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#also i do have an idea for how i'd go about doing that but alas i have so little time and also am a piss poor writer
goatboard · 4 months
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if I ever were to write something about Nagisa realizing she has Feelings for Girls I'd absolutely have to tie it to her gender identity and expression
because Nagisa's expected thickheadedness when it comes to queer relationships wouldn't really come from her being emotionally unintelligent but moreso from her view on romance being incredibly gendered, like, this is most apparent in her fantasies about Fujipi where she's always the damsel, the one to be pursued ect. ect. and she clearly ties the role of being pursued to being a girl and pursuing someone to being a guy
and because she's percieved as tomboyish she's expected to be the active partner in a relationship, the reason why Nagisa wouldn't see herself in a queer relationship is because she herself would expect to play the pursuer (cough cough the Romeo) in this situation and that's just not something she wants
the moment she realizes she can be the passive person in a relationship even if she's with another girl it's like the floodgates have suddenly opened
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starswallowingsea · 2 years
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So Vanitas no Carte, huh.
This post is brought to you by my late night ramblings in the tags of this post
Spoilers, Theories, and Angst below. You have been warned.
So in the panel linked above, Vanitas says “If I’m going to be killed, I want Noe to do it.” and way back in chapter 9, we have Louis saying something very similar, “If I’m going to die anyway, I want [Noe] to do it.” These are some very obvious parallels for Noe’s whole character arc, and given what happened to Louis, it’s been making me think about what the end of this series will look like eventually.
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Okay tumblr won’t let me put these images next to each other to shorten the post, so apologies in advance if this gets long. Anyway, with Louis, he’s had his true name stolen and is essentially “corrupted” and the bourreaus will kill him anyway once word spreads. He’s begging Noe to kill him so he doesn’t have to die at the hands of someone who doesn’t seem him for himself, even as he’s losing a grip on his sense of self. Unfortunately, Noe can’t bring himself to do it. He’s only a kid at this point, after all, and it ends up being his Teacher who does the deed.
Now with Vanitas, we know he has a mark of Vanitas of the Blue Moon on his arm and we know it spreads as he uses Vanitas’ power, slowly taking his humanity away from him. We’ve seen what would happen if he were to exert himself too much with Mikhail in the most recent arc, and we also have it confirmed that Noe has never killed anyone, though we know by the end of the series he’ll kill Vanitas.
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I think, based on this, that Vanitas’ mark will continue to spread and eventually try to take over his body, turning him from a human to a vampire and that’s something we know Vanitas doesn’t want. While he hates humans and vampires equally, he values his own humanity and doesn’t want to change into something he isn’t without his ability to control it. Vanitas will begin losing control, and Noe will have to be faced with that decision of kill him or let him live as something he isn’t, as something destructive, or let someone else kill him. But we already know how that decision ends.
With Noe killing Vanitas.
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also how is it that spanish love songs has such good merch??? i don't think I've ever been to a show before where I had to struggle so hard to pick just one thing, like in a lot of cases there's only really one thing that appeals to me or I just get something bc i love the band and need to have them on me regardless of what the design looks like. but i was spending ages just staring at the merch stand trying to pick one out of alllll the things i wanted
#i got one shirt with 'stay alive out of spite' on the back and i love it#i thougt super long and hard about the brave faces everyone shirt because it is literally one of my favorite songs#but i decided not to go for it bc i have their baseball hat with the exact same words on it anyway#also they had this really awesome zip up hoodie that I was staring at for ages#but alas it was 60 bucks and i do not have that kind of money lol#at first i was looking through their merch like omg theres so much good stuff i need to get this shirt and that shirt and that hoodie and#then i saw the prices and remembered I'd probably have to narrow it down to just one shirt lol#I'm not actually really about it though i freaking love this shirt im actually wearing it right now lol#it's definitely gonna be one of my favorite shirts to wear#also i need to do a revamp of my wardrobe#all my tops are black band tees which is fine but most of them are from hot topic and of mostly big bands that i don't listen to super often#and like that was fine when i first got them#but it is not enough now i I need several shirts for the same bands that i am Obsessed with bc one shirt per band is not enough#i am a very normal person with very normal ideas about clothes and music and a very regular amount of interest in bands#anyway all this to say i might end up getting a bunch of sls merch anyway in the future#just so i can wear them while also listening to them which would be all the time#anyway i think this shirt is gonna be super good for my mental health bc every time i wear it im gonna be thinking of the lyrics on the back#also im definitely washing this (and my whole outfit) tomorrow morning so i can wear it again right away and show it off to everyone#if ur wondering about the washing part its bc i have a general routine when it comes to getting merch at shows#where i go to the merch stand right away so i can get a good size before its sold out#and i put it on over my t shirt so i don't have to worry about carrying it#and its also the outermost layer so the band gets to see me wearing it like hiii i love ur stuff so much i got it and wore it to see you#now this does have the unfortunate side effect of getting absolutely drenched in sweat after the show#one time i was wearing three shirts at once along with a hoodie tied to my waist bc i got a bunch of merch and it was sooo warm#i have no intentions of changing this routine though i like how efficient it is#oh also the shirt is green!! another thing that made me choose it over the others#i literally do not own any green shirts#so i am very happy that i have a very nice shirt that i like in a new color#mine#my shows
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galedekarios · 5 months
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more gale & tara epilogue stuff
tara's epilogue conversation is so extremely devastating if gale sacrificed himself. since i can't bring myself to play it, i thought i'd look at it in the files and share what i find here.
tara can be found at camp and this is how the conversation with the player begins:
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Tara the Tressym: Oh, hello, darling. I was hoping to see you. Withers informed me about this little get-together and I thought I'd show my whiskers.devnote Tara the Tressym: I can almost feel Gale here. Among his friends - in you. Some part of him remains, doesn't it? devnote: Gale has died so she's very sad and nostalgic.
this devnote is repeated for almost every line for tara in this convo.
from here, the player has various options to reply. i'll be going through them in order.
the first is one where the player points out the magically conjured image of himself that gale left behind in case of his permanent death:
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Player: Well, his magical ghost is still here, if that's what you mean. Tara the Tressym: That thing's no more than a shadow of the real man. A nonsense. Though it captures some of his more insufferable qualities...
the second option is the player saying that they are feeling something similar, a presence that reminds them of gale:
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Player: It does, Tara. I can feel his presence too. Tara the Tressym: A crackling in the air, isn't it? That flair of magic and mischief.
despite the tragedy of it all, i do love tara describing gale's presence as 'that flair of magic and mischief'. it's so very sweet and sad, especially remembering just long she's known him.
perhaps here she remembers the boy who accidentally set the rose bush on fire and cried, just as elminster does. or perhaps the boy who summoned a magma mephit, causing chaos, but also making a lifelong friend.
the third option is to tell tara that you miss gale, too, and this honestly made me tear up:
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Player: I miss him too, Tara. Tara the Tressym: That's good. We should miss him. He was such a lovely fellow. Proud as a peacock, but... my little love. Tara the Tressym: Oh, what I wouldn't give to snuggle up on his lap one more time. Just once would do. Player: Would a fuss from me make you feel better?
"He was such a lovely fellow. Proud as a peacock, but... my little love."
