Tumgik
#a maia plot made me think about something other than how little she works!! truly incredible
Text
TGF Thoughts: 3x09-- The One Where The Sun Comes Out
This episode was way more engaging than the last. I talk a lot about Maia in this one; the writers finally figured out how to use her!
Reasons I shouldn’t write recaps after a year without seeing an episode: I forget basic stuff, like that it rained for all of season 3. You know, because ATMOSPHERE and WEIRDNESS and QUIRK. And SYMBOLISM. Can’t forget symbolism. 
To be fair to the writers, it did rain a lot last year. All I remember about the month of June is rain. They predict everything. 
Maia’s new job at a call center (I can’t recall if we’d seen her at the call center before this episode) is something she takes very seriously. Just kidding. She acts disdainful towards anyone who dares ask for her help and then hangs up on them. On one hand, this seems like a terrible job so I get her “fuck it all” attitude. On the other, she’s being suuuuuper bratty.
Right. I refreshed my memory. We did see Maia at this job in an earlier episode. 
Consult-a-Lawyer is where all the LGwhatever rejects go. Sounds miserable. 
Blum walks in, and Maia makes a, “Oh God, THIS asshole” face. Coincidentally, this is also the face I’m making as I realize I’m going to have to listen to this loud man I had blocked from my mind yell obscene things for two more episodes. 
Blum wants to hire Maia. She agrees, as does her friend Lili. I believe Maia has other choices (remember how she turned down Diane’s offers to help when they weren’t exactly what she wanted?) but also, yeah, I’d want to get the hell out of Consult-a-Lawyer too. 
Now it is hailing. Everyone from RBL is in blue. Remember those picspams we all used to make where we’d oversaturate the background to make everything blue? I wouldn’t need to oversaturate this image to make the blue pop. 
I truly don’t understand why the main page of All Access thinks I am in the middle of some random season 2 episode when I am clearly in the middle of 3x09. When I click on the show, it understands that I’m in the middle of 3x09 and allows me to resume watching. Why wouldn’t you optimize your homepage to encourage people to keep watching!? (All Access isn’t alone in this: HBO Go also makes it very hard to figure out where I left off when watching a series.) 
So, because Carl Reddick was a sexual harasser and RBL covered it up, ChumHum is insisting on an internal investigation, led by a woman who is-- you guessed it-- quirky. And even worse, it’s one of the quirks that’s actually not funny because it’s a real condition people live with?? How are we still doing this, show?
This is RBL’s best year ever. Yay! I forget if that tracks with anything we’ve seen. I guess the existence of ChumHum alone is enough to make that true.
Oh NO, Book Club is in this one too!? Liz, wisely, says she’s done and refuses to go with Diane. 
Maia tells Blum no, she won’t work with him. She thought he was rescuing her from hell, but he’s really “dragging her down deeper.” This is accurate. Maia may not be the smartest character on this show, but she’s got her eyes wide open when she works with Blum. 
Blum wants to work with Maia (duh) because her father is a piece of shit respected by other pieces of shit. This checks out. This is quite logical, tbh. 
Maia requires very little convincing. This is not because she is in such a hard spot she has no other options. This is because she is bored and hates the world because she didn’t get her way and had to deal with consequences. It took very little to turn Maia from an innocent to a villain. Perhaps that’s because she was always complicit. (If you’re 26 and went to law school and you can’t understand privilege even on the most basic level, it’s because you’ve been tuning out everything that challenges you.)
Maia seems way more confident now. She’s SO much more fascinating as a villain than as a protagonist, likely because even when she was the protagonist everything she did was so selfish it was hard not to see her as a villain. Props to the writers for recognizing that and leaning into it. They don’t explicitly tie her actions here to her actions at the start of the series, but this only works because Maia’s always been one slight away from going bad. 
And yes, I think villain is the appropriate word for someone money hungry and willing to work, no questions asked, with someone as slimy as Blum. 
Maia hires her friend Lili to help out, which, admittedly, is a nice thing for someone I just called a villain to do. 
After further “messages” from the con artist who started Book Club, the Book Clubbers want to SWAT someone. This sounds fucking terrifying. Diane pushes back and the rest of Book Club is totally ok with this strategy.
So Diane reveals that Valerie’s a con artist and it causes squabbling. It somehow backfires because people believe the woman claiming to have a message from Valerie. Even the one who can do all the IT things--the one who could very easily (by show logic at least) just simply look up the records and phone numbers herself-- believes her. 
Is a big group setting really the way internal investigations are done? I’m no expert, but this feels like a bad approach!!
Marissa doesn’t think the firm has racial issues! Ha ha. She thinks the racial pay gap issues are totally resolved because the associates got raises. As much as I want to believe someone as savvy as Marissa wouldn’t think like this… I kinda believe it. 
Lili also seems kind of terrible, like someone who can’t wait to go on a power trip and fuck over every person who has ever said anything mean to her. 
Oh goodie, we’re talking about sexism now. I appreciate that they’ve featured a few associates over the course of season three. I don’t remember their names since I last watched these episodes a year ago, but I remember that they’ve been in several episodes. I hope to see them in season four, and to learn their names. 
Someone says men weren’t considered to head up Lucca’s department. This is blatantly false. Also, idk what these other associates can do, but Lucca’s proven herself to be adaptable, smart, and someone who can go above and beyond. Plus, she is someone who is out for herself, with tons of career options. She’s someone you want at your firm. 
The female named partners are biased against men, says a (you guessed it!) male associate. Hahahahahahahahahahahahahhahahhahaha no. 
Marissa calls the associate out on this, and another (female) associate steps in to say she’s in no place to talk since she’s stealing Jay’s job. If it didn’t seem like there was room for both of them, this would be true. 
In a move I appreciate, the mailroom employees are also in this scene, talking about how they didn’t receive any bonuses to correct for the pay gap because of their class. When one of the associates says they didn’t receive a bonus because of race, a mailroom guy calls her out for not knowing his name. 
And then it devolves, as so many of these scenes do, into people talking over each other.
While I like that they address these issues so often on this show, I don’t think “inequalities are controversial and there’s no solution so here are people talking over each other” is the best approach. Sure, I can appreciate different points, and I don’t need the show to tell me how to think, but at this point I think the show needs more of a POV on this. It feels, too often, like they’re saying “Controversy! Huh!” 
Marissa goes to Liz and mentions the other women Carl Reddick assaulted. Liz, understandably, hasn’t looked at the files Marissa gave her. She says she will but asks Marissa to keep quiet around the investigator. So sounds like she doesn’t intend to do anything. 
Oh no. Is this the ep with the retcon where Liz and Adrian actually did hook up!? And put it in work emails!? All I have to say about this is that it’s a bad decision. Sometimes the writers get so close to making a bad decision and then walk it back enough so that I can relax, and then bring it back later, for no reason. It’s even worse that way, because by that point I’ve already formed a strong opinion about it happening. The moment that set me off the most in TGW was when Alicia and Peter agreed to renew their vows at the end of 421, followed by a commercial break, followed by a promo with Alicia kissing Will. I HATED the love triangle at that time. I mean HATED. That commercial break allowed me to relax into the idea that the writers had ended the love triangle. The promo shattered that idea, and, in turn, I slammed my computer shut so hard it nearly broke. That is not a feeling I like. That is the feeling that learning Liz and Adrian fucked gives me. 
NOT EVERYONE HAS TO SLEEP WITH EVERYONE. IT IS SOMETIMES MORE INTERESTING WITHOUT THE ILLICIT AFFAIRS. THERE ARE MORE INTERESTING WAYS THAN HOOKUPS TO ADDRESS THAT THEY USED TO BE MARRIED. For starters, can we get an episode where Liz calls Adrian out on the condescending voice he’s always using when he talks to her?
Oh yes, this is also perjury. Why. Why is this happening? Why would Liz and Adrian admit this to an investigator knowing damn well they lied under oath, and also, why would they lie under oath? I know we saw it happen but was it really worth two partners perjuring themselves bc they fucked their ex??? 
When the stakes are high for no reason (or for a stupid reason) it doesn’t maximize drama. It just makes me tune out the drama. If I believed Liz and Adrian had a good reason to perjure themselves, maybe I’d care about this. Maybe they did. But the fact I don’t remember it-- and I’m someone who can name every single episode title of TGW in order-- suggests to me it wasn’t a good enough reason. 
