#also if you have good songs that make you want to start a revolution let me know i need more

[laststandx3]

There are many bad things about wish, but one of the most annoying is how it fails to pay off its own set ups.

It's established Asha's father believes in the magic from the stars. He died of an illness (never specified), that Asha's grandfather (her father's father) never got his wish granted in YEARS, well now to me this feels targeted.

Follow my thoughts for a minute, how easy would have been with this already established set up to add the part where it's Magnifico who killed Asha's dad because he was promoting a different kind of magic that would undermine Magnifico's power? This would've established Magnifico as an actual villain from the start, manipulating people's perception of him with magic and the lengths he would go to keep his power and crown.

This would have impacted Asha's journey as well,instead of asking Magnifico to grant her grandfather's wish immediately (which imo is a good reason for him not to hire her, she literally asks for favoritism the moment she arrives), let her instead be perfect for the position, not clumsy and awkward but make her qualified and respectful of the king's secrecy about the wishes. And still she's still not hired. And then she starts questioning him, she's studied, she's ready and it's not enough and the king seemed to like her until she mentioned her father.

And then she talks with the people of rosa about the king, if that was unfair of him maybe , but the answer is that the king is good and kind and doesn't he grants everyone's wishes, isn't that so wonderful of him? (and maybe this can be a song) and at first it sounds like she just doesn't want to accept that she wasn't chosen but after the forth person answers the same exact thing, well then this starts to feel more like a script than an original thought. Just then she looks at all the wishes Magnifico's granted so far and they're all material, it's all about people owning bigger houses, better clothes, riches, nothing is about community, knowledge, about people becoming something(musicians, teachers, scientists, artists...) . The guy that got his wish granted last year also got it granted a few years ago too, Isn't that weird? Some people never get their wishes and this guy twice? And also his wish was so selfish? He wanted a swimming pool! How in the best kingdom, with the best king, nobody wishes nice things for others? And isn't that weird that she and her friends used to make graffitis and jokes on the guards but when Sleepy gave away his wish at 18 suddenly he doesn't make jokes about Magnifico's beard anymore? He's so respectful of the rules now.

And idk maybe Asha doesn't just wish upon a star and everything is given to her. Maybe Magnifico's source of magic is Star and she frees it and that's why Star tags along. The magic of the starts was real, her father was right! Star knew her dad, he tried to save the magical pet but he was killed instead! Now it's not just about freedom and justice she wants revenge. And this is maybe when she fucks up because she was too reckless, she got discovered. Her friends/family are watching how she's getting arrested/executed for treason and that's SO UNFAIR such a cognitive dissonance it breaks Magnifico's brainwash spell.

Now a song about revolution makes sense. But singing about revolution bc they want to be able to wish? Are you kidding me? Not only the movie established that you can have new wishes and that they make you whole again, but also girl, you all read the terms of services when giving Magnifico your wish. You give it to him and if he finds it worth it, it'll be granted. Making questions about the king choices is the opposite of living under a monarchy.

Ultimately I agree with everyone who says this movie feels empty, because it's true, it's a bunch of disney trope stitched together with easter eggs that don't makes us feel anything and that contradicts its own message. The fact that disney doesn't want to make grey characters anymore it's felt. And it mirrors the way people have started to see enjoying stories as media consumption, everything that alludes to people being flawed is an endorsement of abuse. So disney's characters have all turned is these empty shells of heroine tropes. They're always bubbly, their worst flaw is being clumsy, but the worst is that they're always right. Asha's quest to free the wishes is based only on her conviction that the king is wrong in not granting everyone's wish. It's never even hinted in the movie that the subjects of rosa lack something. It's a fairy-tale kingdom in every aspect (maybe the king is a bit egocentric but that hasn't hurt anyone so far), except that her grandpa's wish wasn't granted and so the king must be wrong. If it wasn't for Magnifico's long exposition of I don't accept criticism she wouldn't have questioned him. And even then, that's what living in a kingdom means, that you follow the king's rules. I'm sorry but singing about revolution and then ending the movie still under a monarchy is just contradictory with the whole premise.

#wish spoilers #disney wish #Wish 2023 #Wish rewrite #Asha #Magnifico #Grey characters? Not in disney anymore #Where is the flynn Ryder type? Starts selfish becomes a better person #Elsa's self discovery? Anna growing out of idealized people #Moana tries to live on land to make her parents proud! It's only when her grandma gives her the heart that she leaves #Mulan disappoints her parents and leaves to save her dad #Not every plot has to involve the fate of a kingdom. Sometimes it can just be one person #Mulan pretending to be a man is still seen as a terrible thing by the society she lives she doesn't change everyone's mind just the people #She actually interacted with. Yeah and the emperor but she literally saved his life. He'd better be forgiving

[the-words-we-sung]

The songs of Young Royals - S1E4

Here we go again ♪ Episode 4 my beloved, it is your turn!! Part one and two of this little project can be found here and there ♥

Holes, Zhala and Deep Throat Choir

I free my eyes at the start of time Maybe this is an obsession of a witchy kind And I lose myself inside Erik died, Wilhelm lost the only person he was truly close to, the only person who was there for him. He is losing himself: what do you do when you lose the person that matters the most to you? It's when you realize how incredibly lucky it was that he started at Hillerska when he did, so he could meet Simon. Because otherwise, what would have happened to him? Would he have lost himself forever? It's interesting that the "maybe this is an obsession" lyrics happens at the exact moment when we see Simon sending messages to Wilhelm while he watches the funeral on TV. "obsession" is a strong word but he is already very smitten and sending many messages to Wilhelm to check on him, to tell him he's there. Wilhelm does not answer though, because he is losing himself...

Remember

So you say, all you wanna be is remembered Let me make you go down in history, baby Let me write you into history, darling Let me sing you into eternity This song is beautiful. Indeed it's a good choice of song to commemorate Erik, Simon sounds great and the lyrics work very well in this context.

But there's a double meaning here: yes it is meant as a commemoration of Erik, saying he will not be forgotten, but it's also a message from Simon to Wilhelm. He is the Crown Prince now, and he is in love with another boy: it will make him go down in history. As Kristina said, he's the first one in the history of the royal family to not be straight (or at least the first one being opened about it), which will be a huge thing and an event that is gonna shake the country. But I can't help feeling moved by this song, by the image that Simon will be there with Wilhelm, next to him to endure it all. And let's not forget that Simon is gonna write a song about him during season 2, a song that he wants to sing in front of the entire world. So yeah, "let me sing you into eternity", Simon, you smitten boy...

Revolution, Elias

Let's start a revolution How beautiful it is Running with a crown on your head A resolution written on your hands And the lies they will hurt you No more This song... Do I even need to talk about it? Probably the best song they could choose for this show!! And I'm sure everything has been said about it already but let's give it a go anyway ^^ The whole scene is kinda perfect: the choice of song, the cinematography, what Wilhelm says... And yeah, it's Wilhelm grieving, and realizing that a lot of people around him are not "real", not his friends, not really there for him, for the true Wilhelm and not just the Prince. They don't know him. I think he probably doesn't know himself very well yet either. But it also makes him realize that he does like Simon. That's the only true thing, the only real thing he has left now that Erik is dead. And it's a revolution. Because he finally lets his guard down (granted he's drunk and high, but still!) and admits his feelings out loud, something he hasn't really be able to do 'til now. And he's going against everything he was taught, everything he believed. And that's a revolution. I don't know if he's "running" with the crown on his head, but he's certainly walking and stumbling onto that football field. And I'm not sure the resolution to declare his love to Simon was there already, but he still chose this place, where they had their first "date" to come to. So I do think that, even subconsciously , he was choosing Simon, choosing to come to him. And gosh, i don't know what awaits us in season 3 but yeah, in one way or another, Wilhelm and Simon together are a revolution.

Live and die, Gina Dirawi

Leave my body in a mess All my seeds are ruined This is my homage Back to God Thought if we Were free For a night We'd make it right But they're not free, not even for a night. They should have been. This night should have been theirs, and only theirs. It was their first night together, it was private and beautiful. It was love and lust after so much longing. And they don't know yet, how August is betraying them, betraying this moment. They are not doing anything wrong. They're actually "making it right" because they're finally acknowledging their mutual feelings, being true to each other. It's not in the scene but later on in the song there are the lyrics "life in peace, no need for the lies" and it just works so well for them. Because they might have been honest about their feelings in this scene, but they are still in the midst of so many lies. And it's gonna take so much time for them to finally free themselves from this spiderweb of lies and complications. This scene makes me so happy and so sad at the same time. It should have been just happiness, and love. It should have been freedom...

The songs of Young Royals - part 1 The songs of Young Royals - part 2

#Young Royals #Young Royals analysis #Young Royals songs #Young Royals S1E4 #my analysis #song analysis #wilmon #simon eriksson #prince wilhelm #I love this episode #it breaks my heart and makes me happy at the same time #gives me all the feels in the world

[pix3lplays]

Ramble about video games~

Also um spoilers for Chrono Trigger…game came out in 1995 but just in case-

Random but I was thinking about my favorite video game of all time today.

Who else played Chrono Trigger? I was a kid…and I remember watching a video where someone talked about a boss from the game and somehow that was enough for me to go and find it for myself and play it-

Love at FIRST SIGHT I’m TELLING YOU-

I don’t remember my exact age but something I did when I was little was name everything after myself haha, but I remember using the default names for this game. Random and unimportant but I thought it was funny lol. I had this How To Train Your Dragon game on my DS and all my dragons just. Had my name or the name of a random color because those were the only things I could spell haha, I was so young-

But yeah I used the default names for Chrono Trigger, though now every time I replay I tend to name Frog ‘Glenn’ and when I’m feeling extra angsty I’ll name Magus ‘Janus’ haha

BUT SERIOUSLY that game is so good the amount of DETAIL and EFFORT put into every little part of it??

