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#Zelda taking more of a big sister role who REALLY tried her best and just couldn't hack it.
doctorcanon · 5 months
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So ocarina of time goes to great lengths to show that the Hero of Time doesn't kill anything that's not a monster. If you shoot a patrolling Gerudo, you knock her out. One of the ones that ambush you even says that he hit her with the flat of his sword. He doesn't (can't?) kill the Skull Kids that attack him as an adult in the Lost Woods. This continues into Majora's Mask when he moves to restrain the Skull Kid rather than attack him even thought he has a sword. And even in Twilight Princess. Even though it's only briefly mentioned in the manga and hyrule historia about how careful The Hero's Shade is with the Hero of Twilight.
ALL I'M SAYING IS: The Hero of Time is actually an incredibly gentle person and Zelda bound Ganon at the end to protect Link from having to kill him a second time.
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awkwardspontaneity · 3 years
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The heavenly Sword and the "Ballad of the Goddess" prompted me to another request. How would the Champions from Botw react to the fact that the reader is a goddess, and she is Hylia's sister. She owns the precious triforce, which passed to her long ago after the death of Hailya as an inheritance. Thank you again ( ╹ ▽ ╹ )
Heyo!! Sorry this took me so long school and work has been a lot lately. Anyways this is a joint headcannon for the Champions as a whole so enjoy!!
I'm gonna make this an age of calamity timeline sort of because some things will change with you around
First of all, you were a wandering goddess, helping out where you could without using your full power. Without the Triforces power you were strong but you preferred to allow humanity to solve their own problems. With a little heavenly guidance
Your main power that you used was music. You could play a melody on your flute and it would guide a person's soul, helping them to understand their desires and purpose.
With calamity rising once again you decided to investigate the castle where you knew Ganon would strike. What you weren't prepared for was the organization of the Champions to be in the castle and for the princess to notice you.
You had snuck to the lowest levels of the castle with your little egg friend to try and place a seal that would hold Ganon back as long as you could when you felt her.
This girl looked so much like your beloved sister, but the aura told you all you needed to know. This was her. Your sister reincarnated once again
Behind her stood a member of each kingdom scattered across Hyrule. You easily connected them as the elite guard you had heard whispers of.
It took some convincing but with a show of your powers and carefully sharing your aura with Zelda, although you had to approach like they were scared animals when faced with the protective circle around the princess.
Zelda was the first to trust you, although your little guardian may have seriously helped with the process. You allowed her to spend all the time she wanted with it and you got to know eachother.
Zelda confessed to you about her struggles with her powers and you declared you would do everything in your power to help unlock hers.
It took time but you managed to help her learn. It came down to her accepting a lot of emotions she had pushed down and finally allowing herself to be free of expectations. Yeah. Not an easy task. But you managed to help her feel confident and your efforts were greatly appreciated by her and the ones who cared for her.
In the beginning you would have to play your flute to allow her to find that inner harmony and then she could use her powers of light
Urbosa was someone who came around pretty fast. She has this mom instinct and despite you being thousands of years older her brain saw you and Zelda giggling as you did research in the fields and her brain went ah yes. Another child to take care of.
She also has a really good judge of character and do she knew immediately you only had the best intentions.
Mipha loved to hear your stories. You once found her talking to Vah Rutah and you mentioned that her ancestor Ruto would be proud of the Champion she became. Mipha asked to hear about stories and you gladly obliged with her wishes. Telling her all about the young Zora sage and how she had fallen in love with the hero too.
Mipha saw you as a mentor person and you would share your knowledge of her kind and you would help her perfect her ability with her trident. With your help she learned to defend against any attack and to carry that confidence into her life outside of battle.
Revali was a tricky one to get close to. He didn't trust you and the closer you got to the other the more he came to resent your presence. It wasn't until he found you atop Hebra peaks playing the flute when he finally allowed himself to get close.
The Rito are a musical people, not that Revali would ever allow others to witness his incredible prowess (yes that's a quote). But seeing you nestled in the snow playing that melody, each snowflake twirling around you as if by your command. He understood why everyone was so in awe of you.
Soon enough, Revali would meet you in the highest peaks of the Hebra mountains to play together. He would confess how he wished he could do more than play the side character but you would remind him that without his assistance Link and Zelda would never be able to defeat Ganon. His role was not small or unimportant nor was he.
Daruk may have been the easiest to befriend. You visited Death mountain and there was a rockslide. You punched one of the rocks splitting it into pieces and the big man was your new bestie.
Not to mention that super spicy marinade for a tasty rock made him know you were as stand up as they come
Honestly you and Daruk could be a dangerous combination. Super powerful dirty meets indestructible shield. You once blasted his shield with you powers and sent him bouncing down the mountain. He was fine but you were both banned from hanging out without supervision.
Link was one person who could not be that supervision. He tried his best to be the stoic hero everyone expected of him but if you three were alone together, the brain cells ran away fast.
To be fair it was a great combination in battle. You could use stasis on Daruk and Link would hit him as hard as he could creating a meteor of mass destruction barreling into your enemies.
After a battle you all would have a camp out where you and Link would work perfectly together to whip up something mouth watering. You had millions of recipes from your time wandering and just as many stories to tell around the fire.
It took time and convincing, but you managed to get each champion to bring along an instrument and play through the night. Sometimes Daruk would get a little crazy with a drum solo or Revali would get snarky if he felt like he was being stared at but eventually you would all relax. You would lead a melody and they would all fall into step bringing forth a tube that could bring a year to your eye or convince you to dance.
It wasn't long before Ganon came forth, malice reaching out across the land and taking hold of guardians and Divine Beats alike
Using the power of the Triforce you placed protection on each of the Champions. They would be unable to die until the sun rises
With your divine blessings and the power of the Triforce you were able to grant the Champions a boost on their strength and powers. You focused all you had on protecting them from injury and fatigue.
Unfortunately the sun would rise soon
With the help of your little Guardian you tapped into the warp pads on each Divine Beast and teleported yourself, Link, and Zelda to them.
Each battle was draining on your powers, you had extended you halo of protection to all of Hyrule. No citizen would die while you were watching over them.
Finally the Champions we're ready to face Ganon. Together you and Zelda merged you powers to trap him in a bubble of light. The Champions locked the Divine Beasts onto the beast and blasted him. You forced him into his beastly pig form where Link and Zelda together could finish the battle
Powered by the Guardians blasts you created a gate around the fight keeping him contained. Using your flute, you played a rythm to confuse Ganon.
With the Master sword and the bow of light, Ganon was finally defeated.
Hyrule was saved and you were finally done with your goal. You giggled as your egg teleported the Champions together to celebrate.
