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#The A to Z of British Newspaper Strips
downthetubes · 1 year
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Snapshot in Time: the Daily Star's Newspaper Strips in 1984, including Judge Dredd
Rescued from the indignity of being cheap underlay! A look at some British newspaper strips of the 1980s, including Judge Dredd...
Clearing out one of our bedrooms for decoration, I came across a number of local and national newspapers under the carpet, used back in the 1980s as very cheap underlay. While I was knew newspapers like the the Daily Mirror ran a large number of strips – until editor Piers Morgan ditched most of them – I hadn’t realised quite how important the publishers of the Daily Star once thought they were,…
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astingbh · 8 months
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Sherlock Holmes
Who is he?
"Sherlock Holmes is a fictional detective created by British author Arthur Conan Doyle. Referring to himself as a "consulting detective" in the stories, Holmes is known for his proficiency with observation, deduction, forensic science and logical reasoning that borders on the fantastic, which he employs when investigating cases for a wide variety of clients, including Scotland Yard."
How has he been depicted differently in old or modern TV or film?
"More than 125 years after his first appearance, the master detective Sherlock Holmes is as famous now as he was in late Victorian Britain. A new exhibition at the Museum of London recalls how he escaped the pages of fiction to be regarded almost as a figure from real life - and it investigates his relationship with the city that provided the backdrop to many of his most famous adventures."
"Halfway through the Museum of London's exhibition Sherlock Holmes: The Man Who Never Lived and Will Never Die, a large portrait hangs on the wall. It has seldom been seen in public before."
There have been many books about Sherlock Holmes and even tv shows including one starring Benedict Cumberbatch.
The Board game
"The board game 221B Baker Street (Gibsons Games) was first developed in 1975, and the book-based game Sherlock Holmes: Consulting Detective (Sleuth Publications) was published in 1981. Multiple expansions have since been published for both games. The board game A Study in Emerald, released in 2013, was based on the Sherlock Holmes pastiche "A Study in Emerald" by Neil Gaiman. Other Sherlock Holmes board games include Watson & Holmes (Ludonova, 2015), Beyond Baker Street (Z-Man Games, 2016), and Sherlock Holmes and Moriarty's Web (2016). Card games based on Sherlock Holmes include I Say, Holmes! (2007, updated 2014), Holmes: Sherlock & Mycroft (Devir Games, 2015), and Clash of Minds: Holmes vs Moriarty (2019). "
The Comic strip
"Three Sherlock Holmes adaptations have appeared in American newspapers. The first, titled Sherlock Holmes, ran from 1930 to 1931. Sherlock Holmes was drawn by Leo O'Mealia (who later drew covers for Action Comics) and distributed by the Bell Syndicate. A short-lived half-page Sherlock Holmes comic strip appeared daily and Sunday in the 1950s, written by radio scriptwriter Edith Meiser and drawn by Frank Giacoia. The third adaptation "Mr. Holmes of Baker Street" by Bill Barry appeared in 1976-1977. This adaptation of the famous detective was not very popular down south, but experienced a series of faithful followers in northern states."
Films
"It has been estimated that Sherlock Holmes is the most prolific screen character in the history of cinema. The first known film featuring Holmes is Sherlock Holmes Baffled, a one-reel film running less than a minute, made by the American Mutoscope and Biograph Company in 1900. This was followed by a 1905 Vitagraph film Adventures of Sherlock Holmes; or, Held for Ransom, with H. Kyrle Bellew and J. Barney Sherry in unlisted roles. It was long believed that the film starred Maurice Costello as Sherlock Holmes, but Leslie S. Klinger has written that the identification of Costello in the role is flawed. Klinger states that the first identification of Costello with the role was in Michael Pointer's Public Life of Sherlock Holmes published in 1975 but that Pointer later realized his error and wrote to Klinger stating"
All info from;
Adaptations of Sherlock Holmes - Wikipedia
The changing face of Sherlock Holmes - BBC News
Who was Moriarty?
"Moriarty is a fictional character and criminal mastermind created by Sir Arthur Conan Doyle. He was created primarily as a device by which Doyle could kill Holmes and end the hero's stories. In the TV series Sherlock, Moriarty was a “consulting criminal” and the mastermind behind the crimes in season 1. He was Sherlock’s archenemy and died in season 2’s finale “The Reichenbach Fall” in order to push Sherlock to kill himself."
Here are some of the Sherlock Holmes adaptations.
I have never watched any Sherlock Holmes adaptations but I know of them, and from what I've seen I think most of them are shown pretty accurate to the original story and definitely capture the personality of Sherlock Holmes.
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causeiwanttoandican · 3 years
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Harry, Meghan and me: my truth as a royal reporter
I've covered elections and extremism, but nothing compares to the vitriol I've received since I started writing about the Sussexes
By Camilla Tominey, Associate Editor27 March 2021 • 6:00am
It is probably worth mentioning from the outset that I never, ever, planned to become a royal reporter. I mean, who does? It’s one of those ridiculous jobs most people fall into completely by accident.
I certainly wasn’t coveting the position when I first found out how bonkers the beat could be after covering Charles and Camilla’s wedding in 2005. Desperate for ‘a line’ on what went on at the reception, journalists were reduced to flagging down passing cars in Windsor High Street and interrogating the likes of Stephen Fry about whether they’d had the salmon or the chicken.
Watergate, this wasn’t.
Yet when my former editor called me into his office shortly afterwards and offered me the royal job ‘because you’re called Camilla and you dress nicely’, who was I to refuse?
Having planned to get married myself that summer, and start a family soon afterwards, I looked to the likes of Jennie Bond and Penny Junor and figured it would be a good patch for a working mother as well as being one I could grow old with. Unlike show business, when celebrities are ‘in’ one minute and ‘out’ the next, the royals would stay the same, making it easier to build – and keep – contacts.
So if you’d told me that 16 years later, I would find myself at the centre of a media storm over a royal interview with Oprah Winfrey, I’d have probably laughed in your face. First of all, only royals like Fergie do interviews with Oprah. And since when did journalists become the story?
Yet as I have experienced since the arrival of Meghan Markle on the royal scene in 2016 – a move that roughly coincided with Twitter doubling its 140-character limitation to 280 – royal reporters like me now find themselves in the line of fire like never before.
We are used to the likes of Kate Adie coming under attack in the Middle East, but now it is the correspondents who write up events like Trooping the Colour and the Royal Windsor Horse Show having to take cover from the keyboard warriors supposedly defending the Duke and Duchess of Sussex’s ‘truth’.
Accusations of racism have long been levelled against anyone who has dared to write less than undiluted praise of Harry and Meghan. But even I have been taken aback by the vitriol on social media in the wake of the couple’s televised two-hour talk-a-thon, in which they branded both the Royal family and the British press racist while complaining about their ‘almost unsurvivable’ multimillionaire lives at the hands of the evil monarchy. And all while the rest of the UK were losing their loved ones and livelihoods in a global pandemic.
Having covered Brexit, general elections and stories about Islamic extremism, I’ve grown used to being sprayed with viral vomit on a fairly regular basis, but when you’ve got complete strangers trolling your best friend’s Instagram feed by association? That’s Britney Spears levels of toxic.
Having a hind thicker than a rhino’s, it wasn’t the repeated references to my being ‘a total c—’ that particularly bothered me, nor even the suggestion that I should have my three children put up for adoption. At one point someone even said it would be a good idea for me to drink myself to death like my mother, about whose chronic alcoholism I have written extensively.
No, what really got me was the appalling spelling and grammar. I mean, if you’re going to hurl insults, at least have the decency to get my name right.
Yet in order to understand just how it has come to pass that so-called #SussexSquaders think nothing of branding all royal correspondents ‘white supremacists’ regardless of who they write for, or sending hate mail to our email addresses, offices – and in some cases, even our homes – it’s worth briefly going to back to when I first broke the story that Prince Harry was dating an American actor in the Sunday Express on 31 October 2016. Headlined: ‘Royal world exclusive: Harry’s secret romance with TV star’, the splash revealed how the popular prince was ‘secretly dating a stunning US actress, model and human rights campaigner’.
Despite my now apparently being on a par with the Ku Klux Klan for failing to acknowledge Meghan as the next messiah, it was actually not until the fifteenth paragraph of that original article that the ‘confident and intelligent’ Northwestern University graduate was described as ‘the daughter of an African-American mother and a father of Dutch and Irish descent’.
Call me superficial, but I was genuinely far more interested in the fact that Harry ‘I-come-with-baggage’ Wales was dating a former ‘briefcase girl’ from the US version of Deal or No Deal than the colour of her skin. A ginger prince punching well above his weight? This was the stuff of tabloid dreams. Little did I know then that covering the trials and tribulations of these two lovebirds would turn into such a nightmare.
The online hostility began bubbling up about eight days after that first story, when Harry’s then communications secretary Jason Knauf issued an ‘unprecedented’ statement accusing the media of ‘crossing a line’.
‘His girlfriend, Meghan Markle, has been subject to a wave of abuse and harassment’, it read, referencing a ‘smear on the front page of a national newspaper; the racial undertones of comment pieces; and the outright sexism and racism of social media trolls and web article comments’. Meghan’s mother, Doria Ragland, had apparently been besieged by photographers, while bribes had been offered to Meghan’s ex-boyfriend along with ‘the bombardment of nearly every friend, coworker, and loved one in her life’.
Suffice to say, I did feel a bit guilty. Although I hadn’t written anything remotely racist or sexist, I had started the ball rolling for headlines like the MailOnline’s ‘(Almost) straight outta Compton’ (referencing a song by hip-hop group NWA about gang violence and Meghan’s upbringing in the nearby LA district of Crenshaw), along with her ‘exotic’ DNA (which I subsequently called out, including on This Morning in the wake of ‘Megxit’ in January last year).
Omid Scobie, co-author of Finding Freedom, a highly favourable account of the Sussexes’ departure from the Royal family, written with their cooperation last summer, would later insist that the couple knew the story of their relationship was coming out and were well prepared for it.
I can tell you categorically that they weren’t, since I did not even put a call into Kensington Palace before we went to press for fear of it being leaked. (I did later discuss this with Harry, when I covered his trip to the Caribbean in November 2016, and to be fair he was pretty philosophical, agreeing it would have come out sooner or later. But that was before the former Army Captain decided to well and truly shoot the messenger, latterly telling journalists covering the newly-weds’ tax-payer-funded October 2018 tour of Australia and the south Pacific: ‘Thanks for coming, even though you weren’t invited.’)
The royal press pack is the group of dedicated writers who cover all the official engagements and tours on a rota system, in exchange for not bothering the royals as they go about their private business. It was a shame this ragtag bunch, of which I am an associate member, was never personally introduced to Meghan when the couple got engaged in November 2017.
I still have fond memories of a then Kate Middleton, upon her engagement to Prince William in November 2010, showing me her huge sapphire and diamond ring following a press conference at St James’s Palace with the words, ‘It was William’s mother’s so it is very special.’
I replied that she might want to consider buying ‘one of those expanding accordion style file holders’ to organise all her wedding paperwork. (Reader, I had given birth to my second child less than four months earlier and was still lactating.)
Not meeting Meghan did not stop royal commentators like me writing reams about her being ‘a breath of fresh air’ and telling practically every TV show I appeared on that she was the ‘best thing to have happened to the Royal Family in years’.
As the world followed the joyous news of the Windsors’ resident strip billiards star having finally found ‘the one’, the couple enjoyed overwhelmingly positive press culminating in their fairy-tale wedding in May 2018, which we headlined ‘So in love’ above a picture of the bride and groom kissing. I tweeted the wedding front page, along with the original story breaking the news of their relationship with the words, ‘Job done’. Yet, as Meghan would later point out in a glossy Santa Barbara garden, that was by far the end of the story.
According to the Duchess’s testimony before a global audience of millions, the seeds for their royal departure were actually sown by an article I wrote in November 2018 suggesting she made Kate cry during a bridesmaid’s dress fitting for Princess Charlotte.
Claiming the ‘reverse happened’, the former Suits star railed, ‘A few days before the wedding she was upset about something, pertaining to, yes, the issue was correct, about flower-girl dresses, and it made me cry, and it really hurt my feelings.’
She then went on to criticise the palace for failing to correct the story – suggesting that royal aides had hung her out to dry to protect the Duchess of Cambridge.
All of which left me in a bit of a sticky situation. As I told Phillip Schofield on This Morning the following day, ‘I don’t write things I don’t believe to be true and that haven’t been really well sourced.’
Having seemingly been completely bowled over by Meghan’s version of events, Schofe then went for the jugular: ‘I have to say, though, that’s all addressed in that interview, isn’t it, because she [Meghan] couldn’t understand why nobody stood up for her?’
Yet someone had stood up for her, on that very same This Morning sofa: me.
As I told Phil and Holly on 14 January 2019, as more reports of ‘Duchess Difficult’ started to emerge, ‘I think she [Meghan] is doing really well, she looks amazing, she speaks well. She has played a blinder.’
So you’ll forgive me if I can’t quite understand why Meghan didn’t feel the need to correct this supposedly glaring error once she had her own dedicated head of communications from March 2019 – or indeed when she ‘collaborated’ with Scobie, who concluded in his bestselling hagiography that ‘no one cried’?
Moreover, how did the Duchess know a postnatal Kate wasn’t ‘left in tears’? And if she doesn’t know, what hope has the average troll observing events through the prism of their own deep-rooted insecurities?
It appears the actual truth ceases to matter once sides have been taken in the unedifying Team Meghan versus Team Kate battle that has divided the internet.
Make no mistake, there are abject morons at both extremes spewing the sort of bile that, ironically, makes most of the media coverage of Harry and Meghan look like a 1970s edition of Jackie magazine.
It perhaps didn’t help my case that the day before the interview was aired in the US, I had written a lengthy piece carefully weighing up the evidence behind allegations of ‘outrageous bullying’ that had been levelled against Meghan during what proved to be a miserable 20 months in the Royal family for all concerned.
The messages – to my Twitter feed, my email, my website and official Facebook page – ranged from the threatening, to the typical tropes about media ‘scum’ and the downright bizarre. Some accused me of being in cahoots with Carole Middleton, with whom I have never interacted, unless you count a last-minute Party Pieces purchase in a desperate moment of poor parental planning.
Another frequent barb was questioning why the press wasn’t writing about that ‘pedo’ [sic] Prince Andrew instead – seemingly oblivious to the fact that no one would know about the Duke of York’s links to Jeffrey Epstein if it wasn’t for the acres of coverage devoted to the story by us royal hacks over recent years.
It didn’t matter that I had repeatedly torn the Queen’s second, and, some say, favourite son to pieces for everything from his propensity to take his golf clubs on foreign tours to that disastrous Newsnight interview.
Contrary to the ‘invisible contract’ Harry claims the palace has with the press, royal coverage works roughly like this: good royal deeds = good publicity. Bad royal deeds = bad publicity. We effectively act as a critical friend, working on behalf of a public that rightly expects the royals to take the work – but not themselves – seriously.
So when a royal couple preaches about climate change before taking four private jets in 11 days, it is par for the course for a royal scribe to point out the inconsistency of that message. None of it is ever personal, as evidenced by the fact that practically every member of the monarchy has come in for flak over the years.
If Oprah wasn’t willing to point out the discrepancies in Harry and Meghan’s testimony, surely it is beholden on royal reporters to question how the Duchess had managed to undertake four foreign holidays in the six months after her wedding, in addition to official tours to Italy, Canada, and Amsterdam, as well as embarking on a lengthy honeymoon, if she had ‘turned over’ her passport?
While no one would wish to undermine the extent of her mental health problems, could it really be true that she only left the house twice in four months when she managed to cram in 73 days’ worth of engagements, according to the Court Circular, in the 17 months between her wedding and the couple’s departure to Canada?
And what of the ‘racist’ headlines flashed up during the interview purporting to be from the British press, when more than a third were actually taken from independent blogs and the foreign media? The UK media abides by the Independent Press Standards Organisation’s Code of Conduct ‘to avoid prejudicial or pejorative reference to an individual’s race’, as well as by rigorous defamation laws. And rightly so – the British press doesn’t always get it right. But social media is the Wild West by comparison, publishing vile slurs on a daily basis with impunity.
Some therefore find it strange that such a litigious couple would claim to have been ‘silenced’ when they have made so many complaints, including resorting to legal action, over stories they claim not to have even read. There is something similarly contradictory about a couple accusing the tabloids of lacking self-reflection while refusing to take any blame at all – for anything.
In any normal world, informed writing on such matters would be classed as fair comment, but not, seemingly, on Twitter where those completely lacking any objectivity whatsoever are only too willing to virtue signal and manoeuvre.
As the trolling reached fever pitch in the aftermath of the interview, veteran royal reporter Robert Jobson of the Evening Standard called me. ‘Don’t respond to these freaks,’ he advised. ‘It’s getting nasty out there. Watch your back!’
Yet despite my general sense of bewilderment at the menacing Megbots, I can’t say it didn’t appal me to discover a close friend had received online abuse, purely by dint of being my mate. After discussing the lengths the troll must have gone to to track her down, she asked me, ‘Do you ever worry someone might do something awful to you?’ Er, not until now, no.
Of course it’s upsetting, even for a cynical old-timer like me. Worse still are people who actually know me casting aspersions on my profession on social media. Often these are the same charlatans who would think nothing of sidling up to me for the latest gossip on the Royal family, while publicly pretending that reading any such coverage is completely beneath them.
Most pernicious of all though – not least after Piers Morgan’s departure from Good Morning Britain following a complaint to ITV and Ofcom from the Duchess – is the corrosive effect this whole hullabaloo is having on freedom of speech. When you’ve got a former actor effectively editing a British breakfast show from an £11 million Montecito mansion, what next?
I cannot help but think we are in danger of setting race relations back 30 years if people are seriously suggesting that any criticism of Meghan is racially motivated. It’s the hypocrisy that gets me. When Priti Patel was accused of bullying, the very same people who willingly hung the Home Secretary out to dry are now the ones defending Meghan against such claims, saying they have been levelled at her simply because she is ‘a strong woman of colour’.
Of course journalists should take responsibility for everything they report and be held to account for it – but Harry and Meghan do not have a monopoly on the truth simply because the close friend and neighbour who interviewed them in return for £7 million from CBS took what they said as gospel.
If she isn’t willing to probe the disparity between Meghan saying someone questioned the colour of Archie’s skin when she was pregnant, and Harry suggesting it happened before they were even married, then someone must. There’s a name for such scrutiny. It’s called journalism.
The public reserves the right to make up its own mind – with the help of the watchful eye of a free and fair press. But that press can never be free or fair if journalists do not feel they can report without fear or favour. I’m lucky that a lot of the criticism I face is more than balanced out by hugely supportive members of the public and online community who either agree – or respect the right to disagree. Along with the hate mail, I have had many thoughtful and eloquent missives, including those that good naturedly challenge what I have written in the paper or said on TV, which have genuinely given me pause for thought.
I am more than happy to enter into constructive discourse with these correspondents, who are frankly sometimes the only people who keep me on Twitter. I mean, let’s face it, I wouldn’t be anywhere near the bloody thing if this wasn’t my day job.
With the National Union of Journalists this month declaring that harassment and abuse had ‘become normalised’ within the industry, never have members of Britain’s press needed more courage. As Winston Churchill famously said, ‘You have enemies? Good. That means you’ve stood up for something, sometime in your life.’
Who would have thought that the preservation of the fundamental freedoms that we hold so dear should partially rest on the shoulders of those who follow around a 94-year-old woman and her family for a living?
If I’d known then what I know now, would I still have written the bridesmaid’s dress story?
Yes – doubtlessly reflecting sisterly sobs all round. But after two decades in this business, I am clear-eyed enough to know this for certain: whatever I had written, it would still have ended in tears.
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dippedanddripped · 3 years
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Founded on the streets of Flatbush, Brooklyn, in the '90s, Carl Williams founded his iconic brand with "$1000 and a dream". Born in an era where your outfit was social currency, Karl used his passion for style to develop the influential brand we now know and love as Karl Kani. A self-taught designer, Karl's designs have been worn by icons such as Tupac, Nas, Jay-Z, Aaliyah, and Snoop. Building his own baggy-fit, hip-hop ready blueprint, Karl used his "hustle-hard" upbringing and a savvy eye for street-influenced fashion to create a globally-renowned brand.
Coming for an era where nobody believed hip-hop culture could become pop-culture de rigueur, Karl faced skeptical detractors, unsure if a street-influenced label could go global. Despite being confident, Karl would always ask himself "Can I do it?" This existential question was the launching pad that drove Karl to legally change his name from Carl Williams to Karl Kani. So, the question of "Can I?" morphed into the brand name "Kani", and with that, a legendary label was born.
Fast forward to the global pandemic of 2020 - in a time of uncertainty, many creatives are asking themselves: "Can I keep my business going," "Can I still perform," and "Can I stay fit and healthy?"
Looking to Karl's story for inspiration, an overarching message prevails - together "we can" do this.
In this candid video, Karl touches on his storied journey, from getting up at 5:30 am to sell newspapers so he could buy clothes, to gaining inspiration seeing his father visit tailors as a child. Ever the optimist, Karl touches on how he overcomes setbacks, remains grounded and healthy, and how we can grow as a community.
Volume 90%
As our community of creative talent grows stronger and stronger, we look to a diverse range of talents who provide individual stories of creative fortitude. With the effects of Covid-19 taking a toll on the industry, this inspiring set of creatives prove that an "I Can" attitude can overcome any obstacle. From rappers to visual artists, their stories provide hope during tough times.
KOBY MARTIN – ARTIST
A proud export of Ghana, London-based artist Koby Martin uses traditional and digital mediums to illustrate his work. His emotive style fuses Ghanian and British influences, articulating his life experiences through personal struggles and tragedies, turning them into artistic triumph.
With collaborations with the British Council, and The British High Commission - for which he was commissioned to create a live painting for 2019's Afrochella concert at the El Wak Stadium in Accra, Ghana. Koby's artwork spans over a variety of subjects, often using bright colors - a reflection of his heritage and spontaneous personality.
How has the current climate impacted your art and the way you create?
The current climate has me in a very reflective mood - in regards to how I use my time - whether spending time with family, friends, and even working. It’s also made me aware of how fragile & short life really is. Creatively, I always work in isolation, so it was quite hard to differentiate the climate from my normal routine. But, it also pushed me to experiment with other materials and learn new techniques. I also started reading more, which I rarely do, because of my short attention span. Although we have had a lot of tragedies and losses, I personally believe it's made me stronger, tougher, and smarter for any challenge ahead!
How can I make a change?
Change comes about through self-belief and the realization of who we are as individuals. It's a domino effect that begins with the man/woman in the mirror. I set out to express that through my gift of creating, collaborating, and having yearly exhibitions, which I believe brought together a sense of awareness, togetherness, restoration, and healing, especially within the black community.
How can I inspire others?
Inspiration starts with self and comes from within. To inspire, one has to believe in self and take action on the standards and goals they have set out for themselves. In doing that, it sparks a viral sense of awareness, belief, and motivation with the people you are around.
How can I create in the current climate?
The current climate has taught me to be still. I have learned to put everything at a standstill when it's time to create, a momentary pause from all the stresses of life. This allows me to get lost in my work. I step into a different world, a whole new dimension that allows me to create with joy. Something like stepping out of the business of a matrix and skip-hopping into a Teletubby world is the best way I can explain it.
TORI TAIWO – PHOTOGRAPHER
Photographer Tori Taiwo runs Hercuts, an empowering haircut page for women who have embraced shaving their hair, favoring unique and charismatic low-cut hairstyles. After leaving home and falling out with a family friend, 33-year-old Taiwo was given a place in a hostel. Too terrified to stay there, Taiwo was determined to change her life. She continues to empower, inform, and inspire others via her art.
How has the current climate impacted your art and the way you create?
The current climate has allowed me to explore and revisit my prior passions. During the first lockdown, I started shooting products, this allowed me to gain new skills and open a new revenue. I have started booking clients, and shooting and filming products, which I can do from home. How can I make a change? By being open to trying new things and willing to allow for changes that are unforeseen, as well as collaborating with other creatives to keep morale up and encourage others to try new things too!
How can I inspire others?
By sharing the process of pivoting and exploration - high, lows, and everything in between.
How can I create in the current climate?
By changing my outlook on the creative process - stripping back and using what I have at my disposal to create; trying new things & exploring.
STEFANI NURDING – SKATER/ ENTREPRENEUR<
As the founder of skateboard brand Salon Skateboards, Stefani Nurding hopes to destroy the "boys only" stereotype that plagues the skate scene. A skater who was once told she was "too pretty to skate", Stefani is passionate about promoting diversity within the skate community. With a respected brand, Stefani juggles being a mum and pro-skater in a male-dominated industry.
How has the current climate impacted your art and the way you create?
Before the lockdown, I would say that it really made me think about being disconnected from people. I felt much more like I wanted to film and photograph others skating, as opposed to focusing on myself. One of my projects was to shoot instant photos of friends or strangers skating, then give them the photo afterward. Now that we're in lockdown, I feel even more disconnected from people, so I try to make my content fun and positive to try and uplift people.
How can I make a change?
I realized that I have a lot of knowledge about how to make money as a self-employed person. My friends were losing their jobs around me, and I became aware that some of them had no idea how to make money other than having a job. I coached a few friends that needed help, and I also set up affordable online courses about time management and setting up your own business.
How can I inspire others?
After I had my baby, I felt so lost with skateboarding and my own identity. It felt like I didn't know what I liked anymore and had no idea if my body would return to my previous level of fitness after my cesarean. Fast forward 20 months, I am in peak health, doing pilates regularly and skateboarding 2-3 times a week. I am 32 and a new mum. I just really hope that others who see 30 as old, or think they can't do things after becoming a mother will just maybe think "screw it, she is doing it and so can I".
How can I create in the current climate?
I have my skate brand Salon Skateboards as a creative outlet for my graphic design which is nice, but I love to create sporadically and get ideas all the time which I need another outlet for. I have been creating a lot of different things - painting, experimenting with Photoshop, photography, printing clothes, and just generally having fun with making art. There are a lot of things where I just think "meh, will never use it", but occasionally I come out with a gem.
ROXXXAN – ACTIVIST/RAPPER/MODEL
Birmingham-raised rapper Roxxan represents the LGBTQ community with enormous pride. For the last ten years, the queer rapper has built up her own unique identity. A self-proclaimed tomboy, Roxxxan has expressed her want to create a space for women who adhere to non-gender specific traits. After relocating to London, Roxxx has displayed perseverance and determination - from coming to London to get a job at a major label to then being signed as an artist eight months later.
How has the current climate impacted your art and the way you create?
The current climate has affected the energy around me and where I go for inspiration. Before lockdown, I would meet friends, be around family, different energies, and walks of life, which made it easy to be inspired or do things that spark creativity. Now I go for walks or sit on a park bench so I can soak up all around me, then process it and let it out my way.
How can I make a change?
I can make a change by being visibly patient and open to change and growth. I aim to make a change by also being present for any women POC or fellow LGBTQA's. A lot of people are finding it hard to cope, I can make a change by being there for any and all of my people.
How can I inspire others?
I try to inspire others by living in my truth and fully accepting who I am; using my differences or things that have held me back in the past as my gifts to the world. I understand times are a lot different now, but had some of the artists and people I looked up to like Missy Elliot and Queen Latifa been open about their sexuality, I believe I would have found mine a lot sooner. Which also would lead to me finding myself sooner. I aim to be that for younger people growing up.
How can I create in the current climate?
In the current climate, I create at home with my iPad studio. Through spring and summer, I sat with and felt all the highs and lows of 2020. It’s only recently that I’ve finished processing, and now I’m ready to put everything into words and my outlet and art.
SILAI ESTATIRA – SPOKEN WORD ARTIST
Silai Estatira aka Mishaal Javed is a young British hip-hop artist, spoken-word poet, micro-influencer, and full-time international relations student. A brave artist, Mishaal has gone against the grain of what is expected from her culturally by venturing into rap, spitting socio-political raps with a unique and fresh take on streetwear style.
How has the current climate impacted your art and the way you create?
During lockdown, music almost became a lifeline. It has always felt like my purpose, but I realized how much I needed it. I’ve been writing more, going back to the basics of it, sometimes just freestyling in my room or with my best friend and having fun with it again. I’ve been revisiting some of my favorite projects too. