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#acrylic goua
anticmiscellaney · 1 year
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as an aspiring comic artist looking to move from graphite and oil painting to more ink/inkwash/watercolor like you- could you explain your process a bit? any tips for beginners? i love your art and you're at the top of my inspiration list right now :,)
Thank you! I've been using ink and watercolour for a long time, and ink/inkwash is definitely my favourite medium. A key tip for getting started would be to know the different kinds of ink available because they all work differently. The three main ones are:
Dye-based ink - these have their uses, but they are not lightfast at all (fade quickly) and they act kinda weird. The colours are very vibrant, but they tend to dry very fast, not be waterproof (tricky for layering), and stain the paper. I use very few dye-based inks. Some ink brands look like they have a big colour range, but when you look at the boxes half of them say "dye based" - don't buy Higgins those.
Acrylic ink - think of this as very liquid acrylic paint. There are a lot of fancy options, many specialty kinds (metallics, pearls, neons), but they aren't going to give you the transparent inkwash look. It's good for drawing opaque lines over colour, and you can dilute it with water for a wash, but it gets chalky. Waterproof may vary (test it first), and it usually has a matte finish. White acrylic ink is well worth having as you can detail over solid black or tint it with coloured pigmented inks, and god knows I love using neons, but I treat acrylic ink like "effects" ink. It’s not my main drawing ink. Daler Rowney is good and widely available (pigment-based is not the same as pigmented ink, this is still acrylic ink), they have a few lines at different prices. Liquitex is decent.
Pigmented/India ink - this is my favourite kind of ink and probably what you want! Pigmented ink dilutes well (it’s a transparent medium like watercolour) and often has a glossier finish depending on shellac content, and it will say on the bottle if it’s waterproof (test that first). It’s good for brush or nib, good for layering, works nicely with watercolour and other types of ink, can be mixed to make new colours/tints...she’s got it all. If you’re in Australia, Art Spectrum is great, I stock up every time I’m back there. If you’re elsewhere, I recommend Speedball for black ink (Blick Black Cat in the US is good). Dr Martins Bombay India Ink has great colours and they’re usually affordable.
There are many brands and everyone has their preferences, and over time you will find your own. I have a mix of different types and brands, though probably fewer than you’d think. Get a small bottle in one or two colours and play around, see if you like it before investing in a set. Don’t buy fountain pen ink or Rapidograph ink for nib/brush, those are best suited to being used in specific types of pens.
The nibs I use are Hunt #512s. #102s (called crow quills) are popular and I like them too, but they are very sharp and will rip up your paper, and can be a little too flexible and hard to control. The #512 is a good all-rounder with a smooth line capable of variation, and I think they’re a solid choice for a beginner. These nibs and holders are cheap and widely available. I don’t buy expensive watercolour brushes because ink will wreck them a lot faster than watercolour will. What you want to look for is the fibers holding a point - the brush should not have bedhead.
My only real advice to someone looking to try watercolours is to not buy the cheapest shittiest kind. You know from oil painting that all paints are not created equal and bad paint is going to frustrate you, especially when you’re starting out. I started with one of these twelve years ago and I still use it in conjunction with other sets I’ve built myself, I just refill the pans from (better quality) tubes when they get low. They last a long time. So do bottles of ink.
I’d like to do a process post, but I’m not sure what would be interesting or helpful to you, and I use ink/watercolour/gouache in a lot of different ways. If there’s a specific piece you liked the look of, I’m happy to demonstrate that method, or I can just go through my favourite approach.
As for comics...the best advice I can give you is pretty general.
Anatomy is a rewarding life-long study, but what really counts for narrative art, over technical accuracy, is GESTURE, EXPRESSION, and BODY LANGUAGE. Look at people. Look at how they move, look at their faces, look at their hands, listen to how they talk. In comics, you are the director and the actors.
Environments are a bonus character in your story and can add a lot of depth and atmosphere! Understanding perspective will make using them a lot easier.
Do not start with your graphic novel idea, start with a short story (under eight pages) and finish it. Finish it. Fucking finish it. Then do some more, getting longer over time. The best idea you never do is worth less to your progress than the worst finished piece.
There aren’t a lot of books that dig into the nuts and bolts of sequential storytelling for artists in a way I like. Filmmaking books are handy, but they’re dealing in moving images and don’t have to worry about page design. There are some good “how to make comics” books (the two Will Esiner did are my favourites), but as a genre it can be very hit or miss. I always look at what the writer/artist has made to see if I want to listen to their instructions - if you hate their art and think the graphic novel they made sucks, don’t buy their how-to book.
Bob McLeod, one of my teachers, gave us all this list:
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These rules aren’t inflexible, but they cover the big issues.
For actual storytelling advice, the best one I have read was Directing The Story by Francis Glebas. It’s aimed at storyboard artists, which I was, but it discusses visual storytelling and explains how to approach it and the reasoning behind choices in a way that is useful for anyone making sequential art.
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cyannavy · 3 years
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T e m a r a m
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isabella-conti · 4 years
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Impressioni di settembre
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rebeloser · 4 years
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First time seeing a lunar moth! It definitely inspired me a little.
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wallpaperpainter · 4 years
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21 Secrets You Will Not Want To Know About Acrylic Gouache | Acrylic Gouache
Michael Boelke, June Spotlight Artisan at Downtown Art Gallery, has an eye for nature.
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Boelke has been an artisan aback his U.S. Air Force canicule during the Vietnam War. For 20 years, he served as administration armchair at a university-level clear architecture program, teaching aggregate from alpha cartoon to avant-garde computer graphics. Now retired, he teaches acrylic painting at the Arctic Brevard Art League.
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From 11 a.m. to 3 p.m. on Friday, June 19, Boelke will authenticate “Painting Florida with Acrylics” at the gallery, 335 S. Washington Ave., Titusville. His assignment is on affectation through the end of the month.
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wallpaperpaintings · 4 years
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Five Unbelievable Facts About Acrylic Gouache | Acrylic Gouache
“After spending two years in the Chinese People’s Army I came to Birmingham in the UK to abstraction for a masters degree. Before I came, I had never travelled alfresco of China,” says ilrator Mengxia Liu. “This meant I was absolutely aflame about aggregate I accomplished in the UK. I wrote abounding affidavit and did so abounding doodles to try and almanac all my experiences. It was at that time that I aback realised I was a being who, basically, loves to allotment belief through drawing.” 
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Liu creates reportage appearance and beat ilrations and she uses a active colour palette to actualize a balmy and active atmosphere. “I bethink aback I accelerating from university I longed to acquisition a anchored appearance so that I could bound ignment on a activity ilrating the bounded bazaar in Birmingham. It was again that I realised appearance can be mainly about appearances: it is aloof a covering over the agreeable you are exploring,” says Liu. “Right now, I don’t absolutely apperceive how to call my style, but I accept been exploring the way we see the apple and how to represent it.”
Rather than focus on aesthetics, Liu has instead approved to absorb the account of art historian E.H Gombrich and the ignment of David Hockney, as able-bodied as Chinese painting theory. “One affair best of my ilrations accept in
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cyannavy · 4 years
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cyannavy · 4 years
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