I used to know like EVERY single secret and stuff haha but anyways-

My party was always Frog, Ayla, and Magus and I remember that quest where you upgrade the Masamune. Like the little details were INSANE- if you had Magus on your party he would look away when the Masamune upgraded-like I know it’s just a little thing but oh my gosh I was OBSESSED??

And the music was SO good. SO GOOD. So many of the songs are a PART of me now, and Magus Confronted/Battle with Magus?? I will STILL stand by that as one of the greatest boss themes ever made-also World Revolution and Last Battle but yeah

And also you could have Magus fight and kill his own horrible mother, and they had SPECIAL DIALOGUE WITH EACH OTHER?? I was ALL about that-actually if I remember correctly he has a monologue and his theme starts playing during it too-

And going to that little village…if you’re playing as Magus his cat will recognize you and follow you??? Yeah. That was cool.

I do talk about Magus a lot haha…and he was the one I wrote the most fanfiction for too, I think I have five different note tabs of Magus fanfiction haha…I WANTED him haha I ADMIT IT…but my favorite character is still Glenn. Magus is a VERY close second but…Glenn.

And I love how their stories are interwoven. I LOVED that scene on the cliff’s edge where you can choose revenge or mercy as Glenn.

(I restarted haha because I totally went revenge first and I killed Magus and then got sad when all that remained was his pendant…)

Honestly Glenn’s mercy dialogue?? I was INSPIRED, I was a KID and I was like how is he going to justify not taking revenge on Magus?? But then he DID and I just- :0

Also when the game wants to be funny it ACTUALLY is funny haha, Dalton getting mad when the music was wrong was so funny. Him throwing the fireball at you only for it to immediately deflect was funny. Him hitting you with “whoa look over there!” and it actually working on your entire party was FUNNY-

And Magus and his dry humor was immaculate. Have him on your party when you’re doing the Marle’s mother mission and he’ll be the first one to find the genuine, heartfelt letter from her mother and his immediate reaction is to turn to you and say, “shall we burn it?” What is WRONG with him I love him so much-

That one ending where you can get Glenn and the Queen together?? Thusly turning Marle part frog?? That is GENIUS and HILARIOUS-the fact that they even let you do that…

Ozzie being all haha you can’t beat me and making himself impervious to damage only for you to just…flip a lever and defeat him immediately. And also the whole sequence of going through Ozzie’s castle was great haha. You can walk into an obvious trap and he’ll laugh at you and fade into the shadows?? That was so funny.

That one boss fight that was afraid of heights and thusly wouldn’t attack you because you were high up-

Also there is so much to say about how complicated the characters were despite being a video game that came out in 1995-

Specifically referring to Glenn and Magus though I swear THOSE TWO were the main characters to me haha.

Glenn’s my favorite and his story is GREAT but MAGUS?

(Also I still remember those scenes where you find the monsters worshiping the Magus statues they were so ominous…)

He’s so complicated I love it. He’s mean he’s grouchy he threatens you all the time he’s prideful on the surface but he plays the part of the villain even though his goal is to LITERALLY save the world. That scene leading up to the confrontation?? With the fire?? Epic. YEAH he’s a bad mean cruel man but…his main goal is to save the ONE person who had ever showed him true genuine kindness. Him and Schala make me emotional-he just wants to save and protect his big sister-

Also I feel like I should mention it haha I DID play Chrono Cross too, purely because I wanted to see how it connected to Chrono Trigger and. Yeah it’s not a bad game by any means but it just wasn’t for me. I thought a lot of the character designs were pretty cool and I thought the story was interesting enough. But yeah it was not Chrono Trigger. I think I got about halfway through it before I just. Went back to replaying Chrono Trigger-

Also I know I’m not the only one-Magus’s sprites were lowkey kinda hot haha. Him adjusting his glove. His cool arm motions when he casts a spell. The way his hair flows when you run as him. His COOL attack animations-especially the critical hits. I’m about it. And then you open the menu to mess with your equipment and he just looks…so scary haha. I still love him I WOULD marry him and I say that CONFIDENTLY haha. It’s like still having feelings for your childhood love~

And okay the criticisms about Chrono Trigger are typically pretty fair but that doesn’t make it a bad video game at all.

In my opinion…10/10.

Also side note Earthbound is really really really good too also one of my favorites~ AND THE REVITALIZER?? FROM CHRONO TRIGGER?? MAKES AN APPEARANCE IN EARTHBOUND??? THANK YOU.

But yeah I love Chrono Trigger. I remember I even played a fan game that gave more of a backstory to Magus making himself look like a Prophet to Queen Zeal. Cool.

Thinking about my Magus x reader fanfics now. I have in my notes something about a fic I wanted to write where Magus lost his lover to Lavos, or the flow of time, because I’m just angsty that way. Wonder why I never did it.

Other stuff included headcanons about his physical appearance and stuff. I had things like he has “sharp nails” and such.

Quote random person in Antiquity: “The prophet’s aura is clouded with hatred and sorrow. If he does not free himself of those emotions, he’ll destroy himself and those he loves along with him.” And I thought about that WAY too much-like EXCUSE ME??

Also I love the way Magus talks. “Unimaginable is the power of Lavos! Before him, all are as leaves cast to the bitter black winds that howl about Death’s black wings.” Yeah SAY It KING.

Anyways I’m just sayin it’s not weird to have a crush on Magus you can tell me I won’t judge.

Please marry me, Magus.

And of course I have a bit about reader calling him “Janus” instead of Magus I thought I was on to something haha.

Also I JUST remembered him being all, “oh kiss any princesses lately?” when he encountered Glenn. That was FUNNY.

Anyways I meant for this to be more of a Chrono Trigger appreciation post and not so much a Magus appreciation post but um yeah that’s very in-character for me to get a little off focus.

I think I’ve literally only found a single Magus x reader fic online hmm maybe I’ll change that…

Would anyone read that?? Seriously tell me. I’m adding Magus to my writing list lol…

Anyways yeah play Chrono Trigger. It’s GOOD. I wanna play it right now but I know if I start it up again I’ll disappear completely for a few days haha. But if I disappear for a few days you’ll know what happened, I have NO self-control lol.

#chrono trigger #Chrono trigger Magus #Magus my beloved

[girlreviews]

Review #263: Tracy Chapman, Tracy Chapman

You don’t get artists like Tracy Chapman come along too often, and it’s infuriating when they do, because you see the same old shit play out. People are threatened by their mere presence and the idea that they can make something so incredible, but especially that it might give marginalized people a voice. This record came out the year I was born, so it’s approaching its 36th birthday. It’s both unsurprising and also a little devastating at how relevant it remains in 2024. I’ll start by saying: I love it, her, I always have, and I have so many memories attached to this record. Some so sad and some really sweet, all really tender.

But I have something to say about both music critics and general white fragility when it comes to Tracy. Here’s a 1988 review from renowned critic Robert Christgau, self proclaimed “Dean of American Rock Critics” (are American rock critics some kind of authority too? Why’s that? Interesting.):

"Fast Car" is so far-seeing, "Mountains o' Things" so necessary, that it's doubly annoying when she puts her name on begged questions like "Why" and "Talkin' Bout a Revolution." Maybe I should be heartened and so forth that Intelligent Young People are once again pushing naive left-folkie truisms, but she's too good for such condescension--even sings like a natural. Get real, girl. B MINUS”

Where to begin? Firstly, that is the entire review. So you want to talk about condescension, Robert? You can start by referring to Tracy Chapman as a grown woman, which she is, and was, in 1988. And critic you may be, but you’ve never written a review that’s even half as good as Talkin’ Bout A Revolution, which is more relevant today than any of your writing. Why was about apartheid. Maybe you had the luxury of not giving a fuck. Assigning grades? B minus? Get real, boy.

Curious what grade you gave Paul Simon’s Graceland, an album recorded during apartheid, some in South Africa with an array of African musicians who he then toured with. This was both criticized and praised. The point is, it was very political, not in content so much, but in creation. So, when it’s done by an egotistical white man? Listen, I love Graceland but don’t think I won’t be looking into that with some serious side-eye. OH WHAT A FUCKING SURPRISE, PAUL SIMON’S 1986 GRACELAND RECEIVED AN A. Fuck all the way off, and then fuck off some more.

This album isn’t for you. Has it ever occurred to you that not every piece of music was made to be consumed by you? And to be declared worthy by you? Jesus fucking Christ, the audacity. She’s singing about poverty, the kind most people will never truly know. The traumatic kind. She’s singing about domestic violence, you know, the kind typically perpetrated by men against women and that too often takes their lives. She’s singing about a tense relationship with the police. She’s singing about escaping dire situations with a glimmer of hope that she might finally belong, that she might finally “be someone”… Only to find herself in seemingly just as dire ones. Do you relate, Robert? Let’s go back to 1988 and you just sit this one out. To be clear, it’s not entirely for me either! But when you have that awareness, you can hear something and still appreciate it. It’s not that hard.

Fast Car was still on the radio a good bit when I was growing up, and again, I think my Mom played this record from time to time. But my real connection to Tracy Chapman came to me in two different ways: VH1’s Pop Up Video, which I watched every single day before I went to school. Over and over, the same episodes. There was an episode that featured Fast Car, and I remember just being floored by the little facts that popped up. Her life had been so unbelievably difficult, with challenge after challenge — which is pretty damn clear in the song. The thing I always remember is that as a young girl, she had saved up her money to buy a guitar, and then her best friend stole it. As stupid as it sounds I think about that all the time. Anyway, this song is special, and everyone knows it, it’s massive, but it’s something different to everyone. Can anyone relate specifically to what she’s describing? Probably somebody, somewhere. Maybe lots of people. But I can tell you that I listened to this song curled up in my bed pretending to be asleep with tears streaming down my face. Wishing that some parts of it weren’t true for me, and wishing that some parts of it were. It’s both a gut punch and a cup of tea between my cold hands.