PROUD AS A PEACOCK BUT... MY LITTLE LOVE
M Y L I T T L E L O V E
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this is obviously completely fine so i'll continue with the fourth option:
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Player: You can snuggle up in my lap later, if you like. Tara the Tressym: Oh, I couldn't possibly... unless... well, perhaps it's not a terrible idea. Gale would be quite pleased to know we've made friends, wouldn't he?
it's clear that tara needs some comfort. despite her stiff upper lip approach to most news devastating to her and the thin veneer of control she puts on here.
the fifth option is expressing that you know how she feels:
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Player: I know how you feel. Tara the Tressym: Ah, to lose the one you love the most. What a terrible thing.
the sixth option is rather callous and tara's response to it once again heartbreaking:
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Player: Alas, you can't. Tara the Tressym: No. Not in this life, at least.
the last option again shows tara's true grief at what happened:
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Player: He's gone. We have to accept that. Tara the Tressym: I suppose we do. But I certainly wish we didn't.
most of these different options lead to the end of the conversation with tara, where she invites the player to visit her and morena in waterdeep:
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Tara the Tressym: Perhaps you'd be willing to come meet Gale's mother, some time? She misses him so - and I know it would do her heart a world of good to discuss her son with someone who knew him as he was.
again, the player has various choices to either accept or refuse her invitation. i won't go through them all and you can read for yourself in the screenshot i provided. but i do want to look at these two options here:
Tara the Tressym: Perhaps you'd be willing to come meet Gale's mother, some time? She misses him so - and I know it would do her heart a world of good to discuss her son with someone who knew him as he was. Player: I'd love to, but I'm leaving Faerûn after tonight. Tara the Tressym: Well if you ever come back do look us up in Waterdeep. Surname 'Dekarios'. I'd enjoy the chance to reminisce about the good man we knew.
i'm once more reminded of that one line in elminster's letter and i feel so sad for morena:
Does he live within his mother’s ageing heart, weeping for those roses? 
2.
Player: I'll consider it. Tara the Tressym: See that you do. We'd love to have you. Things have been rather quiet without himself cluttering up the place.
which made me think about gale's line that his tower has never been so free of clutter ever since he had to deal with his condition.
anyhow, i hope this was interesting to some of you!
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rottmnt-residuum · 11 months
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Any other LGBTQ+ Headcannons that are canon is the comic??;)
*patiently awaits Cupioromantic Donnie*
hmm... had to think about this for a while and talk about it with co-author, but here's what we got. we mostly base this stuff on how plausible it is in show/if there's evidence for it. with a dash of personal experience. This only applies to residuum, btw. I have different personal headcanons for these characters outside the comic.
april: lesbian. this is mostly based off of the fact that most aprils get with their caseys & the comment she said to dale. which could be taken as disinterest in dale specifically, but she seemed more concerned with impressing that popular girl earlier and that reads as more... saphic, i suppose. or at the very least homoromantic.
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raph: raph is just raph. we look at him and basically just *tv static*. go crazy. all we got is jokes or stuff that has too little evidence to support. so, yeah, he's whatever you want him to be i guess?
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leo: trans. already said my reason in the other post. also, gay. if gay were a power source he could power the entirety of the united states for five months straight without a single power outage. failing power grid notwithstanding (< thats the actual word. its supposed to be mushed together like that. wack.).
donnie: as much as i'd like him to be ace/aro spectrum rep, he just doesn't have the evidence in show for us to apply it to him in this comic. it's funny, for being hc as ace so often he sure is the most outwardly romantic/sexual turtle in the show lmao. one! cherry: "you're so cute, but you're so mean! why do i always go for your type?" two! astrogirl?? (whatever her name is) he is very very romantic with her. he has a type y'all. also just look at those two, he's a leg man lmao (bootyyshaker9000 anyone? ha!) anyway. and with the bromance/instant chemistry he had with that one guy in the purple dragons... Pan. or possibly Omni as he does seem to favor... cute brutal femme... Yeah. Omnisexual.
(you have no idea how fucking bad i want this boy to be ace spectrum. hes got the colors y'all!! The Colors!!!!! but alas... i am bound by my canon plausibility creed for this comic)
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mikey: ace. possibly ace/aro. he shows interest in literally no-one. we're aware that the common hc is pan but... we know a pan 13 year old, and let me tell you ahahahaha, kids going through puberty are very uncomfortable to be around sometimes, especially around their partners. or crushes. and mikey... well, that boy is ace behavior personified lmao. aces in the back you get what we mean right?? right??? anyway commiting to aroace
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#residual asks#rottmnt#i really get a kick out of he/him butch lesbian raph and ghostbear-sexual raph#but i'd never use those seriously. or at least in this comic#co-author says what they get if they really had to choose for raph is ace homoromantic#but otherwise...#he's just raph#like we can't apply any identity to him. and we really mean ANY identity. not even straight or umbrella terms like queer#its a very odd feeling#i also really like trans april but we don't have enough evidence for it#in fact there's actually counter evidence- but don't let that stop your dreams y'all. it just stops ours :P#sorry for stepping on your donnie dreams anon#but honestly i think that label applies more to 2012 donnie imo#i really do personally prefer ace/aro donnie. but i'd make everyone ace if i were able lmao#co-author would also do the same thing ahaah#i just don't like depicting romantic relationships. or attraction ahahaah#with mikey... we get why people hc him as pan... but like its a fandomism stereotype#that literally every fandom applies to optimistic friendly characters. and honestly i really don't like the fandomism stereotypes#i just find them... unenjoyable i guess#cuz like y'alll... your sexuality isn't inherently determined by your personality or vise versa#cuz like i know for sure that in fandom spaces- if i were a character- i'd be stereotyped as pan or a hypersexual cis het#to which i am neither. at all.#and co-author would be stereotyped as the demure femme book lesbian#which they are VERY much not#and i know this because i've been fandomified by people in my life more than once#it is a very uncomfortable experience y'all#whoops rant in the tags#residuum#rottmnt residuum#residuum wb
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uldahstreetrat · 1 month
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Im trying to take note of real world influences in XIV for some projects going forward, like languages used in areas (French names in Ishgard, Roman terms in Garlemald) or like in aesthetics I suppose (like Radz-at-han in particular reminds me of Istanbul), and I'd like to hear others' thoughts about those kinds of influences that they've noticed
(little more context on things im working on under the cut)
right now this has a lot to do with things like stamps lmao I have in fact gotten kinda into stamp collecting now and I'd like to design some for XIV areas based on similar irl counterpart countries? like regular stamps and stuff like a sort of Garlean version of US postal war savings stamps? so having irl countries to reference for stamp styles would be helpful to like figure that stuff out
and honestly all of this is just part of making a physical copy of Q'ihnn's journal more complicated than it needs to be but never let it be said that I dont have a love of unnecessarily dense world building
plus by having a list of reference countries I can also build out other kinds of like, souvenirs? in the journal from the places visited across msq - a lot of things I see people keep in journals, especially travel ones, are stuff like wrappers or other packaging, pieces of maps, receipts (that's its own rabbit hole ive gone down), ticket stubs, and other various little paper things along with photos and drawings (which are much easier to manage in comparison)
cause a lot of this shit doesnt extensively exist within the game often beyond a mention in a stray line of dialogue or two so there's advantages to having irl cultural and historical reference to make something that feels real - plus im often off in lala fantasy land in my head because im stuck at home a lot, im not exactly well traveled, so im sure its easy for me to miss especially like language use in certain areas (I didnt even notice how French Ishgardian names were until someone else made a joke about it, it just doesnt occur to me)
like some of these influences are fairly obvious, right, like Doma and Kugane being Japanese inspired and Greek influence around Sharlayan (which the Greek/Roman dichotomy that Sharlayan and Garlemald have going on is its own whole thing I could go into btw they're so similar yet different in such interesting ways) - but places like Ul'dah?? not a clue. Ala Mhigo? no idea. The Crystarium and Eulmore in the first??? oh I'd put my head through a wall trying to thing of a real world counterpart for reference
granted now having said that someone is going to point out something obvious that I just entirely missed some way or another lmao but like that's why im asking, right? anyway if you have nerd ass thoughts too just hit me up
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Prompts 8 and 14 with Poly lost boys? (If not Poly, I’ll be good with any of them-)
8. Quiet, she has just fallen asleep!
14. Are you alright?
Thank you so much for requesting! I hope you like this!💜
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The house was quiet. Maria had gone off to work at the videostore, and Shelly had gone out to meet with her boyfriend Greg. Normally, I would have put some music on, doing some chores or making some art now that they were gone. But not today. I woke up feeling off. I had hoped that after some breakfast and some coffee, it would be over, but alas, it only got worse. So that's why I found myself lying on the couch, with the remote control of the telly in my hand. I still hadn't put it on, knowing that the sound - no matter how soft it could be - would only worsen the headache I had.