Liz goes to shred the file with the rest of the info on her father’s victims. See, this is a bad choice that I understand. It’s her father’s legacy and her firm’s future, and she has all the power right now. It could come back to bite her, but I get why she takes this risk. I get why this situation is fraught. 
Credits time!!! 
Maia’s also decided to dress like a Bad Girl. She is trying VERY hard. But she’s pulling it off. She’s speaking without hesitation and actually taking an active role in getting things done. It speaks volumes about her character that the first time she’s been motivated about anything work related, it’s something morally bankrupt. 
Apparently the black and white associates are sitting apart from each other. Julius says it’s not intentional; there’s a hot desk system. That held up well.
LMAO people think Julius and Marissa are sleeping together. Julius does a spit take-- the appropriate reaction.
“You’re really a Rindell?” a potential client asks Maia. “Raised at his knee. Taught me everything he knows,” Maia says proudly, displaying a framed picture of her and her father. I’ve said it like five times already but it’s SO dark that Maia would use this to her advantage. We’ve seen some opportunistic shit on TGW/TGF but Maia gets so shameless, so fast, with no remorse. Damn. 
RBL is trying to disbar Blum. He doesn’t care. He tells Maia to take care of it and to use the allegations (which she doesn’t realize are real) against Carl to make it go away.
Diane is talking to a computer. I’m over all the Diane plots.
Liz is glad the Book Club is still fighting even if she’s not involved, which is the stance it always made the most sense for Liz to have. 
Diane allows Book Club to proceed with their latest scheme because she finds the dude they’re targeting deplorable. If this plot didn’t involve Book Club I’d find it to be an interesting moral dilemma. 
An actually interesting dilemma: Liz informs Marissa she will not be disclosing the names of any additional victims. Marissa clearly thinks this is the wrong call but keeps her mouth shut. An unusual amount of restraint for her. 
Maia and Marissa are still friends! Is this the episode with the bizarre Maia/Marissa kiss that I still don’t understand the point of? 
Marissa divulges info about the firm’s Reddick drama to Maia, which is uncharacteristically stupid of Marissa. But there’s no bridge Maia isn’t willing to blow up to help Blum. She’s prying and manipulating a friend who faked a drug test for her and got her through the worst time in her life so she can prop up a mean, cruel man. There are other paths for Maia. I want to be absolutely clear that I think she is choosing this one because things got the slightest bit challenging for her. 
Maia realizes what she’s doing and stops herself saying she has to go because “everything we talk about from now on, you’re gonna blame me for.” And rightfully so! 
OH, the kiss is because Maia is acknowledging she’s fucking over their frendship, isn’t it? Earlier they’re about to drunkenly kiss and one of them talks about not fucking friends they don’t want to fuck up the friendship. So the kiss is fucking over the friendship. Or maybe it’s just a kiss. 
“You’re gonna hate me. Just remember, this has nothing to do with us,” Maia says. Ha, I believe this less than I believe Alicia’s “this was never meant personally” in 5x05. (Hitting the Fan isn’t a bad comparison here, since Alicia does make a choice to fuck over friends when she has the choice to not fuck over friends. I think what makes that “gray” for me while this is villain territory for Maia is how fast this happens. Alicia’s taking the clients whose accounts SHE has sustained, and starting a firm she truly believes will be better (for herself, as a company, for her family). It’s a selfish decision. Her options aren’t reduced all that much either (she’s the governor’s wife, if she wants to leave her firm she could go anywhere). But I can see her side, I can see how fraught the choice was for her, I can see how the way things played out made the tensions worse. Maia burns her friendships to the ground so she can work with a loathsome man because the opportunity fell into her lap while she was hating the world too much to do anything productive with her life. 
Maia’s crying in the office when Blum finds her. She knows what she’s about to do. She’s sad she’s going to do it, but she knows she’s going to do it. I don’t think she considers, for a moment, not fucking over Marissa. As soon as Marissa gives her the intel (which, no matter what Maia says, she was totally fishing for), Maia’s mind is made up. Does it make it better if she cries about it? 
And Maia KNOWS it is a betrayal. She says she knows “a friend will interpret it as a betrayal” because she knows it is one. She tells Blum she doesn’t know if it’s a betrayal because “I’ve lost track these days” (that line sounds surprisingly Alicia-esque) and tells him what she knows. That’s one of those questions that if you have to ask, you know the answer. 
Thought experiment: Would it be a betrayal if Maia were an activist who wanted to get the word out about an abuser? I think a lot of why I react so harshly towards Maia’s choice here is that (1) she sees it as a foregone conclusion that she’ll use the info and (2) she is using it to help Blum. Blum isn’t shades of gray (50 shades of gray joke here). He is despicable. He isn’t morally ambiguous and you can’t even say his ends justify his means because his ends are despicable too! 
Ah, a scene I won’t have much to say about. It’s going to be Blum on his bullshit.
Oh, I do have something to say, but it’s a sad thing. Mark Blum, the actor playing ACDB lawyer Julius Kreutzer in this scene, sadly passed away from COVID-19 last week. 
Roland Blum representing sexual assault survivors to fuck over a rival law firm makes me sad.
Marissa does, in fact, interpret Maia’s actions as a betrayal. She calls her immediately and asks, “you fucked me over?” “Not intentionally,” Maia says. Oh, own it. You knew the moment she said it what you were going to do; this was an intentional action with an inconvenient consequence. 
The partners find out, thanks to Blum, that Julius is going to be a federal judge. And they are not happy.
More talking over each other! Cultural appropriation has entered the mix of complaints. Lucca decides to intervene by going to the partners about the new seating plan. And this is why Lucca, and not that associate, is heading up a department. She knows when to go to management and isn’t wasting her own time in these squabbles. (Tbh, Lucca recognizing that bickering with no resolution in sight isn’t productive makes me wonder if the writers have more of a POV than I’m giving them credit for. Maybe they’re trying to say that talking over each other is futile and aggravating.)
Why the hell does this investigator want to integrate the mailroom by firing black people so they can hire more white people?! Setting aside for a minute that that is a profoundly stupid idea, that can’t possibly be legal, can it??? 
RBL decides that, backed into a corner, it’s time to just own up to their wrongdoings. It works with the ACDB, at least until Blum brings Maia into things.
Book Club kills someone. I truly don’t know how to feel about Diane having literal blood on her hands. This scene should be way more dramatic than it feels. This is the problem with having stakes too big for the show. Instead of getting invested, I write off the far-fetched plots, and I can’t really care about character drama that stems from something so over the top I don’t believe it. 
Diane thinks Book Club didn’t want the guy dead. What about this group that was working to hack voting machines suggested that they wanted him to live???? 
Liz says Diane has to report them, but Diane worries she’s implicated. Who could have imagined that working with crime-loving resistance group would have legal ramifications?! It’s not like Diane and Liz are lawyers or anything.
Liz thinks Diane needs to convince Book Club that everything they’re doing is because of a con artist, but that’s a solution to a different problem. Diane knew Valerie was a con artist and still pushed forward with Book Club because she was committed to the cause. Why would any of these other women abandon the group at this point? What difference does it make if Valerie is a liar.
Shock of all shocks, Book Club is planning their next attack. It’s almost like they are a group of criminals who meet in shady spaces at odd hours. The time to be noble about this shit was weeks ago, Diane and Liz. You’re complicit. What did you think you were getting into? 
Book Club does not like that Kurt is conservative. Diane gets mad and basically threatens them.
“You two are just as culpable,” one of the Book Clubbers says. She’s not wrong. Maybe not JUST as culpable, but culpable for sure. It’s possible that I just don’t want to see Diane and Liz be culpable for things this atrocious and stupid so I resent this plotline. (That said, to go back to Hitting the Fan as an example of a character I love doing a thing that is morally questionable at best, I can accept my faves doing things I don’t like. There’s something about the scale of Book Club’s actions vs the scale of the show that feels off.)
“The truth is what you make it,” Blum tells Maia. A familiar lesson for this show.
!!!!!!!! Is CBS reading my unpublished word doc?! Because today All Access understands that I am watching 3x09.
It’s also updated the key art for TGF to the season 4 image, which says “What is memo 618” in larger font than the show’s title. I am sure I will come to care about memo 618; however, it doesn’t make me want to watch the show or tell me anything about the show, so I don’t get why it’s on the poster. 
ALSO there is no question mark on the image so that’s gonna drive me just a little crazy.
