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#The Handler icons
forgers-therapist · 4 months
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tiny people (part 3)
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babyfrankiestein · 10 months
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doll caregiver barbie icons ☆
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chunkecheeks · 7 months
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my toxic trait is that if you fundamentally misunderstand barbie i will judge you so heavily and thoroughly
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sxfmangacaps · 6 months
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beanpodz · 2 years
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RIP to The Handler. You were evil and a murderer but you had the sickest fucking looks and ate up every scene you were in. You girlbossed too close to the sun :(
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cardvngreenbriar · 7 months
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TELL HER OFF CATE BABY YOU GOT IT NOW KILL HER
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nightinghawk · 10 months
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Despite the last name, he is indeed an old man fox boy dad and I love him for that. a bachelor by spite, party dad by happenstance.
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the-maidofmischief · 2 years
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Hi there! Your icons are so pretty! Could I possibly request some Addison Montgomery from Grey’s Anatomy icons in pink? Thanks so much :)
Thanks!
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Please like or/and reblog if you take any!
made by the-maidofmischief
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bethanythebogwitch · 5 months
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Wet Beast Wednesday: walrus
There are a lot of iconic arctic animals, such as the polar bear and narwhal, but my personal favorite is the walrus. Known for their large tusks, prominent whiskers, and habit for busting myths creepy eyes, walruses are unique amongst the pinnipeds. Most people know of the two main groups of pinnipeds: Phocidae, the earless or true seals and Otariidae, the fur seals and sea lions. Walruses however are in a class of their own, being the only surviving species of their own family: Odobenidae. A weird fact that I learned researching for this is that taxonoimists used to think Odobenids evolved from bears before later reclassifying them alongside the other pinnipeds. Old-timey taxonomy was wild and came up with some absolutely unhinged ideas. Like they used to think that microbats and megabats weren't related, instead classifying megabats as primates.
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(image; a walrus sitting on an ice flow. It is a large, brown mammals with short limbs that end in flippers. Its head has a wide, blunt snout and two long tusks emerging from the upper jaw)
There is one species of walrus, Odobenus rosmarus, divided into two subspecies based on location: the Atlantic walrus (O. r. rosmarus) and Pacific walrus (O. r. divergens). The two subspecies are still very similar and genetic testing indicates they diverged between 750,000 and 500,000 years ago. There used to be a third listed subspecies from the Laptev sea, O. r. laptevi, but they have since been reclassified as a population of the Pacific walrus. Walruses are very large, being the third largest pinnipeds after the two elephant seal species. The Pacific subspecies is larger than their Atlantic brethren with most males reaching an average weight between 800 and 1,700 kg (1,800 to 3,700 lbs). A few males have been known to grow considerably larger than average. Male Atlantic walruses average about 900 kg (2,200 lbs). In both subspecies, females are about 2/3 the size of males and have shorter tusks. a large portion of their weight comes from the thick layer of blubber under their skin that helps them stay warm. Both subspecies have an average length between 2.2 and 3.6 meters (7.4 to 11.8 ft). Walruses have hind flippers that can turn forward to act like feet, letting them crawl on all fours like sea lions. Like true seals, they have no external ears. The skin is very thick and mostly bald. They are born with brown skin that becomes lighter as they age. While swimming, the blood vessels in the skin construct to reduce blood flow and limit heat loss, which makes them considerably lighter, almost white. Males have skin nodules called bossed around the neck and shoulders. Their creepy eyes are the result of eye sockets with no roof and powerful extraocular muscles that let the eyes protrude out of the skull and look both forward and sideways. The famous mustaches are composed of 400-700 thick whiskers. The whiskers are attached to muscles and have both nerve ending and blood supply. They are incredibly sensitive sense organs and a walrus can identify objects as small as 2mm with its whiskers. Their lips are muscular and flexible and aid in creating a large variety of noises.
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(image: a close-up of a walrus's face, showing its prominent whiskers and small eyes. Its mouth is open, revealing its tongue)
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How come the walrus can whistle but I can't? (video: a walrus in a zoo being instructed by its handler to make multiple vocalizations)
Of course the most famous features of walruses are their tusks. These two large canines can reach a meter in length and are larger in males than females. The tusks have a number of uses in both sexes, though males use them more. In both sexes, they are used to help dig breathing holes in sea ice, hang onto ice and help the walrus climb out of the water. Males also use their tusks in displays of dominance, especially during mating season. Larger tusks are a sign of dominance and typically the walrus with the largest tusks will win standoffs. If a standoff escalates from posturing to a fight, they will use their tusks as weapons. They tend to strike around the neck and shoulders and the skin nodules in those areas help protect males from each other's tusks. It was formerly believed that walruses would use their tusks to dig for prey on the sea floor, but this is no longer believed to be the case.