You were tired from the long battle but happy nonetheless. As you watched the Champions celebrate- even Revali grudgingly allowed Daruk to ruffle his feathers- you smiled. You thought of your sister as you watched over her creations and you knew she would be proud.
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loopy777 · 3 years
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RE: WIPs game: do I even want to know what Dicebenders is is it another scam how many times are the Gaang gonna get arrested for scamming
No, this time it's me scamming people. XD The dice in question are the RPG Dungeons & Dragons kind.
For a while I was doing a screencap webcomic in the style of "DM of the Rings" and "Darths & Droids" with another creative fan named Captain Boomerang. I was the scriptwriter and selected the screenshots for each panel, and Capt-BA would assemble the comics and improve my scripts (a process that did frustrate me a little, as I felt locked out of the revision process, but I did like the results. I just felt like I wasn't holding up my end of the partnership a bit). I wrote a story bible explaining the characters and storytelling rules, planned out the adaptation of the entire AtLA premiere, and had less detailed plans for the rest of the series, but we only got 6 comics in before Capt-BA went on a trip and never returned to the internet. I did manage to re-establish contact with her long enough to get permission to continue the comic, but the problem is that I have no image-editing skills whatsoever.
If I could find comic-making software that I know would do what I want and be easy to use, I wouldn't mind dropping some money on it, but everything I've looked at is trying to do lots of things I don't need. I only want a way to import existing pictures into comic grids, and then easily add dialogue bubbles. That's it. But the stuff I've found is more about image-editing than comic assembly, and it takes me an hour to put together a dialogue bubble that looks good. So I have 3 scripts that were never produced, which along with the planning docs are what's in that WIP folder, and I don't ever see myself going beyond that.
Besides, someone else already managed to complete something like this, and while I'm not a fan, I don't need to be. At this point, Dicebenders is dead. I'm glad I tried it, and it's a shame it didn't work out, but I'm happy with the other projects I've done instead.
I am squatting on an empty Tumblr for it, though.
Anyway, to share something new, here's the first section of the Story Bible I wrote to make sure Capt-BA and I were on the same page in terms of characterization. The rest of the bible details the plotlines for full series.
AVATAR: THE LAST DICEBENDER
BIBLE
Premise- A small group of players attempt to run a fantasy martial arts RPG that winds up essentially becoming the Avatar saga, or something very close. The main point of the series is comedy, based mostly on ridiculous links between Avatar and RPG's. Sometimes the humor will be in the vast difference between what happens in the comic, and what happens in the cartoon with the same screenshots. Other times, the funny will come from the unexpected ways they converge.
SPIRITUAL PREDECESSORS
DM of the Rings- The original, and my personal favorite. It's a good showcase of how to run a single quest together, while using narrative jumps to skip to the good bits.
Darths & Droids- A similar project, this stands out from its predecessor in two main ways. The players and GM are more friendly with each other, and are more or less having fun with each other. There is also a running, coherent storyline in both the game and in the lives of the players.
Benders & Brawlers- This is actually an existing attempt to do Darths & Droids with Avatar. This is helpful as an example of what we DON'T want to do, retell the Avatar story in a completely straightforward manner, with RPG players behind the characters.
CHARACTERS
None of the characters will be given real names. The players shall always be referred to by their character names, although this can be done in a teasing, ironic manner. When the characters are speaking, their dialogue bubble must always be attached to an image of the character.
The Gamemaster- The GM is a female in her early teens. She is a geek, and a bit of a social outcast for it. Nevertheless, she's trying to make that work for her, although she's not quite mature enough to make it happen yet. She has just discovered RPG's, and in her enthusiasm has gone all out in starting her own campaign. The only problem is that she doesn't know how to recruit players, so she ropes her best friend and little brother into playing with her. This is the GM's first campaign, so she'll a little in over her head. She knows the mechanics of play, and what she's supposed to be doing as GM, but doesn't have the fine skill in crafting an engaging RPG experience. Still, she wants to do her best, is willing to learn, and has a positive attitude about the whole thing. The GM has a strong crush on the Sokka player, but the only way she can express it is by having all the female NPC's flirt with the Sokka character.
Katara- Female in early teens, and the GM's best friend. Katara's player was friends with the GM from when they were both in grammar school, so while they have grown up into wildly different personality types, they are fully loyal to each other. Katara is popular, and outgoing, and doesn't care or know about geek stuff at all. She's only playing the game because the GM begged her to. At first, Katara is clueless about RPG's, and frequently questions or ridicules the mechanics of the game. She never quite gets into the idea of role-playing, but quickly takes to the idea of meta-gaming. She'll have her character act like a righteous do-gooder, because completing missions and fighting bad guys earns XP. She hoards items that will boost her stats. She'll advocate abandoning a mission/plot if it doesn't pay out enough rewards. Katara's player also can tend towards trying to Mary Sue her character, but this is inconsistent and usually shot down by everyone else.
Aang- Male in junior high, and the GM's little brother. He plays simply because his sister has cajoled him into it, and there are hints that he's getting some kind of reward or payment for it. He abuses his position by forcing the GM to give him what he wants in the game, even if it breaks the rules- access to the restricted Airbender class, the ability to bend all four elements, overloaded stats, an Avatar State that protects him from dying, a magic super flying cow ride, etc. However, it's important to note that Aang's player isn't a jerk. He's just immature, and like all kids, just always goes for what he wants via the easiest path, and doesn't realize that he may be causing trouble or hurting feelings. He's enthusiastic about trying out this RPG thing, but he has trouble coming up with any action beyond attacking or retreating. He's also hyper aware that the GM and Katara are girls. He is too old for cootie concerns, but thinks that girls are fundamentally different creatures with their own incomprehensible concerns. Having a big sister, he doesn't find this a big deal, just part of life. Aang's player is too young to be a geek. He likes cartoons and sports and fantasy and school-dramas. He also tends to follow whatever his sister likes.
Sokka- Male in late teens. This guy is your quintessential RPG player. He has is own top-quality dice, he's played campaigns and systems of all kinds, and knows the tropes of the hobby cold. He's a huge geek for all things geeky, but roleplay is easily his favorite. He's a social outcast, but he's made friends among his fellow geeks, and thinks life is just fine. Sokka's player joins when he meets the GM at the comic/games shop they both frequent. The GM was buying some sourcebooks and material to support the fantasy martial arts game she's running, and Sokka noticed, asked about it, liked what he heard, and got permission to join the game. What Sokka doesn't realize, because he is a geek and neither has experience with it or realizes it's even possible, is that the GM is sweet on him. This manifests in the character Sokka's canon luck with the ladies, only kicked up a notch. *Every single* female NPC flirts with him, whether it's appropriate or not. Sometimes player Sokka notices and tries to roleplay it, and sometimes he's just plain confused. Sokka has a few quirks. His best set of dice are his Lucky Red Dice, which always roll high when he needs it, but have been tested and proven to be fair dice. He also mandates that every character he plays use a boomerang; he was turned into a geek by the first video game he ever played, a Legend of Zelda title, and his favorite weapon from those games are the boomerang. Each of his characters has a unique, named boomerang.