Blum manipulates Maia by telling her she shouldn’t let anyone control her. Maia doesn’t agree to help him; she heads home instead.
Liz and Adrian talk about sleeping together. They had previously said it was a mistake, but Adrian wants to reopen the discussion. All Liz wants is privacy. 
Adrian then asks her if she regrets “fucking”. Yes, he says fucking. Those are his words. Liz is like, what do you want to hear? And it breaks up the tension of the moment. THAT is more compelling to me than all the perjury stuff. (Also, neither of them regret it.)
I don’t think I have a problem with them sleeping together… just a problem with it happening off-screen (I don’t need a sex scene-- just want to know how they got there!), being retconned, and then being used to create drama. If they want to hook up, go for it. 
Oh, look, it’s a stock footage shot of the outdoors. Busy streets? People walking around? Seems fake.
The stock footage is to show that the rain has stopped, btw. It just feels like it’s designed to taunt me with the idea of public parks and bustling streets. 
The ChumHum report is out and the partners look very! Serious! But Liz and Adrian are in the clear. 
The investigator basically just finds the firm grew too fast and that’s their only real issue. The Carl Reddick issue will hurt, but it’s survivable.
But they’re still losing ChumHum. They were always going to lose ChumHum. Diane goes outside to enjoy the good weather while she can.
Maia doesn’t show and Blum gets disbarred. It’s fun to watch him squirm, having just lost his power. He rambles nonsensically. 
Maybe Maia isn’t a villain. I truly don’t remember this scene happening; I thought I remembered her showing up to defend him! Score one, Maia. This episode is the most interesting Maia’s ever been. 
I also don’t remember Diane singing on a park bench. But I like it!
Book Club is threatening Diane now. They’ll destroy her (or kill her?) if she tells on them. Dramatic!!!
2 notes · View notes
faejilly · 4 years
Text
I was tagged by @la-muerta​ & @facialteeth​ & @thedivinemissema​ for the WIP/Title Game
rules: post the names of all the files in your WIP folder, regardless of how non-descriptive or ridiculous. send me an ask with the title that most intrigues you and interests you and i’ll post a little snippet of it or tell you something about it!
AND THEN  by @shadoedseptmbr​ @msviolacea​ & @ravenclawnerd​ for the “stories you want to write... but for some reason haven’t yet”
so this will be a mish-mash of both? The WIPs will mostly have blurbs in this case (to fit the second meme) but you are still welcome to ask follow-up questions, if you’d like ;) Assuming you make it through the list, it is uh. Not Short.
Anyone who would like to play with their WIPs, please consider yourself tagged in either or both of these. :D
Misc Fic Folder:
“untitled document” - where I’m working on fictober fills so I have word-counts for my GYWO tracker. I am not working on these because Brains Are Dumb and also Going Back To Work Is Exhausting
I made a file called “YULETIDE!” which has nothing in it but I’m determined to finish this year so that is definitely technically a thing in the Unending WIP List of Doom worth mentioning. (Tho obviously that’s all I could say even if I had started, because anonymous.)
“coda-fics, rewatch!” -yes, that exclamation mark is important! it’s to keep me motivated! (it didn’t work). Much like untitled, this is for putting stuff so I can do word count tracking even if I don’t know what I’m doing. Currently I think it just says “MARYSE” because I was working on my SH 1x6 coda-fic and then got distracted and haven’t typed anything up yet. (Yay notebooks? Boo notebooks? Not even sure at this point.)
WNIP (works not in progress) Folder:
“TOG” - I had one vivid mental image of how Nicky & Joe met (blood-stained evil smiles?) but then no idea for a follow-up story and also the fandom is insane and I’m not sure I want to deal with all of *gestures vaguely* all that
“Shan Xia Notes” -for a TTRPG that never quite got off the ground; she was a semi-tragic selkie who was still in love with the evil queen/lady who stole her skin and I got to play her for like one session and she was surprisingly chaotic neutral, which wasn’t at all what I’d been expecting. But the game never really got off the ground, so I never had enough info to really delve into writing backstory fic
“post-Kruschev” -Kruschev’s List was the last episode of Scarecrow & Mrs King, and I was debating writing an epilogue in place of the s5 we never got, to try and tie up some loose ends, but the fandom’s three old-ladies in trench coats and I never quite worked up the gumption to get it anywhere
“Code Realize warm as silk sequel” -there is literally nothing in this file except “SEX! Only a little angst” because I wanted to write some “we can’t actually touch each other” smut but never actually did. 🤷‍♀️
BioWare (also all Not-In-Progress Anymore)
“seb/adelaide”, “Theia” & “DAI Erana” -these WIP folders were cannibalized for ficlets for the last few times I did fictober, and while originally I had ideas for longer epilogues for all three of them, at this point I don’t think any of the remaining bits could support a story any longer.
”whispers in the dark” -Maia Ryder never really got much fic at all; the cancellation of any further Andromeda stuff was really disheartening, and at this point I’d have to play the game again, and I don’t think I’m gonna manage that any time soon
”TSP” -a Mass Effect 3 Shepard AU collab project that kind of went off the rails, and our mutual brains/lives never quite seem to line up so we can try and rebuild it ”Ngaio & Tane” -my one truly ruthless Shepard (Alliance background, who romanced Traynor) whose father Tane Shepard was, I think, in PsyOps, and I wanted to figure out their complicated relationship but never really did know where I was going with it
”JE Zu & Yaling” -so I’ve rambled about my Tragic Sagacious Zu Romance Thoughts regarding Jade Empire more than once (#Icy Yaling should have most of it) but apparently I want to yell about it more than I want to actually write it? Whoops.
”CI sequel: 5 times fic?” -Cruel Intentions is a kinkmeme fill that I started and then it sat for like five years before I actually finished it, and I liked the ending, but it does leave a giant fucking question mark in terms of how those people got from there to where they are after the game, and I kind of wanted to write a proper h/c fic rather than just... leaving them wallowing in all that trauma?
But I didn’t. I don’t even remember for sure how I wanted to frame the 5/1 of it all, besides it being something sad about allowing people to see you or touch you in some way. (Prayers maybe, since I think there was definitely some Sebastian & Fenris & faith stuff going on in there.)
“candles” -Merribela prompt fill that I never was happy with? Not sure what I might do with it at this point, so it’s just sitting there all sad and lonely and neglected-like.
Shadowhunters
pt1: WIP LIST ONLY
“Persuasion” -so I keep trying to write Persuasion AUs in many fandoms because it’s my favorite Austen, but I think I like it too much, I have no real solid concept of how I’d transform it, and if I don’t have anything else to say about different characters within that framework, I have no push to actually write anything? Also this SH version of it suffered from MASSIVE scope creep when I started outlining and it got too big for me to handle so I like, killed it twice? Whoops. This one is really probably never gonna happen.
“oosdt sequel” -I wanted to write more about the Forest That Eats People and Magnus & Alec as Guardians Between Worlds, and also some background Magnus’ Found Family & Lightwood Family Feels (maybe some clizzy?) and I left a Madzie plot-thread dangling from the first one on purpose even but I think this one had too many ideas and not enough focus so it’s sort of sprawling all over a doc with a lot of “???” in it
“procedural-ish” -this was originally going to be a sex-farce. and then it turned more serious. and then maybe kind of copaganda which was uncomfortable in terms of the Everything That Is The News in 2020, and then maybe it was more a Mafia AU and at that point I had self-inflicted tone whiplash and I wished the voices in my head were a little more forthcoming about their plans so I stopped before I brained myself on my computer monitor in frustration.
“I had rather a rose than live forever” -I started a reverse!verse Malec (Shadowhunter!Magnus, High Warlock!Alec) for bingo last year, and I couldn’t quite get it together in time, so I made a moodboard inspired by the bits I’d started instead. I may see if one of my prompts from Bingo this year help me finish it?
“fall fright fest (practical magic  au)” -exactly what it says on the tin! almost exactly a year old & neglected! IDEK ANYMORE (I talked about this one with the WIP meme last time tho: here)
“priest!kink theology?” -I thought it was gonna be smut? I like priest!kink. I have made other people like it and yell at me even! But then I kept diverging into demon!Magnus thinking about Priest!Alec’s faith and as usual, IDEK ANYMORE *laughs*
(If they’re remotely canon-adjacent or divergent, a bunch of these are in here because I need to rewatch the show to get the pacing/timing/tone right and I haven’t, and I don’t know why, because I enjoy the show, but BRAINS! Are Dumb! So I guess that’s it?)