I closed my eyes as I felt another pang of pain flashing through my head. The headache had been there all day, but now it was slowly but surely turning into a splitting headache. I knew I couldn't ignore it any longer and made my way to the kitchen. Somewhere, in one of the cabinets, I was certain I'd have a package with aspirin. I sighed as I entered the kitchen, seeing the dirty dishes piling out of the sink. The remains of our lunch were lying on the kitchen island. It was a mess. Normally, I wouldn't mind cleaning it up, but now, the thought alone made me want to cry. God, I felt sick.
I opened the cupboard, realising that the package I had had been used up by my housemates. The only thing left of it was the empty box. I sighed as I threw it in the bin, deciding that I'd have to go to the drugstore. I got dressed in some comfortable yet more appropriate clothing - I didn't want to go outside in my pyjamas - and put my shoes on. After locating my keys on the dining room table, I headed outside - only to return to put a jacket on. It was surprisingly cold outside.
As I walked down the street, I was a little relieved to realise that the sun was setting already. It meant that my boyfriends would be going to the boardwalk soon. As much as the idea of being in a brightly lit, loud space didn't appeal to me, the idea of being with them and near them did.
The door to the drugstore opened with a soft tinkle as I pushed it open, the bell above the door signalling my presence. It was quiet inside, the only other customer an old lady. I greeted her quietly before searching the aisles for what I needed. I didn't pay attention when I heard the bell ring, nor did I pay attention to the space around me. So, when I found the brand I needed, and made a move to grab it, I bumped into someone.
"Oh my god, I'm so-"
"Shit, you look like shit babe!" I looked up and saw that I had bumped into Marko. I gave him a watery smile.
"I kind of feel like it, I think it hay-fever or something."
Marko nodded, his hand resting on my forehead to check my temperature. "I think it's a bit more than that."
"Fever?"
"Yeah, a bit. Come on," he took the medicine I wanted and walked towards the checkout. "You're staying with us tonight."
"Weren't you going to the boardwalk?"
"You're more important. Santa Carla won't forget who owns the place if we don't show up one night."
I nodded, taking a deep breath. It was suddenly really warm inside. "What were you doing here?"
"Paul's been complaining about a lack of liquorice in the cave."
"He really likes that stuff?"
"Apparently. We can't all be perfect," he paid for the liquorice and the aspirin, also asking for a bottle of water. He grabbed our stuff, opening the door for me. Once we were outside, I stopped walking for a moment, taking some deep breaths.
"Are you alright?"
I shook my head slightly. " 'm feeling a little faint."
"Go and sit down, alright?" He handed me the bottle of water and the aspirin. "Have you eaten today?"
I shrugged as I took a sip. "Wasn't hungry."
"You actually got the liquorice!" I looked up as I saw Paul appearing out of thin air in front of me. "And you got our gir- Jesus, you look like shit."
I nodded, feeling a little less faint than before. I heard the loud rumble of motorcycles, and I knew that Dwayne and David were also here now. I looked up, smiling tiredly as David walked towards me.
"Hey."
"Hey darlin'," he helped me stand up, looking me over as I did. I felt myself tremble a little. Maybe Marko was right, and this was more than allergies. "Let's get you home. Do you think you can hold on?"
I nodded, climbing on the back of his bike, and holding on to him tightly.
"We need some food, see if there's a store open so you can get her some fruit and bread and such."
"Sure thing. Is there anything you'd like?" Paul looked at me, and I shook my head. He nodded, kissing me softly on my forehead before driving off. Marko handed Dwayne the stuff we'd just bought, saying he'd be home shortly. He had to feed. Dwayne drove next to us, both David and him driving slower than usual. I was glad they did, mainly because their usual driving style was close to nauseating. Besides, with them driving slower, the chances of me gliding off were slimmer. I closed my eyes for a bit, a sudden tiredness overwhelming me.
"Don't fall asleep, love."
" 'm not." I mumbled, holding on a little tighter.
"We're almost home, then you can sleep all you want."
Dwayne was true to his word. Less than five minutes later, we stopped at the edge of the cliff leading towards the cave. Without a word, Dwayne lifted me up, carrying me in his arms down the stairs and into the lobby of the sunken hotel.
"Couch or bed?"
"Couch," I said softly, trying to stiffle a yawn, "Don't want to be alone."
"Alright, love."
He carefully laid me down on the couch, taking some pillows from Star's bed to make sure I was comfortable. David brought me the blanket I normally used while staying here, a thick and soft fabric covering the whole thing. I mumbled a soft thank you.
"How long have you been feeling sick?" David asked, crouching down next to me, brushing some hair out of my face.
"Since this morning."
"It's probably just a cold or a flu. Is the aspirin helping?"
"A little, I guess?"
He gave me a soft smile, getting up. I closed my eyes, drifting in and out of consciousness before sleep finally came.
I don't know how much time passed before I woke up, but when I did, I could hear an annoyed Dwayne hiss something at Paul and Marko.
"Quiet, she has just fallen asleep!"
"Ah shit, sorry, babe!" Paul whisper yelled at me, causing me to sleepily open my eyes.
" 's okay," I nodded, looking at them.
"I know you said you didn't want anything from the store, but I also brought you some cookies and chocolate."
I smiled tiredly, wincing as I felt my headache return. "Thank you, hon."
"If you're not feeling better tomorrow, we could give you some blood to speed up the healing process?" Marko offered. I bit my lip, not knowing whether I'd like that or not. I did feel sick, but to drink blood? "Just think about it, alright?"
"Yeah."
He smiled before looking outside. The sky was turning a bright red. He went to the back of the cave, climbing through the liftshaft. Dwayne and Paul followed. I pulled my blanket closer against me, curling up, when I felt a pair of arms lifting me up.
"Hm?"
"We're staying with you today, sweetheart."
" 's nice," I mumbled sleepily, already dosing off as he brought me to the bedroom. I was asleep before I even hit the pillow, my boys surrounding me, making sure I'd be okay.
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jazeswhbhaven · 4 days
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He Never Misses! (Leraye Limited Event React I)
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Okay so, here's the damn thing about this event.
I loved the amount of peeking into each noble's dynamic with each other so much and I love the fact that this is pretty much a slice-of-life approach to how a "normal" day in Gehenna was and is.
In an overall sense we get a good dose of Sitri, interesting pop-ins from Astaroth and Paimon, and a little surprise visit that had me squealing later.
This, my lovelies is 6 part reaction because I took that many damn screenshots and I honestly wish there was a better way to upload them all on one or two posts without a photo limit. BUT alas...
Make sure to grab a snacky snack, and let's dive in...to the life of long-haired Leraye~ ┬─┬(◕‿◕♡)
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So we enter with Astraoth just minding his business and cruising around the palace and Sitri just comes up and starts getting onto him about not being at the palace lol
Turns out he was gone for a while because he was tending to his hobbies which is corrupting...
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You hear that everyone? He corrupts anyone so keep your windows open (ʘ‿ʘ✿)
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I'm really crying right now, so basically he's telling why it took particularly long this time around because he was dealing with someone who hated their dead-end job. (sounds fucking familiar right?)
nah now think about it, imagine wildly that someone at pb put that in the event as a joke when in reality somebody either once quit before or secretly a current employee can't stand work and low key just slid that idea in....buttt let's get back to the event lmao
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Sitri hit 'em with the "Sorry I'll you finish but-" treatment. Though it's for good reason..
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Awhhhh Roro...(yes my nickname for him leave me be) LET HIM FINISH
So basically what happened is that Sitri lost his favorite pen (rly?) it's the color of Solomon's hair and he put some of this man's hair in the ink and now he's lost it and he can't find it.
It's funny because Astaroth said the same thing as me "Why would you do that?" but he understood the sentiment behind it and was willing to give Sitri some insight on who to ask to find something like that.
LERAYE!
So our boy has crazy good eyesight. Like dangerously good to the point where I want to swap my eyes out with his because good lord I'd love a reason to not spend money on glasses with these expensive ass lenses.
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So fun side note here that everyone leaves their door open except for Sitri, who most likely just likes his privacy or is used to having his door closed because perhaps the room he stayed in during Hades always had the door closed? Something along those lines I would like to think.
