Steemer's for lunch! 6. VENTOR: (Sighs and chuckles slightly.) Of course. Exterior shot of the Skylark flying off into the distance. INT. STEEMER'S-DAY Steemer's is a bar built from an abandoned aircraft hangar, a damp and dingy place with furniture made from scrap metal and old machine parts. Sitting around the saloon are many PATRONS tired from the midday desert heat, lethargically enjoying various beverages and dishes provided by the saloon's owner, FRANK STEEMER. Notably, Steemer's has a large open roof to allow pilots to easily drop in for drinks, coupled with the saloon's advanced rising seats equipped with harnesses. Ventor enters Steemer's through this system, exiting the Skylark to sit on one of the many high-up seats which then lowers him into the saloon. Steemer takes notice of Ventor's arrival, and walks over to him to take his order. STEEMER: Ventor! So nice to see you again! VENTOR: Good to see you too, Mister Steemer. How's business been doing lately? STEEMER: Pretty well, Mister Chanis, pretty well. Thanks to you and Miss Ciela cleaning out all those skyrates in the area, there are finally less dead people in my establishment than live ones! Speaking of which, where is Miss Ciela-? Just then, Ciela bursts through the saloon's front doors, revolver in hand, and fires a warning shot through the sunroof of Steemer's, waking up and/or scaring the living daylights out of all the patrons there. CIELA: Up and at em' everyone, you're now in the presence of greatness here! 7. All the patrons in the saloon have now turned to look at Ciela, with expressionless looks on their faces, as if Ciela has performed this routine with them several times already. Ciela gets frustrated with this, and fires off another shot into a barrel of ale lying in the corner of the tavern, and the just so she can enjoy scaring the patrons again. As expected, the patrons do recoil in shock at this, and Ciela laughs quietly to herself about this. CIELA: (Laughing) Ah, never gets old. Ciela walks past Steemer on her way to the saloon's videochat station. CIELA: Hey, Frankie! Gimme my usual, 'kay? STEEMER: Of course, Miss Ciela! Good to see you too! Ciela goes up to the videochat station, a rusty large box with a keyboard, screen and antennae on it, keying in some coordinates into it, waiting for several seconds. It turns on, and on the screen is the face of MRS ALTOS, a smiling middle-aged woman with greying hair, wearing a worn-out leather aviator jacket. CIELA: Hi, Ma! MRS ALTOS: Hi, sweetie! How's my favorite little girl doin'? Have you grown taller since I last saw you? CIELA: (Laughs) How the heck could you tell, ma? You can only see my face through the screen. MRS ALTOS: What? Can't a lady start a conversation with her daughter without bein' shut down? C'mon tell me. How've ya been? 8. CIELA: Oh, I've been doin' great lately! Actually, Ventor n' I just nabbed five hundred widgets worth o' Epheme charges. We had to blow up like, five skyrate barges just to get our hands on 'em! First, we... As Ciela tells he mother the story of her adventures, another bounty hunter sitting nearby, SLEET, a tall young woman wearing thick scorched and torn clothing, armor, and heavy metal tanks on her back, all badly damaged from battle, overhears her conversation and begins to get intrigued. MRS ALTOS: Ah, you kids are so lucky these days. Back in my days, us bounty hunters didn't have all your fancy airships and "explody guns." I once took down an entire fleet of warships using nothing but my right arm, a screwdriver, and an egg salad sandwich! CIELA: Hey, when the bad guys have all kinds o' firepower on their side, you gotta keep ahead o' the competition. C'mon ma, you're the one always raggin' on about how if you don't toughen up, keep your gear in good condition and stay one step ahead of the other guys at all times, you're just gonna wind up another skeleton in the sands. MRS ALTOS: Ah, that's my girl! Smart and tough just like her mama! CIELA: (Jokingly) I love you too, ma! MRS ALTOS: Bye, honey! See you in three days! CIELA: Got it! Ciela hangs up the videochat machine and proceeds to walk back to her seat to get her drink, 9. Upon returning to her seat, Ciela is approached by Sleet, who wishes to chat with her, walking over to Ciela's seat with a slight limp. SLEET: Hello, Ciela. Ciela continues drinking and doesn't raise her head to look at Sleet yet. CIELA: Oh hey, Sleet! How's it going? Ciela looks up and notices how beat-up Sleet looks, shocking her. CIELA: Holy heck, what happened to you? SLEET: Oh. Nothing. I'm alright I guess. Don't usually like hanging around these parts often. Too hot for my taste. So...I heard you just wiped out a fleet of skyrates? CIELA: (Scoffs and laughs) Yeah. Just business as usual for me. Ain't no biggie, I guess. Why are ya here, anyhow? You've gotta have a good reason for visiting this sun-baked scraphole, and there's no way you got all- Ciela gestures to Sleet's injuries. CIELA: -"that" from sunstroke. SLEET: Umm...I probably shoudn't... CIELA: What? D'you got a sweet job you don't want me cuttin' in on? C'mon Sleet, we've done tons of jobs together over the years, I know ya better than than that. You'd never go solo on a job that big, ya just ain't got the guts for that-no offense. Sleet shrinks back from mild embarrassment. 10. CIELA: What's really going on? VENTOR: Yeah! Something's fishy here. Are-? CIELA: -Shh, Vents! The grownups are talkin' business here. So, Sleet? What's goin' on that's so big that it's got ya clammed up so tight? SLEET: ...Hey, um, Steemer? What specials do you have today- CIELA: -Sleet! Ciela stands up quickly and reaches out ever so slightly for her revolver. SLEET: -Alright! I'll tell you. Okay, so several days back, me and a bunch of other bounty hunters in the Verdant zones way up north got a job from this couple. Said they wanted a girl broken out of this huge fortress belonging to the Arbei kingdom, and brought to their safehouse halfway across the world. We've all taken down Arbei ships and troops before, so we thought: How hard could it be? ...We got massacred. This fortress has defenses beyond anything I've ever seen, it's crammed full of more soldiers than an anthill has ants, and we barely made it out alive. Our ol' friend Ike's now lying in the hospital. Filled with enough lead to pipe a house. CIELA: Ike's-? Oh! Erm, how much were you guys offered for the job? SLEET: You're not seriously going after the job after everything I just said, are you?

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