Zuko- The GM's favorite NPC. She created him to be a compelling, dramatic character, with a complicated back story, moral struggles, badass loner personality, angst about his existence, a darkly noble quality, and a cool scar. The GM intended Katara to get to know Zuko, for her to try to woo him away from the side of evil, and perhaps to even have a romance with him. The PC's, however, couldn't care less about him. To them, he's just another mini-boss, and the fact that most of his character development is happening "off screen" means they don't realize that he's recruitable. A frequent gag is Zuko delivering a stirring monologue while no one pays attention.
Iroh- Background NPC. The GM tries to use him to give (ignored) hints to the players.
Toph- (tentative) A male munchkin gamer who picked a long list of weaknesses in order to get superbending. Toph's player is a friend of Sokka's player, brought in after an "incident" with his old group, and causes some initial resentment in the group when tries to show the n00bs how its done. Cowing Toph's player is a major victory for the GM.
Momo- NPC, but maybe make him a talking sidekick who gives the players hints when the GM is really exasperated?
Azula- the GM's best favorite villain. Azula is the GM unleashed, letting her take out frustrations on the players in both combat and harsh taunting. Eventually the GM comes to like the character so much, she retcons mental health issues into the character's backstory, and has her pet NPC, Zuko, spare her.
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tabby-shieldmaiden · 3 years
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Tell me about your magical girl ocs
Oh boy.
To be honest, this is all subject to change. A lot of the stuff I have planned changes when I write stuff. But so far, this is what I got:
Steph.
Protagonist of my main magical girl story. (I have a bunch of story ideas with female leads and action girl leads, but this is the big one where they’re explicitly magical girls.) She’s the blue one.
Grew up in a household where she got compared with her siblings a lot, ended up really competitive and with a tendency to be judgemental in the process.
Her mom was a magical girl in a big city before her. But then she retired, married her dad, and retreated into a smaller town where she became a PE teacher.
Her main arc is basically like... her learning she doesn’t actually need to prove herself or anything. She just needs to do her job. And she can totally rely on like, the people in her life. She’s a flawed human being, and flawed human beings need other flawed human beings. It’s okay.
Knife nut. She hides knives under her skirt. Like, so many knives you have no idea.
A very hard worker. Kind of a workaholic perfectionist sometimes even. She saved up enough money to move to the big city and become like a real magical girl when she was 18. Has a reputation for having no chill.
Also a detail I included for her is that she gets annoyed when she doesn’t finish things, and that includes books. So she mostly reads nonfiction, short stories, and poetry compilations because she can’t stand reading terrible novels anymore.
Hallie.
Pink magical girl. President of the city’s magical girl squadron. She uses pink magically charged guns.
Grew up in a really supportive family. Was a huge jock growing up, playing all sorts of sports with her siblings and she continues to be quite sporty into adolescence.
Her big arc is kind of learning to become more sympathetic towards others who are dealing or grew up dealing with things she never really had to deal with. So like, she needs to learn to become the all-loving compassionate magical girl instead of starting out as her.
Still tries to be a nice girl. Actually has a reputation of being generally nice, if a bit of a ditz when off-duty.
On-duty, she gets really smart.
Nara
Purple magical girl. Also the healer and general wizard of the team.
She’s the most conventionally feminine person on the squad. She’s also very intelligent. As in, reading textbooks for fun, prodigy magic user levels of smart.
Hobbies outside of work include flower arranging, debating with the fairies (who are a collection of different mutated insects, and it’ll take a bit of worldbuilding to explain that), reading, and taking care of her pet giant mutant Madagascar Hissing Cockroach (his name is Squishy).
Growing up she has to pitch in quite a bit because her parents were both disabled. She has a younger sister who she treasures a lot. They’re still very close.
Her arc is mostly about her learning to be confident in her abilities. That just because she’s mostly playing a support role for the most part, and she doesn’t play like, the role of a strong and mighty superhero coming in to save everyone, it doesn’t mean that her contributions are meaningless. (Growing up, there were many times where she wished she could do something magical and help her parents all in one swoop, but both her parents honestly just wanted to let her be a kid, and were very grateful whenever she helped out.)
Poppy
The red magical girl. She fights with a magically charged pole. And that pole has boxing gloves attached to both ends.
Very fiesty and spirited. Owns a motorcycle and rides it often.
She escaped a boarding school which her wealthy parents shipped her off to. Officially (as in on the records of her “old” life) she died in a fire, and Poppy is just the name she now goes by.
In any case she prefers being a magical girl to her old life. Mostly because her parents and the Teachers in the old boarding school were pretty bad and abusive.
She’s got a crush on Nara. And usually sees herself as like, a Knight coming in to help out fair maidens. Her arc is learning to let people bring what they can to the table, to stop seeing herself as above needing help, and to see her friends as true equals.
As a neat detail, her magical girl outfit would most likely draw inspiration from Ouji style. So yeah, she wears shorts for her magical girl outfit.
Zelda
Oldest member, technically retired. She was Steph’s mom’s old coworker and best friend back in the day. Nowadays she’s a chemistry teacher at a school. Her colour as a magical girl was white. (And Steph’s mom’s was black.)
She’s actually a trans woman. Because I feel like we need more trans magical girls/boys/nbs.
For the most part, she’s really chill. Sort of like a calm older mentor. As she’s mostly a side character, she doesn’t really have like, a big arc. But she does go through some developments. (Namely, she gets married and like wedding prep stuff happens in the background.)
Also a weird detail but I also modelled her appearance after Creamy Mami a bit? As in, I imagine her having curly purple hair.
And that’s what I got so far. There’s a bunch of other world building stuff for this story, mostly because I’m thinking of setting it in a completely fictional universe that sort of parallel’s our own (as in, all in-universe countries are made up). And there’s story stuff too. Their arcs are very short versions of what I intend on writing. But for the characters, this is what I’ve got.
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dinra-al · 7 years
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after Breath of the Wild
I don’t know, just some stuff about what would happen after defeating Calamity Ganon + If the spirits of the king and the champions stuck around to oversee the rebuilding of Hyrule/train their successors
Mipha:
First thing Sidon did when he saw Mipha is start crying and try to jump-hug her (he was a lot smaller last time they actually saw one another...) 