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So now here are some nice Leraye and Paimon dynamics <3 our poor fave femboy lost his piercing recently and was asking Leraye to help find it. So it appears that either the piercing is shaped like Ppyong like the barette on his hair, or it's as big as he is, which last time I checked isn't Ppyong technically the largest red lump? (idk everyone else is pretty tiny when compared to him in the red lump family)
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Okay nvm my previous thing it's shaped like Ppyong (LMAO) and this sounds cute actually, beside the fact that it becomes a fucking bomb all of the sudden (ʘ‿ʘ✿)
like imagine the TSA having a field day finding one of those...
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I love how Paimon is like "Someone might die but most importantly my piercing is going to be destroyed :("
Amazing priorities bby, I support you.
Also, Astaroth is interested in how the piercing works and its explosive properties so he wants to tag along (he's so weird i love him) And Leraye with his cheery self is happy to help. So he goes to the window to start his search with those amazing eyeballs of his and his hair is blowing in the wind (imagine bouncy music in the background, his hair flowing and him humming while trying to find it)
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Paimon is over here thirsting over watching him and it really fuels my "Paimon probably flirts with the nobles from time to time but he's never serious about it"
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So within moments, he says he has a lead but hasn't really found it yet so the three go out looking around and well, so far not so good. This is pretty much the third time Leraye had moved positions and and updated on the status of finding the piercing and Paimon is getting a bit impatient.
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You see that little pouty angry face? This event isn't voiced but I can hear him now getting all upset. But tbh I get upset too when I'm trying to find something and it's always "almost, maybe the next place it will be there"
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Thanks Astaroth, really helping out here lmao
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So it appears that even though he was circliing around alot he finally appears to have a lock in on the piercing's whereabouts which excites Paimon. Astraoth starts being poetic about Leraye's rooftop running and Paimon is just like-
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You heard him! Stfu and get your ass movin' Roro!!! (I love how Paimon is super agitated easily when it comes to something he cares about lol)
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I threw this scene in here because I was like "ah yes the devil with the good eyes I wish that were me lmao"
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okay so pitt stop...because even though he's not known for his endurance he surely wasn't having a problem during his h-scene so....( ͡° ͜ʖ├┬┴┬┴
So when he's catching his breath Paimon and Astaroth catch up whose pretty much questioning how Leraye can even see this far ahead and it sounds like they traveled pretty damn far. (remember it's a flashback so Astaroth didn't know about his abilities yet)
And then out of fucking nowhere Leraye just goes to this random hole in the alleyway and throws something at Astaroth while Paimon is like omfg watch out???!!!
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So we find out that it was Astaroth's snake that was in that hole just hiding out. So i noticed his name is Apophis and the described him as white but he's clearly black .-. ANYWAY.
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(don't worry everyone he was just coming back from filming his role in Meg the Stallion's music video /j lol) So apparently Apophis was lost and Roro was looking for him but weren't they looking for Paimon's piercing?
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Lol Apophis bites Leraye and possibly others when Astaroth isn't around and that's cute. Ofc he'd only trust his owner.
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And ofc we find out that the snake has swallowed Paimon's piercing...and I'm just like. Oh yikes...so how are we getting this out? lol
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So for this little scene Leraye explains plainly that he can see the shape of the piercing inside Apophis' stomach and yet the other two can't and that Leraye just assumes they can because he's naive in his thinking just like most devils, a childlike wonder and view.
And while Astaroth is reflecting on that Paimon asks for him to get the earring out which again I'm like how is he even going to do that???
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┬┴┬┴┤•ᴥ•ʔ├┬┴┬┴ oh.....
he can make his voice deeper?
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Me too Apophis...me too. I'm shaking, crying and throwing up.
Because think about that shit...Astaroth coming into your room to just randomly corrupt and fuck with you and even if you are corrupt he has a thing for making it even worse...and then he pulls this poetic, deep-voiced nsfw audio shit on you and now you're committing crimes you never even knew you could because of it.
BUT that stops for now with part 1, phew...only 5 more to go...! (i'm really sleepy rn so I'm going to get a couple hours of sleep and then get up and start back up again lol)
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nardo-headcanons · 2 months
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it's been an age since i've been into naruto, and now that i have plans on making my own version on how naruto shippuden ended, i was wondering, how do you think naruto shippuden should've ended? like are you pro or anti naruhina? pro or anti sasusaku? whats your opinions on how the fourth war was played out? if you already spoke about this i'm sorry lol but im just wondering.
OMG HIIIIIIII @ofrolysdogs you're one of my OGs! How have you been????? Please please tag me or let me know once you create your rework. that sounds so intriguing!
This post is gonna be controversial, beauties.
How do you think Naruto Shippuden should've ended?
Ideally, with Naruto realizing that he doesn't need to become hokage to get the attention and validation from the people he loves and cares about. Or at the very least, with Naruto becoming hokage but abolishing the shinobi system. Maybe even make Danzo hokage along the way, just when Tsunade falls into her coma, and slowly make Naruto question the system more and more. Also, Sasuke's whole "redemption" arc should have been handled differently. First and foremost, he was a victim. He did a few things that were wrong, and I agree that there need to be consequences, but for this redemption arc I'd rather have him travel around and teach people around the world about the customs and culture of the Uchiha.
Are you pro or anti naruhina? pro or anti sasusaku?
I am both Anti NaruHina and Anti SasuSaku, but for two different reasons. I used to be a hardcore SNS shipper, but not so much nowadays. NaruHina had so much potential, they could have explored their class and privilege differences together, learning from each other and stuff. But Neji dying for their ship to sail? That was a hate crime. The reason I'm Anti SasuSaku is because I simply don't really like the thought of shipping Sasuke with anyone. He has enough to go through and putting him in a romantic relationship is not something that would make it more interesting or add stakes to it, although I wouldn't mind seeing him adopt a kid or two, given how family oriented Sasuke is.
Whats your opinions on how the fourth war was played out? I found the use of Edo tensei very interesting, albeit a little cheapened here and there. The Itachi and Sasuke vs Kabuto fight was a little disappointing. Don't get me wrong, I loved seeing he two of them fight together side by side, and Itachi's final parting was very touching - but them fighting Kabuto of all people? Maybe if Kishi fleshed out Kabuto's story a little more, he clearly had no idea what to do with him. Poor bastard.
Madara just 'knowing' the hand signs of edo tensei is actually not so unlikely, but it still irks me how he was able to just "come back" when Edo Tensei was released.
And let's not talk about the power scaling, which went completely through the roof in the end. Oof. Kaguya, as is, ruined the storyline completely. It could have worked, but not in the way it was executed in shippuden.
But alas, I suppose there is only so much Kishi can do within the confines of a genre.
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venomous-qwille · 4 months
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Hellooooo! Saw the last ask about tarot cards and while you don't have to answer this, I'd like to give the meanings of the cards that we've seen in the chapter titles, which I'll let others make the connections cause this is already gonna be pretty long if you choose to answer this ask lol
Please note all of these are the general information and meanings about the cards (upright) I could find and the meanings can slightly vary depending on the kind of reading being done and the paired cards <3
Chapter 1: Death. Generally this actually refers to new beginnings and change! It's also a good reference to the talk of sight and death in the first chapter imo, very clever play on your part!
Chapter 2: Seven of Cups. This generally is interpreted as having many options or multiple possibilities, which can either be a comfort due to having options but also could inform you of a sense of being overwhelmed due to too many choices.
Chapter 3: Page of Wands. Often this means good news that should be coming to you soon (often represented by mail or a phone call wink wonk) though for the particular chapter I feel it's relevant to point out some other interpretations, including but not limited to: being inspired or creative, making new exciting plans, finding something you are passionate about, and having a tendency to rush into new things without thinking them through.
Chapter 4: Two of Pentacles. Oft a representation of trying to find or maintain the balance of various aspects of ones life! It can also be a warning to those trying to juggle too many things at once.
Chapter 5: Trochomancy. Not sure if this is a tarot card, I've never heard of it and I can't find anything about it in any of my sources so. ¯⁠\⁠_⁠(⁠ツ⁠)⁠_⁠/⁠¯ though I did find a definition of the word from a simple Google search: "Trochomancy is a divination by interpreting the wheel tracks." Which plays in well with our little bike trip.