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(image: a walrus skull showing the tusks)
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(image: a walrus using its tusks to hang onto the ice and keep its nostrils above the water)
Walruses spend a lot of their time searching for the food they need to support a body that big. They prefer forging along the continental shelf and spend much more time in shallow water than other pinnipeds. While walruses have been tracked diving 500 meters deep, the majority of dives are much more shallow. The vast majority of a walrus's diet consists of seafloor-dwelling invertebrates including tubeworms, soft corals, tunicates, crabs and shrimp, sea cucumbers, and mollusks. While that's a wide palette, their absolute favorite food is clams. To hunt, walruses drag their noses and the forward surface of their tusks through the sediment and use their whiskers to search for food. This stirs up the sediment and releases nutrients back into the water column, a process balled bioturbation. Many foods can be swallowed whole or chewed, but they have a special feeding style for clams and other bivalves. Walruses will hold the bivalve in their mouths and use their flexible lips to form a water-tight seal around it. It then withdraws its tongue into its mouth to create enough suction to suck the bivalve meat right out of the shell. So important is this strategy to feeding that the shape of their mouths is specially adapted to it. Walruses are also known to feed on seals, though how much of that is due to hunting or scavenging is unknown. Additionally, they will scavenge whales, may hunt walrus trapped under sea ice, and have been seen catching and eating birds.
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(image: a walrus foraging for food underwater. It has its snout pressed into the sea floor and is kicking up a large amount of sediment. Still from a National Geographic video)
Walruses are social and migratory, traveling south for the winter and north for the summer in aggregations that can be tens of thousands strong. They will haul out onto land or sea ice in huge numbers, blanketing the landscape in blubber and tusks. While these aggregations are preferred, they are not considered a true social species as they do not aid each other when together. Walruses on land or ice are skittish and will spook easily. Being startled can lead to stampedes while the walruses flee back to sea. Sometimes, walruses will be trampled to death during these stampedes. During mating season, the normally cordial walruses become much less friendly to their neighbors. Breeding seasons lasts from January to March. During this time, males will gather in the water around females in heat and compete for the change to get to that nice walrussy (I will not apologize). This is usually done via bellowing and posturing with the tusks, but may escalate to fights. While males become sexually mature around age 7, they often do not become large and strong enough to secure mates until around age 15. Females become sexually mature between 4 and 6 years old. Curiously, females enter heat twice per year, but males are only fertile once per year. Gestation takes up to 16 months and calves are born able to swim and weighing up to 75 kg (165 lbs). Females with calves move away from the large aggregations, possibly to keep their calves from being crushed in stampedes and possibly to make it harder for predators to detect their scent. Nursing lasts for over a year, longer than in many pinnipeds. Walrus milk is fattier than that of land mammals, but less fatty than that of true seals, forcing walrus mother to nurse longer. Even after being weaned, walruses may spend up to 5 years with their mothers. Females only mate at most every two years, which gives the walrus the lowest reproduction rate of all pinnipeds. Walruses can live up to 30 years in the wild and 40 years in captivity. Male walruses have the largest penis bone of any non-cetacean both in absolute size and proportionately.
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(image an aerial shot of a walrus herd on land. There are many walruses and they are so tightly packed together that no ground is visible)
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"Don't talk to me or my son ever again" (image: a mother walrus with its calf. The calf is a smaller version of the mother with no tusks. The calf is sittting by its mother's side. Both are looking at the camers)
Walruses have been hunted by humans living in the arctic circle for millennia. Hunting peaked in 18th and 19th centuries when there was a high commercial demand for meat, blubber, skin, and ivory. This almost led to the extirpation of Atlantic walruses. Since then, hunting has been outlawed except by indigenous peoples, allowing the populations to recover. Now, the major threat to walruses is climate change leading to loss of sea ice needed for hauling out and breeding. The IUCN lists both subspecies as Vulnerable. They were an important source of food and other materials to the peoples of the arctic circle and appear frequently in the mythology of said peoples.
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(image: a walrus tusk carved with the images of multiple fish, seals, and polar bears)
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omgthatdress · 10 months
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Barbie made her debut in 1959. The way she was sold then is a little different than the way she's sold now. These days, individual Barbies come with their own unique looks & usually some kind of unique function or accessories. You can buy clothes separately, but those looks are still secondary to the expectation of buying a lot of Barbies. Back in the day, you bought the one Barbie and then bought her clothes separately. This is why back then Barbie came with a bunch of friends and always came wearing a swimsuit.