The second way was Baby Can I Hold You, which, and this kind of cracks me up, was covered by Irish boyband Boyzone in the 90s. Little baby me was pretty into Boyzone, but eventually learned that the original artist was Tracy Chapman. Obviously, her version is better. It hurts my feelings. Is it someone declaring their feelings? Or is it someone communicating the experience of an emotionally unavailable partner, and the words they long to hear? Either way, there’s an ache in it, and it’s beautiful.

Tracy Chapman has been having a major resurgence, because a white male country artist covered Fast Car and as a result an entire new generation of young people are being moved by it. While I kind of wish there wasn’t a cover like this at all, it’s been nice to see Luke Combs give Tracy Chapman the spotlight she deserves and make it her moment. They seem to have a sweet and thoughtful relationship, and he truly loved the record when it came out. He had it on cassette. It was really something to see Tracy on stage at the Grammys smiling, thriving, looking beautiful as ever and singing with that voice just shutting everybody the hell up. I also appreciate that he kept the genders the same in his cover. I’d love to know whether he chose that or whether she insisted upon it. Either way, it was the right call.

Chances are you’ve heard Fast Car, and maybe even Baby Can I Hold You. Don’t be a dweeb, this record is significant and I really believe you’re missing out if you go through your life without listening to it, but it’s your call. I’d like to personally thank Tracy Chapman and VH1’s Pop Up Video for their contributions to my life and the content of my brain. I love you both so very much.

#album review #music #music review #rolling stone top 500 #tracy chapman #fast car

[queenlucythevaliant]

russian opera recs???? please??????? I want to broaden my horizons

I am so excited that you're interested!!! You are in for such a treat. 

I did a write-up of my favorite Russian operas yesterday evening, which is here. I gushed a whole bunch about my faves and recommended a handful of specific tracks on Spotify to get a feel for things. So definitely check that out.

Buuuuut since you've given me another opportunity here-- let's talk about the New Russian School. This is the music of Tolstoy and Dostoyevsky-- what they and their characters listened to. 

The New Russian School was a 19th century movement among composers to create a distinctly Russian style of music. It was spearheaded by the Mighty Five, a group of five composers including my beloved Modest Mussorgsky (my top two on the opera post are his work). But they didn't just write operas! They also wrote parlor songs, symphonies, ballets, marches-- you name it. If you want to get a real feel for Russian music, this is where you start. Some highlights:

- All of Mussorgsky’s Pictures at an Exhibition is wonderful, but “The Great Gate of Kiev” is just grand and magnificent and magical in all the best ways. I swear, it makes me want to weep for joy.

- "The Field Marshall," part of Mussorgsky's Songs and Dances of Death, is sung from the perspective of Death riding through a battlefield after a battle. It's everything you want from that evocative premise.

- "Russia," Mily Balakirev is a symphonic piece that's meant to try and encapsulate the Russian identity. It's beautiful: moody in places, sprightly in others, dramatic, languid, mercurial. Surprisingly good study music, somehow? 

- “Islamey” from Balakirev’s Oriental Fantasy is reasonably well known in the West, but it’s so much fun. That’s all I’ve got to say about it. It totally slaps. 

- “The Lark” from A Farewell to Petersburg (also Balakirev) is just so sweet and sad and delicate. It settles my heart so wonderfully.

- Rimsky-Korsakov's Russian Easter Overture is just glorious. It's the sort of music that grows in beauty and hope from its first strains. It's sunrise on Easter and everyone waking up and getting dressed and going to church. It's mounting excitement of Easter morning and the joy of celebrating the Resurrection.

- Parlor music! You know how in Tolstoy novels a character (or several) will sing something at a private party or gathering? That’s this stuff. Alexander Dargomyzhsky’s is some of the best. I quite like “Enchant Me, Enchant” because I can so easily imagine Natasha singing it. “The Old Corporal” is quite good too. Full disclosure, I mostly listen to Dargomyzhsky while thinking about Tolstoy novels ;)

- A wonderful cello nocturn by Alexander Borodin. Mournful, but with moments of joy and lightness. Perfectly balanced. My mom really likes this one.

Oh goodness, Cesar Cui is the last member of the Mighty Five and I can’t think of anything of his that I really love off the top of my head. So sorry Cesar! I should listen to more of your stuff.

-Tchaikovsky came after the Mighty Five, but was definitely a product of the New Russian School and I need to talk about his Sixth Symphony. His Sixth Symphony (called Pathetique) is popular in the West, but not many know the story and significance behind it. Tchaikovsky was coming to the end of his life and old St. Petersburg was coming to the end of its. Pathetique quotes from the Russian Orthodox funeral service. Its last movement incorporates De Profundis, a prayer for the dead. The Symphony is beautiful and mournful and, when it premiered, the curtain fell not to applause but to weeping. The Grand Duke Konstantin Konstantinovich ran up to Tchaikovsky crying "What have you done? It's a requiem, a requiem!" Ya know that scene in the movie Amadeus where Mozart writes his own death mass in bed and then dies? Yeah. Except in a way, this was a requiem for the Russia that died with the revolution as well. Tchaikovsky was a lot like Akhmatova in that he looked at Old Russia with nostalgia before it was even gone.

Bonus: I like bombast. Here's Glinka's Patriotic Song. Glinka predates all these other guys, but he's wonderful and really deserves to be better known in the West. In Russia, he's like their Mozart.

Between this and the opera post, I hope I haven’t overwhelmed anyone. During quarantine, I used to go for drives with my mom and sister basically every day. Occasionally, I played my Russians and my mom’s response was “this makes the pandemic feel a lot more epic, doesn’t it?” 

#i could go on #just. Russia man #russia where are you flying to? #how can i keep from singing #ask me hard questions

[vvivacious101]

Rewatching RWRB ALREADY?!

I rewatched the film. And, I can say this for a fact that I liked it a whole lot more the second time around and I already liked it the first time around but watching it for the second time made me appreciate it a whole lot more!

This has never happened in my life, I have never rewatched a movie in a single day! So, RWRB is making my personal history as well.

I remember the director mentioning the fact that Nick or Taylor are in every scene of this movie and they really are! They really carried this film.

Under the cut are all my thoughts that I had while rewatching this movie for the second time. There are spoilers galore. So, you have been warned!

Also, if you make a drinking game out of every time I use the word 'good' you will be dead by the time you reach the end!

With all that out of the way, let's get into it!

"When the revolution happens it will be because of this wedding." Henry's first line in the movie is so underrated!

Cake-gate is AMAZING! I love the fact that Henry pushes Alex down while getting up! Poor guy deserves a little revenge. I had never heard the song ‘Bad Reputation’ before but I'm in love with it!!

Everyone who said Zahra is the BEST thing in this movie is right. I can't get over her railing Alex with a pillow.

“What if I set myself on fire?” Alex is the king of comebacks! “We'd ship the ashes to Heathrow.” But no one is getting one over Zahra.

Taylor as Alex is so good! I can't get over how perfect he is!! Also, I love how Henry is just upstaging Alex in the damage control portion of this movie. Like, Henry's revenge arc is not over yet!!

I feel bad for Alex, every time he tries to one-up someone he just ends up backing himself into the corner.

Okay, the CLOSET SCENE AKA ONE OF THE ONLY SCENES THAT I REMEMBER FROM THE BOOK IS EPIC!!!

The beginning of it with them flailing around is peak physical comedy and then Henry just casually admits to smelling Alex... it's too much and it's only starting.

I just love how Taylor fidgets in this scene, he is like trying to find space for himself so badly but when he turns to confront Henry that moment is so good!

“I need to get out of here.” Ugh, I feel for Henry.

Okay the threat neutralized bit is comedy gold. I hope it becomes a viral meme!

We need to talk about Oscar. There is something very weird about Alex's parents. I feel like the writers of the film were very conflicted about their relationship and instead of having them be together or be divorced, they just left them in limbo. We never see Ellen and Oscar interact in the film. In the one scene, they do appear together, Alex is in the middle and it feels weirdly symbolic like he is literally the thing keeping them together.

We need to talk about this coffee shop scene. We all hate Miguel. But seeing Taylor as Alex in this scene is everything. He comes across as so charismatic and gorgeous. Just look at him!

We have got to talk about how many strong female role models Alex has in his life – his mom, Amy, Zahra even, Nora.

Zahra literally puts on a lot of hats in Alex’s life. She is like his big sister, substitute mom and friend and she does all this while looking supremely put out with Alex. This one’s a multitasker.

This is what I actually want to do in parties!

Henry is so awkward, I love how squeaky he sounds when he first meets Alex at the New Year Eve's party, poor boy is so awkward. And, then when he gets left alone he just completely shuts down. Henry, I love you!

I love how Alex just pulls Henry onto the dance floor.

Henry isn’t even dancing he is just getting progressively more drunk and flustered.

Henry looks so devastated in this scene. I literally feel for him. But, I can’t get over the fact that the song playing in the background is 'Magic' originally sung by Selena Gomez for Wizards of Waverly Place the movie. I loved hearing it here even though they are using a remix in this instance.

Their first kiss is so GOOD! I have seen it umpteenth number of times thanks to the trailer but it hits me in the feels every time. Also, I love how panicked Henry is and how shocked Alex is after the kiss.

“More like the first 50 rows of a Gaga concert kinda gay” is absolutely sending me. Also, accurate AF.

Not Alex being completely distracted by the sight of Henry!

Amy and Alex's moments are so GOOD! I really love the casting for Amy!!

IMHO all of Amy and Alex’s scenes should become viral memes, they are all so good!!