He ended up going right through her though
but it’s alright because now that Mipha’s spirit is free, she can visit her dad and make sure the rest of the domain is in good shape!
She cried when she saw the statue of her. in fact, there was a lot of crying from everyone because they just really missed her, but it’s good now because she’s more or less back.
She spent days in the throne room with her father, just catching up with all that’s happened in the time that’s passed. Luckily, the domain remained decently similar, and many of her old companions were still there to see her return.
After agreeing that Sidon should take her place as the Zora champion, She’s started teaching him how to pilot Vah Rutah, and he’s learning exceptionally fast. She’s really proud of him
She’s also teaching him some first aid. it’s no Mipha’s Grace but he’s got the basics down!
Sidon is honestly thrilled to be following in his sister’s footseps, but naturally he still has doubts and anxieties about the future. In times where he needs comforting, Mipha is always there to listen to his worries and guide him towards becoming a great king some day
whenever Link and Zelda visit, the whole domain throws a lovely party and feast to welcome them (there may or may not be some arguments over who gets to sit next to link)
The whole domain just really feels like the loving and wonderful place it once was. Mipha spends a lot of her time with Vah Ruta, just like she used to, only now with much more company. Sidon is quite the enthusiastic learner after all
Even though she’s happy to be back, Mipha seems to be the only one of the champions who has acknowledged and accepted the fact that she’s going to have to pass on eventually; her people can’t rely on her forever. She finds comfort in the fact that she’ll at least have said goodbye and prepared them for when that day comes
Daruk:
As soon as he got back he immediately went to find Yunobo; he may or may not have given the poor boy quite the scare
but Yunobo is still thrilled to meet his ancestor! 
honestly he’s actually a little afraid that Daruk will be dissapointed in him for not being big, strong, and courageous, even though he isn’t as much of a wimp as he used to be
Daruk is actually overjoyed to find him and the rest of the gorons in such good shape, and he certainly couldn’t be more proud of his great great (?) grandson for all that he’s done to help
Daruk doesn’t want the others to know he’s back just yet, though. it’s gotta be a surprise at just the right moment, he says.
Yunobo really wants to spill the beans, but he doesn’t because Daruk is having a lot of fun appearing to the village children in secret and telling them cool stories about himself
In turn these kids went blabbing to the adults about “how they saw the great Daruk in person”, and of course they had to tell the children that that can’t be true because Daruk isn’t here anymore
it’s around here that Daruk rides Vah Rudania down the mountain and shows up with all the glory he can muster. For him I think it’s go big or go home
Obviously he chooses Yunobo to take the role of champion in his place
Yunobo learns to pilot Rudania a bit faster than Daruk did, and he manages to become even more confident with his success
Daruk praises him as the pride of the gorons for becoming so strong and brave, but also remaining soft and nice
Everyone still uses him as a canonball though
Daruk just spends his time joyfully regaling the whole village and all passing travelers with stories passed down through the gorons for ages. He’s also the best person to go to if you need a really motivating pep-talk.
Revali:
None of the Rito actually know he’s back, because so far he’s been chilling in Vah Medoh and basking in his glory
He realized he needs someone to shower him in compliments carry on his legacy, so he picked Teba, thinking he was the most suitable choice
of course, since Teba wants to be a great Rito warrior he would never deny the offer of training, and from the great Revali of all people!
Teba quickly finds himself... surprised that the old stories he was told growing up forgot to mention the fact Revali is kind of... well, a jerk.
He’s finding it harder and harder to believe this boisterous guy training him to pilot a DIVINE BEAST was actually a well respected warrior, let alone his hero and inspiration basically
but he can’t deny the training has really paid off; his archery skills have never been this good and he’s never flown so smoothly.
and he might not say it explicitly, but Revali is really proud and he really starts to see Teba as his apprentice
the only other’s in the tribe who know about Revali’s spirit are Saki and Tulin. but there’s been rumours going around the village that if you look hard enough into the night sky, you can see a ghostly figure pulling off some admittedly cool tricks
Revali isn’t the absolute best with children, but he’s taken a liking to Tulin and helps train him when Teba can’t. Tulin started calling him “uncle” and honestly Teba is afraid he’s lost his son’s favour
Link and the princess stop by on occasion to check up on things and provide maintenance to Medoh, Revali still tries to one-up link every time (and fails every time)
at this point, Kass is also back home with his family and has started writing songs of his own. when he has the chance, Revali swoops down to listen to the music. he found most of the songs are about the hero of legend, which actually irritated him a bit, but he was beyond delighted to find Kass has written a whole song dedicated to him and his accomplishments. no he’s not crying, there’s just dust in his eye ok
Urbosa:
man Urbosa is happy to be back. she was worried sick about her people, how could she not be? But now she’s gotta pay visit to the new chief and make sure everything’s running smoothly
Now that she’s face to face with Riju, she can really see just how young she is. Urbosa is honestly upset someone who is barely just a teenager got forced into a position of power, and by losing her mother no less. She’s seen similar happen with Zelda, and she’d hoped she wouldn’t have to see it again.
anyway, she struts in Riju’s room as cool as ever. Riju is, understandably, in awe
Urbosa takes it upon herself to see that Riju gets the proper upbringing she deserves to grow up to become a good chief
She doesn’t want to stress her with the whole “becoming the new champion” thing until she’s older and can handle something like that, but Riju has been begging to start learning more about Vah Naboris. Urbosa can’t quite say no, so slowly she’s been teaching her about the divine beast’s history and how it works; she’ll save the actual piloting work for another time.
Every day Riju becomes stronger and more confident as a chief, and it shows! the whole town is very proud of this recent development, but they can’t help but wonder how she managed such progress all of a sudden
Urbosa makes sure Riju gets her break time too, though. Riju was embarrassed at first about her sand seal plushie collection and what Urbosa would think about it, but she was actually delighted in her interest for the animals. long story short, now they spend their time together talking about seals and making bad puns
Urbosa gives really good sand seal surfing advice too; she knew how to ride the dunes better than anyone in her day
on the side, Bularia is afraid she’s being replaced, but can’t be too mad because this is Urbosa we’re talking about here. Her fears are put to rest once the champion actually approaches her just to tell her she’s doing a great job, and that she’s thankful for her service. (she cried)
quick bonus:
The king is back too and he made things right with Zelda. he’s super proud of his daughter, and this time he doesn’t make the mistake of not telling her.
since she’s normally out and about with Link, trying to assess the damage and start the repairs on the kingdom, He hangs around what’s left of the castle until they return
Now that the whole apocalypse thing isn’t in the way, he finally has the chance to properly teach Zelda about running a kingdom
Zelda managed to recreate a bond with her father, and she put his advice to good use when restoring Hyrule to it’s former glory
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niamsuggitt · 7 years
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The Ides Of May 2017
Hi guys! It’s that time of the month again, time for me to write a ‘lil bit about all of the various media I’ve stuffed into my gaping eye and ear-holes over the past 30 days. I would have included mouth-holes there too, but Nintendo deliberately made Switch cartridges taste horrible so unfortunately I haven’t been able to eat one. Oh well.