The oft-memed origin story for the classic Barbie is that she was modeled on a German sex doll named Lili, which is only partially true. In the 50s, most dolls available for girls were baby dolls that primed girls for being a wife and mother. Fashion dolls were a thing but they were generally more reserved for adults.
Ruth Handler, who co-founded Mattel with her husband and served as its president from 1945-1973 (#girlboss much?), got the idea of making an adult doll for girls when she'd see her daughters playing with paper dolls. Instead of playing with babies, they chose teen-aged and adult paper dolls and played fantasized versions of adulthood. Then, on a trip to Germany, Ruth saw a Lili doll in a store, and asked her daughters what they'd think of playing with a doll like that. Apparently, they liked the idea.
Lili the doll wasn't an inflatable fuck doll. She was based on a popular comic strip character Lili created by Reinhard Beuthien and published in the Hamburg-based Bild Zeitung. Lili was a buxom gold-digger seducing her way through the wealthy men of post-war West Germany.
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The comic was definitely adult-oriented, and the doll it created was a popular bachelor party gag gift.
The introduction of a doll with breasts did cause *some* controversy, but it was more pearl-clutching rather than tremendous cultural outrage. Barbie was actually an immediate hit. She fit in very well to late 50s ideals of femininity. I've heard it said before that parents liked her because she helped little girls get into the beauty, fashion, and level of grooming that she would need to catch a husband. IDK if that was intentional, but it seems to fit very well.
I don't want to get into whether or not Barbie is this huge feminist icon or not because, well, she's a toy. I think Ruth Handler was an incredibly smart businesswoman who saw a market demand and met it. Barbie is about the power of fantasy and imagination, and anything that people see in her are the things they want to see in her.
In her incredible multitude of careers, she also holds up an impossible and toxic standard of beauty. Mattel has always been very aware of Barbie's image. I'm pretty sure that the reason Mattel hated "Barbie Girl" so much wasn't because it was wink-wink sexual, but because it nailed the popular stereotype of the time that Barbie was this fake, plastic bimbo who was an unhealthy role model for girls (go listen to Aquarium, now!).
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The recent years of Barbie taking on a more empowering, feminist, and diverse lean is because Mattel is simply correcting course and keeping up with the times. Honestly, they've done a very good job of it, but I'm not going to kid myself into thinking they're doing anything other than maximizing profits.
I love me some Barbie but I was always an AG girl, ngl. However, I think Barbie and her cultural context are still incredibly fascinating and worth taking a look at.
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horsesarecreatures · 4 months
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Attendees of the 2023 USEA Annual Meeting & Convention were in for a real treat with this year’s keynote speaker, Dr. Temple Grandin. Dr. Grandin is an icon in the worlds of agriculture and autism and is most notably known for applying her own experiences as an autistic individual to her studies on how stress impacts both humans and animals. In this year’s keynote address, Dr. Grandin shared several different scenarios encountered in both her studies and the studies of her animal science students at Colorado State University that apply to the equestrian community. Take a look at some of our favorite takeaways from this year’s keynote address below:
1. Animals live in a sensory-based world. Get away from verbal language to understand animals and instead evaluate what is the animal hearing, smelling, and touching and use that to your advantage when exposing your horse to objects that often spook them.
“Sudden new things are scary for people with autism and for animals. If your horse is afraid of flags, don’t shove it in their face.," she said. "Decorate their pasture fence or arena fence with flags and let them walk up to it on their own.”
2. Exposure, conducted in the right manner, is the best training tool for your horse.
“A lot of animals lead sheltered lives," said Dr. Grandin. "I had a chance to go to the Keeneland Thoroughbred sale [Lexington, Kentucky], and the horses were terrified of the auctioneer because they hadn’t been trained for the sound of the auctioneer's voice. They also hadn’t been prepared for a strange groom or handler to hold them. What I realized was that when a horse was swapped from his regular groom to a new person, the horse became anxious and let out a giant shriek. I noticed that noise. I don’t think anybody wants to make that stressful mess, but they did. Now the horse was alone in this strange, creepy, scary new place, and his regular groom was gone. You have to expose your animals to enough different things.”
3. Horses think in pictures which can impact how and why they spook at certain objects.
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“This is an interesting study that one of my students did that explains why a horse might suddenly spook. If you look at this playset, you will notice that it looks totally different when it's rotated. My students walked young fillies and colts past this playset 15 times at the walk, until the horses just walked by it without stopping, raising their heads up, or flaring their nostrils. When this thing was turned, it became a new thing. It became something different.”