“I do” -I have tried to write this damnable Malec arranged marriage fic like six different times. I have signed up for fic exchanges and bangs with it, I have rewritten massive sections, trying to change tone or structure or POV or whatever, and it basically comes down to they like each other too fast and I keep not gutting it enough to get back to a useful pace, but by the time I realized that I was on take six and kind of sick of it. I may get back to it eventually
“wing!fic” -canon divergent in early s1, trying to deal with the consequences of Simon’s kidnapping as the Truly Serious Event that it should have been. It uh. Got heavier than I expected with those consequences (considering it was originally just supposed to be Alec’s wings flirting with Magnus) and also see above re: rewatching for pacing.
“2x20 aftermath/date night/pandemonium porn“ -yes that is the actual wip title. It used to be “spite fic” because I was originally inspired by fighting against a lot of fic!Alec characterization that was clearly based more on the books and ATG syndrome than the Alec in the show, which is the Alec I know and like and want to read about. BUT, pacing and etc. again, I think. Also I have somehow entirely lost my knack for writing porn, which makes it difficult to finish something originally intended to be smut!fic. Or even teasing almost!smut.
“rubbish heap” -so this is about three different fics that I realized complemented each other really well so they’re now all in the same file as I try to turn them into the sequel of “with an if in its soul”. It includes amnesia, parabatai lore shenanigans, a s3 rewrite, and some truly awful Owl adjustments that make me wince in horrified authorly delight and pain. BUT, as with the other ones in this file, the scope is large and I normally write short-fic and I kind of just threw up my hands in exasperation. I may have to break it back up into the three different fics instead, if I ever actually want to write it. Them? But also I need to take better notes on s3 to make sure I have what I need in here.
SH Pt 2: Started posting or not yet in hiatus because it’s actually almost ready to be a thing in the real world! maybe!?
“kisses (firsts)” -I actually started publishing this one, a “series of firsts” that was supposed to be kind of relationship milestones and kind of an excuse for smut, and then there wasn’t that much smut and I lost momentum and also dear lords & ladies the timeline is stupid, wtf. I may not ever add to this one, tbqh. It doesn’t stop in a terrible place, and they’re all ficlets so they stand alone all right.
“clizzy epilogue” -this is blank atm, it’s more a reminder for me to keep poking away at my “girls who can’t breathe air, only fire” collection BECAUSE I WOULD LIKE TO ACTUALLY GET TO THE CLIZZY AT SOME POINT
"mer!alec" -pts 2-4 of a series, but apparently having an actual plan gets in the way of me *writing* the thing, and I haven't managed to throw the half an outline far enough away from my brain to be able to write again. Or something like that.
"ibhww" -if broken hearts were whole is a soulmate fic I started a million years ago, and purposefully set aside to finish some other WIPs because I thought they'd be quick, and now it's just buried under two and a half years of regret and shame so it's hard to get back to it
"iafy" -i am for you is a delightful & frothy semi-epistolary fluff piece that also just lost momentum because Life & 2020 & etc. It's far and away the most popular thing I've ever posted on AO3, which also makes me feel weird sometimes, and I feel like the fact that there's no grand conclusion planned, just a bit more fluff and settling in, might end up being disappointing? Basically, it's the first time I think I've psyched myself out about reader expectations, and until I get over that I'm going to have trouble finishing the last couple chapters. (There really are probably only two more chapters though. IT’S SO CLOSE, I wish I could just... write it. And yet?)
“fake-hating” -I do not like fake dating as a trope that much, I just do not get it, but I love outside POVs and arranged marriages and there’s this delighful tumblr post about how they wished there was more fic about people who were together but had to pretend they werent’, and uh. This may be that? Eventually? I’m not exhausted by my failure to finish it yet, so it’s still in the regular folder rather than the hiatus folder, even though nothing’s been posted for it.
AND I THINK THAT’S IT?
Not as terrible as it could be, but still. MANY WORDS THAT MAY NEVER SEE THE LIGHT OF DAY. Posting the equivalent of one’s old ratty sketchbook is always a weird feeling. :D
14 notes · View notes
grimoiresgirlsrp · 4 years
Photo
Tumblr media
CHAPTER TWO - the need for secrecy 
Sunday, April 19th. 6:15pm.
In typical Genevieve Ceoi fashion, the historian was, yet again, late for the meeting she had called at her little home on the outskirts of Salem. For a couple of the witches, this was already a familiar place, but others yet had never come onto the woman’s property. Slowly, they each arrived, suspicious of each other more than ever, and hearts pounding as they waited to see what the elusive woman would have to say. 
They all knew this was about the viral news article that had been circulating online for the past few days. They all knew that at least one of them were guilty of prompting it - and it was hard to mistake the fact that some of the witches did not attend the meeting. Mara, Harley, Lilith, and most surprisingly - Aida. These 4 faces never made an appearance, even long after Genevieve threw open the doors to her home and ushered each girl into the small living room. 
Once inside, plants (mostly half dead and neglected) lined the window sills, and stacks of books, loose papers, and writing utensils littered the floor. Genevieve Ceoi clearly lacked majorly in the organization department, and most of the of the 11 witches in attendance had to scramble to make room for them to sit. Maybe only Clementine noticed, but the plants definitely perked up when she got near.
“So, clearly, we’re all here because someone decided opening their mouths would be an amusing idea,” Genevieve began, and almost immediately, the defensive chatter began. Each girl eager to clear her name of any possible accusation - but one remained silent. Maia listened, lips decidedly shut, until Genevieve hissed for the girls to shut up and listen to her. “I’m well aware that not all of you - that most of you do not trust me, and that’s all well and good. But please pay attention to me when I tell you this...”
Something about her tone commanded respect, and silence fell over the room. “When I found the shadow books, your grimoires, I knew I’d done something unimaginable to the world as we knew it. But we don’t know what all has been done, outside of you girls. We don’t know what else exists out there... and what else has been called forth. Back in the 1600s, there was a notorious band of witch hunters, led by the infamous Joseph Bishop, who killed more women and magical entities than the fires did. Here -” Genevieve handed out a dusty book, the binding barely still in tact, that looked like a documentation of the Bishop family, complete with a family tree. Several names and hand-drawn faces were scratched out, and on one page, a blood smeared remained. 
“As you can imagine, secrecy is key for us. I do not know who wrote the blog, or contacted the reporters-”
“Clearly it was someone who finds this all a joke,” Ariadne interjected. Her eyes shot to Cole, eyebrows raised. “If not you, then Aida, with all her well-researched knowledge. Notice how she conveniently did not show up?”
Genevieve was quick to dismiss the notion that Aida may be part of this - but her gaze did linger suspiciously on Cole, who was quick to defend herself. An accusation was hurled directly back to Ari, but she offered no response. Tension was high, and that’s when Maia cracked - “I wrote it. The Tumblr blog, about being freaked out... but I didn’t send it in to the reporter, I swear.” 
Marina jumped to Maia’s defense, stating how she, too, had made some ambiguous statuses on social media in her own distress - and that no real blame should be on either of them for dealing with their powers in the way they chose. Genevieve reluctantly agreed, but warned both Marina and Maia to avoid any more clues being left for the public
Monday, April 20th. Midnight.
The girls still argued, desperate to find a person to blame for submitting Maia’s blog, and the rest of the intimate details, to the scandalous news source - but no one fessed up. It seemed that suspicion sat most with Cole, Aida, Ariadne, and Luce - the latter only due to her insistent that it was obviously Mara who had outed them all in a grab for power and control. Without being present to deny it, suspicion also landed on the absent woman, but with no way to truly prove anything.... the girls finally gave up. It was a common agreement that one of these 5 were the culprit.
“There is one more thing,” Genevieve said quietly as everyone gathered to leave, late in the night, eyes tired and hearts heavy. She went to a box, locked and chained like some ridiculous movie about vampires, and pulled out a book as equally old as the family history of the Bishop’s. As she flipped through the pages, many old spells in foreign languages were carefully written on the page - some in red ink looking too similar to blood for comfort. One by one, Genevieve ripped out a page, folded it, and handed it a girl until all 11 had received a page. “Use these spells only in case of emergency. They are old, old magic, with dark roots. Black magic. They are not toys or cheap tricks, but something to defend yourself with if the stupidity of whoever spoke up comes back to bite you in the ass. For those who have chosen to work with me rather than against me... there is much more to explore, when you’re ready.”
