#The Deracination of Scars

[ailtrahq]

Annihilation commencing. Whether through poorly conceived boot up instructions to a novel AI, a global war between desperate nation states, or the final rug pull of our fragile ozone layer - the end of the world hasn’t felt this tangible since School children ducked and covered under desks in the nuclear psychic ashes of the post-WW2 era. Eschatological preachers now claim the end times without needing the Mayan calendar on hand to back them up, with the Covid pandemic still a livid scar on the fragile socially-driven economies that make up our global village. When everything is gone, what will remain? For doomsday preppers, tech enthusiasts, and hedge fund managers making the biggest hedge of all - the answer is crypto, in particular bitcoin, with its time-tested Proof of Work (PoW) economics. But why? Why in a world of scavengers and sawn-off shotguns would the world’s largest decentralised ledger have any use at all? The answer breaks down into two parts: what bitcoin is, and what it has gone on to narratively represent in the global economic consciousness. bitcoin, to date, has performed excellently in the face of macro-economic squalls. Its birth, remember, was the result of a crisis. Nakamoto’s original zeal was born out of the horror felt seeing state treasuries around the world, following the UK Chancellor Alistair Darling’s lead, massively devaluing their fiat currencies in order to plug the liquidity crisis in the global banking system - and in doing so, playing god with the value distribution among the societies they were elected to lead. The average citizen saw their life savings reduced dramatically to cover the losses of the irresponsible and the criminal. A system the public had played along with, and paid into, was altered to maintain the status quo and entrench wealth inequality in every aspect of society. bitcoin has always been, in effect, an alternative to ‘when things go wrong’.And so it has continued to prove. In Venezuela, Zimbabwe and Turkey, whose economies and national currencies continue to struggle, crypto ownership is on the rise. In Russia and Ukraine, where war rages, crypto is seen as a safe haven. In both cases, bitcoin is a global asset, supported by a network that reaches far beyond any locality, even one the size of a country. Crypto’s most recent bull run happened against the backdrop of a global pandemic. If a pillar in the current system fails, bitcoin rises on the back of it. It currently sits pretty as the ultimate ‘out of context’ asset, a decentralised, deracinated system that works no matter what happens in a country. Should a state’s central systems architecture suffer a cyberattack, the ledger still runs. If global warming floods a nation’s land, destroying its economy, value held in BTC by its citizens will remain. And if a country rampantly inflates its currency to protect its merchant class…oh wait, that one already happened. bitcoin will always function and have value, oftentimes regardless of which government rises and falls and - crucially - irrespective of how cold they are towards it. Then again, if the immense industrial power of the United States was ploughed into upkeep of the bitcoin ledger - this changes things. The brute hash force an entity like the U.S could bring to bear if committed would very quickly upend the current bitcoin dynamic, and force others to participate for fear of them seizing the network for themselves.bitcoin's censorship resistance and pseudonymous Security means that as an exchange of value, it remains viable even if a dictatorship were to rise and attempt to stamp it out or seize control. There is nothing a small nation state could do to affect the global integrity of the network, but a fast acting U.S or China with its energy reserves intact could threaten the network without adequate competition - competition that would be sorely lacking in the result of a massive network disruption event. Despite BTC’s global network status, nodes are still