4. Everything feels different to horses at different gaits.
“The saddle feels different at a walk, trot, and canter," she said. "I suggest to students to put a backpack on and then walk, trot, and canter so they can see how it feels different. Sometimes you have to go slow and think about how you are going to introduce things to your horse. Since they are sensory-based, it is much more specific.”
5. Animals are very fear specific. Keep that in mind when dealing with a horse who habitually exhibits fear as a response to certain stimuli or when trying to expose a horse to something new.
“This horse was terrified by black cowboy hats because he associated a really bad experience with a person wearing a black cowboy hat," she said. "So black cowboy hats were very frightening, but white cowboy hats were fine—it was very specific. Now, if I put the black cowboy hat on the ground, it was a lot less scary, but as I brought that hat toward my head, it got more and more scary. And the problem with fear memories is that they are very, very difficult to get rid of. So let's try to not have that.”
6. Animals have emotions and, just like in humans, each animal or each horse is going to be very different in the way they manage their individual emotions.
“Fear is a proper scientific word," said Dr. Grandin. "When I first started doing scientific research in the early '90s, I wasn’t allowed to use the word 'fear' as they said it wasn’t scientific to assign human emotions to animals. But now we know that animals have emotions; they definitely do. Fear is real, and some animals genetically are going to have higher fear responses than other animals. It turns out with me that my fear center is three times larger than normal. You can have animals that are higher fear or low fear. An animal that is high fear is an animal that gets scared more easily; their heart rate and cortisol levels go up more, and when you put that animal in a high-stress situation they are more likely to get sick.”
7. The best thing for your horse is to let them be a horse.
“We have to look at what animals need," she said. "Dogs in an animal shelter need 45 minutes every day of funsies with the volunteer, that is what they need because we have bred them to be social. A lot of horses need to get out and run around in the pasture just to have a chance to be a horse. I am concerned that some horses are so locked up in stalls. You’ve got stallions with abnormal behavior? It’s because they have never learned that give and take of social relationships with other animals. Does the animal have a life worth living? Does it have a positive, fun, experience? Does it get to do things it likes to do? For a horse, that is getting out and running around. You want to let the horse have positive, happy experiences.”
8. Horses can be life-changing for people of all backgrounds, but especially for kids with autism.
“When I was in a regular high school, I got bullied and teased for being autistic," Dr. Grandin shared. "So I went away to a special school where horses became my life. The only place I had friends was when I was riding horses or getting horses ready for shows. I learned how to work with horses and there are a lot more troubled teenagers today who cleaning horse stalls, taking care of horses, and getting involved could be the best thing that has ever happened to them.”
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sxfmangacaps · 1 year
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prokopetz · 8 months
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Okay, I 100% get that PDF.js is intended to be a pure PDF viewer, not a PDF editor, and that many form-related features straddle the line between viewing and editing operations, but I just can't make sense of what is and isn't supported. Like, a button's stroke and fill colours are read-only after the page has been rendered, but changing its icon in response to document-level events works? It will happily bind a keyup event to a field, but it won't pass an Event object to the handler, so you have no way of knowing which key was just pressed? Who thought any of this was in any way reasonable?
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frostgears · 9 months
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the slightest breeze
you squirm in your seat, having not been ordered to be still. they're just going over the damn Charybdis strategic vortex generator again, like you need a third repetition. everyone expects augments to be stupid, like you weren't good enough to be people, but the theory for the Charybdis isn't complicated, for all the dress-uniformed major trips over the words.
why is he tripping? there's no way he smells her heady scent. maybe he's just an idiot.
you shake your head to clear it. you know what principles Charybdis uses. your flight armor shares a few, scaled down. you see angles you're sure they haven't. they want massive downdrafts to flatten cities. any dumb bomb could do that. but you could transform the sky into a hellish maze of vacuum columns and storm spires, you're sure of it. you and the others like you could—
fuck, she smells so good. you want to shove her down and knock her up, no matter if you can or not, you'll try. you choke back a moan thinking about it.
and yet you also want to submit to her, present yourself and let her bite the back of your neck. you're many times as strong, even unarmored, but you'd let her use you like a chew toy right now. either way works. you just need her.
fuck. what were you thinking about again?
she turns toward you with an utterly smug grin. she may not have known where your mind was going earlier, but she must know exactly what you're thinking right now.
you and your handler aren't together 24/7. she has duties you don't, and more importantly, she can't fly. maybe you'll get a chance to finish your thought, away from her, once this tidal lust subsides.
when they call for you to suit up, you breathe a shallow sigh of relief, trying not to catch too much more of that inebriating scent. she can't go with you, she can't be in your armor.
the grease monkeys help you into the core harness and the inner helmet, with the displays. and then, as soon as they power it up, you hurriedly mute the audio and opaque the dome. you'd bang your head on something if the helmet collar permitted it.
there's a tiny folded thong, swirled black and red, absolutely soaked with her juices, taped right over your water tube.
the main display has the icons for loadout, including a quad of Charybdis torpedoes. also, a note:
exactly as planned, pretty thing. don't get fancy. do your job and come back to me.
you check the mute indicator one more time, and in your infiltrated armor, you scream. □
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incorrect-rqg · 14 days
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Okay my intent here is not to start drama in the rqg fandom in 2024 because I love this community and frankly it's not that deep, but there's something I just wanna talk about for a sec.
I've seen the sentiment around lately that the party is unnecessarily cruel to Wilde - from the Prague arc all the way up to Damascus or even Japan - and that this specifically contributes to Wilde's guardedness and unwillingness to be emotionally open with the party throughout the show. That he goes "oh, you want me to be the snarky punching bag with no feelings? Then that's what I'll be."
While this is a sentiment I generally agree with, I take some issue with the idea that the party - Grizzop specifically - is mean to Wilde for "no reason".
Grizzop has a very good reason to dislike being around Wilde, which he expresses on numerous occasions - Wilde's lack of respect for Grizzop's personhood and his use of condescending and demeaning language.
While Wilde never actually calls Grizzop "It" like he'd later claim (just a result of long gaps between sessions and Ben being a human being with imperfect memory), he does call him "this one" and generally treat him in a dismissive and condescending way, even after being told to stop numerous times.
Now, I've seen the argument that this is kind of just how Wilde talks to everyone. That's just who he is, especially in earlier arcs. This isn't entirely untrue, but that doesn't change the fact that like... Grizzop is a goblin (in the RQGverse a minority race with a history of oppression), who has been the target of this kind of language and attitude from humans his entire life. He's entirely warranted in being upset at being treated this way. Wilde doesn't ever really give Grizzop any reason to like him, and frankly Grizzop doesn't owe Wilde jack shit.
Another scenario is the iconic moment where Grizzop punches Wilde in the dick. I made a post about this a couple days ago while Very High and then forgot to delete it in the morning so it's just up now. But I've seen a couple comments (on the post and elsewhere) being like "poor Wilde :(" or "he didn't deserve that" and like... He kinda did? He was being antagonistic and negging Sasha, deliberately trying to make her feel worse about her upcoming Risky Medical Procedure. Even if it was just him being silly that's still a pretty shitty thing to do. You can argue that Grizzop went overboard with the physical violence, but arguing that it wasn't at all warranted doesn't make sense to me.
I love Wilde as much as the next rqg fan. He's probably my favourite character, maybe behind Sasha. But in order to appreciate the extent of his character growth it's important to recognize situations where yeah, he was being shitty and antagonistic.
And, even in a scenario as silly and fantastical as this, I still think it's important to not brush off the experiences of a marginalized person who says they're a target of discriminatory language, even if the perpetrator is someone you like. Wilde is white, and charming, and wealthy, and in a position of power over Grizzop as his handler and as a government representative. He is not the victim in this situation.
Again, very much not looking to start shit here, especially because "aw, poor Wilde :(" is definitely a thought I've had while listening to early RQG. This is just something I've been thinking about a lot during my current relisten and wanted to share with you guys.
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postpoeticparadox · 8 months
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I don't need to label any of the stuff I reblog under #mechposting with the #hornyposting tag as well.
It doesn't matter if there are explicit sexual acts mentioned, because there *always* is something inherently psychosexual about everything to them.
The kind of transformation your body undergoes as flesh is replaced with cold steel, as it becomes one with that of your mech
The power dynamic between your dominant handler who either treats you with harsh indifference or an incredible overbearing love for the weapon you've become
The technicians and mechanics making sure you always have a safe haven to return to, even as they might look at you in horror due to the icon of carnage you've turned into
The raw adrenaline and impact of the battlefield itself, feeling your thoughts melt away into a fog, overtaken by the feedback of your mech's sensors as you dump another blast into the enemy head-on, and the calculated orders of your handler making it so you never have to think for yourself again, as long as you do exactly as she says.
The battlefield is your salvation, metal has become your new God, and your handler is Her priestess.
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