The book of dark magic was returned to the box, and the key kept on Genevieve’s person. She looked at each of the girls seriously. “I once again urge you to think closely about your choices. Working together is the only way to survive. And no more talking to the press, or it’s your funeral next.” 
and this concludes our second plot drop! please close all older threads.
new threads can begin anytime after the close of the meeting - so Monday the 20th would be the earliest starting point for new threads!
if your character has changed their mind about their affiliation with Genevieve and/or Mara - please send an ask to the main detailing their change of heart!
feel free to have your characters discuss their suspicions and/or personal actions honestly or deceitfully - but keep your OOC answers secret for now still! the suspense and suspicion is key for this part of the plot! 
it is entirely up to you, as the writer, to decide what spell Genevieve gave your character - and how they choose to use it. there is no rush on this, but please send an ask to the main when you can explaining the spell you were given, and any other details you’d like to include, such as plot ideas for when your character will use it! (or if they got rid of it, gave it to someone else, etc.)
as always, come to us with any questions or comments! thanks guys!
4 notes · View notes
enkelimagnus · 5 years
Note
🔥 about relationships in SH bc I'm emo and I really like reading about your thoughts/opinions.
Okay this is going to be a BIG answer because, I dunno what you mean by “relationships”
Romantic Relationships
When it comes to romantic relationships on the show, I find them relatively nice. If you forget that from 1x01 to 3x22 (year later not included) there’s maybe 3 months, and that as a result, Magnus and Alec got married 2 months into their relationship, Clary and Jace have dated for a month, and Simon and Izzy 3 days, of course. 
The romances are interesting. Though some parts are badly written (in season 3, every thing that Malec has a couple gains is done through Magnus as a person losing something), I find Malec especially very interesting. Clace has also a good dynamic, with a true development from Jace’s character, which is very interesting to see. And the third ship I’d say is probably in the top three writing wise: Saia. Saia is amazing, for some of the same reasons that Malec and Clace are, actually. Saia, Clace and Malec all have one interesting in common. Healing. 
Jace, Clary, Simon, Maia, Magnus and Alec all have an healing journey as they go through their relationship. They all grow, and heal old traumas and pains, and I find it very beautiful and comforting to me. Victims of abuse like Jace, Maia and Magnus finding trust and love and support and being able to open themselves to vulnerability again? That’s GORGEOUS. 
Family dynamics
I enjoy the family dynamics a lot too. Especially the Lightwoods. Though the Luke/Clary bond is amazing, it is often the only plot that Luke gets: something to do with saving Clary’s ass. And I find that sad. Luke tends to be only Clary’s dad, not his own character. 
You can have characters who put family first without it becoming their only personality trait. Because who is Luke if not someone’s dad? Maryse gets to have this growth, this enormous change in the way she portrays herself and the way she loves her children. Luke doesn’t get that. And you can probably peg this more on racism/people not knowing what to do with Luke, but it’s sad. 
As said before, I love the Lightwoods. I love the dynamic between Jace, Izzy and Alec, and the way Maryse, Max and Robert add to the trio. I find the maturing and the changes in that family the most interesting. And Izzy going from a daddy’s girl to a mommy’s girl is the best. 
Had it not been this outrageously incestuous, I would have enjoyed the Jonathan/Clary dynamic so much! I think there was a lot of wasted potential with Clary there, with the reasons behind her going dark. It’s a little too “the demon made me do it”. Too magic based, no matter what she says in 3x20. 
And of course the Asmodeus/Magnus relationship is GREAT. It’s one of the best and most fascinating parent/child relationships on this show, at least to me. There is such a history between those two, and a deep deep resemblance. it is BELIEVABLE that Asmodeus is Magnus’ son. 
They have a way of carrying themselves, a theatricality that is just similar. I love the way they move, and talk. Magnus gets some of that slow, deliberate diction sometimes, and I LOVE it. I love the feeling you get that Asmodeus raised Magnus. And I also love the enormous differences between them. It’s so GOOD. 
Ships (gonna go with canon ones here)
Malec
Obviously gotta start with Malec. The show wasn’t originally made for them. The show became theirs though, so easily. There’s gravity in that ship, and depth, and this sense of history-making. Not only in TV, but in the Shadow World. 
It’s far from perfect. Magnus gets the short end of the stick so very often, and the writing glosses over Alec’s flaws so often that it feels like they are actively trying to erase them. 
I very much dislike the way they went with Malec in season 3, even in 3A. It was just not what I wanted for them. Magnus losing his title, his magic, his home, all for Alec... this isn’t what i wanted. It’s what I got. 
And I got some very nice things with this. This building of them as a couple that happened, of them knowing each other’s habits and wearing each other’s clothing, and the wonderful, sweet domesticity of them. 
They are a ship that manages to be both extremely dramatic and extremely domestic at the same time. And it’s so nice to see, how complex it is. 
Also, like... Alec’s immortal. I’m not having it any other way. He deserves that. 
Clace
I don’t like Clace. I don’t think I ever have, and I don’t think I ever will. My dislike for Clace was born out of dislike for Jace, mostly, then was fueled by the way Clace fans tend to act.
I do get why it’s a good ship. I do get how nice it is for Jace to be able to be okay. Do I think it’s rushed? yes, of course it is, Jace deserves therapy but... yeah. 
Sizzy
Sizzy was built on friendship chemistry, addiction, and blaming Maia for taking care of her mental health. It was built out of nowhere in season 3, because the writers thought they needed to satisfy those who wanted to see them bang. I guess they are both hot and close enough to being white that it’s sexy. 
Simon/Maureen
Could have been very cute. That’s all? 
Meliorn/Izzy
In my top 3 Izzy ships. There is an understanding and comfort between these two, a deep caring, and just something that could have been so genuinely beautiful had it been given any chance at all. 
Climon
Cuter than Clace. They were sweet together, and honestly, I could have seen it become a real interesting ship had they been developed after the cute stage. These two share history, they share memories and interests, but they have this big break, when Simon became a vampire. It would have just been wonderful to truly see that history go further. 
Too bad it fell to both antisemitic tropes and the love triangle. 
Jocelyn/Luke
I don’t see the appeal to them? I think they don’t have much romantic chemistry at all. 
Izzy/Raphael
Canon them? Bad, worse than bad. It was horrible. Just something that was wrong on a lot of levels. 
I think it could be super interesting completely in another context. Especially in regards to Raphael being asexual and Izzy being a character known for being very sexual. 
Saia
Saia is just.... everything Sizzy wishes it was. It’s healthy, it’s sweet, it’s built on mutual understanding and trust. it’s built on two people finding each other. it’s built on two people who understand the other’s experience. Traumatic events and fear, anger and pain. it’s built on people who have the tools to build a future together. 
Saia is the kind of relationship you can see going far. They fit perfectly. They are different enough that it’s not like dating a copy of yourself. They are sweet, and fun, and they care about each other and RESPECT each other, and I love that about them. 
Saia is comfortable. It’s the kind of love that’s just... wholesome. That seems to be built from steady foundations. 
(yes I’m ignoring the hellfire that is 3B). 
Marcian
Luke and Maryse. What can I say? These two kinda came out of nowhere but... it works. Luke appreciates Maryse for everything that she is. Strong, smart and beautiful. Something I think Robert didn’t appreciate enough. 
And Maryse trusts Luke. She cares about him. They went through similar things, they have shared past and shared regrets. I love that about them. That they get to build what they deserved to have in the first place. 
Heline
I don’t get it. The only reason they are together is because they were written to. They seem to have 0 stuff in common. But I guess I would know more if they were more than blank slates with “science one” and “combat one” written on them. 
aaaaand. think I’m done. 
24 notes · View notes
singingwordwright · 6 years
Text
Annual Writing Self-Evaluation
*All answers should be about works published in 2017.
1. List of works published this year:
NON-SHADOWHUNTERS
Celestial Bodies (Yuri!!! on Ice, a WIP from Yurio’s POV trying to illustrate a headcanon I had about Yurio, ended up on indefinite hold because the new SH season began and ate my brain.) 