far too heavily concentrated in specific areas of the world and held by too few operators, and if one major miner survives and the rest don’t - total seizure of the network is on the table, albeit the inevitable hard fork designed to maintain the time-space continuum of the ledger. Even in total blackout, however, as long as a few nodes exist somewhere, the network will sustain. It might require a hard fork to reduce difficulty (the original BTC timeline conceived with Moore’s law fully in mind and probably not expecting computing power to fall), but even in the event of a truly global apocalypse - the Bitcoin network should survive. With the use of the bitcoin satellite network, SMS services being developed, bitcoin-without-internet/#:~:text=In%202019%2C%20two%20BTC%20engineers,Bloomberg%20journalist%20in%20San%20Francisco.">even radio, plus the ability to make offline transactions - even internet outage wouldn’t spell the death of the ledger. Certainly not any more than it would spell the death of every major banking and financial institution. A risk remains, however, of forks emanating from areas isolated from global telecommunications that results in a splintered network. Antarctica's ledger, say, may begin to diverge significantly from the rest of the world through lack of global participation - but at least it would still work temporarily for the people living there. This fungibility, malleability, resistance, permanence and Privacy is what made many early crypto users ‘cypherpunks’, believers in alternate anarchist structures fused with a libertarian ethos. Self-custody of your beans, your bitcoin and your guns. Take it from me.PoW has drawbacks (some readers will drawl wryly about how energy usage by bitcoin miners will cause the climate catastrophe in the first place), but its resistance to ex-mural shocks still make it king. As BTC becomes more ensconced in the TradFi system, effective legislation can offset the most deleterious effects of excessive energy consumption. Proof of Stake (PoS) has a crucial weakness in the face of an apocalyptic event - the entrenched systems that support it may break entirely. PoS requires an ordered world of stakeholders voting to a precise regimen. If 60% of your network holders and validators evaporate under the crimson fire of a hydrogen bomb, some networks may not even be able to reach a plurality in the first place, even to change the regimen - rendering it worthless. Or, the network may become so vulnerable to economic attack it loses its meaning entirely. Many PoS networks rely on economic infeasibility to attack it, something meaningless in an apocalypse scenario. BTC just needs a few computers fighting over the protocol and the system still works as well as it ever did, albeit with a need to grow. PoS requires a structured wealth owning democracy, bitcoin does not.So, buy bitcoin and hide in a basement until it's the only currency left? Well, not quite - despite its obvious status as the ultimate hedge against disaster alongside gold, the digital version of a golden tooth for a rainy day, would-be preppers shouldn’t dream of calamity too quickly. Global adoption for BTC is still low, even in developed countries like the UK, where only 6.1% of Brits reportedly have experience with the on-chain realm. If people don’t want BTC now, then why would they want it when the world ends? The network as a whole needs to experience substantial growth and adoption - even if explicitly in the general public consciousness alone - for it to act as a failsafe currency.Self-custody in a world without police forces and national militaries will indeed revert the world to be wary of highwaymen, News/5-wrench-attacks-appear-to-be-on-the-rise-in-the-crypto-community">wielding wrenches and looking to pull out your golden digital tooth - by force if necessary. Alternatively, no one will care about your keys - they’ll want your canned tuna more than they’ll want a USB with a string of ‘meaningless’ ciphers.

Yet, for all that, the narrative persists. In a world of all-too-physical attack vectors, the decentralised digitised ephemerality of the blockchain makes it uniquely resistant to a global catastrophe. Yes, should an asteroid come knocking, and all that’s left is cellular life - the ledger will fail. Yet as long as a few pockets of humanity survive, upkeeping the ledger may be the best chance of holding onto some remnants of an order and hierarchy without resorting to brute force. bitcoin’s cradle was visited by the wise men of anarchy ethics, and its early adopters were almost exclusively those with an anti-societal, libertarian, doomsday leaning view - so it's no shock to see that ethos sustain right up into the present day, even as bitcoin is being welcomed into the TradFi world as the 13th asset class of the S&P index, and News/articles/2023-08-13/more-bitcoin-BTC-ETF-decisions-are-already-looming-after-sec-passes-on-ruling">currently being tarted up by ETFs to be sold into the pension schemes of municipal governments. The fact remains that bitcoin is a hedge against anything and everything - even the very end.If it truly is the apocalypse now, it won’t be the apocalypse for PoW.This is a guest post by Daniel Dob. Opinions expressed are entirely their own and do not necessarily reflect those of BTC Inc or bitcoin Magazine.

[ckbookish]

The Deracination of Scars 

Chapter One: Pinioned Wings

There were voice’s bouncing off the walls of the station. People were shouting down in booking and officers were laughing in the break room. Dick couldn’t hear any of it. It was as if all sound had been turned off completely. It wasn’t like the ear ringing a bomb would give or even the odd deafness that came from a concussion. No. He just couldn’t hear.