This entire RED ROOM sequence is so epic with Alex trying to decide how he should be standing when Henry comes in, to the ending when Amy barges in and Henry starts looking at the books so intently and whatever the hell Alex is trying to do. Oh god!

Like Stonehenge!!! (IYKYK)

Poor maypoles. I really love this scene. There is a reason we got a teaser for it, their chemistry in this one is off the charts!!!

This kiss is my absolute favourite no wait isn't the bicep kiss my favourite but this one is up there. It's so good. The way he pushes Alex and kisses his smile and then stares at him. Ugh so so so good! This teaser might have come close to the trailer in how many times I watched it and you may remember that the trailer came way earlier.

Oh god, Henry is so goddamn happy and SMUG as he says, "Yeah, agreed". He literally goes through every emotion under the Sun in this movie.

Wait a minute! WAIT A MINUTE! I didn't realise this the first time around but as Henry stands in the doorway he seems to be taking a mental picture of Alex and HOTDAMN. Fodder for the spank bank apparently.

The cafe scene is so good. The banter, the eye contact, the flirting, the blushing!!!

"And I thought Alexander Gabriel Claremont-Diaz was a mouthful." "He is."

Oh God! So good!!

"Only momentarily", that scene is so angsty. When Henry flinches it is its own goddamn scene!

I really like the "I'm so not playing this cool right now" moment. His apprehension is so delicious. I'm sorry Alex but it is and when he just puts his head down on Henry's shoulder in defeat. So good!

Let's talk about the sex scene! It is better than I remembered. I really like the kiss they share after Henry tells him that most people are wrong about him. And the thing with the hands. Listen I read a post about it being an old Hollywood thing but man if this is an old Hollywood trick it was masterfully employed. I just loved their hands and how Alex's hand is going down to meet his (imitating penetration) and then how Henry's hand opens up (imitating release) followed by the withdrawal of Alex's hand. This is genius why did people stop doing this! Also, Nick's expressions in the penetration scene are so goddamn... WOW. I don't know how to describe them but holy shit that is some explicit stuff. But what I think I love the most regarding this scene is how intimate it feels like the camera almost feels like an intrusion on a very very private moment because the scene itself seems to depict an intimacy between these two characters that is beyond just sex.

Also, RIGID. IYKYK!

I have got to give it to Taylor he really held his own in this scene with Uma Thurman. Like WOW!

Okay, wait there is another scene with Alex and his parents which I completely blanked out but it still leaves me with the same sentiment regarding the state of his parent's marriage.

Say it with me! Happy Henry is my serotonin!

Zahra really lays into Alex and Henry. "Little Lord Fuckleroy!" WTH! Henry's expression at the end of it all is so good!

This scene between Alex and Ellen is so heartwarming. I think it might be their best scene together. I love how there is this implication that things aren't right as Ellen picks up the phone but then it's undercut by the fact that she is only ordering pizza. I love how Alex's uncertainty over his mother reacting negatively is undercut by her acceptance.

The moment on the lake is probably my favourite part of this movie because it highlights the fundamental difference in Alex and Henry's positions.

Henry's situation isn't time-dependent or a for-now problem it is a forever thing and Nick's expressions in this scene are heartbreaking. But, despite where it ends up going I really love their interactions as the scene starts. Alex and Henry are so happy and touchy-feely. I just love the intimacy of this moment even though it leads to heartbreak.

Also, Henry jumping into the lake to escape a love confession is a whole-ass mood.

So someone pointed out that the transition from Henry's bedroom to the V&A is a bit iffy and it is. It totally is. I also don't know if I get what point Henry is trying to make with the whole trading one prison for another thing but the ending still makes the whole rift come together. I really want to know how this is handled in the book because I need clarification on the minutiae of this scene and how it came to be.

We have seen Henry and Alex in the same bed atleast three times now and this third time is the best. I love how Alex is holding Henry's wrist and how Henry smiles his little smile.

Henry is really conflicted at this tarmac, isn't he? And, things are just going to get worse.

I really like Alex's speech and how it's intercut with scenes of Henry literally trying to make himself smaller followed by scenes between Alex and Heney that we haven't seen so far. I especially like the last scene in the woods. Did I mention happy Henry is my serotonin?!

I really love Zahra's expressions in this scene. Zahra and Alex have some of the best scenes. These two really play very well off of one another.

The scene when Alex calls Henry baby. I remember reading someone say that they wanted this thing to be a whole ass thing and it was. It was a thing. I love how they utilised this endearment to further this moment.

This piano scene is so beautiful. These two really love each other.

I really like how Alex picks up Henry's nervous habit of fiddling with his ring.

So, we are here on election night and I just love the scene in the hallway with Alex and Henry and that hug. It's so damn cute and wholesome.

I really like the ending of the movie. It's kind of a nice allusion to Henry and Alex having a home together.

I really also love the end credits with the actors' names because in the end you have Nick and Taylor and you can see them playing with their pinkies. This scene is actually in the movie it's only that when it appears in the movie you are distracted by everything happening with the King. But, it is positively the cutest thing ever.

Also, the end credit scene. "Do you think anyone noticed?" You betcha Alex we did!!

#rwrb #red white and royal blue #rwrb spoilers #henry fox mountchristen windsor #alex claremont diaz #also for me henry is going to remain #henry george edward james fox mountchristen windsor #because i really don't want to mess up my tagging #myposts

[yell0wsalt]

🔀 for Linzolt! (thank you so much for my own ask and the comment!)

Miracle Pill - The Goo Goo Dolls

Thanks for the ask! Ooooh, how perfect for this pairing, shuffle came through! I took this song as being able to follow your heart in starting over to be a better person. Linzolt through and through ^.^

Anyways..

–

Following his bending being taken away at the hands of Amon, Zolt had no direction in life. He realized he could no longer continue to be in the Triads. The members of the gang wouldn’t respect him, having lost part of his identity that made him the Lightning Bolt Zolt, one of the most notorious crime bosses in the underbelly of Republic City. 

While Avatar Korra was able to figure out how to restore bending to those who lost it at the hands of Amon and the Anti-Bending Revolution, Zolt knew he had no business asking for his bending back. As if they would give it to him, anyways.

And so he had no choice but to try to start over in living his life as a non bender. He worked to keep his head down– he changed his hair, his name, and kept away from stray Triad members and business about the city.  

Zolt set up a small corner store and had been living his life peacefully for a while. 

Or so he thought.

There was an incident when gang members broke into his store, stole a significant number of items, and defaced his property. 

A warning? An act which happened to be a coincidental case of wrong place and time?

Either way, Zolt was uneasy and realized he couldn't do anything about it on his own. Reluctantly, he put in a formal police order. 

It was here where he encountered Lin for the first time in years since matters with the Equalists subsided. 

Lucky for him he supposed, she wasn’t able to recognize him and did her work to make sure his assets were covered. 

After the matter with the break-in and once his shop was restored, Lin found herself stopping by more and more. Checking in on the shop, purchasing items, and making small talk with him. 

Zolt was afraid of her discovering his identity and past, so he worked to keep himself at an arm's length, only indulging her in the bare minimum of information, filling in gaps with small lies.

However, there was a deeper part of himself that started to burn where he began to look forward to the bell chiming and he’d see her step in his corner store.

It was weeks of their friendly greetings and talks in Zolt’s shop before Lin took the plunge to ask him out. 

Zolt was hesitant, but there was a glimmer of hope he wanted to hold onto. The chance of a simple life with someone else.

And so he said yes.

Their date was small, peaceful, and a private moment for the two of them.

It was when the date was nearly over Lin let it casually slip in calling him Zolt. The truth was now out in the open. Lin had been aware of who he was from the beginning, but had been keeping an eye on him and the fidelity of his business.

Zolt thought everything was over for him. Should have known better. His chance to start fresh for a quiet life, the possibility to even fall in love. Love? Yeah, love, he had to admit to himself. It was all hopeless. He felt the floor falling beneath him; his emotions played with. 

Solemnly, he asked what she was going to do with him.

Her? Nothing. She had hoped he’d give her a kiss good night, though.

Zolt was confused. If she knew who he was and his past, why would she be interested in a good night kiss?

She honestly couldn’t provide a clear answer. However, as she got to know him more visiting his shop she admired his true determination to start over. Her plan in letting his former identity slip was to not only confirm her suspicions but also start what it is they’re doing fresh with no lies between them.

Made sense to him.

Lin broke the quiet between them. “And what about that good night kiss?” 

No further prompting needed, Zolt stepped forward and embraced her gently. Hand around her waist and the other cupping the side of her face, he brought her in for a tender and loving kiss.

When their lips made contact, the connection was electric and they held onto each other more tightly.

Zolt’s heart raced as the possibility to start again once more felt within reach.  

–

All of my fight / All of my fear / All of my darkness leaving me here

I'm starting all over

🔀 and a pairing

#linzolt #lin beifong #lightning bolt zolt #ficlet

[johaerys-writes]

Get to know me

I was tagged by @baejax-the-great, thank you so much pal! 