This month includes the return of some Sitcom favourites, more of me slowly, ever-so-slowly playing Zelda, a Booker Prize winner and a nice heap of Marvel Cinematic Universe fun.
Let’s do it!
Movies
Once again there’s only 2 movies this month, and whilst they are both very different, both provide quite a bit to think and talk about. Up first is Anomalisa (Charlie Kaufman and Duke Johnson 2015). This may be surprising given the types of films I normally like, but before watching Anomalisa I have to admit to not liking Charlie Kaufman as a writer. I’ve seen Eternal Sunshine, Being John Malkovich and Adaptation, and none of them resonated with me like they do for so many others. I just find him a bit… pretentious? Like he tries too hard to do different things and in the end it just obscures what he’s actually trying to say? I dunno. But much to my surprise and pleasure, I really enjoyed Anomalisa, which is different from Kaufman’s other work in that it’s animated. This stop-motion story follows a man (voiced by David Thewlis) who is on a business trip to Cincinnati. This man, Michael, sees everyone else in the world, including his wife, a former girlfriend, as the same person. They have the same face, and the same voice (Tom Noonan). That is until he stumbles across one other person who looks different, Lisa, (Jennifer Jason Leigh). It’s a complicated, dare I say, pretentious set-up, but for me it works. The animation is fantastic, incredibly detailed, and it’s used to go to places other animated films wouldn’t. This is a truly adult film, so if after Team America you wanted to see more puppet nudity and sex… I’ve got you covered. The way the technique of having everyone except Michael and Lisa be the same person works is incredibly effective and disorientating. It took about 10 minutes for me to twig it, the unease sort of snuck up on me. I said earlier that I think Kaufman’s gimmickry gets in the way of what he is actually trying to say, but that is not the case here, I think I pretty much got what the film was saying about solipsism, and how so many other films feature a ‘manic pixie dream girl’ who shakes a depressed male protagonist out of their funk. Anomalisa flips your expectations here. Lisa is not Michael’s soulmate, she’s just a blip in his mental illness. If it even is that, he might just be an asshole. That’s not to say that Lisa isn’t a well-drawn character, because she is, and Leigh’s voice acting makes her come to life. Then again, maybe this isn’t what Kaufman and Johnson are saying at all and I’m an idiot. Either way, Anomalisa is a fascinating film that has been rotating in my head since I watched it. It’s unlike anything else I’ve seen lately, and has me reconsidering my position on Charlie Kaufman. I certainly plan on watching the other film he directed, rather than just wrote, Synecdoche New York, and maybe I’ll go back to those other, older films.
Up next, I took a step away from the esoteric puppet show towards the mainstream blockbuster and into the cinema, as I went to see Guardians Of The Galaxy Vol. 2 (James Gunn 2017) which is of course (of course) the third film in the third phase of the monolithic Marvel Cinematic Universe. As is par for the course when writing about these films (and some, most, of the TV projects) I feel like I have to fully lay out a bit of bias. I love these films and just seeing these characters on screen and being done justice like this takes away a lot of my critical faculties. Problems I have with other, similar movies, I can brush aside because, hey, it’s the MCU, I trust these people. But that aside, I thoroughly enjoyed Guardians 2, and whilst I don’t think it’s quite as good as the first one, I really appreciate it’s weirdness and how much crazy Marvel Universe lore it puts out there, if only just to hint at. The film of course sees all of our favourites from the first film, Star-Lord, Gamara, Drax, Rocket and Groot return for another adventure, but this time, the stakes are far more personal, as Star-Lord meets his father, Ego, who is brilliantly portrayed by Kurt Russell. Firstly, it was just awesome to be back with these characters again, they are just so much fun. The Guardians are perhaps the MCU versions that are the most different from the originals (of course, the comics have in turn, begun to reflect the movies far more) and as such I have a different emotional attachment to them. I’m not constantly comparing Gamora to the 500 Gamora comics I’ve read in my life, I’m just invested in her relationship with Nebula, and with Star-Lord. As I mentioned, the main plot here is Peter and his father, but the script makes sure that every Guardian (except maybe Baby Groot, but he’s adorable enough that you don’t mind) has their own story. Drax forms a bond with the newcomer Mantis (who is great!), Gamora fights her sister again, but even more personally, and Rocket deals with his anger driving people away. I found myself invested in all of these storylines, and it mean that, whilst the overall plot did sag a bit in the middle of the film, I didn’t mind. I will say that I am a bit sick of people dismissing Star-Lord’s story as ‘just more daddy issues’ or something like that. I think that’s reductive, and to me, the real plotline is how much Peter Quill still cares about his mother. His love for her is what snaps him out of cosmic brainwashing, and let’s not forget that, as awesome as the classic soundtracks are, they do serve an emotional purpose, as they are his only link to Earth, and to his mum. Maybe it’s just because my mother died of cancer as well (although hers wasn’t put there by an evil Celestial, at least I don’t think it was), but if anything, this is far more of a ‘mommy issues’ movie than a daddy issues one. I mentioned the soundtrack earlier, and I will say that this particular ‘awesome mix’ was a bit of step down, with the songs either being too mainstream (Fleetwood Mac, ELO) or way too obscure. Maybe I’m asking too much, but the first movie’s track selection was just perfect, hard for lightning to strike twice I suppose. The other character I want to specially highlight is Michael Rooker as Yondu, who is just amazing here. He has real pathos behind him and makes a character I never really knew into an absolute favourite. His storyline also sees the film do something I really didn’t expect and bring in more of the ‘original’ Guardians, the ones who, in the comics, were in the future. This movie has Sylvester Goddamn Stallone in it as Starhawk and I went in without knowing! I love that Gunn hasn’t forgotten the likes of Charlie-27 and Martinex, and that a major movie can feature characters as weird as them. That’s what sets this film apart from me, it’s not afraid to get a bit odd, and to use weird elements from the source material to their full potential. A few years ago, Ego The Living Planet would be considered way too goofy for a film, but not here, here he’s Kurt Russell! Some of this is pure fan-service, but as mentioned, when it comes to these films, I don’t mind that at all. The Stan Lee cameo was amazing, the teaser in the credits for Adam Warlock blew my mind (it took me an embarrassingly long time to connect Ayesha and her golden skin to that classic cosmic character). This film’s links to the wider universe are like that, more hints. I did expect some big Thanos developments, but ultimately, I don’t mind spending 2 hours just inside these goofball’s messed-up heads. I can’t wait for Vol.3, and I hope that, when the Guardians appear in Avengers: Infinity War, they don’t lose what makes them special. This film was just a blast, it delivers more of what you want, as well as surprising you with where it goes, the best kind of sequel.
Television
There’s one new TV show for me to talk about this time out, in the form of American Gods (Starz), the long-awaited adaptation of Neil Gaiman’s 2001 novel. This is an interesting series for me adaptation-wise because, whilst I have read the book, it was a long time ago and I don’t really remember a lot of what happened. Just the basic gist really. This isn’t like Game Of Thrones or The Expanse where the source material is fresh as a daisy in my mind and I’m constantly comparing the show to what I already know. Here, I’m kind of hazy on the details and it’s a lot of fun being surprised both by what I didn’t know, and what I forgot I knew! The basic plot has barely begun, but basically, Gods are real, they live in America, they are at war, and a man named Shadow Moon (as far as I can call this dumb-ass name does have a good explanation) is drawn into their world after the death of his wife and his release from prison (on the same day). Not only is that, to me, a great intriguing premise, but it’s really elevated by some fantastic performances and amazing visual flair. One of the show’s main producers is Bryan Fuller, from Hannibal, and the opening 2 episodes where directed by David Slade, who directed a fair few episodes of that show too, so you can really tell that there’s a link in how the series looks and feels. The dream sequences and trippier moments are straight out of Hannibal, they are brilliant. There’s a sex montage in Episode 2 with Bilquis that is just insane. The performances so far have been great as well, Ian Fucking McShane is of course stealing the show as Mr Wednesday, but Ricky Whittle is really doing well as Shadow, which must be a hard role to play as he’s kind of intentionally inscrutable and a bit blank. And, if you watch nothing else, watch Orlando Jones’ monologue as Anansi that opens Episode 2. It is one of the best single scene performances I’ve ever seen, it knocked me for a loop. It’s only been 2 episodes, but this is already a fantastic, ambitious series that’s unlike anything else on TV. I can’t wait to see where it goes, and what else I can remember.
This month also saw the return of 2 of my favourite US Comedies. Silicon Valley (HBO) is back for a 4th season of tech-based misadventures. So far this season has managed to somehow feel like more of the same, but also change things up in a lot of interesting ways, as the characters move about into new situations. At the end of Season 3 it felt like we were right back to the beginning, but that wasn’t the case, as we’ve seen multiple characters leave companies, join new ones, sell companies, and all sorts of other manoeuvring. The prospect of Richard actually working with Gavin Belson is very exciting. In amongst all of these shake-ups, the characters have continued to be as funny as ever. I love how Big Head continues to fail upwards, he’s now a Professor at Stanford! And seeing Dinesh get a girlfriend is something we haven’t seen before. I’m also enjoying the increased role for Jian-Yang. Jimmy O. Yang has always been very funny in his brief scenes, but now he’s getting actual stories, which is cool. And man, Zach Woods is still killing it as Jared. He had one moment of madness in Episode 4 that had me wetting itself. At times it does feel like Silicon Valley is in a groove, but it’s such an enjoyable groove!
One series that hasn’t been afraid to get out of it’s groove is Veep (HBO), which is now in Season 6, and is a very different show this season. Of course it changed when Armando Iannucci left, but now that Selina Meyer is out of office, it’s even more different. With the character scattered all over the place, I did feel like the first one or two episodes were a bit lacking, but after that, it’s really found it’s feet and become just as funny and scathing as ever. In the wake of Trump it was going to be difficult for Veep to be the same show as it was before, so wisely it’s pivoted, it still has a lot to say about America and politics, but really, it’s become more about seeing who these characters are in new situations. I’m particularly enjoying Dan working as a TV News Anchor and Jonah as a Congressman has just been brutally brilliant, especially with Mary Holland joining the cast as his new ‘girlfriend’. It’s also interesting that the series has started to delve deeper into Selina as a character, and her backstory. She may be a bit ridiculous, but in the world of the show, she is the first ever female Vice President and the President, she is interesting. So yes, Veep has changed, but it’s still intelligent and funny and well worth watching. When real politics is as scary as it is these days, we need this magnificent bastards to laugh at.
Now for quick hits! We’ll start with comedies. LOL! LOL indeed.
The final episode ever of Girls (HBO) was a bit of an odd one, it jumped ahead to the birth of Hannah’s baby (the horrifically named Grover, and that’s a ‘Niam’ saying that) and only featured Hannah and Marnie from the main cast, out in the middle of nowhere. In a lot of ways, it was a typical Girls way for the series to end, Lena Dunham has never really done the conventional thing. I enjoyed it, particularly Becky Ann Baker’s performance. She’s always been excellent and underrated as Hannah’s mother. I will miss Girls, it was funny, different and always provoked debate, and I can’t wait to see what projects Dunham does next. As infuriating as she can be, she is very talented. How about a Dunham/Max Landis collaboration? That could destroy the internet.
I reached the end of BoJack Horseman (Netflix) Season 3, and holy shit, that was brutal. What happened to Sarah-Lynn just fucked me up. And then it’s followed up by the sublime ridiculousness of Mr. Peanutbutter’s spaghetti strainers actually being useful! That sums up BoJack for me, it can be gloriously silly and funny, but at it’s core it’s a dark series about depression and the sadness at the core of humanity (or animality, whatever). It’s one of my favourite shows ever at this point, and I am very excited for Season 4, and just where BoJack is going to go now. It’ll be bad… but also so, so good.
The Last Man On Earth (FOX) also wrapped up its 3rd season very well. Jasper has been a fun addition to the cast, and the 2-part finale in particular was a great, as the series once again upended it’s cast. Erica gave birth to her baby, but then Nuclear Reactors started going off and they had to flee. This series continues to be brilliant at balancing comedy and real dark drama, as the consequences of a post-apocalyptic world are actually thought out. The very last moment also brought Kristen Wiig in contact with the main cast, and what a way to do it.
Brooklyn Nine-Nine (FOX) has continued to be very funny and strong, and one episode in particular really surprised me, as ‘Moo Moo’ became a serious examination of racial profiling in the Police Force. It’s rare that Brooklyn Nine-Nine addresses real issues, but it did it very well here, I think it should actually do more, especially in this era where the Police, in America especially, are not so popular. I don’t want it to become propaganda for the cops, but it can certainly shine a light on some real issues. As well as being dumb and funny with great actors of course.