He couldn’t feel either. It should be concerning he thought, but somehow he couldn’t shake off the shock.

He was better than that. He knew he was, but somehow he just felt incredibly cold and hollow. It was as if his insides had been scooped out leaving nothing inside to generate heat or process the information coming in from all around him. The letter shook in his hand. Hess sank down into the seat next to him. Dick tried to think of something to say. He tried to clear his throat and give a smile. Anything to make it look like he didn’t care, that he didn’t feel. But he found his body simply didn’t respond.  He had known it would happen, but he hadn’t expected it so soon.

“You don’t have too, you know?”  Hess spoke softly.  

It was this that broke him out of his trance.  Sound rushed back into his ears like water breaking a dam, and it was suddenly too much.

Bang.

He could hear the shot as if it had just gone off.  One shot.

Bang.

Then another.  

He stood and stumbled slightly, from the speed of it.  He couldn’t breathe.  It felt like his chest was being crushed.  It felt like blood was choking it’s way up his throat again.  It felt like he was--  

Bang bang.  

The gun fire rang in his ears over and over again.  

Dick looked down and saw his white uniform unmarred by blood.  He was fine.  He was-- He was in the station. He was safe.  He was fine.

Hess was looking at him with an odd look.  Dick didn’t like it. It was too close to pity.  Dick wondered in that moment if perhaps he was cursed.  It seemed everything always went wrong at once.  Why couldn’t it just be one thing at a time?

“Grayson, I mean it.  You don’t have to go, you don’t even have to give another statement.  It’s just a request from the DA.  They don’t need it.”

“I do.”  

Continue reading on AO3

#Dick Grayson #Nightwing #Bruce Wayne #Batman #Clark Kent #Superman #Jason Todd #Robin #hurt/comfort #Scars #injuries #surgery #gsw recovery #flashbacks #CK Writes #hard truths and other realities #The Deracination of Scars #chapter one #my writing

[marble-hell]

Lyrics | DERACINE

O trecho abaixo foi tirado dos comentários de Ruki no próprio encarte do álbum.

Grama desenraizada (Deracine significa algo como “arrancado de seu ambiente natural”). Não é o bastante puxar a raiz para fora, mas no caso de um relacionamento, eu quero arrancar essa raiz de dentro de mim. Eu acho que às vezes isso é a vida real. É um caso onde eu mesmo estou crescendo e a outra parte não vai mudar. Aquilo foi há muito tempo. Eu quero esquecer minha origem, mas sou forçado a pensar sobre aquelas coisas.

Composição: Letra: Ruki Melodia: Uruha

Créditos: Kanji/Inglês: Heresyarchy Romaji/Pt-Br: Mari @ MH

Deracine

Tradução

Desenraizado

Dentro do útero O destino foi decidido? Vou ficar enjoado* Os sentimentos que escondi 4...3...2...1 Não podem ser contados Uma dor insuportável

Num labirinto [Berço e sepultura] Cicatriz em carne viva Não pode voltar Mentira. Covarde. Bobagem

Meu coração é perturbado por você

Dentro do útero O destino foi decidido? Vou ficar enjoado Meu futuro começou a se afastar. Não há um jeito legal de dizer isso Eu vou partir agora, pra longe daquele amor

Num labirinto [Berço e sepultura] Cicatriz em carne viva Não pode voltar Mentira. Covarde. Bobagem

Vá embora Eu digo adeus para seu eu odioso mais uma vez Vá embora Eu digo adeus para seu eu odioso Esqueça tudo o que passou comigo até agora

Dentro do útero O destino foi decidido? Vou ficar enjoado

Eu conheço sua feiura [Sem restrições] Meus sentimentos por você nunca irão mudar [Sem reclamações] Minha vida está suja agora [Sem restrições] Uma vida assim é triste

* Aqui, é usada a frase "I'm going to be sick", que é uma expressão do inglês usada para dizer que a pessoa está enojada com algo, que a deixa enjoada. No caso, a pessoa está enojada com a perspectiva de ter seu destino decidido por ela.