SHADOWHUNTERS (TV)
Episode-based speculations, missing scenes, codas, and fix-its:
Of Laughter and Lima Beams, 2x07 missing scene attempt #1
No Half Measures, 2x08 coda
Breathing Room, 2x09 extra scene
Life Support, 2x10 missing scene/coda
Things We Think We Know, 2x07 missing scene attempt #2 and possibly the point at which I truly accepted I couldn’t smut anymore
No Stay of Execution, 2x12 what-if/coda that went to an unhappy place
One Memory, pre-2x15 what-if/speculation
In the Glow of a New Day, pre-2x18 speculation on Magnus’s greatest fear (or his unwillingness to go there) based on the sneak peek.
Midnight Oil, 2x18 coda
AUs
Alicante Hall, college AU written for the Malec Secret Santa exchange
Magic and Mass Effect, just what it says on the tin, Mass Effect 3 crossover on indefinite hold because the One Easy Answer universe ate my brain
One Easy Answer, marriage-of-convenience AU. Canon-divergent beginning at 1x12, offering a look at what season 2a might have been if Magnus hadn’t interrupted Alec’s wedding (but Alec called it off on his own) and thus the events of season 2a weren’t influenced by Alec and Magnus’s developing relationship. When they come together post 2x10/2x13 they enter into their politically motivated marriage to try to prevent war between the Downworld and the Clave.
A Separate Peace, sequel to One Easy Answer that got way more canon-divergent, focusing on giving the characters far more agency and filling a lot of plot holes. Covers the events of season 2b from the premise that Alec and Magnus have gotten married and are trying to unite the Shadow World, but pressure on multiple sides may destroy what they’re trying to build.
2. Work you are most proud of (and why): Definitely A Separate Peace. First because it’s the first actual novel I’ve written in, like, three years, and also because it’s the most tightly-plotted piece of work I’ve ever done, and that includes my professional published novels. It just came together so well and while it might not be the greatest craft-wise because I’m out of practice (so. many. dialogue. tags) it was really a truly excellent piece of storytelling, IMO.
3. Work you are least proud of (and why): Probably one or both of my 2x07 missing scene fics. I’ve been an erotic romance author in both fandom and professionally for 20 years, so the discovery that I just can’t (and don’t want to) write smut anymore is a really hard pill to swallow.
4. A favorite excerpt of your writing:
“Yeah, but he wasn’t entirely lying,” Jace said with a shrug. “Clary and I do share the same blood, in a way. And those first few weeks, it’s like we needed to be close to each other, to, I don’t know, figure out the abilities the angel blood gave us. And once we’d done the work we had to do, we didn’t need to be with each other like that anymore. So maybe that’s why we felt that pull toward each other, and we just didn’t know what other context to put it in, you know?”
“I really don’t,” Alec said, shaking his head.
“Look, I love Clary. I do. I’m gonna love her the rest of my life. I just apparently don’t want to…be with her like that.” Jace shuddered. “To be honest, after the first few weeks, it sort of started making my skin crawl. And she says she feels the same.”
“Wait. Wait.” Despite his best efforts, the first snicker slipped through Alec’s nose. He covered his mouth to try to hold back a bark of laughter, but it wouldn’t be contained. The rest followed, pouring out of him in a torrent of amusement while Jace looked on in disgust.
“What the hell? Are you drunk?”
Alec flapped a hand at him. “No! Wait wait wait!” Alec gasped, clutching at his sides as he slid down the wall, fighting for breath. “Are you—are you—telling me—”
He couldn’t even manage the words. His ass hit the hard, dirty concrete of the sidewalk and he pressed his face to his knees, shoulders jerking convulsively.
“—After all you two have been through—” He snorted and that just made him laugh harder, his head spinning with oxygen deprivation. Finally, he managed to wheeze, “—That it’s like kissing your sister?”
That set him off again, the peals of his laughter echoing off the walls of the nearby alley. If a demon came along now, he was a dead man, because he couldn’t move, couldn’t breathe, couldn’t speak. His stomach was starting to hurt and he still couldn’t stop.
Jace gave him a withering glare. “I hate you,” he muttered, and stalked away with Alec’s howling laughter chasing him.
A Separate Peace, Chapter 8
(Okay, look, I’ve ALWAYS struggled with writing comedy, so this was a major achievement for me. Also Jace/Maia is way more awesome than Clace so I was pleased to have found a way to walk Clace back and make way for different ships for Clary and Jace.)
5. Share or describe a favorite comment you received: I love all the people who leave me feedback, especially the ones who leave feedback with each and every chapter, but I really have to say, @lyannastarkweather was my MVP for A Separate Peace. Every single chapter she just left these beautiful, long, thoughtful comments and they were such a joy to read.
6. A time when writing was really, really hard: Did I mention the fact that I can’t smut anymore? So pretty much any sex scene or almost sex scene in my fics was like pulling teeth. I ended up fading to black a lot.
(Also, pretty much everything that happens from Chapter 13 to the end of A Separate Peace made me cry. A LOT.)
7. A scene or character you wrote that surprised you: Maryse Lightwood. I haven’t written much from her POV, only Midnight Oil, but her development in A Separate Peace was a joy to delve into.
8. How did you grow as a writer this year: I wrote both heavily plot-driven stuff and comedy, which are two things I’ve very much struggled with. Usually my books and fics have been more about character exploration, so that was really an accomplishment for me.
9. How do you hope to grow next year: I hope to keep improving on those fronts, and also to find more of a balance between character exploration and plot movement, because I feel like I went a little too far in the plot direction in A Separate Peace.
10. Who was your greatest positive influence this year as a writer (could be another writer or beta or cheerleader or muse etc etc): @roseglass was a champ for beta’ing basically a novel and a half worth of fic that I sort of volunteered her for. The conversation went something like this:
Me: I’m thinking of writing a marriage-of-convenience AU Her: I think that’s a fine idea Me: Okay, I’m doing it and it’s all your fault for encouraging me therefore you have to beta it
I’m lucky she didn’t tell me to take a flying leap, tbh. Of course, after 30 years of friendship “a flying leap” would probably involve a lot more f-words and more anatomical specificity.
@faejilly @janoda @actuallyredorchid @ladymatt @blj2007 and @lyannastarkweather  @nancyloumm @s-erendipitiness @champagnemagnus @nanf1c @ketzwrites @beatperfume @nanichick5 @247malec @sharona1x2 @rayofsunshinemaiaroberts @lecrit @irina-something @blav527 @uniqxfuera @a-rosewood-by-any-other-name @michellemisfit @rutherinahobbit @djchika @immortal-husbands @bane-of-brooklyn @accal1a @ohfreckle
were all tremendously friendly, supportive, responsive, inspirational, are people i want to get to know better, and/or are just positive people at a time when I needed positivity in my life. (forgive me if I’ve overlooked anyone; i know there are others I’ve had meaningful interractions with this year, I’m just not remembering everyone.)
11. Anything from your real life show up in your writing this year: well, Mouse in One Easy Answer/A Separate Peace looks like my cat (who also looks like Alberto’s cat Stella.)
12. Any new wisdom you can share with other writers: it’s okay to step back, take some time, and come at it again later when you need to.
13. Any projects you’re looking forward to starting (or finishing) in the new year: I really cannot wait to delve into the sequel to A Separate Peace. There’s something gonna happen in there that’s gonna make a lot of people happy.
Tag writers whose answers you’d like to read. If I’ve already tagged you, consider yourself tagged here. Hell, if I didn’t already tag you, consider yourself tagged here.
34 notes · View notes
kaeppsong-your-life · 7 years
Text
Shadowhunters 2x18 review/thoughts/feelings
I don't do these publicly at all, and I have no friends to talk about it so I just threw all I felt here. It came out horribly long but I needed to let it out. I’m no expert by the way, and english isn’t my first language so go easy on me. Let me know what you guys think! Maybe I’ll do another for the next episode if I feel like it. 
I applaud Amanda Row and Jamie Gorenberg for executing an episode so wonderfully, first and foremost. The amount of attention of detail and overall “groundness” is phenomenal. The lighting was perfect in almost all the scenes (something that I undeniably had an issue with in 2a but has gotten so much better in 2b), not only because you could actually see the people in the screen but because it added to the emotion of the scenes. The music selection was just great and the editing was smooth. These are things that people don’t realize really affects viewing experience. Lighting, music and editing play a large roll on the emotions the creator wants viewers to feel and it was so well executed so THANK YOU for that, really. 
There were many things happening in this episode so I’ll go one by one, not really in chronological order. 