Share your wallpaper: My phone background for the past six months or so has been the same Patrochilles art that I'm actually not sure if I should post here without permission from the artist lol. But I can confirm that it's the cutest, most loveliest drawing of them, and Achilles looks so baby in it and I love staring at it every time I open up my phone :')

The last song you listened to: Unbound by Asgeir

Currently Reading:  Ten Days That Shook The World by John Reed (don't ask why or how, but my autistic Special Interest of choice for the past 2-3 weeks has been the political intrigue surrounding WWI and how it fuelled the October Revolution so I've been reading any book/watching any documentary I can get my hands on about it), and I've also been listening to The Bell Jar by Sylvia Plath while doing chores and stuff

Last Movie: Everything Everywhere All at Once with @baejax-the-great

Craving: Travel :|

What are you wearing right now: My fluffiest house robe and my fluffy slippers and super comfy and soft socks, and yes I'm still in pyjamas 

How tall are you: 167 cm, no idea how that translates in feet and inches lol don't make me google it

Piercings: I have one piercing in each ear, I've often thought about getting more but needles be scary 

Tattoos: 6, and planning to finish my half sleeve by the end of the year

Glasses? Contacts?: Glasses, and I do sometimes wear contacts as well

Last drink: I am currently drinking some lukewarm coffee with oat milk :3

Last show: In the past couple years I've become so bad with starting shows and actually sticking with them lol, but I did do a rewatch of Neon Genesis Evangelion fairly recently..... OH and I watched Interview with the Vampire with @baejax-the-great a little while back which was super fun!! (because apparently I can't watch something unless I can shit talk or go feral over it with Bae LOL)

Last thing you ate: Toast with peanut butter and an apple

Favourite colour: Oooh that's such a hard question to answer!! The first colour that comes to mind is blue -- I always gravitate towards some version of blue, and currently it's deep navy blue, but I also own a lot of powder blue stuff. It's either that or baby pink or cream tbh, but I also own a good amount of gold/mustard things as well. Yellow makes me happy. I find jewel green incredibly pretty though I weirdly don't own anything of that colour (which reminds me I should perhaps make that a priority)

Current obsession: I'm guessing this is a fandom related question, so I'm going to be predictable and say that I'm, as usual, obsessed with Patrochilles and most of the other pairings I am currently writing, even though anxiety over real life stuff hasn't let me engage with them as much as I want lately. I do think about them a lot and have lots of ideas for new stories, and I'm also working my way back into catching up with fics I love, which I haven't been able to do in a while despite the joy it normally gives me. Brains can be very uncooperative at times, but what can you do about it lol. 

Unrelated Obsession: As I mentioned earlier I have been obsessed with Russian and generally European politics of the early 20th century for some weird ass reason lmao, but I've also been reading an in-depth analysis of Aeschylus' life and work I found in some corner of my library, which led me to looking up some academic papers about it, which led me to signing up for an online course about Athenian tragedy, so um?? I don't know what it is with me and going down those endless rabbit holes lately ahah. 

Any pets: I have a cat, aka a baby and a bastard and a devil spawn all wrapped in one (he is currently sleeping like an angel after attempting to tear down the curtains)

Do you have a crush on anyone: Um. Like, on a real life person? A fictional person? I do have crushes on several of my mutuals so if y'all are reading it I'm kissing you on the forehead MWAH

Favourite fictional character: I can't choose, don't make me choose!!!!!!! I can't choose between my children. But if I had to choose then maybe.... Patroclus? But also, Achilles? But also, my OC Tristan Trevelyan and Dorian Pavus from DA? But also Shiro and Keith from VLD? But also -- SEE, IT'S IMPOSSIBLE TO CHOOSE

The last place you traveled: It feels like it's been SO long since I've traveled anywhere. I went to Aegina island last summer but since then I haven't been outside the city for even a DAY and it's been driving me crazy. I just need to see some green and blue and listen to nothing but birds or waves or the wind (at this point I'll even take the rooster that woke me up EVERY DAMN MORNING when I was in Aegina lmao). I'm planning on going on a day trip to Mycenae soon though so I'm very excited about that 😄

Tagging forth to @in-arlathan, @mogwaei, @tessa1972, @aymayzing, @inquisitoracorn, @tevivinter, @elveny, @pikapeppa, @petrowriting @peggy-sue-reads-a-book @juliafied, @vimlos, @gloriesunsung, @figsandphiltatos, @gwensparlour, @glimmerofgold, @sabino-sea, and so many more of my mutuals that I'm actually too shy to tag here. But seriously if you're reading this and it looks fun please do it and tag me, I'm nosy and I want to know everything about you LOL  

#get to know me #tag meme #jo rambles

[thefinalvoid]

Just watcged ep 1 of revolution girl utena. Thoughts below the cut the tldr is i fucking loved it.

i realize i dont know who utena is. Anyway. Banger intro, lots of queer themes.

Huh that prince story is something ill need to remember, it obviously carries narrative weight. Also the prince character looks like the other girl from the cover.

Wakaba either has a girlfriend or wanted her friends to think she's “just a normal girl hehe not waiting for my partner in battle” i dont know what actually the main plot is. I know they fight. Saw that in the banger intro.

Fancy ass school. I dont know if i should trust it tbh

Ah so utena is the girl with the pink hair. Based. I had it wrong lol. Also she has a point. Thats the way it goes!

Wait are Wakaba and Utena dating? (Or at least does Wakaba think they are dating?)

Hell yeah utena! Be a prince that saves princesses!

Utena has amnesia??

Anthy Himemiya! I thought she was utena tbh. Before i started watching.

Hey dont diss Anthy Himemiya! The fuck wakaba she's literally taking care of the roses.

Fuck yeah get Saionji’s ass. Dont let him be mean to Himemiya.

Im sorry the student council exists by the will of the end of the world??? The fuck is this school.

The end of the world is people. Okay. Sure why not.

Fuck you saionji

Lmao. Onion forehead.

Oh no why would you make me laugh at wakaba having an onion forehead then show her heart getting broken (btw what the hell are the dating rules at this school?)

Anyway im going to kill saionji. Lets go murder a guy utena.

Sorry im sorry i find forbidden forests hilarious. I know i have a forbidden forest but like. They are objectively a hilarious concept. You cant ban people fron the wilderness.

Oh shit its the fucking rumor uwasa girls from magia record iroha get over here

FLOOD

What the fuck is this forest

Are the end of the world people living in here

I mean the song keeps saying “absolute destiny: apocalypse” so. I assume that yes the end of the world people are here

Epic inverted castle

Oh that cgi. For the spinning castle. Its not good. Not immersion breaking tho i think i only notice it bcz im a Nerd.

SAIONJI BRO SHES EXPLAINING THE RULES. DUDE. this is kinda like getting to the point of being comically evil tbh. Utena if you dont fuck this guy uo im gonna be so dissapointed in you

Wait so Himemiya just has to marry whoever is the champion duelist thats so fucked up. End of the world people I do not like you.

WOAH SHE HAS A SWORD IN HER. saionji The imagery says you are killing her. I mean the text is saying that too but the imagery is saying that you will be her downfall if you are not stopped. I would stop if i were you.

Oh yeah dont bring a wooden sword to a real sword fight. Utena please. I believe in you!!!

GET FUCK SAIONJIIIII

Oh fuck Himemiya with the killing blow “cheer up schoolmate” ahshshahsjkdhsjaj yessss kill him

Touga Kiryuu what the fuck. Utena is not going to like you i think. Are you the next mini villain.

“Better just forget about it” GIRL. YOU SAW SO MUCH SHIT.

“From this day forward i belong to you” WHO DID THIS TO YOU HIMEMIYA. WHO FORCED YOU TO BECOME A SWORD LAMP. I WILL KILL THEM

#revolutionary girl utena #rgu liveblog

[floralcavern]

Ranking s1 Hazbin songs

16. Welcome to Heaven - The most bland, basic bubblegum pop. A huge disappointment to Heaven’s intro. I was more or so expecting a song that’s more orchestral and choir-y with sinister undertones. This song is a huge let down. 

15. Whatever it Takes- The more I hear it, the more I hate it. Carmilla’s voice is just not doing it here and clashes with Vaggie’s voice rather than meshing. Even musically wise it’s not very good. 

14. It Starts With Sorry- The actual music is great and Sir Pentious is amazing. It is LEAGUES ahead of Welcome to Heaven, but it’s too cheesy and.. goofy instead of emotional 

13. Out for Love- Carmilla’s voice actress is a great singer, but she’s just not doing it for me 2 out of 3 times :(. Musically wise, it’s great. An absolute bop. But the singing isn’t.. my favorite. And don’t even get me started on the lyrics. It pisses me off that this song is implying that Vaggie has always only been out for vengeance but never truly out for love, despite the fact that that’s her whole thing. Her entire relationship with Charlie is about fighting for love. 

12. The Show Must Go On- It’s sweet to see everyone supporting Charlie and all, but.. eh. The only reason it’s not lower is because of the Vs and Alastor absolutely KILLING their parts. 

11. More Than Anything (Reprise)- Their vocals were phenomenal. They hit those high notes. But it’s too short. 

10. Ready for this- It’s giving revolution, which I love. We’re getting to the really good stuff, so don’t take this being low as it being bad. There’s just some really good shit in this soundtrack. I love Alastor and Rosie’s part and them being so proud of Charlie. 

9. Happy Day In Hell- Charlie’s voice actress was clearly having the time of her life. It’s so fun and broadway. 

8. You Didn’t Know- It starts off eh, but once Lute gets her hardcore solo, things went up. Charlie and Emily singing together was just.. chef’s kiss. 

7. More Than Anything- If we were going off of pure vocals and how good the scene was, this would be too 3, easily. But this is based off my own musical preferences. So while the song is definitely S tier, it’s not something I really listen to just to listen to it. But just because it’s at 7th doesn’t mean it’s mid. Farrrrr from it. 

6. Poison- I really wish I could put this one higher. But it really goes to show how great this soundtrack is! Poison slaps. There’s not much to say about this song that so many people could articulate better than I ever could. 

5. Respectless- Carmilla killed this. The classic and more traditional Spanish guitar contrasted with Velvette’s poppy and newer techno music really shows not only their personalities, but also a more difference in generations and what’s new. It gives huge Six vibes as well. 

4. Hell Is Forever- I’ve listened to this song more than I’m willing to admit. It’s so good and the guitar solo genuinely slaps. Adam is such a little douche, but he’s a fun douche.

3. Stayed Gone- Who let Vox cook?! The beat is so fun and the beginning and end paralleling each other makes me go feral. Vox is such a boy loser, I want to squish his brains out.

2. Loser, Baby- Husk’s voice is so smooth and sultry, I really hope he gets to sing jazz in season 2. But he’s so sweet in this song and the song has such a sweet message in it. The part where he and Angel start singing about an undesirable thing they’ve done “I’ve got no more holes left to deflower.” “I sold my soul to save my power.”, is SO FUCKING GOOD. 

Hell’s Greatest Dad- I’ve lost count on how many times I have listened to this damn song. It is so catchy and has one of, if not the best beat out of all the songs in this soundtrack. Lucifer being the only person who can get under Alastor’s skin is hilarious, I just know Vox is fuming. It just sucks that Mimzy ruined it. But this song is so good that despite that, it still manages to be my number 1. 

#Hazbin hotel #hazbin #hazbin soundtrack #Hazbin ranking #Ranking

[ganseysglasses]

I’ve had boygenius brain rot since The Record was released so let me tell you what song goes to which of the raven cycle characters.

Starting with the obvious, Ronan is SO revolution 0 are you kidding?? “i don’t wanna die / that’s a lie / but i’m afraid to get sick / i don’t know what that is” so so so Ronan. ALSO “i used to think if i just closed my eyes / i would disappear” ?? enough said. revolution 0 is questioning the world you’re in and your purpose in it and if that isn’t the epitome of Ronan Lynch idk what it.

Adam is definitely Letter To An Old Poet to me. This was a really hard choice because Adam Parrish is incredibly boygenius coded but i have evidence. “you’re not special, you’re evil / you don’t get to tell me to calm down / you made me feel like an equal / but i’m better than you / and you should know that by now” it’s Adam Parrish learning who he is and that he’s more than his background, more than what he’s been told he is by his father, the other students at aglionby, and even himself. Letter To An Old Poet makes me feel like reflecting on what used to be and realizing how much time has changed everything around me. That’s just so Adam!!

I’m not SUPER confident on this one, but Noah is Anti-Curse. First of all, Noah Czerny just seems like a Julien Baker fan idk. Also kind of obvious text evidence “making peace with my inevitable death.” now i KNOW that could also be Gansey, but hear me out. Noah knew from the beginning that he was going to be gone and leave his friends over and over again (poor guy :( ) and he still MOURNED and resisted his inevitable undoing. I feel like Gansey didn’t even actually come to terms with his death. All of the Raven King was spent searching for a solution, and even though Gansey had proof he would die, he didn’t quit searching for a solution. Noah on the other hand embodies Anti-Curse and the theme of making peace with where you are. It’s really heartbreaking honesty.

Gansey boy himself is OBVIOUSLY True Blue. I have authority on this because i AM Gansey. He’s me. Anyways, i realized Gansey was true blue when i heard the line “but it feels good to be known so well / i can’t hide from you like i hide from myself” which is also when i had the idea for this post (before taking many weeks to write it out). Additionally just think about Gansey’s relationship with his friends with this verse “you’ve never done me wrong except for that one time / that we don’t talk about / because it doesn’t matter anymore / who won the fight? / I don’t know” Gansey being so willing to do anything for his friends, and ignore any fights or disagreements just to get them to stay. True Blue embodies the longing to be seen. to be known and understood and loved in despite of people seeing. And that’s a very clear character trait of Gansey’s throughout the books.

Finally, Blue Sargent herself. She’s Satanist, which i feel might be a bit of an obvious choice but it fits. Blue makes it known where she stands on everything, is very independent, and has a lot to prove, which really suits this song. The verse “will you be an anarchist with me? / sleep in cars and kill the bourgeoisie / at least until you find out what a fake i am” says it best. Blue is so desperate to be sure of herself and achieve what she wants, but there’s so much she’s not sure of. (her principles after finding her raven boys, college, careers, their quest, etc) Satanist is a song that takes a stand so confidently while having no real intention of acting upon the decisions made. Not because it doesn’t believe in the decisions or the principles behind it, but because it doesn’t believe in itself.

Anyways that’s my interpretation of the raven cycle with special guests Boygenius!

#the raven cycle #gansey #blue sargent #adam parrish #ronan lynch #noah czerny #richard gansey #boygenuis #the record #phoebe bridgers #julien baker #lucy dacus #the raven boys

[sshbpodcast]

Top 3 Star Trek Deep Space Nine characters

By Ames

A Star to Steer Her By is continuing our trend of spotlighting minor and one-off characters from all the series. We did it with The Original Series. We did it with The Next Generation. And after having a lot of nostalgic vibes from this week’s podcast episode, we’re ready to give some glory to our favorite characters from Deep Space Nine!

There are just a TON of great characters throughout a series known for its amazing character work, and we did a pretty good job limiting ourselves to those who we didn’t see that much of since so many folks become familiar faces over the course of the show. So spin the wheel with us as you see all our picks below and listen to our very difficult decisions over on the podcast (discussion starts at 1:03:03). These characters will have you yelling “Dabo!”

[images © CBS/Paramount] 

Jake – Honorable fights

Aamin Marritza

Tekeny Ghemor

Grilka

Walk a mile in the shoes of any of Jake’s picks and you’ll be exhausted by the hardships you have to endure just to do the right thing. From a pair of Cardassian men whom we’ve discussed in our Cardassians blogpost, one who is trying to atone for the wrongs committed by an entire people and one who is secretly leading a dissident movement on Cardassia, we move on to one of our favorite Klingon lasses who just wants to bring honor to her house in defiance of some of the more sexist laws on Q’onos. Qapla’!

—

Ames – Voices of a generation

Tosk

Pel

Lisa Cusak

I am Tosk! The three one-off characters that I’m highlighting all make us not only look differently at how we treat people, but also in how we tell our stories. Let’s start with the first species we meet from the Gamma Quadrant who relates the complicated history of his hunted people with simplicity and humility. Next is the first female Ferengi in Star Trek, who starts us on a journey of change on Ferenginar that becomes a theme throughout the series. And finally, here’s a character who is downright fascinating despite the fact we never even see her on screen, but the sound of her voice is all we really need.

—

Caitlin – Found family

Lwaxana Troi

Liam Bilby and Chester

Tekeny Ghemor

Caitlin’s choices for DS9 characters are all complicated parental figures in their own ways, but like good mothers and fathers, they care for their flock and lead by example. We see a repeat from one of Caitlin’s faves from TNG, who has returned to show Odo a new side of herself. We also have a new sorta father figure for O’Brien when he temporarily infiltrates the Orion Syndicate just to have his heart broken a bit, and also Kira’s Cardassian sorta dad who treats her as he would his own daughter… who happens to have her face.

—

Chris – One day more to revolution

Michael Eddington

Aamin Marritza

Leck the Eliminator

“Do you hear the people sing? Singing the song of angry men?” Okay, that’s enough Les Misérables quoting for this post. Chris’s picks are all ready to fight for their beliefs, whether they be as leaders within the Maquis, resisting that Federation-Cardassian treaty that boned so many people; as a martyr making a statement about how his people need to be brought to justice for their cruel occupation of Bajor; or just as a normal guy who really loves killing for whatever reason you throw at him!

— We’re going to keep chilling here on the promenade, having a jumja stick, maybe dangling our legs over the second floor landing. There’s more in store for our Deep Space Nine friends next week when we’ll try to thwart our favorite villains of the series. So definitely keep your eyes here for that, keep up with all of our coverage over on SoundCloud or wherever you listen to podcasts, and hop in a roundabout to join us on Facebook and Twitter. There will be no running on the promenade!

#star trek #star trek podcast #podcast #deep space nine #star trek ds9 #ds9 #tosk #lwaxana troi #aamin marritza #pel #tekeny ghemor #grilka #michael eddington #ee'char #sirella #leck the eliminator #liam bilby #lisa cusak #les miserables

[ghostinacardboardbox-oldblog]

The Art of Pleasing Princes Cast Recording live reaction

Spoilers ahead (obviously)

Your Day in Court

Aaaaaaa the harmonies!!! It’s so beautiful!!!

The instrumentals sound so good

The cast has such a wide range and I love it so much

The high notes holy heck. It amazes me that the human voice can sound like that.

The end part!!! Aaaaa

When You’re Small

Gonna be honest this isn’t my fave song in the show but this is a vibe

Again with the instrumentals!! They’re so cool

The acting

“A political tragedy waiting to happen” is delivered so well but also. Rude. Be nice to my blorbo >:(

Definitely have a new soft spot for this one

The Art of Pleasing Princes

He’s here!! Rowan!

Again with the range ahdhahdjajd

The dialogue about the king wanting him dead is gone and I get why but also just the “oh… yknow… *bleh*”

The melody for “and he drinks his liquor from a golden spoon” is one of my favorite individual lines of music in the show

He’s so cool. I know the point is that he’s an asshole but I simply don’t care.

Love Doesn’t Know Time

The smoothest voice ever my goodness

I know that albums cut dialogue a lot but that instrumental felt a big long without it

“Every night I’m not with you I die a little more” ME AND WHO WHEN

I love that the drums almost mimic a heartbeat? A little bit? Maybe I’m reaching.

All of the harmonies in this show are great but I really love these two together

All Angels Have To Fall

Oh fantasy trope of a would-be assassin taking pity on their victim before immediately getting caught, we’re really in it now

To be fair if you’re gonna spend the time singing a whole musical number about it, it only makes sense when you get caught

That Outro is so gorgeous

Blood Oath

LETS GO BLOOD OATH MY BELOVED

This intro is my favoriteeeee

THE BEAT DROP YES YES YES

Rowan going from soaring high notes to pure anger is important to me I love it so much

The instrumental is so groovy

“A revolution darling, or a coup” and “Angel, you should count yourself lucky” are just. Yeah icon behavior.

Okay what instrument even is that in Louis’s verse

YOUR PRETTY HANDS MAY SHY FROM BLOOD BUT MINE ARE NOT SO BLESSED

I love the way that the music stops at the end of that line and then starts up strong as ever

HERES WHERE I HELD MY MOTHER WHEN HIS TEMPER MIXED WITH WINE

Something about “what good is a bastard son of the real bastard never atones” makes me feel things

You can’t really hear the harmony in the recording of the staged reading at the end (at least I can’t) so very pleased about how well made the album is and that I can hear Louis here

Dead Princesses Go To Heaven

Iconic. That’s it that’s the reaction.

The piano is so pretty!!

The back and forth nature of this song is just so fun

I love the line “we could stage the perfect crime: kill the princess, spare the lover”

It All Just Makes Sense

I love the piano part

They have such a powerful voice

It’s so beautiful I can’t put it into words eeeeeee

Is that a key change wait

I have a really bad ear for music and didn’t remember a key change here but okay pop off

Old Friend

Oop the fruits are fighting

SCREAMING ABOUT THIS INSTRUMENTAL

its perfect and I will have it in my head forever

How does Rowan’s actor switch so effortlessly from head voice to chest voice and back again the SKILL

the little sneak peak of If You’re Not Careful

Rowan calling himself the optimist is so funny when you think about the fact that he is constantly on the verge of a breakdown

I love counterpoints!! This show makes such good use of them but I really love this song’s in particular

How did they make the “if you don’t fuck it up” part sound so pretty

Talk About It With You

Gonna be honest I don’t get the metaphor but that’s fine

Me jamming to a song I’ll never truly understand: haha gay

The last chorus 🥺

Rush of Blood to the Head

This is such a great act one finale like this is musical storytelling at its finest

It took me longer than I’d like to admit to understand the “not a second to lose when nobody has died to stage a murder so grisly that no body survived.” Like that’s actually really clever I’m just dumb.

The harmony on “Sir Jason just had a rush of blood to the head” ajdhajdhahdjhfjdjjd THATS SO GOOD

I love that they all get a little solo bit

And then to sing a part of a song that’s significant to their character

I’m not the first person to point out Rowan referencing All Angels Have To Fall but that part sure is something (affectionate)

COUNTERPOINTS

Rowan in any song: I will sing both the lowest part and the highest and also the middle. because I can.

That last part where Rowan doesn’t finish the line because Maya interrupted him is just. *screams*

Allies With Benefits

This is a perfect act two opener. Like this is what the opening of the second act should always look like.

I’m thinking a lot about the top hats. I don’t need to see them to Know About The Hats

The little pause before the chorus is so ajdjahdjsfh

I’m also thinking about Rowan picking up Louis in this song. And then Louis’s little feet kicks.

It’s just so fun

Your Day in Court (Reprise)

I always preferred this reprise to the original

The background vocals during Jason’s verse are so haunting

Rowan: I won’t catch feelings

Rowan: … I caught feelings

I love Maya’s part here because it’s such a simple bit of joy in the middle of the utter mess that is everyone else’s lives

The overlapping part at the end is my favorite part of this song and it sounds SO GOOD on this album

I Don’t Know

Comphet Made Me Unable To Understand Attraction and Now I Feel Incapable of Love: the song

The melody of It All Just Makes Sense showing up when he talks about what Maya said

He sounds so sad :(

Brb crying

No Strings Or Kings Attached

I didn’t really care for this one when I watched the recording but I like it a lot more here

“Queen is no title compared to your wife” 💕

Something about “maybe he’s a poor old man” makes me laugh a little ngl

Allies With Benefits (Reprise)

The fruits are fighting: round two

I love when a happy funny song gets a dark reprise and this is the best example

Louis is spitting facts

The Blood Oath melody PLEASE

that high note at the end kills me every time

Crown of Bones and Lead

Louis’s two solos being a perfect inverse of each other is just gorgeous.

Louis going from “that poor knight” in Allies With Benefits Reprise to “my poor knight” in this song

If You’re Not Careful

The way this song cuts out so suddenly just aaaa

Gets a gasp out of me effortlessly

Heart’s Blood

Alright I’m ready to be hurt again

“I don’t want them, I don’t want anyone but you” 🥺

The little piano melody after “only for you” please

I maintain that “I could settle in your arms” means Rowan wants to be the little spoon but won’t let himself be vulnerable. In this essay I will

AND IT ALL JUST MAKES SENSE

YKNOW

IT ALL JUST MAKES SENSE

I love this bridge so much help me it’s gorgeous

And the Outro is just so soft and

I’m not ready for what happens after this you don’t understand

If I Knew You Then

Jason and Louis knowing each other since they were teenagers but not really getting to know each other until this moment is. Wow.

They’re so cute

Can’t Hold Back the Tide

It’s just starting and I’m already sad

This sounds SO GOOD

Wait background vocals?? WHO WAS THAT

the buildup is fantastic

“It’ll take your life if you’re not careful” :(

Love and Everything

“Just know that you deserve love, love and everything” :)

HERE HE IS

nothing will every capture the first time I saw this part and how shattered I was by Rowan in his WHITE SHIRT

Like it wasn’t fully unexpected for him to show up in the finale but it still hurt me

And he got the best part too

That harmony again

In conclusion: this album is so well-made and so beautiful and this show owns me soul. I’m thinking of it always. I have been given great power today and it’s the power to put Blood Oath on loop. Help.

#ghost posts from their box #the art of pleasing princes #taopp #art of pleasing princes #aopp #cast recording #musical theatre #reactions #taopp rowan #taopp louis #taopp Maya #taopp Maddox #taopp Jason #rowan astor #louis rosemont #Maya astor #jason bartok #Maddox Horowitz

[gyldowen-draws]

What's this? A Rhys playlist? On MY blog? It's more likely than you think!

Music has always been a huge inspiration for my writing and my art, so I wanted to share some of the songs that match Rhys' Vibe™️

I would absolutely love any recommendations for songs that would fit my dearest bastard! Please, please, please send them my way ^.^

Analysis under the cut!

(Just a note: I make a lot of references to Rhys' backstory so if you'd like some context, it's in his ref sheet!)

Fake Your Death: First of all, this is a 10/10 great song all by itself. From the driving drums and piano to the melancholy yet determined delivery of the excellent lyrics, it perfectly captures Rhys' life, always having to move from job to job and literally having to fake his death a couple of times. Some lines that really stick out are, "But even good guys still get paid", "I choose defeat/ I walk away/ and leave this place the same today" and "Just look at all that pain" but honestly every line could accurately describe Rhys and his feelings. If I had to chose one song to represent my boy Rhys, this would be it. Thank you Mr. Way for my life.

Dance on a Volcano: This amazing and energetic song is just a perfect metaphor for Rhys' entire life: in a dangerous situation all alone, not knowing exactly what to do, not able to look back, having to keep moving forward no matter what, the need to get it right. Plus the flame/lava imagery is just perfect for my fire mage. The line "Out of the night and out of the dark/ Into the fire and into the fight/ Well that's where all the heroes go" is just *chef's kiss* perfection. Additionally the line "Whatever you do/ you'd better start doing it right" was the inspiration for the title of my fic series about Rhys and Yor!

This is Gospel: Another great song that captures more of Rhys' internal drive for freedom and fear of vulnerability. And the song's inversion of religious gospel connects to Rhys' background growing up in the Cult of Miriar. To top it all off, he's definitely an "insufferable bastard", so this song's for him!

Dukes Up: This song perfectly encapsulates how Rhys' solution to every problem is violence. Plus it has a rawness to it that fits Rhys perfectly. Short, gritty, and full of raw anger. Just like Rhys!

Training Montage: To me, this song fits Rhys' time in the prison camp and when he decided to give up his life as a con man to become a full-time mercenary instead. The absolute determination in this song is amazingly accurate to how he puts his mind to things. Also the chorus is an incredible representation of his motivations in life. He wants to live in a way that goes entirely against what he was taught in the Cult, a revenge for his childhood. His main goal is to stay true to himself, but he's still figuring out who he is. He feels incredible guilt for killing some of his fellow Vessels and leaving them all behind in the Cult. Most of all, everything he does is for his younger self.

Thus Always to Tyrants: A great Rhys and Yor song! I love how it comes out strong with the lines "Let me die, let me drown/ Leave my bones in the ground", a very Rhys thing. It also does a wonderful job of contrasting the demands at the beginning with the questions at the end of the song, representing these two head-strong men coming together and trying to work out a relationship when neither really knows what they're doing. Also, the line "learn to love without consuming" is just so perfect for their relationship.

Like Real People Do: Absolutely gorgeous song! This is THE Rhys and Yor song. Everything about this song is perfectly accurate. From the understanding that they are both deeply haunted by their pasts to the respect that comes with not wanting to dredge up what is better kept hidden, the lyrics embody Yor's perspective on his budding relationship with the cagey Rhys. The idea that they can both put aside their hurts to find their humanity together through their love is so poignant and beautiful!

Wolves of the Revolution: This song represents a young Rhys, who - freshly escaped from the Cult of Miriar - discovers that the world outside his village is nearly as dangerous and unjust as the hell he just came from. The lines that really stick out are "There was blood in the air/ I was on all fours/ screaming life isn't fair", "born young and wild/ don't let them cut your tail" and "Just a pinch of salt in the wound/ you'll be fine". The soft, melancholy air of the entire song fits the struggles young Rhys faced as he navigated his new freedom all alone.

All These Things That I've Done: It's no secret, Rhys is an absolute bastard who has done plenty of questionable things over the course of his long life, but he still desires validation and understanding like any other person. The almost plaintive yet determined quality to the delivery of the lyrics fits Rhys in this context perfectly. With lines like "I want a meaning from the back of my broken hand", "I'm so much older than I can take", "These changes ain't changing me/ the cold-hearted boy I used to be", and "You know, you know - no you don't, you don't", this song provides a great window into Rhys' psyche. Can he find acceptance in himself and others for all the things he's done?

#Spotify #playlist #oc playlist #elf oc #rhys vanwenys #i know i wrote a lot #but in my defense i just have a lot of Thoughts about my boy

[lonelyasawhisper]

Records

Creem, 1st March 1979

The Royal Screw, Part VII

QUEEN Jazz (Elektra)

by Mitch Cohen

For a few weeks in 1978, an FM radio station in New York City was trying, earnestly and imaginatively, to create rock ’n’ roll counter-programming. A ratings turnaround didn’t happen fast enough, so it changed its format to something called “the Rock Champions” (i.e., more AOR elitism). This was around the same time that every film clip of The Yankees on television was scored with “We Are The Champions,” and the movie FM attempted to pass off “We Will Rock You” as the “We Shall Overcome” of the rock revolution. I started to despise Queen; a two-sided platinum single of aristocratic, pompous, triumphof-the-will arrogance in 4/4 time (if marches are to resound over the .airwaves, better Ace Frehley’s “New York Groove” any day) summed up for me the worst in royalist rock, and I couldn’t remember more joyless, numbing, contemptuous music reaching a mass audience. Frankly, I was wary of the implications.

I needn’t have been. I still despise Queen, but their music is so absurdly dull on Jazz, so filled with dumb ideas and imitative posturing, that it’s impossible to feel threatened by a barely competent rock group singing “if you can’t beat ’em, join ’em” (real 70’s-think: can you imagine a Queen Army, a pack of mascara’d lounge lizards walking in lockstep?). “Fun It” is their disco number for Christ’s sake, and it still sounds like a funeral march, with lyrical babble about dynastic movements. And no lead singer who evokes Joel Grey’s slimy Cabaret smarminess and who writes “the first Moroccan rock ’n’ roll song” (it sounds more like his haftorah) can truly be scary, just genuinely awful.

Queen used to make enjoyably ludicrous records like “Liar” and “Bohemian Rhapsody,” and Roy Thomas Baker gave their music an entertaining art-rock veneer that he adapted so successfully for The Cars. But now, even their best jokes—“Let Me Entertain You”, a parody of their own worthlessness; “Dreamer’s Ball,” an extravagantly condescending jazz-blues—are pummeled by the approach to the material. All four of Queen’s writers seem to know what a song is (they’ve learned and stolen from the worst of The Beatles just as Cheap Trick have absorbed and adapted the best) and when to stop, qualities lacking in many of their progressive competitors, and stripped of their pretentious overlays, the tunes on Jazz turn out to be swipes from The Cowsills, “Holly Holy,” Magical Mystery Tour, Disraeli Gears, Mott The Who-ple. If only Queen could lock into the simplest formula without attaching dead weights, if Freddie Mercury weren’t such a screeching bore (even his cock-rock, like “Don’t Stop Me Now,” is flaccid), if their arrangements weren’t on the basic level of Mel Brooks’ “Prisoners Of Love,” then Jazz could be studied as a catalog of pop-rock sources.

Mercury, surprise of surprises, may have turned into the weakest link of the quartet (although the rhythm section does plunge to deeper depths, it does so less frequently); his compositions dominate side one and they are, without exception, earsores: “Mustapha” (the weirdest lead-off track in the history of rock albums?), “Let Me Entertain You” (a pure rocky horrorshow). Guitarist Brian May handles all the jazzing up around here, with his rollin’ and tumblin’ “Dead On Time” and “Dreamer’s Ball,” the only song that even approximates the LP’s title (if Queen pulled a Kiss and released four solo albums, May’d be the best bet (o be their Ace), but as he is also responsible for the sniggery “Fat Bottomed Girls,” it would be a misrepresentation to exempt him from blame.

Maybe Queen thinks all this is funny, that their undisguised condescension (“rock ’n’ roll just pays the bills”) and operatic mannerisms atop a beat more Rockette than rock is entertainment, but it’s not my idea of a good time. For me, their snappiest one-liner is on the inner sleeve: “Written, arranged and performed exclusively by Queen.” As if anyone else would want to.step forward and take credit.

Bonus:

Mail

Creem, 1st May 1979

FAT-MOUTHED BOYS This letter is dedicated to some guy who calls himself Mitch Cohen,' they sapling who dares take credit for the review of the LP Jazz by Queen. (CREEM, March 1979)

The review he presented to us CREEM readers finally solved the mystifying question that has been baffling us since the beginning of time. The question being: Does listening to hours of shit (some assholes prefer to refer to it as "music") performed by such tirds (Or "musicians" as those same ball heads call them) as the Rolling Stones, Led Zeppelin, Kiss, Dead Ted Nugent, and other similar assorted nymphos deteriorate the brains and eardrums of rock critics? For those of you who are suffering from the listed ailments (Or worse. You could be trapped in a closet with a hi-fi crooning Black Sabbath shit), the answer is Y-E-S. That spells yeah.

One of the few remaining remedies for those conditjons is Q U-E-E-N. That spells excellency.

Disco is dying.

Punk is putrid.

But QUEEN is KING.

Fun it.

All Hail Their Majesties,

Fresca A. Randazzo Dover, NH

(And this month's winner in the Critic Hatred Sweepstakes is Mitch Cohen! Previous record holder Billy Altman distinguished himself with the hate mail received after his Who Are You review. Queen fans: we wanted to run some representative of your many amusing letters, and this is it; unfortunately the rest concentrate on what you see as Mr. Cohen's sexual and medical problems, and are hopelessly rank with spittle, with nary a defense of their music. Instructive, no?—Ed.)

THAT'S NOT A BANANA... Hey! RE: Your review-putdowns of Queen's latest, Jazz in your March issue:!!!!!!!!!!!!!!!!!!! YOU'RE SO DAMN RIGHT!!!!!!!!!!!!!

You told 'em!!!!!

Baby Face Toronto, Ontario

P.S. And that's not an opinion. That's a FACT!

Retrieved from The Creem Archive

#article #review #jazz #queen band #creem #1979

[the8moons]

Good evening frens!

May i introduce you to my newest erasermic au

Basically it's set in a sort of magic-but it's not used or related to the plot/used by characters setting, think of a got kind of thing/Royal guard au

with

1) yamada as new commander/great general of the royal army. Now, his family is half-outsider like he's half from the country we're speaking of and half from another country (insert maybe half elf? Not sure on that.). Anyways, despite the prejudice he faces because of his half-n-half-ness he rises through the army power ranks (he doesn't know it yet but it's exactly because he's lived part of his life outside the kingdom, the reason while he's rising this fast. Think about something on the line of "nobles not wanting someone aware of the army's corruptness at the power" ,and yamada being the perfect puppet ), especially because the latest commander/great general left the spot and seemingly disappeared.

(yamada's concept)

2) Aizawa is the old great general. Used to be a "commands are commands. Do not ask. King's word is rule." Kind of guy, before finding out the corruption of the army's lines aka soldiers being bribed, orders from the government being shit like torturing peasants who did actually nothing wrong and shit like that. Now he lives as one of the peasants he despised, in a random hut offering his rusty sword to help villagers, with his knowledge and strenght to save what's left of one of the frontieer's little towns. What made him change his mind? A guy whom he happened to meet during his army years, named Shirakumo Oboro. Insert little love story with Aizawa and Oboro where Oboro dies because of a bunch of corrupt soldiers who happened to stroll in the village, killing people, destroying stuff just for fun, when Aizawa wasn't watching. Now, Aizawa blames himself for not doing anything about it, so he starts tending to what Oboro left behind, (fields, his cats, the town) and, after a while of trying to "fix" the army, failing miserably, he is secretly kicked from the spot to help full time the peasants.

Aizawa concept

Aizawa has also severe PTSD from his time in the royal guard/army, trust issues to the point where he only trusts people from the village, vows to cherish Shirakumo 's memory and yada yada

(king Todoroki's castle guards: uniforms concepts)

Also for those of you who know european history (not US mfs, lord I've known 5 bitches from USA and none of those knew shit about history )': ) you can think of general anger with the people in a pre-french Revolution kind of way? Like the whole Versailles shit but the nobles actually pay the royal guard to be bitches towards the people.

BUT COMING BACK TO THE ERASERMIC SHIT

These 2 end up meeting because of the incoming war and the town being a strategic point. Aizawa wants the Army gone from the town, and yamada keeps insisting to stay. It's kind of an enemies to lovers from now on.

Now, Yamada knows very few about the unfair treatment of the poor in this country, for he has lived a very sheltered life+partially in another nation, so getting to see the treatment of these poor people first hand makes him understand more and more Aizawa's point of view.

Still, Aizawa is still very against Yamada and hates him, (until he doesn't).

Shota doesn't realize how much he misses Yamada only until when the blond leaves the town alone, after Shota snaps at him. Months pass and Shota hears nothing again from him, and lets his feelings grow, until one day he wakes up with Yamada bloody and beaten up found near the village.

And yeah that's pretty much what i came out with so far ):

I have some songs for it though!

This one

This one too

This one for Aizawa:

Yamada's instead is:

Oh and this for when Aizawa mourns Shirakumo's death

(gotta think this one in a warped- mourning what you haven't yet accepted you've lost- blaming yourself to the point of madness- my life is worthless now- lamentation kind of way)

And little mood for Aizawa (not a full moodboard though)

(cw Bl00d)

And one for Yamada

For those who've read until here, you're real ones! Thanks for that. Now i shall just leave~

Silvia out

#erasermic #royal #royal au #au #mha au #bnha au #ao3 #my hero academia #aizawa shouta #yamada hizashi #eraserhead #present mic #oboro shirakumo #sero #hanta sero #Spotify