Like onions.
You rumple, you're the mystery.
He looks so THOUGHTFUL at her words.
Like there's a spark of a chance.
"I could never give my heart-"
He hasnt had this much hope since he talked to that dickbag old man about taking the dark ones powers.
She knows what she said.
She knows the point she made.
She knows the meaning behind her words.
You've got some idea rolling around in their rumple, get it out of your head.
There's a spark of an idea there.
A test.
He can give her a test.
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Fig's line "I don't think I'm an artist, I think I'm just a good friend" has not left my head at all. Just...
You're Fig Faeth and your horns came in over the summer and you pick up the bard class as a form of adolescent rock 'n' roll rebellion, and it works! It's exactly the outlet you need! You give a guy you just met drumsticks and you start a band and it's good enough that within a year and a half you're touring. You are, in every sense, good at being a bard.
And then, finally, your junior year, you start to take it seriously. Your art goes from an outlet and a form of rebellion to a practice. A discipline. (Can rebellion exist within a discipline?) Your classmates know what they want to do with their work. They all have a thesis statement. And yeah, there's cohesion in the music you make, but you've never had to think about why you make it. You've never sat down and dissected what it is about bass that speaks to you. You've never poured over your lyrics to pick at any deeper meaning. Why should you? You don't play music for a grand design, you do it to... huh, why do you do it?
(Your art is the one form of self-expression that feels as safe as Disguise Self does, because even if you're pouring your heart onto the page and then screaming it in front of thousands of people, it's not like you're really making yourself known. You can sing I'm lonely, I'm scared, I'm furious, and your fans will sing it right back, and there will still be the distance between performer and audience to keep your heart safe.)
Now you're being asked to look inward to explain the artistic choices you're making, and you can't help but recoil at that, because you'd rather do anything than look inward. Meanwhile, your classmates have no problem with it, so you start to wonder if you're a real artist at all. Can your art be authentic if it only exists to bolster a thesis statement? Has your art been unauthentic this whole time because you've never really thought about a thesis statement before? Is that what makes it art, and not just the next track on somebody's teen angst playlist?
You can't think about yourself— acknowledging your own existence makes you want to puke. So if your music is an extension of yourself, (and it is, even if it's just because the spotlight reveals only what you want it to,) you can't think about your music. You can't. You have to. Your grade depends on it.
You're Fig Faeth, and you keep multiclassing because you'd rather be a good friend than a great artist. If introspection is what great art demands, then fuck it. You must not be a bard at all.
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PLEASE DO NOT TAG AS YOUR OWN OC OR PAIRING.
Nathan and Ruben share a bond more powerful than most; mutual understanding through past experiences no one should ever have to go through, and through past actions so horrible they cannot be spoken of. Their grief and the blood on their hands binds them to the STEM technology they created, which has alienated them from the rest of the world— but they give each other the comfort they have both longed for so desperately for years, and that is all they need.
They are each other's counterpart; you cannot imagine one without the other, like two sides of the same coin. Through their pain, their grief, their desire, and their regret, they have become one.
anna akhmatova, the guest // bones; equinox // 'i won't become' by kim jakobsson // agustín gómez-arcos, the carnivorous lamb // by oxy // achilles come down; gang of youths // czeslaw milosz, from 'new and collected poems: 1931-2001' // 'extended ambience portrait from a resonant biostructure' and 'migraine tenfold times ten' by daniel vega // a little death; the neighbourhood // marina tsvetaeva, from 'poem of the end' // by drummnist // katie maria, winter // 'nocturne in black and gold the falling rocket' by james abbott mcneill whistler // micah nemerever, these violent delights // body language; we are fury // 'the penitent' by emil melmoth // chelsea dingman, from 'of those who can't afford to be gentle'
taglist (opt in/out)
@shellibisshe, @florbelles, @ncytiri, @hibernationsuit, @stars-of-the-heart;
@lestatlioncunt, @katsigian, @radioactiveshitstorm, @estevnys, @adelaidedrubman;
@celticwoman, @rindemption, @carlosoliveiraa, @noirapocalypto, @dickytwister;
@killerspinal, @euryalex, @ri-a-rose, @velocitic, @thedeadthree
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My mother cheating on my father with a guy 30 years younger than her and when we tell her it's disgusting and unacceptable she tries to justify herself like "Oh, this is so Christian moral and catechism puritanism from you" and "This is the patriarchy that's talking".
.... Are... Are you trying to justify your CHEATING on your husband since 1990 on feminism and freedom? ABSOLUTELY THE FUCK NOT, YOU WILL. She thinks she's not in the wrong because, what, fuck her Christian education and she's a woman, she can do anything she wants ? Is she FUCKING KIDDING ME???
YOU CHEATED, YOU ARE CHEATING, YOU'VE BEEN CHEATING FOR MONTHS, YOU FUCKING JERK.
You hurt your husband, you threw him out of the house, you hurt your children, you think you can come back to my father's village? Your youngest daughter is TWELVE, and you're hurting her so much she's bottling everything in so well she could win an Oscar already, AND YOU THINK EVERYTHING IS OKAY AND YOU HAVEN'T DONE ANYTHING WRONG OR MORALLY REPREHENSIBLE ?
What sort of fucked up imaginary world are you living in that cheating is acceptable. For heaven's sake. She had the galls to tell me "adultery is banal, it's ordinary, everybody is doing it, it's not serious; don't be so dramatic". *screams* Hi, hey, if everybody is jumping off the bridge, are you going to jump too? Have you not PAID ATTENTION? Wars, murders, catastrophes have been done because of CHEATING, it is not a MODEL, it's a warning!!! Wtf, wtf, WTF.
I'm tired, I'm so tired. I have a thesis to write and I can't bring myself to work because my mother is throwing away all her life, acting in a shameful and unacceptable way, and disrespecting her family. My grandfather and my uncle and aunts aren't aware yet, but when they learn, oh boy, they might jump in a plane for Morocco to go yell at her.
Anyway. I'm having a real bad time these days and my only solace, my only salvation, are my sisters and my brother.
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father grimaldi: forgive me, lord, for i have sinned.
constantine: — understatement of the bloody century, that is.
father grimaldi: the chapel is closed to the public! who are you? how did you get in here . . .?
constantine: did you know vatican city has the highest per-capita crime rate of any nation state in the world? i'd have thought a touch of breaking and entering's pretty much par for the course around here.
so #1, an undeniable slay.
#2, how long do we think he was sitting in the confessional booth waiting for the guy to wake up from ellie's fake vision quest. like an hour? checking his light, practicing his Big Reveal Pose TM? he probably brought a book with him and just shoved it underneath the seat cushion when it was time to show off.
#3, knowing how intensely he studied & continues to study in order to teach himself magic at such an absurdly advanced level without any teachers to formally guide him? and how that level of dedication would absolutely carry over into researching a mark / making sure he had every corner of a confidence scheme nailed down pat? i like to imagine that the day before this meeting was spent with his severely under-caffeinated ass parked at a public library computer, squinting at articles for 'most important things to know about vatican city before you travel' or 'top 10 little-known facts about vatican city' and using the back of his boarding pass to take notes on what would be the best throwaway line to blow off all the usual questions with.
also, he probably woke up still in his travel clothes less than two hours before this scene and had to hustle to get suited up in time for his Dramatic Apparition. the demon blood was boiling so bad in that chapel that it was giving him a killer migraine. he didn't get breakfast so his stomach was growling the ENTIRE time. but all that meant was he had plenty of room to eat UP the runway and that's EXACTLY what the fuck he did.i'm
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Really good Twitter thread originally about Elon Musk and Twitter, but also applies to Netflix and a lot of other corporations.
Full thread. Text transcription under cut.
John Bull @garius
One of the things I occasionally get paid to do by companies/execs is to tell them why everything seemed to SUDDENLY go wrong, and subs/readers dropped like a stone. So, with everything going on at Twitter rn, time for a thread about the Trust Thermocline /1
So: what's a thermocline?
Well large bodies of water are made of layers of differing temperatures. Like a layer cake. The top bit is where all the the waves happen and has a gradually decreasing temperature. Then SUDDENLY there's a point where it gets super-cold.
That suddenly is important. There's reasons for it (Science!) but it's just a good metaphor. Indeed you may also be interested in the "Thermocline of Truth" which a project management term for how things on a RAG board all suddenly go from amber to red.
But I digress.
The Trust Thermocline is something that, over (many) years of digital, I have seen both digital and regular content publishers hit time and time again. Despite warnings (at least when I've worked there). And it has a similar effect. You have lots of users then suddenly... nope.
And this does effect print publications as much as trendy digital media companies. They'll be flying along making loads of money, with lots of users/readers, rolling out new products that get bought. Or events. Or Sub-brands.
And then SUDDENLY those people just abandon them.
Often it's not even to "new" competitor products, but stuff they thought were already not a threat. Nor is there lots of obvious dissatisfaction reported from sales and marketing (other than general grumbling). Nor is it a general drift away, it's just a sudden big slide.
So why does this happen? As I explain to these people and places, it's because they breached the Trust Thermocline.
I ask them if they'd been increasing prices. Changed service offerings. Modified the product.
The answer is normally: "yes, but not much. And everyone still paid"
Then I ask if they did that the year before. Did they increase prices last year? Change the offering? Modify the product?
Again: "yes, but not much."
The answer is normally: "yes, but not much. And everyone still paid."
"And the year before?"
"Yes but not much. And everyone still paid."
Well, you get the idea.
And here is where the Trust Thermocline kicks in. Because too many people see service use as always following an arc. They think that as long as usage is ticking up, they can do what they like to cost and product.
And (critically) that they can just react when the curve flattens
But with a lot of CONTENT products (inc social media) that's not actually how it works. Because it doesn't account for sunk-cost lock-in.
Users and readers will stick to what they know, and use, well beyond the point where they START to lose trust in it. And you won't see that.
But they'll only MOVE when they hit the Trust Thermocline. The point where their lack of trust in the product to meet their needs, and the emotional investment they'd made in it, have finally been outweighed by the physical and emotional effort required to abandon it.
At this point, I normally get asked something like:
"So if we undo the last few changes and drop the price, we get them back?"
And then I have to break the news that nope: that's not how it works.
Because you're past the Thermocline now. You can't make them trust you again.
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