We have Maia and Simon dealing with a mundane-turning-werewolf. A very interesting topic because it adds more knowledge on how this world works, hence expanding it in my opinion. The only people we’ve seen experiencing such a physical change has been Simon. Clary as well, but she kinda upgrades into something that is revered. I absolutely love that they didn’t leave it at that and they used this opportunity to delve more into Maia’s character. Alisha performance was on the nose in her monologue, and it’s this scene that makes Maia a regular in the show. I saw some people who haven’t read the books asking why she is to become so and I believe this will shone light as to why.  Her past (hopefully) makes viewers understand why she is the way she is, why she seemed to see the worst immediately in the people around her and why she cares and respects Luke and the pack. She isn’t just a character there to push the plot anymore, the plot will not be able move without her eventually and this was a great way to start bringing her in. I loved it. (Also, Jordan can choke....for now)
While on the topic of werewolves we have Luke proving his alpha status when he is challenged (to the death) for the position. Did anyone doubt he wouldn’t come through? I didn’t, but it was so needed to see on screen. Luke is known to be wise and maure (expect when it comes to keeping certain important meetings in places where they should be held- a more hidden place, maybe? One that no random mundanes can stroll into?) and it showed how he is a great leaders for the wolves. I just truly hope in season three we explore why is that, because I stand by my belief that it has a lot to do with the fact that he was a shadowhunter before a downworlder. His character is so complex and needs to be addressed more, please and thank you. 
In the Institute things are tense. Since the show’s main plot  is about the mortal instruments, I’m so so so glad we finally got to it. We’ve been running in circles for long enough in my opinion and wow, did they not disappoint. Let’s be real, the whole mortal instruments and Valentine’s schemes are very complicated and not easy to unfold so I was worried, but it was great. I actually really liked that they went with the ruse of the compact mirror because it added a bit of humor (all of this for a compact mirror, really?) and throwing off us book readers for a bit.
Oh, Jonathan. It was lovely to see you actually panic, even if it was just a little while. Will’s acting is so good, wow! I can’t believe the way he just grabs your attention and makes you feel pity, disgust and rage all the same time. He is taking on a massively complex character and puling it off magnifically. I have no idea how he does it but he makes viewers experience Jonathan, not just watch him. We are not physically in the story but I bet I’m not the only one that feels like he makes me feel like I’m with him. He is terrifying and you feel it to your bones when he is on screen, I love it. 
What I don’t love is how he hurts our youngest (possibly smartest) Lightwood. In true @abnormallyadam​ fashion, “don’t fuck with the Lightwoods.” (A motto that I feel would be the focus of the next episodes). Max ends in critical condition and the tension can be felt strongly. I feel like Jonathan got too cocky (serves him) when he thought he would die on his own, and our baby is alright. I personally don’t know how I feel about this per se yet. I’m very torn, as a person with a heart I’m glad an innocent kid gets to live, but I also truly belief that the Lightwood’s need his death to develop more, especially Isabelle. We’ve explored the cheating and the horrible way of raising and caring their children. Besides dealing with the clave against their morals, there isn’t mush else to get into right now, a sense of revenge and guilt and strength at full scale would be great. However the show’s not done, he might still die...or maybe he doesn't and their sense of family is so deep that just this injury and close call is enough to propel them into the path I want them to take.
IMPORTANT: I’m aware Jace got the least screentime and it’s easy to gloss over the little scenes he had but I love the way he reacted to this situation. We’ve spent this whole season with him dealing with his identity and the way he was just as affected by Max’s situation as the rest of the family speaks volumes. Dom has said this but this really shows how no matter the last name, Jace is a Lightwood. This is his family, he cares for them and would do anything for them. His character plays off the bad boy and cocky part well but deep down he is just this kid that was abused as a child by the person he believed was his father, only to be given away. These people took him in and gave him everything and he doesn’t give a damn about no mortal instrument when his family comes to harm. 
Clary is smart, I’ve always known this. She was great in this episode, not annoying but smart and actually productive (wow). I’m so pleased with the way she handled her brother. I was afraid she would continue with the whole redemption thing but holy shit the girl didn’t hesitate!!! I’m so proud of her. Clary is a character that has so much potential, but past writing has made her come off and annoying and jarringly in the way. Hope this rationally and smart lady stays around. 
And now, to the shit that actually made me sit down and write this: Magnus (Not malec per se, sorry).
I’m a huge malec shipper, everyone knows that. It is undeniable how good they are together, this isn’t up for discussion. However, I love Magnus Bane more (that says a lot). 
As a character he is so interesting to me because despite being arguably the most magical in the show, he is so human. He feels and feels and feels. He is so compassionate and good despite having centuries worth of experiences and reasons to be bad, and I feel like this episode put this in the spotlight (finally). Magnus is a leader and as one he has duties to fulfill. Duties that I feel, he has been neglecting. 
Now, I do believe you can have a balance between duty and love, Alec being a perfect example. The guy obviously loves Magnus, but hasn’t turn back from his duty. I feel like Magnus has come to realize he needs to do the same. Through the situation they’re in, Magnus has learned that he can’t focus on love only and I believe that in a future situation that he can’t focus on duty only either. He is smart, he will probably get that balance is key, I just don’t know fast. 
A separation is the least we want for these two but it is time for Magnus to show how human he is. I read somewhere how someone was annoyed at the fact that he walked away because they didn’t believe there wasn’t that big of a reason to do so, and it felt like he was running away cowardly. While I don’t agree with everything in that statement (a conflicting nature of race and ways of living is a big reason to put a relationship on hold) , I do believe there is a part of Magnus that is running away. He is so scared. He loves this shadowhunter so much, more than he expected or has before, and he’s afraid of the power Alec has over him (whether he knows it or not). In other words: CHARACTER DEVELOPMENT!! Also, they parting so reluctantly and maturely speaks volumes of the health of this relationship and I'm so glad they didn’t go for a petty route for it. 
The flashbacks were so perfect and needed. Up until now, we’ve all loved malec because we know they are more than a kiss on a wedding or representation on a show and we finally got all that more on screen. Seeing, how much they love each other or better yet, feeling how much they love each other is so needed. I got tears in eyes because of these flashbacks. I got tears, not only because of happiness because of their happiness but because the world now gets to see how a lgbtq+ couple is just two people falling in love, fears and all, not unlike your typical straight couples out there. 
The details in these flashbacks captivated me! I’m so glad I’m not the only one that noticed the way they used a rose, a charm, or just hands to transition seemingly into these beautiful scenes. In them, we see first two people confused on why they trust each other and feel things for a person they are well aware they shouldn’t feel such things for. The long awaited first time, showing how innocently giddy they were to explore each other in a way they hadn’t before. This wasn’t just about having sex, it was about wanting to be as close as possible to a person, the fear with that want, and acceptance. In a way, these flashbacks let us peek into their vulnerability and that is powerful. 
I seriously give it up for Matt and Harry for the phenomenal work they did in this episode. It isn’t easy to have to portray so many drastically different parts of their characters in one episode. Going from sorrowful, conflicted, reluctant and resigned, to guarded and confused; from giddy, happy, and hopeful, to fearful, ashamed, and accepting. Just wow. It was so amazing how you can tell how much they care for this characters and I appreciate that a lot.
I layed in bed yesterday thinking and thinking about this episode and as I write this I’m teary. I am not part of the community, but knowing that people of the lgbtq+ community will look to their screens and finally be able to see themselves in it in a positive light just moves me to tears. I feel a weight in my chest of all the emotion because there are people out there that feel like they are alone and that what they feel is wrong. This episode is for all of you. Here’s to more equality in this show, please, shadowhunters. 
7 notes · View notes
Text
TGF Thoughts: 4x05-- The Gang Goes to War
under the cut
This episode starts with Caleb and I don’t totally hate it. This means the writers are doing a good job with him so far. I’m surprised I feel that way considering I loathe the plot he’s here for. 
This is the first case heavy episode in ages and I have more thoughts on the fact that somehow the space from 6x19 has become military court than I do on the case. As always, that’s not to say it’s bad (tbh, this case was the exact right blend of simple and captivating it reminded me of old school TGW). It’s just to say I have literally nothing to add.
Lucca’s off to visit Bianca. She is still extremely uncomfortable with very wealthy people. 
Oh, a mention of babysitting! Kind of sad I’m surprised. 
I forgot to mention that this ep is on the shorter side, almost network length. Woo! 
Lucca describes her life as “I have a toddler. I’m trying to make partner.” Remember how last season either Lucca or Rosalyn (or MAIA hhahahahhahahaahahhahaahahahhahahahaahahhaahhaah) were going to be made partner and that plot just vanished?
Lucca says that of work, family, fitness, friends, and sleep, the three she’s chosen are work, family, and sleep. I believe it. Though we’ve seen Lucca exercise probably more than most TGF characters? But that was before she had a baby. 
If you leave your phone on while you’re on a plane and someone places a voice call would your phone actually ring? 
Marissa TOTALLY has a crush on Caleb.
Oh, a Francesca mention AND a mention of Lucca and Marissa being friends?! The continuity fairy likes me today!!!!!!!! 
Caleb threatens to quit (I think he knows he wouldn’t be taken up on that offer) unless Mr. Firth lets him take a month for this case. Come on, Caleb. This is TV lawyering. This case will take two costume changes and you know it! Months are a thing for real lawyers. 
Diane and Adrian aren’t in their offices, so when Firth finds a partner to assist on the military case (I do not understand why this is a thing he is doing in the first place, but alright), it’s Liz. How conveniently awkward!
(Adrian just isn’t in this episode-- he is apparently at a conference in New York-- and Diane is barely in it, and I’m fine with that. LET LIZ AND LUCCA SHINE!) 
(Liz and Lucca are my faves, if that wasn’t obvious.) 
Awkward awkward awkward, fucking your boss is very awkward. I hate everything about this plot in theory and yet somehow like Liz, Caleb, and maybe even the idea of Liz and Caleb, but every time I think about the boss/employee dynamic my only thought is: NO!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Liz’s divorce! Continuity fairy has blessed me again!
I do really like Caleb. 
I somehow almost turned that last thought into a rant about Maia and I’m not gonna do that to y’all in this Maia-free season.
Rich people are getting away with more shit in Julius’s court. He’s resigned to it, until he meets his alter-ego from the play again. I get that they want to use this device to show why he’d change his mind so suddenly but omfg please don’t remind me of the last episode. 
My first thought was “maybe that long ass episode was even longer and this is a cut scene” but Julius seems to be wearing a different tie in this scene than he was before. Oof.
JUDGE KUHN!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! I love Judge Kuhn. I think I said this last week but it isn’t often we get truly good, considered characters who want the best and actually take fair steps to see it happen. Judge Kuhn is great. 
And so is the actress playing her. Her expression as the seat shrinks-- which is some Kingsian bullshit-- makes the joke work. 
This episode relies a lot on that device Jane the Virgin loved where back to back scenes will be linked by a theme or a word. In this case, Julius and Liz/Caleb are both dealing with continuances. Yay for structure, even a simple case related structure!
“A sofa would have blown up here”... I can’t, y’all. “A conference table would have blown up here”. Is this a joke about coronavirus or a real need for more graphics or both? I lean towards it being a joke, but before I say that lemme play these credits side by side with last week’s… 
Okay so there are differences. Last week there was an aerial view of a wine bottle exploding while this week there’s a second one in the background. They replaced an exploding coffee set with the sofa text. There are some other differences too. But not enough to convince me they didn’t have footage they could have used. So I think it’s a joke.
Welcome back, season two Diane. I missed you, ya weirdo! 
(But like actually Diane is staring out the window at a bird, not doing anything or responding to questions. Why so weird?!)
Now that Diane isn’t hunting down answers on 618, she has “nothing to do.” Oh, suddenly no one in the world is in need of pro-bono assistance? Sure! 
Continuity on the SWATting, too! 
AND A WILL REFERENCE.This episode may be nothing special but it sure is endearing. 
Diane explains that Judge Kuhn is tough but fair and Will ended up liking her. That’s a pretty good summary.
Diane spots the woman who she dreamed was Weinstein’s lawyer in a meeting, drawing dots. Guess that’s one of the drawbacks of having windows everywhere. She chases her up the stairs to STRL and asks if they know each other because, and I quote, “I had a dream and you were in it. You were Weinstein’s lawyer.” HOW FUCKING WEIRD ARE YOU TRYING TO BE, DIANE? Are you microdosing again?! (This feels so season two.)
Props to this lady (do we know her name? Has it been said on the show) for taking that weird-ass comment in stride and joking she probably didn’t do very well. She needs a favor-- she has a case in front of Judge Cain and wants Diane to sit with her.
Diane asks about the dots. Apparently this lady draws-- and counts!-- dots. Hundreds of thousands of them. During meetings. Because it’s calming and nothing matters. See?! Season two! 
Lucca does get a little bit of work to do on vacation-- Bianca wants to buy the resort.
Case stuff happens.
Someone explain to me what the fuck this bright neon lighting in the office late at night is all about. Why is it so bright?! Why do the colors change!? Am I just supposed to accept this?! I suppose it’s no weirder than a woman who draws dots instead of taking notes-- and admits to it-- but WHAT IS HAPPENING?!
I know there is supposed to be some sort of parallel between the case having an element about disobeying your superior and the Liz/Caleb dynamic, but as you will recall, I hate everything about the boss/employee plot AND find it incredibly boring so if you would like to see analysis of that parallel… I’m not your gal. 
Oh look I can see the office bathroom of Willicia sexytimes in Liz’s office
My god this lighting is distracting. 
It sounds to me like Caleb is in the legal field for idealistic reasons. I can’t get a sense of if wanting the country to stay the same is liberal or conservative or admirable or misguided but it’s definitely something. (I have a feeling he means “stay the same” as in “return to 2016” though.) 
Since she has not been in the military, Liz worries out loud that she hasn’t lived much of a life. This leads to flirting and intimacy and another hookup. Bleh.
Creeper from Kurt’s office comes to visit Julius and compliments him while basically telling him to keep quiet and be corrupt. He promises Julius the chance to move up the ladder and implies Julius should rule in favor of some rich donor. 
Julius, who, like all characters on this show and maybe just people in general, does NOT like being told what to do, promptly does the opposite. And he feels really, really, really good about doing the right thing. 
Case stuff happens.
Lucca now gets invited to play poker with a bunch of millionaires and celebrities. Lucca is highly uncomfortable. The names of the celebs are bleeped which is… not as clever as I think it was meant to be.
Also I’d be uncomfortable in this situation too. I’m just ready for this plotline to go somewhere beyond “Lucca is uncomfortable with rich people”.
Recapping goes fast when most of the show is case stuff.
In another throwback, Diane (lit by the weird lighting) is watching what looks like a parody of SNL allowing 45 to host? Or maybe it’s just some unfunny bit that goes on too long? Odd target for a parody at this point in time.
Whatever the point, it prompts Diane to start drawing dots of her own. 
Lucca’s luck at the poker game is fantastic. Bianca encourages Lucca to keep her winnings-- she wouldn’t give back a stuffed animal or goldfish won with someone else’s money at a carnival, would she? 
Case stuff, now involving 45, happens. This is a missing season two episode, I swear. 
Wow lol those establishing shots and stock footage do NOT convince me that Lucca lives in Chicago. Nor do they convince me that anyone involved with the show has visited Chicago.
Case stuff happens! 
Another Lucca and Marissa scene! Lucca asks what to do about her poker winnings. Marissa says Lucca should keep the money because Bianca doesn’t need it-- get Bianca a gift if she feels guilty. 
Diane sits next to the seemingly nameless lawyer and they compare their dots. Unfortunately for Diane, the case she’s decided to sit in on as a favor? It’s another case in front of Julius, and it also gets 618’d. How convenient for the plot! When Julius doesn’t go for it, Diane is intrigued and reenergized. She boldly goes to Julius’s chambers to suggest trading info about 618.
No matter how many times I write “618” in the context of Memo 618 I still think 618 = Loser Edit. 
Case stuff happens! It’s good for Caleb and Liz! 
MALCOLM GETS MENTIONED BY NAME! CONTINUITY!!!!!!!!!!!!!!!!!!!!!!! 
Caleb and Liz continue the tradition of using meals as code for sex and now I have to watch them kiss. Pass.
Lucca gets Bianca a gift of a goldfish and a giant stuffed bear (a reference to their earlier convo about carnivals). Cute, but I still don’t quite get where this plot is going.
There’s a “Skye and Moon” logo on the plane. I wonder if that is the name of Bianca’s cosmetics empire.
Oh, it’s over. This episode was perfectly fine. Nothing challenging, nothing innovative, but a solid and enjoyable outing closer in length to the average TGW ep than the average TGF one. After last week’s long-ass episode, this is really all I wanted/needed. 
3 notes · View notes