Romaji

Deracine

In the womb Was the fate decided? I’m going to be sick The feelings that I hid 4…3…2…1 That can’t be counted overpowering grief

In a maze [Cradle and grave] Raw scar Can’t get back Lie. Coward. Bullshit

My heart is disturbed by you

In the womb Was the fate decided? I’m going to be sick

sakedashita mirai kazaru kotoba ga nai sono ai kara ima tobitatsu

In a maze [Cradle and grave] Raw scar Can’t get back Lie. Coward. Bullshit

Go away I say good-bye hateful you once again Go away I say good-bye to hateful you Forget up to now with me

In the womb Was the fate decided? I’m going to be sick

I know your ugliness [No restraint] My feelings for you never change [No complaint] My life is dirty now [No restraint] Such a life is sad

Kanji

Deracine

In the womb Was the fate decided? I’m going to be sick The feelings that I hid 4…3…2…1 That can’t be counted overpowering grief

In a maze [Cradle and grave] Raw scar Can’t get back Lie. Coward. Bullshit

My heart is disturbed by you

In the womb Was the fate decided? I’m going to be sick

裂けだした未来　飾る言葉が無い その愛から今　飛び立つ

In a maze [Cradle and grave] Raw scar Can’t get back Lie. Coward. Bullshit

Go away I say good-bye hateful you once again Go away I say good-bye to hateful you Forget up to now with me

In the womb Was the fate decided? I’m going to be sick

I know your ugliness [No restraint] My feelings for you never change [No complaint] My life is dirty now [No restraint] Such a life is sad

#The Gazette #Lyrics #tradução #deracine

[mypearchive]

Vulture

OCT. 3, 2013

Theater Review: Very Good Bad Jews

By Scott Brown

Who has a right to pain they haven’t experienced? Who gets to strip their sleeves and show the scars from wars they haven’t fought, wounds they haven’t sustained?  “Survival” is a recurring theme in Bad Jews, Joshua Harmon’s generously envenomed, no-blow-too-low cage match of full-contact identity politics, and, no matter how richly contemptible the combatants get, no matter how cocooned and blinkered and implosively selfish they prove themselves to be, we never doubt they’re fighting for their lives.  They are: laconic, nonconfrontational Jonah (quietly brilliant Philip Ettinger), his icily entitled, frictionlessly secular older brother Liam (Michael Zegen), Liam’s wanly honey-sweet girlfriend Melody (Molly Ranson, pitch-perfect and marvelously restrained), and passionate, diabolical Daphna (Tracee Chimo), Liam’s cousin and the family’s resident “superjew.” The theater of war: A beloved grandfather — and Holocaust survivor — has died, and a family heirloom with religious significance is up for grabs. Liam has it. Daphna wants it. Somebody’s gonna get it.

If the great, unwinnable authenticity wars have an Achilles — someone who crystallizes the dialectic by being an inspired, apocalyptic pain in the ass —  Daphna’s it. She’s an extraordinary stage monster, the sort that doesn’t come along every day: one of those rare and perfect conflagrations of a playwright’s vision, a director’s guidance (the humanizing contributions of Daniel Aukin can’t be overrated here), and the ideal performer. Chimo is a comic actress of such plasticity and pervasiveness, her Daphna seems to fill every corner of the room at once. With her atavistic corona of untamed frizz and a pair of frumpy sweatpants she yanks at obsessively — the noodge’s version of a matador’s cape — she’s an expert prober of weak spots and soft positions. Liam — whom she insists on referring to by his hated Hebrew name, Shlomo — is her natural enemy: a casually moneyed agnostic who only asserts his Jewishness “to bash all things Jewish, which somehow makes you stand a little taller, doesn’t it, puts a little pep in your step like you’re so fucking enlightened even though you reek of fucking cliché.”

The irony being, of course, there isn’t a soul on stage who doesn’t reek of cliché, Daphna included and foremost. But, like all great antagonists, Daphna is almost entirely impervious to self-knowledge. Liam doesn’t wince much either: In Zegen’s capable hands, he’s his own kind of horror, with unmistakable threads of misogyny running through his faultless tapestry of deracinated progressiveness. He’s as detached as he can afford to be — which is pretty damned detached, since he’s rich — and he’s aware of this and makes no apologies. Melody’s presence touches off an entirely predictable battle over shiksa incursions into the Tribe, and Vassar-liberal Daphna verges into the rhetoric of racial supremacy to attack Liam’s gravitation toward “this piece of … music.” But Liam would, by the same turn, scrape the Daphnas of the world from his shoe; even her hair — especially her hair — offends him on a genetic level. (“It’s like having a dog in the house!”) Bad Jews is a fast, young play about hate, the most delectable kind of hate: intratribal. It’s a flavor of hate very much in season right now, and it lifts the show out of cultural specificity and towards a more universal loathing.

“People are just people!” protests Melody in the play’s inevitable why-can’t-we-all-just-get-along moment. And people are just people: That’s precisely what people can’t accept, and that’s what Bad Jews homes in on. From Joseph’s coat to Jacob’s mess of pottage, people just being people has never stopped people from trying to differentiate themselves, usually via the diminution of others. What a glorious mess of pottage Harmon, Aukin, and this altogether flawless cast has created here. What an incredible bridge they build — and then burn — between the identity politics of the Baby Boomers and the identity curation of the Facebook generation. What an incredible opportunity to unite and divide those two audiences, in this theater and perhaps (a boy can dream) in a larger one? The show scales up more readily than I’d have thought, and in the right house, this could be a Broadway show. Bring it.

Bad Jews is at the Laura Pels Theatre through December 15.

#philip ettinger #bad jews play #i know this much is true #first reformed

[thyele]

NEIN_OFFICIAL"ミュージックビデオ 拡散！ NEiN / [バースディ]

NEIN_OFFICIAL"ミュージックビデオ 拡散！ NEiN / [バースディ]

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NEIN_OFFICIAL"1stミニアルバ��「DeRACINE」 絶賛発売中！トレーラービデオ

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NEIN_OFFICIAL"【拡散！ネクストGIG】 3.23(土) 浅草Gold Sounds 『極東鎖国』

出演：BROADVIEW / GUYZ / KING / NEiN / Scars Of Humanity / 眩惑庭園 / O.A 西山 玲央奈 [チケット] ★入場順 e+→バンド予約→当日 バンド予約

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2019.3.23.@浅草Gold Sounds ［極東鎖国］

出演：BROADVIEW／GUYZ／KING／NEiN／Scars Of Humanity／眩惑庭園 O.A西山玲央奈 ※本編ラストに当日限定スペシャルセッションがございます！ ご予約はこちら→

https://twitter.com/BROADV_Official/status/1101833621105602562

[ckbookish]

The Deracination of Scars Chapter 2:

One Tree at a Time

Dick woke to the sound of his phone ringing and groaned.  He glanced at the clock, and was tempted to throw his phone across the room, rather than answer it.  It was three am, and for once in his life, he had actually been asleep.  Rolling over to yank the device off it’s cord, Dick gasped.  His ribs spasmed and for a moment he forgot why he had even moved.

The ringing stopped, while Dick fought to get his breathing back under control. Dick dropped the phone back onto his bed as he counted his breaths out.  He had just made it to his sixth count of ten when the ring  started ringing again.

Dick, now completely irritated at the whole thing, snatched up the phone and without looking answered. “What?”

Silence greeted him. Dick slowly and carefully pulled himself into a sitting position and flicked on a lamp.  He pulled the device away from his face and glanced at the screen.  He swore.

Jason.

“Jay?”  Dick ran his hand down his face trying to make himself feel more awake.  “I’m sorry.  I didn’t look who called and--”

“It’s fine.  Sorry for bothering you.”  Jason’s voice was small sounding and had an almost echoey quality. If Dick strained his ears he could hear dripping water.  He was in the cave then, Dick thought groggily.

He could picture Jason just back from patrol, sitting in the cave by the lockers. He sounded nervous.  Dick wondered if he would be twisting his sleeves.  Jason did that a lot when he was nervous or upset.

“You’re not bothering me.”  Dick said, rubbing his chest as the muscles spasmed slightly.

continue reading on AO3

#Dick Grayson #Nightwing #Jason Todd #Robin #Batman #Bruce Wayne #Superman #Clark Kent #wally west #Hard Truths and Other Realities #Deracination of Scars #Chapter 2 #CK Writes #My writing

[ckbookish]

I'm outlining my next long fic (the subplot of Epiphanies that got cut due to it being way to long) and I'm already sobbing at how long this is going to be. I'm already looking at five chapters before the first big thing happens. Send help. (For those wondering, I kept trying to do the Deracination of Scars and found it needed to wait until I'd done more of my planned works from earlier in the timeline to really be what it needed to be. )

#Ck talks #Ck writes #writing updates

[thyele]

#眩惑庭園 次回公演！ 2019年3月23日@浅草Gold Sounds ［極東鎖国］

出演：BROADVIEW／GUYZ／KING／NEiN／Scars Of Humanity／眩惑庭園 O.A西山玲央奈 本編ラストセッション有り！ 下記URLからバンド予約、eプラス受付中！ 入場順 ①eプラス　②各バンド予約　③当日券

https://twitter.com/dazedgarden/status/1094074689297641472

NEIN_OFFICIAL"【拡散！ギグ情報！①】 3.23(土) 浅草Gold Sounds 『極東鎖国』

出演：BROADVIEW / GUYZ / KING / NEiN / Scars Of Humanity / 眩惑庭園 / O.A 西山 玲央奈 [チケット] ■イープラス 期間限定発売 3月2日 18:00まで[入場順] e+→バンド予約→当日

https://twitter.com/nein_official/status/1094588328656031744

NEIN_OFFICIAL"【拡散！ギグ情報！②】 4/6 心斎橋SHOVEL [邪悪四弦生誕祭vol.5]

A¥3000 D¥3500 O 14:30 S 15:00 CAST ・ROSENFELD ・関西悪血 ・NEiN ・UNHOLY THE 13TH PREACHERS ・ミミズの餌 ・SOLKANE ・VAZM ・VulgaRize ・紅番区-RedbronX ・オカダヨシヨシ バンド予約はコチラ

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【NEiNオフィシャルオンラインストア】 NEiNの音源やグッズを販売しております。

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ミュージックビデオ 拡散！ NEiN / [バースディ]

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1st ミニアルバム トレーラー NEiN 1st mini album [DeRACINE] Trailer

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eisukeさん"2.21 池袋手刀 grace periodやりますxxx チケットはこちら！

https://twitter.com/eisuke_gp/status/1094592337227993089

eisukeさん"3.23は個人的にもNEiNも初の地、浅草！最高のバンドが集まっています！ 遊びに来てねxxx

https://twitter.com/eisuke_gp/status/1094592818708926464

grace period 2/21(木) ネオ東京池袋手刀ドーム [NYAN NYAN WAN]

前売 ￥2,400 (+1D) / 当日 ￥2,800 (+1D) 開場 18:00 / 開演 18:30 チケットのご予約は https://t.co/mTrm6JywOt ご予約フォームより受付中！

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grace period"拡散！2019年 一発目！！ 久しぶりの手刀ドーム！

2/21(木) ネオ東京池袋手刀ドーム [NYAN NYAN WAN] 前売 ￥2,400 (+1D) / 当日 ￥2,800 (+1D) 開場 18:00 / 開演 18:30 E.T gaizao グリグラ the deadly school grace period チケット予約 ご予約フォームより受付中！

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eisukeさん"今日はgrace periodのYOU君@YOU_official のバースデー！ おめでとう！

2.21の池袋手刀はYOU君の誕生日をみんなでお祝いしようぜ！！xxx gpもずっとお世話になってた手刀ドームも凄く久しぶり！ みんな遊びに来てね！

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eisukeさん"遊びにきてねxxx

https://twitter.com/eisuke_gp/status/1094896377979531265

NEIN_OFFICIAL"【NEXT GIG！！】 3.23(土) 浅草Gold Sounds 『極東鎖国』

出演：BROADVIEW / GUYZ / KING / NEiN / Scars Of Humanity / 眩惑庭園 / O.A 西山 玲央奈 [チケット] ■イープラス 期間限定発売 3月2日 18:00まで https://t.co/JzTq3ulAUY [入場順] e+→バンド予約→当日

https://twitter.com/nein_official/status/1094896235960389634

[thyele]

NEIN_OFFICIAL"【拡散！ギグ情報！】 サポートベースLINAの誕生祭！ 4/6 心斎橋SHOVEL [邪悪四弦生誕祭vol.5]

ADV\3000 DOOR\3500 OPEN14:30 START15:00 CAST ・ROSENFELD ・関西悪血 ・NEiN ・UNHOLY THE 13TH PREACHERS ・ミミズの餌 ・SOLKANE ・VAZM ・VulgaRize ・紅番区-RedbronX ・オカダヨシヨシ https://twitter.com/nein_official/status/1083701352432205824 eisukeさん"みんな！遊びに来てね！ grace period 2019年の攻撃開始！ https://twitter.com/eisuke_gp/status/1083703845102837760 grace period"【2/21池袋手刀 公演に関して】 2/21のライブはサポートドラマーに u-suke(@yusukeohashit) を迎えてのライブになります。 https://twitter.com/graceperiod_jp/status/1083697892777328641 1st ミニアルバム トレーラー NEiN 1st mini album [DeRACINE] Trailer https://twitter.com/nein_official/status/1083702297299832832 ミュージックビデオ 拡散！ NEiN / [バースディ] https://twitter.com/nein_official/status/1083701994907348992 eisukeさん"2月はgrace period！ 昨年11月に復活から早くもギグ決定です。 またE.Tさんと一緒にやれるのも楽しみxxx 聴いてね！ grace period 「わからない」Music Video https://twitter.com/eisuke_gp/status/1083987167662067712 NEIN_OFFICIAL【拡散！ギグ情報！】 3.23(土)@浅草Gold Sounds ［極東鎖国］ 出演：BROADVIEW / GUYZ / KING / NEiN / Scars Of Humanity / 眩惑庭園 O.A 西山 玲央奈 開場 16:00 開演 16:30 前売券 \3500 当日券 \4000 ★本編ラストセッション有り！ eプラスは2月2日～ 入場順 ①eプラス②各バンド予約③当日券 https://twitter.com/nein_official/status/1084295308933136384 eisukeさん"3.23 NEiNのギグ更新！ 浅草やでxxx 最高のイベントにするで！ https://twitter.com/eisuke_gp/status/1084296331735195648 舜さん"2019年3月23日(土)@浅草Gold Sounds ［極東鎖国］ 出演：BROADVIEW / GUYZ / KING / NEiN / Scars Of Humanity / 眩惑庭園 O.A 西山 玲央奈 開場 16:00 開演 16:30 前売券 \3500 当日券 \4000 本編ラストセッション有り！ プレイガイドは近日お知らせ 入場順 ①eプラス　②各バンド予約　③当日券 https://twitter.com/shun_thefuzzbox/status/1084368426179514373 NEIN_OFFICIAL"【拡散 ネクストGIG】 3.23(土)@浅草Gold Sounds ［極東鎖国］ 出演：BROADVIEW / GUYZ / KING / NEiN / Scars Of Humanity / 眩惑庭園 O.A 西山 玲央奈 開場 16:00 開演 16:30 前売券 \3500 当日券 \4000 ★本編ラストセッション有り！ eプラスは2月2日～ 入場順 ①eプラス②各バンド予約③当日券 https://twitter.com/nein_official/status/1085031483838885888 舜さん"久々にちょっとだけやで(*´﹃ `*) 個人的にはやはり練習不足だったかなあ…(*´･ω･*) 福岡には7弦持ってってなかったし… 色んなところで「あれ？」ってなってた 次回はリベンジ！ #NEiN https://twitter.com/shun_thefuzzbox/status/1085043107203141633 舜さん"FBにもダラダラ書いた(*´﹃ `*) https://twitter.com/shun_thefuzzbox/status/1085065970270404608