The ‘Dreamland’ arc of Archer (FXX) is still going strong. It’s just a lot of fun to see these characters in this setting, and the storyline by itself has actually been rather arresting, with a lot of fun twists and turns. I’ve particularly liked Eugene Mirman’s performance as Cheryl’s brother. He’s delightfully creepy. Also, is Pam just a man in dreamland? Her character isn’t meant to be a woman in drag, here, she’s just a man? I kind of love that.
Oh, and I watched one more episode of Inside No. 9 (BBC Two), ‘Tom & Gerri’. It was very good, and actually managed to surprised me with the twist at the end. It was fun to see Lord Varys himself, Conleth Hill play an actually nice person, and Gemma Arterton was good too. That’s the strength of an anthology show, they can bring in really big names for just one episode.
Bridging the gap from comedy to drama is Better Call Saul (AMC) which is having an excellent third season, as it gets closer and closer to Breaking Bad territory. Not only has Gus finally appeared (with Giancarlo Esposito just as good as ever) but the whole tone of those scenes is straight out of the parent show. Episode 4, ‘Sabrosito’ barely seemed to feature Odenkirk at all. But that doesn’t mean that the series has just become Breaking Bad-lite, as the following episode ‘Chicanery’ was all courtroom stuff, and really did a fascinating job at delving into the central Jimmy/Chuck relationship. It really needs to be said again, but both Odenkirk and Michael McKean are amazing in this show, tour-de-force performances. This stretch of episodes has been a great microcosm of what makes Better Call Saul so good and basically the perfect prequel. It has plenty of links to what came before, including themes and cameos (Huell!) and camera work, but it’s also very capable of being it’s own, separate thing. So good.
The Season 2 finale of The Expanse (Sy Fy) was another strong episode in an exceptionally strong season. It was an incredibly tense episode that brought a lot of things to a head. The central plot of the Protomolecule monster being on the Rocinante tied everything together and, perhaps most importantly, brought the central crew of characters onto the same page. It’s interesting that the show isn’t precisely following a ‘1 season = 1 book’ model, and I like that, it’s allowing for things to unfold at a different pace.
The Americans (FX) is having an… interesting season. It’s still very good and all of the performances and episodes have been good, but, maybe it’s just me, but it doesn’t seem as focused as it used to, which is odd, because the writers know they only have this and next year to wrap things up. Maybe that’s actually the reason, they know they have a guaranteed 26 episodes, so can pace things differently? Either way, there doesn’t seem to be any particular driving plot, missions and side characters come and go, and whilst each individual hour has been strong, it’s not a satisfying whole. Yet. I think maybe something big is going to happen (Pacha’s suicide? Something with Pastor Tim?) that will lead to a major event in the finale. Or at least I hope so. This is a fantastic series so maybe I just have too high expectations.
Now it’s time for everybody’s favourite corner… superhero corner!
So far in iZombie (The CW) Season 3, the biggest pleasure for me has been the classic thing, seeing Rose McIver play Liv on various different types of brain. Hippie Yoga Liv, gossipy bitch Liv, Dominatrix Liv and Hot Mess Liv have all been hilarious. I really think McIver is underrated by how she manages to play so many different shades of the same person. Some of the individual cases of the week have been a bit weak, but her performance, along with the new development of Clive knowing she’s a Zombie have made it work. As for the over-arching plots, I liked the way the show revealed that Blaine had been faking his memory loss, and what that means for Major and Liv going forward. The Fillmore Graves plot has been on the back burner a bit, but you just know it’s going to explode later.
Gotham (FOX) has returned with some really great episodes and has become a show that really embraces it’s ridiculousness, and is all the better for it. Corey Michael Smith in full on Riddler mode, green suit and all, is so much fun, as is Penguin and Poison Ivy gathering an ‘Army Of Freaks’ and a goddamn clone of Bruce Wayne. I’m also really enjoying this take on the Court Of Owls, I’ve said this before, but I get an extra kick out of seeing more recent concepts like this used in other media, and so it’s awesome to see something Scott Snyder invented on TV. Gotham is dumb, but it’s the good dumb.
The Flash (The CW) revealed who Savitar was, and it was… actually satisfying. The fact that Barry (or at least a Time Remnant of him) becomes his own worst enemy is interesting, and it’s a perfect expression of the consequences of too much time-travel meddling. What I found cool was that the show followed this big, tragic reveal with a somewhat broad comedy episode where Barry lost his memories. Not only was this funny, but it showed why the show needs a bit more levity. When Barry gets too Emo, things get bad (as shown by the trip to the future, where Barry literally was Emo). I’m also really enjoying Anne Dudek’s guest role as Tracy Brand. Her chemistry with Tom Cavanaugh is a lot of fun. 2 episodes left, and I hope they continue to get the balance between drama and fun right. The Flash is one of those characters who needs to stay optimistic.
Marvel’s Agents Of S.H.I.E.LD. (ABC) has continued it’s hot-streak with more really fantastic episodes. This Hydra alternate reality arc really has been excellent. It’s allowed us to learn more about the characters, had a real impact, and also allowed the show to comment somewhat on real world political elements. It was cheap, but referring to Hydra’s ‘alternative facts’ and ‘fake news’ was great. The performances have also gone up a gear, Henry Simmons choosing to stay in the Framework was a great, although I do think that somehow they’ll use that machine to bring his daughter into the ‘real world’. Although they might be saving that for Face Turn Grant Ward. I also want to praise Iain De Caestecker, who has taken Fitz from somewhat of a comic relief character into probably the most complex person on the show. He played the ‘evil’ Fitz so well I almost feared he would still be bad once he was back. Mallory Jansen has also been very good, whether as Aida, Agnes or now Ophelia, she has played the same person in 3 very interesting ways. I can’t wait to see how this finale ends things, and to see what Season 4 brings. It feels weird to say this after the slow start, but Agents Of SHIELD is one of the better adventure shows on the air.
And finally, I finished watching Marvel’s Iron Fist (Netflix), and whilst it does have it’s share of problems and is probably the least of the ‘Defenders’ shows, I still very much enjoyed it and am excited to see more of this version of Danny Rand, particularly alongside Luke Cage. Heroes For Hire! I’m not going to re-tread the race conversation as we discussed that last time, so instead I’ll say that, as is customary, some of the episodes did drag a bit in the middle before an exciting ending, and I do think the show’s budget was a bit too low. I think that really hurt things as we never go to actually see K’un Lun or the Dragon Shou-Lou. I wanted a goddamn dragon getting it’s heart ripped out of it, is that too much to ask? I don’t think so. I also think it took way too long for Danny to realise that Howard Meachum was a bad dude, but that naïveté is intentional, and a great character bit. The performances only improved as it went on. Finn Jones is actually very convincing, and both Jessica Henwick and Tom Pelphrey were brilliant. I actually think Pelphrey’s Ward Meachum might be one of the best performances in the MCU, as he manages to make some pretty dumb plot developments work just through his performance. I did like how, by the end, things had been twisted and it was Ward who was working alongside Danny, and Joy who had become his enemy. That was unexpected and fun. Her working alongside Gao and Davos should be interesting in a second season. I did like Davos’ role later on too, Sacha Dhawan was very good, although why does someone from K’un Lun sound so Mancunian? I admit it, I am an MCU mark, but Iron Fist really isn’t that bad, if you give it a chance, it is well worth it, and can only improve. Look, it took Agents Of SHIELD 3 years to get good, I think sometimes we need to appreciate that.
Music
There’s only one album this time out, but it’s kind of a big deal, as Gorillaz are back with their first album in 7 years, Humanz (Parlophone/Warner Bros. 2017). Now the Gorillaz are pretty significant band for me, their eponymous debut was one of the first CDs I bought from myself and I must have played that and Demon Days hundreds of times. Plastic Beach had less of an impact, and I don’t think I’ve actually listened to The Fall. So I’m kind of a lapsed fan, however this particular hype train, and the idea that this was some kind of politically vital and contemporary record brought me back in, and I bought the album, hell, I got the deluxe edition! After listening to it a few times, it’s pretty good, but a lot of that hype is way over-blown. There’s nothing here that’s particularly timely, it’s just the usual Gorillaz mix of interesting backing beats, fantastic guest contributors and Damon Albarn getting to experiment. That’s not a bad thing, but I think I went into it expecting something truly game-changing. That’s probably more on me than Gorillaz though. As I said, the guest stars on here are fantastic, I particularly like Vince Staples on ‘Ascension’, Grace Jones on ‘Charger’ and Benjamin Clementine on ‘Hallelujah Money’, those are great tracks. It’s also a lot of fun to try and spot Noel Gallagher on ‘We Got The Power’. How crazy is it that Albarn and Gallagher are on the same song? Britpop Hell has frozen over. So yeah, this album is decent, but as is probably par for the course with Gorillaz, the ideas and concepts around it are more interesting. The idea of all of these artists reacting to Trump (or not Trump, an un-specified huge event) is great, but the end result isn’t that amazing. I say par for the course, because what’s always appealed most about Gorillaz isn’t just the music, but the whole package, the artwork from Jamie Hewlett, which is fantastic. I think I like the artwork in the leaflet more than the album! Gorillaz are a unique project, and I’ll always appreciate them, but I think I want more than just cool artwork and weird samples from my music at this stage.
Books
2 books this month. I think my reading pace has slowed down a bit, not sure why. Hmm, anyway, I started the month with the last 100 pages or so of Jonathan Wilson’s Angels With Dirty Faces (2016). The history of Argentinian Football got pretty much up to date, as Wilson gets up to the current era of Messi, Aguero, Tevez, Higuain etc. It was pretty much I thought it would be, as the Argentinian domestic game has been basically ruined by all of the best players moving to Europe. What I didn’t know was the state of hooliganism and fan violence in Argentina, which was surprising, and also the continued political links in the game. The fact that the Argentinian government owns the broadcasting rights to league football and uses it for propaganda purposes is very unique, and I would have liked more exploration of that. Imagine if Theresa May was on Match Of The Day or something, At least we know Corbyn is an Arsenal fan. Overall, the end of the book lived up to the rest of it, this was a very readable, informative history of a fascinating subject and culture. Argentina’s national identity is inextricably linked with it’s football, and now, I feel like i understand that country so much more.
After this, I got my fancy literature on, as I read the winner of the 2016 Man Booker Prize, The Sellout (2015) by Paul Beatty. Only this isn’t the kind of novel you’d really expect to win such a lofty, some would say wanky, prize. It’s an incredibly dark satire of American Race relations, and it’s actually very funny. The plot sees an unnamed African-American man (he’s only referred to as ‘Me’, which I think is his surname (So his name is like ‘Dave Me’ or ‘Tom Me’ or something) who somewhat accidentally brings back both segregation and slavery to the LA suburb he lives in. It’s an insane premise, but it works, and Beatty’s witty writing carries it through even the largest logic leaps. Much like with last month and ‘Get Out’, I don’t feel like I can fully parse a lot of the more caustic racial elements, being a white non-American, but it was shocking at times, and certainly made me look at certain things differently. I would be interested in reading some of Beatty’s other books, he has a unique sense of humour. I will say that I didn’t really laugh out loud at reading this, like many of the blurbs did, but then I’m struggling to think of many books that did make me LOL. I just don’t do it, even with comics. I think seeing something written down elicits a different reaction in me. More of a wry smile, or an ‘oh, that’s funny, I get that’ than actually laughing. The Sellout comes close though! Maybe literary prizes aren’t so bad…
Games
As mentioned in the intro, I’m still making my way rather slowly through The Legend Of Zelda: Breath Of The Wild (Nintendo Switch 2017). I need to carve more time out to play it, but video games, even ones as good as this, are still bottom of my entertainment list. I only really play it when  I have nothing else to watch, read or listen to. As of now, I’ve finally got off the Great Plateau and am in the wider world of Hyrule, and man, it is intimidatingly big. That sense of freedom to do what you want can be both very freeing, but also kind of freezing. I can’t decide where to go, so in the end I don’t really go anywhere. Does that make sense? I’ve just been wandering around and not really advancing the plot. But still, this is an incredibly good game, the look of it is so beautiful, and it’s even more so after the Plateau. I think that is what’s holding me back from playing more, because it looks so good on the big TV, I’m not putting the Switch’s handheld mode to use to play when someone else is using it. The controls are just that level of intuitive that, for me, only Nintendo can reach. The Joycons on the Switch are bit flimsy, but after while, I’m used to it. I’m of two minds on what to do next video-game wise. I really want to pick up Mario Kart 8, especially because my girlfriend wants to do multiplayer,  but can I justify it when I’ve barely scratched the surface of Zelda?
That’s it! Just an addendum for you, after writing that last bit about the Switch and whether I should by Mario Kart… I went and ordered it on Amazon. So expect something about that next week. I also bought La La Land, so you’ll get to read my lukewarm take on that film on or near June 15th. I’ll probably be lame and quite like it, that’s the kind of person I am, I can never bring myself to truly hate things like the rest of the internet. Anyway, I’ll see you then! Hopefully we’ll be living under a Labour Government by then.
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