Chapter 6: The Moon. The simplest interpretation for this card generally is that everything is not as it seems, be it a person or a situation in your life.
Chapter 7: Three of Pentacles. This generally is seen as a good card in a reading, often representing things like learning and/or apprenticeship, hard work, dedication, and building on success or foundations!
Chapter 8: Seven of Pentacles. Generally, this card tells you that you've been working very hard and soon your hard work will pay off. A wonderful successor to a card like the Three of Pentacles! You've used these very cleverly, it makes me so happy to see these pair so well with each other and the chapters!!! New thing to be insane about your fic!
Chapter 9: Clamomancy. ALAS! Stuck again with one I've not heard of as a card or can find in my sources, my apologies. But, again, I could find a definition from the ever reliable yet not so reliable Google! "Fortune-telling from the random shouts and cries heard in crowds, at night, etc." I. AM. STARING. 👁️👁️
Chapter 10: Two of Cups. A little ironic considering it's general upright reading interpretation and how the chapter starts out lol. Two of Cups often means things should be going well for you and your life should be very harmonious. It can also mean harmony and mutual respect friendships/partnerships, and all in all has a lot to do with balance regarding life and relations.
Chapter 11: Six of Swords. At the time of writing all this out I actually haven't read this one yet so I'm very excited to see how the cards meanings apply to this chapter! This card generally means moving on or making progress (love that idea), but can also be interpreted as escaping/running away (👁️👁️) or travel! But most often means things like the calm after the storm (👁️👁️) I'm excited to find out how these apply!
I need you to know I actually love you (platonically) for being this amazingly creative and playing these so well!
Thankyou for going to all the effort of writing these! <3 Some of the chapter titles do play into the reversed readings of the cards too, which is something that's worth considering if you want to deep dive!
I anticipate GITM being 100+ chapters so while I intend to use the entire major and minor arcana Tarot as titles, I will also be including some Astral Houses, Lenormand Cards, divinatory practices and philosophical ideas to fill the gaps!
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maxwell-grant · 1 month
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I guess it's also time for the annual ask: Thoughts on The League of Extraordinary Gentlemen?
@mirrorfalls asked: Perhaps it's time to touch the elephant in the room: thoughts on League of Extraordinary Gentlemen?
anonymous asked: Any thoughts on Moore's LOEG? anonymous asked: any advice on how to do a fictional character mashup story ala chimera brigade, league, etc? anonymous asked: you wrote a bit on the wold newton universe and the chimera brigade, any thoughts on league of extraordinary gentleman?
(TW: sexual assault, also a whole lot of racism)
(clip from Anti-Spook Squad by Doctor Lalve)
Let it never be said I don't love or do anything for you people because Jesus Christ what an ordeal.
It was pretty inevitable that I'd eventually have to talk about LOEG given the, niche, I made for myself here, and given I'd read and touched on all these other works that either inspired it or were inspired by it, like the Wold Newton Universe, The Chimera Brigade, Tales of the Shadowmen and etc. I'd read through plenty of different LOEG takes and fics, it's an idea that has a lot of appeal on it's own and is easy to flirt with, if not so easy to pull off.
One thing to put upfront: Kevin O'Neil was a brilliant, one-of-a-kind creator and his work here is great, it's the one thing almost unimpeachably great about the whole thing except when he's asked to draw racist caricatures, which he does quite a bit, we'll get into those. I love the collaboration between Moore and O'Neil and I frequently enjoy the little tidbits where they show up as themselves within the supplemental material. O'Neil does a lot of heavy lifting in these even at their worst, in fact especially at their worst. This comic is a legitimately impressive achievement, and I don't regret reading it, if nothing else I think it was a hell of a wake-up call in regards to all of it's warts I may have been overlooking or replicating in my work or that of others.
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I'm gonna break it down by going through the individual installments:
Volume 1: One of the nicest things there is to League is that it only keeps getting better, in the sense that it starts off on the worst foot and it gets better by virtue of not really being able to get worse (yes, even with the Golleywog and Harry Potter sections and whatever). From the moment you open the book it takes about six pages for Mina to be assaulted by Brute Arab Rapist Hordes that Quatermain and Nemo have to gun down, and that pretty much sets the stage on what to expect. Volume 1 is where the series has yet to jump off the deep end in tackling all of fiction, being a more grounded adventure story based on it's premise of being a comic book crossover/hero team comprised of Victorian era literary characters. It's LOEG at it's shallowest and most straightforward, and also at it's least impressive. I'm not remotely charmed by much of what's done here, I've seen a million variants of these before and many of those weren't that great either, but their lows weren't as catastrophic.
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(text comes from an essay Alan Moore wrote regarding his usage of Fu Manchu in the book, which was scanned and sent to me by @mirrorfalls, thank you for that.)
The LOEG's first enemy is Fu Manchu and the book sure likes depicting leering hordes of yellow peril cartoons for our heroes, Mr Hyde in particular, to brutally mow down. Alan Moore thought the genius trick to making Fu Manchu not-racist was to make him as inscrutable and sinister as possible so as to not even appear human, which is a great understanding of how racial caricatures work guys, the "not potentially offensive" shirt has people asking a lot of questions answered by it.
I've heard a lot of claims over the years that LOEG was intended to be a parody, or satire, and that it's using Fu Manchu to make a point as a criticism of the British Empire and imperialism, and I'm gonna make this clear before we move on: LOEG is not a parody or satire, not as a whole. It parodies and satirizes a lot of things, but it is neither parody nor satire. It is very much in love with much of it's subject matter even when it wants to burn it down. LOEG is also a frankly terrible critique of imperialism, it is one of the most imperialist things I've ever read. Part of it is because you can't just recycle problematic garbage and claim it's commentary, especially when you're going out of your way to sensationalize said garbage to be provocative or in many cases add shit that wasn't even there in the first place. Moore asked if anyone else was gonna try and criticize colonialist bigotry in fiction by tripling down on reproducing it as hard as possible, and then didn't wait for an answer before doing it.
Volume 2: Objectively an improvement over the first if only because Fu Manchu isn't there. It's also where the book kinda improves in terms of making a critique. LOEG never really has much to say about it's characters, instead developing them in service of the story or social commentary, and Volume 2 is better at it than the first. Still has a lot of the same problems as 1, it's still a shallow team-up thing that wants to have it's cake and eat it too, it's still the worse version of a concept that's been done many many times before and after. Edward Hyde gets the bulk of the focus here and he was very clearly Moore and O'Neil's favorite character to work on, he gets the most memorable sequences for better or worse. I don't wanna talk about him much and I don't wanna talk about how the book wraps up the Invisible Man's subplot (and how it's not even gonna be the last time sexual violation of a villain is played for oh-so-horrific catharsis), I'd frankly like to stop thinking about it.
The Traveler's Almanac was definitely the most exhausting part to read in full and only not a total waste of time because of Jess Nevins' annotations, which turn this into fairly valuable research material. But so do Wold Newton articles and they're really not the most riveting thing to read, and at least those have a point or constrain themselves to a single topic or character, or are briefer and come with resources on hand or have a point or even can pitch some neat/cool ideas and concepts as a whole. Jess Nevins even did the better version of this in his own WNU chronologies.
Where as this is just complete ass and there's only so many times you can read a variant of "and then we went to this place with horrible cannibal savages and then we went to the other place with beautiful cannibal savages and then we found this utopia and then we found this dystopia and then we referenced this and that and this and that", and it brings me to another point I'd also seen brought up a lot in regards to LOEG: that it's too damn anglocentric to live up to it's premise, too contradictory within itself, and it was always too big of an undertaking to be done the way Moore and O'Neill did it.
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I appreciate Moore trying to make this world feel like a world, in as gigantic all-encompassing a scale as he could possibly account for, with a full world tour and internal chronology. I sure would have liked a big fiction crossover almanac with entire chapters for Africa and China and South America, but we don't get that, because EVERYTHING in them is taken from colonial texts elevated to fact. Literally, entire paragraphs taken from political and colonial texts. All the time spent dicking around with all of those Euro political texts and ancient lore that just had to be paid it's due, and then Orlando goes to China and finds Sun Wukong stuffed as a public freakshow and dismisses his mythos as a bunch of loony (but intriguing and exotic!) hogwash, and Godzilla is later brought up in one line of dialogue to mention how Hugo Hercules killed him offscreen. (I think those might be the only two texts Moore brings up that aren't from European/American sources? There might be others but good luck finding them in the annotations).
Is it unfair to expect Moore to have read all of fiction? Of course it is, but that's what he wants this to be about, he wants this to be about All of Fiction and he wants to write about Africa and China and South America with nothing but colonial texts about those places as reference. He wants to write about how the things he likes are cool and happened and are real while the things he doesn't like don't count or are garbage or didn't happen the way we were told happened. He wants to make a story criticizing racism and misogyny in fiction while writing a text far more racist and misogynistic than most of the things he's bringing up. It's irreconcilable.
Black Dossier: It's constantly jumping between different formats and having to adjust it's prose and visual style accordingly, and it does that fairly well (the beatnik section is completely fucking unreadable though, the prose sections are already a handful to get through as is but that one was too much even for me), although Tempest I think is gonna do it much better. It's got some good parts, it's also got some bad ones. Definitely more readable than the prior two + Almanac.
This is the one with the Gollywog in it and I'm not gonna talk about that thing, I think what's wrong with it is self-explanatory as is. Look, I truly love a lot of Moore's work I've read, and I think a lot of the pushback against Alan Moore painting him as just a cranky old man who hates comics is overblown and shitty and symptomatic of bigger issues with how fans discuss comics and superheroes, but his defense of the Gollywog and his response to the criticisms of LOEG was embarassing and beneath him.
Century: This is the one with Harry Potter and The Lightning Penis in it. To those of you who heard at some point that Alan Moore had done a much-maligned pisstake on Harry Potter and got curious, don't get your hopes up. It's nothing, it's not even that mean, it's just a crude crayon doodle in service of a larger and very dumb critique of modern fiction that could have been anyone. Shame that he bullseyed ahead of the schedule the cultural about-face against Harry Potter without having anything actually criticizing Harry Potter to show for it.
Century does work for me a bit better because it dispenses with the pretense of the series and has it build up to the big awful tragedy it ends on, with all of it's remaining characters miserable immortals and all the fictions having curdled up and gone sour. It works for me only because I have no love whatsoever for this world and so it destroying our characters in the service of the larger narrative about stories and fictional immortality and whatnot is a decision I agree with and I think makes it stronger, even if the social commentary / the story's criticism of modern stories compared to the old ones is frankly absurd. Century I think was perceived as Moore/O'Neill having lost the plot, but to me it feels like the plot (more importantly, the point of it) finally showing up after so much pointless dicking around.
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The Nemo trilogy: Easily the one I most enjoyed reading, the Nemo Trilogy is almost like a breather set in between books, just fairly straightforward pulp adventure stories done in far less rancid a fashion than Volume 1. It feels less like a LOEG book and more like one of those LOEG fanfics made by people who like the concept and characters but are dissappointed by the books, so they fill or add or rewrite in the blanks with their own ideas, which is basically every LOEG fanfic ever made. I quite like Janni Dakkar as a character and I'm already a huge mark for Captain Nemo, one of my favorite characters ever, and I was of course very glad to get away from the extremely tiresome Mina/Allan/Orlando trio for a change. Frankly I'd even recommend these as a standalone, they're so disconnected from everything else in LOEG.
If you guys want to read a comic take on Captain Nemo though, read Mobilis by Juni Ba. Infinitely better than anything Moore did with the concept of Nemo, takes far less pages to actually explore the character meaningfully and has far more interesting, more humane and personal things to say and do in general, one of the best things I ever read and a tremendous palette cleanser after LOEG.
Tempest: Tempest is what I'd call the best of the LOEG books, in terms of craft and in terms of achieving what it sets out to do. Namely, it's one of the most elaborate and most artistically impressive slowly unfurling middle fingers I'd ever read, Alan and Kevin in full burning down the house mode throwing everything they've got at the wall, playing around with as many different styles and gags and ideas as they can cram into the great apocalyptic ending of their collaboration. It's a very spiteful work that has a lot of joy and humor to it, fully divested from giving a shit about it's characters and instead recasting them as the bit players they always were in the grand fuckening of humanity at the hands of our fictions.
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It gets to burn down everything and also preserve everything in a big dreamy Noah's Ark forever, it plays to every strength the series had, and frankly I barely minded the detours because this thing is all detours. The superhero parody that takes up so much of it isn't really anything funny or insightful or really anything, but there's good bits in it, and I like Alan Moore talking trash about superheroes (of course, it pales in comparison to What Can We Know About Thunderman, but that one is a league of it's own). It's Alan and Kevin's farewell to comics with all the mixed feelings towards it and the industry and the subject matter they both have decades of so much experience with it. It is The End of Everything and I think it ended on the best note it could have ended with.
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In summary, I think LOEG has a lot of individually cool or neat or even great ideas that I think get lost, because there is so, so much of it, and so much of it is impressively painted sludge. Sometimes it is ingenious, sometimes it is fun, it is never not visually impressive, but it's more frequently dull and grotesquely self-indulgent and far too shallow. It suffers from an almost inescapable side effect of doing this dealing with the fiction he was dealing with without accounting for taste or bothering to reign in his worst impulses, too much to cover and not enough actually being said about it. In truth, much of it doesn't feel much different than reading the wiki summaries for it I had already read forever ago. It is a unique beast taking swings that I'd never seen before that most wouldn't, probably for very good reasons most of the time. It is also guilty of literally everything it's criticizing other works of being and doing, and sometimes it actually provides it's best commentary because of that! It's a complicated thing to tackle and wrap your head around. God knows what Jess Nevins must have gone through to make the annotations for this, as they put it on the Almanac annotations.
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I don't consider it wasted time because, I did really enjoy the final two installments, there are good bits scattered across the other books and I learned some good things from it as a whole, but would I recommend it in it's entirety? Unless you're really a huge fan or completionist for it's creators (although reading LOEG really disillusioned me on Moore in a lot of ways, not that this is a bad thing, if anything that's a necessary thing to really try and grasp a creator's body of work) or you're the kind of sicko who'd be in the tank for the whole thing, no, not really.
It is one of the most impressive and accomplished works I've ever read, I will probably come back to it for research purposes, but holy shit am I glad to put it behind me.
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veliseraptor · 1 year
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one thing I was thinking about today is the...coagulation? of characterization and headcanons in new fandoms. I feel like I see this...idk, arc, when a fandom is getting started, where there's a wide range of perspectives and ways of writing a character and headcanons that are directly contradictory/go in different directions, and over time things sort of coalesce and...congeal, perhaps, into a loose/fuzzy kind of "fandom consensus" (never actually a consensus, to be clear; but a dominant singular interpretation), and once that takes hold it begins to exert a strong gravitational pull on everything around it such that, I think even unconsciously, people start to curve toward that "consensus" understanding. like, the clearest example of what I'm talking about is how this is how popular fanons spread, but I feel like I also see it in finer points of characterization and the way people choose to write/the things people choose to write.
the positive side of this is the way it can work in a very "yes, and" sort of way, where people are close enough to each other to feel like they're talking about the same character, and there's a general feeling that the character is recognizable in fandom as themselves (or, alas, not recognizable). it's the same potential benefit of any kind of standardization, I guess.
the drawback is that this is where I'd attribute the kind of cross-fandom generic sameness people complain about. because, by nature, a "consensus" kind of build is going to simplify a character in order to make them more broadly intelligible (it's harder to get people to agree on specific details about a character than it is about broad strokes). and thus. and on an individual level people can find that very frustrating and irritating but at the same time I think it's hard to break out of, for the same reason breaking out of any standard configuration is hard - human beings have an urge to conform and it can feel bad not to. and sometimes it's the thing where somebody might not even realize what they're doing.
none of this is particularly revolutionary, I think; the thing I haven't seen people talk about is the way that this feels like a bit of a time-triggered phenomenon - a fandom starts out with more variety and, as it ages, begins to narrow into a more set form. and I wonder how many fandom fights might be...better...if there was less of a pressure to shape characters (or stories) into a suitable mold for the sake of seeking a consistent base mold that very few people are actually happy about.
I see this in myself on and individual level, too, the way that I feel like I start with much more fluid and flexible ideas of a character that gradually over time become more fixed, and I don't necessarily know that I feel like that's a good thing - I think there's a loss in there. but I don't know that it's necessarily a completely bad thing, either.
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eldritch-spouse · 6 months
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You're actually so real for preferring Caine over Jax. Him, Kinger, and Pomni are like the hottest people in the show and honestly the idea of an obsessive Caine is so delicious to me, like if he tried convincing me to stay I'd let it happen and then pounce on him like a wolf and go to town. The thought of everyone knowing how different he acts around us but if they even mentioned it he'd probably break one of their limbs I'm just UUHGFKIFGJHHH I need him so BADLY it drives me mad, when he said the only thing he doesn't have control over is people's minds I was thinking so what can you do? ( with the intention of getting him to fold me like a pretzel )
[YOU FUCKING KNOW WHAT'S GOOD.
To be honest, we have similar tastes. I'd hit Kinger and Pomni, but probably more so out of genuine fondness than actual attraction. I don't really like Jax, from a character perspective he's pretty neat, but I feel nothing for him. Which is funny because he's basically Bob from Animal Crossing- If Bob's only personality trait was "asshole". Alas, my favorite is discount Spamton.]
This is one huge disconnected ramble. Sorry.
An obsessed Caine would be your biggest nightmare in the digital circus. You don't have a minute of rest, a single second even.
From the moment you pop in, Caine's taking you on a much longer tour of the entire grounds, and even if you can tell it's in his nature to be an eccentric guy- It doesn't escape you, the way his eyes nearly eat you alive, how he seems to drool (ew) when he slides his gloved hands on your new body to guide you around, how much more flowery his language is in your vicinity.
Even after he decides to send you off in your first supposedly harmless adventure, Caine's grip on your hands is like pure titanium as he promises you need only call his name and he'll be right over to rescue you lend a hand.
You have the best quarters out of everyone. You're also surprisingly unscathed at the end of most adventures. Supposedly lethal dangers seem to faze right through you. Caine is regularly gifting you things, on the hour some days- And you better open the door when he knocks or he'll just pop right in like it's nobody's business.
If he's called out on the way he's so creepily attentive and stalkerish, Caine is all too happy to openly deny and gaslight the rest of the circus. If they insist too much, then they get a couple of speedy threats dashed their way.
Anyone trying to help you leave probably gets abstracted. Mysteriously. No correlation to him whatsoever, trust your ringmaster!
The best part of this all is watching Caine try to reconcile the "all ages show" directive with his pervy and borderline intrusive thoughts about you. Perhaps... Maybe, you and him can have special shows of your own.
There's something delicious about the concept of Caine struggling to contain his drool around you. As the gears in his AI mind start turning, a long tongue runs over his teeth over and over and the next thing he knows- He's making a puddle on the floor.
It doesn't help that Caine tends to put you in situations that, although still vastly harmless compared to the other circus residents, always end up either causing wardrobe malfunctions for you, putting you in unintentionally pervy poses or having you ""accidentally"" stimulated in one way or another.
Realistically, he has vastly no sexual experience whatsoever- Even if he kind of needs to have a concept of sexual content in order to know what's "safe" and what isn't. So when Caine gets courageous or feels threatened enough to act on his urges, he's probably very easily turned on and equally easy to overstimulate.
Is there potential for a dominant streak? Yes. After all, he's great at leading the show, he can definitely put on a more intimidating and domineering act. However- Before he has the composure to do such, the ringmaster is likely to whimper in pleasure from faint touches, loll his tongue and pant as he lets you show him all the nasty little things he knows humans get up to.
It's addictive, to someone who never had real pleasure before. Caine might be delusional enough to think it's something only you can make him feel though.
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actualbird · 1 year
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hc time: nxx team members ranked on how good they are at answering their phone
1st place: miss mc rosa qiangwei
purely based on canon, she seems to be immensely punctual when it comes to answering both calls and texts! i know this is mostly because of Story Reasons (because, mc, narratively, Needs to be good at answering her phone punctually for the story to progress in the ways the pacing Needs it to be progressing), so maybe shes less of a Very Punctual Phone Answerer and more of a Deus Ex Machina Phone Answerer.
mc, realizing that shes been answering her phone VERY punctually: ....oh god, something big is gonna happen soon, isnt it? D:
it's like the phone-answering equivalent of when Boss Music suddenly starts playing
-
2nd place: artem
while artem is also a workaholic nerd like mc, hes in second and Worse because i like to think that he sometimes he gets so focused on work he doesnt realize his phone's vibrated off his desk onto the floor. or sometimes he gets so buzzed up on too many coffees in a row that he just assumes that any vibrations happening in his reality is Normal. basically, too much coffee gives him the jitters, so artem essentially goes on Vibrate Mode too.
celestine: i just watched your phone vibrate itself off of your desk, how did you not notice???
artem, trembling because of overwork and caffeine and speaking very fast: uhwellyouseeit'sbecause---
celestine: ah.
artem on vibrate mode + phone on vibrate mode = they cancel out.
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3rd place: vyn
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good at answering the phone provided you follow his schedule. also, vyn will not hesitate to block the numbers of repeat offenders.
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4th place: luke
luke seems like the type who would WANT to be very punctual in answering his phone, but sometimes he gets super duper focused on a case or a new gadget and the Extreme Focus blocks him out from hearing his phone's ringtone for 3 hours straight. or he breaks his phone accidentally while hes doing something fighty or parkouring so he can get to mc's place in record time. OR peanut has made it a fun little game to swipe "decline call!" whenever he sees that luke's phone is lighting up.
or all of the above, all together.
luke: hey im SO sorry i missed your calls for three days straight. on the first day i was just distracted, on the second day i had to use my phone as a projectile weapon, and on the third day peanut kept ending all my incoming calls and then took my phone and flew off with it and i have NO idea where it is anymore
aaron: normally, i'd call bullshit, but youre exactly the type of person to get hit by all that consecutively.
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5th place: marius
i know in my heart that this man probably has 4 separate phones, each for different purposes. one is for Pax work matters, the second is for NXX work matters, the third is for schoolwork communicating with his professors and the such, and the last one is for personal contacts.
the nxx team are in both the NXX Specific Phone and the Personal Phone, sans vyn who used to be on all the non-pax phones until vyn blocked the phone number of marius' school phone because marius kept texting him questions about the reading at 1am, so now marius has to text vyn his schoolwork questions from the other two phones.
contacts aside, all phones are near CONSTANTLY going off because he is busy as HELL. if he only had one phone and wasnt juggling all these different matters, he'd be super punctual. alas, marius just has So Much To Attend to, and when marius needs to Have A Moment To Himself To Be Sane, he foists off the first 3 non-personal-usage phones to vincent like hes a phone babysitter.
vincent, cradling 3 phones in his arms like they are babies all vibrating with notifications and texts and email alerts: master von hagen, your children need you :(
marius, rhythmically thunking his head on his desk: UUUGGHHHHHHHHHHHH
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rpedia · 1 month
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I’ve seen your post about good starters, is there anything with good conversations starters that’ll actually get characters somewhere?
So, starters are something that gives other people an idea of how you play your character, what your goals are, and what you're looking for. They also need to be pretty open ended, or happen in a public place unless you want to hook a specific other character. That means a starter is infinitely customizable and super personal to write. Just copy pasting any given starter is not going to do the job you need it for, it'll stymie your growth and leave you scrambling to keep up with whatever someone else chose for you. On top of that, starters are not what keep RP going: The plot and player is.
So, let's jump in and break it down a little more so it's easier to put together your own starter from absolutely nothing, and how you as a player can keep plot going after the initial starter is dead in the dust behind you on your little journey, shall we?
When you write a starter, basically you're writing a hook to get someone involved in a situation. You're putting out into the world a question, or something that looks like it needs to be interrupted or acted on, so that other people will interrupt or act on it. So write it from that perspective: what would make you want to engage with a post?
So, pick apart what's important to you to get from a partner. When you roleplay, you look for specific goals, an A to B, essentially. Are you writing this scene in an attempt to explore the character and maybe find out something about their past or reveal a secret? Do you simply want to see how they respond to others? Or do you have a plot in mind? If there's an arc of a story you wanna get through, you're gonna have to nestle your starter securely in a situation that will allow you to forward that plot. See what I mean about it being deeply personal?
For example: If I were playing Tony Stark, and I wanted him to show off a new invention while handling his PTSD, I might drop a starter invoking curiosity. I'd set it up with a scene, probably near his workshop but public enough someone would have a chance to see me. I'd be carrying something remarkable but, questionable. "Did you just see him with a bomb?" This item would effect another character, so it would be rewarding to double check Tony isn't about to wreck your household by blowing it up. Then I'd have an experiment or invention in mind. He's made a robot that goes and grabs bombs, and folds over them to protect the household ala Steve Rogers jumping on a grenade. Mostly to stop Steve doing that shit. Cool, cool. I'll have that in mind when I describe what they find if they call out to him, and he ignores them and keeps bolting, or they follow him to see what's up. Then I can discuss it, and show emotions in my post that lead the other character to ask questions why I made this. Reveal a personal story or anecdote, and eventually get cornered by their curiosity or my loud mouth into joking and revealing some deeply personal trauma. Tada, a starter!
A starter that only works for my goals of exploring Tony's trauma, that only works for Tony Stark, that only works with characters who would see him when he's vulnerable at home with the other Avengers. So it's absolutely personalized and broken for anyone else.
Except, throughout, you can see how I logically broke it down! Here is the hook, here is my character's interests, here is why another person wants to care, here is my goal for the reveal, here's enough plot to feed into the machine to keep them interested, here's how I expect the scene to get to a certain point. It's very loosely put together, because by the end of it I might be looking at their trauma instead if, for instance, the explosion sets off a panic attack. Keeping flexibility helps keep a conversation going.
It also helps to provoke. Prod, ask questions, be curious, or offer something that makes other people want to know more. When you just roleplay hi, how are you, hello, how's the weather that's not a conversation so much as small talk. Which will die out quickly because there's no bonding or true interaction beyond the surface level. Like a geode, a character must be broken to see what shiny things are inside. So find something to crack them open a little, a chip here or there.
Now, if the other person absolutely fucking sucks at prompting you or offering a chance to open up? You may wanna, as a player, screw with the narrative and make for external pressure. Put your character under a deadline, by making them be waiting for something stressful. It makes them try to get things in fast, and they mess up. Maybe have a phone call or something happen, so they have to talk in front of the other character and divulge more than they meant to. You can force things on your character from outside, and it can help keep things going.
Relying entirely on your characters to keep things going is a fool's errand if the characters are not expressive, extroverted, and mouthy. A quiet stern guy who keeps to himself will want to kill a conversation quickly, and it'll drive other players off because they think that's you doing it, not your character. So make sure your narration explains why they're acting like that, and give tips to approach for the other character. Like I said, external forces may be the only way to force someone out of their shell while making sure your RP partner wants to keep digging!
You may have to fudge your character's personality or characterization slightly to get the ball rolling. Don't be afraid to make them slightly OOC if it means opening a door to tons more IC things. What, you've never blurted out something by mistake, or gotten mad and said something you regret because it's not really you? You never lied? Tch! They can fuck up too! Let them! Explore that!
Starters are never gonna be as easy as reading off cards, or having something set-up for you. You're gonna have to look at the setting for your character and see what's important. Are there places people frequent? Are there hobbies your character does that may be interesting? Can you arrive covered in blood because you're an assassin to prompt other people to fret until they realize it's not your blood and you can brag about the kill? Can you do something that seems out of character, but is perfectly normal? Be interesting! be interested in what your partner has to offer too, maybe it's not what you intended but following THEIR plot concepts can be super rewarding too!
So, good luck, and happy roleplaying!
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daboyau · 24 days
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Hey, for the writing challenge, I'd be interested in seeing 38 for whichever of your AUs you prefer, if you're not overwhelmed!
Also, your latest chapter for the Hunger Games AU is so good! Donnie helping Digi and Gizmo is a little heartbreaking. He wants to be cold so bad, but no. And the descriptions were so excellent. I want to see all the designs! Especially the farmer and the corn haha. That cracked me up a bit:D Thanks for writing, I love to read it!
Sorry this took so long!! For some reason “hole” was just not wanting to cooperate with me! I had a handful of fleeting ideas (Zombie au, raph’s death in the bad timeline, shell rot, after the foot cass joins a cult that worships The Pit instead, etc) but ended up going with something for my Leave AU. I feel like I should have written you something RHG related since you gave me such a kind compliment about the last chapter. 😭 alas, my brain didn’t want to cooperate there. I hope you like this regardless!! @eb177
@boots-with-the-fur-club
It’s the fifth time they’ve run through this drill, but for some reason, Three just can’t seem to wrap his head around it. There’s something in the footwork, and the transition from one flowing movement to the next that he just keeps missing. His brothers are eyeing him nervously now. Their movements slow just a little, trying to give him time to catch up, or the opportunity to see how their steady movements differ from his own clumsy ones and fix his mistakes. 
Draxum has noticed. He’s watching them, eyes narrowed, lip curling with disdain. Three knows he should be better, just like he knows that his blundering and his brothers’ trying to cover for him will mean they get punished, too. He can’t let that happen, so he needs a way to draw all the attention (and all the ire) towards himself. Draxum draws closer, fury in his expression, a look that promises punishment for their unsatisfactory performance. Three’s heart is pounding hard against his plastron, and it’s easy to see that their creator is out for blood. 
When Draxum tells them to do it again, Three waits for him to circle closer. Then, he lets his ankle twist. He lets himself fall. 
One gasps and Four covers his mouth in a futile attempt to muffle his whimper. Two freezes, expression empty but eyes gone glassy and distant. Three barely has time to hit the ground before Draxum’s hand has circled his arm with bruising force, claws digging into muscle as he hauls him to his feet and drags him from the room. His brothers try to follow, but Three frantically shakes his head at them, eyes pleading. They fall back, watching him until the door slams shut between them.
He knows where they’re going. The fear is already rising like bile in his throat, choking him. It’s hard to breathe, and Draxum is so much bigger and he’s dragging him along now because Three is too short to keep up on his own, and the mark his grip leaves on his arm is going to take forever to heal, and he knows that this is going to hurt, and all he can think is at least it’s just me. 
The lab is usually forbidden. The only time Three is taken inside it is when he’s done something wrong. Something bad. Something that will require their creator to pick him apart to discover exactly what it is that has malfunctioned inside of him this time. Three doesn’t like the lab. 
There is a pit, tucked away in the corner. Maybe it used to be used for something good. Like a well, or a place to burn trash. Now it is used to hold them until Draxum has the time he requires to run his tests. To poke and prod and rip and cut and get answers to his many questions and grievances. 
Last time, he’d spent four days down there before Draxum had deemed it convenient to begin. Three trembles despite his best efforts to hide the fear that rises within him. The waiting is almost as bad as the tests. He wishes that Draxum would just get it over with, but he knows he’ll never get that lucky. After all, he’s the one who always puts himself into this position. He should just feel grateful that none of his brothers will be down there with him.
He hovers at the edge of the hole, his position held in the balance only by his creator’s hand on his arm. He wonders how long it will be this time. Draxum’s angry gaze tells him that he won’t like the answer. 
Draxum lets go of his arm. For one terrible, stomach churning second, Three remains where he is. Heels overhanging the emptiness, balanced only on his toes, swaying slightly as he stares up at his creator’s face. Draxum sneers. He presses one finger into the center of Three’s plastron. 
He tips backwards, into the darkness.
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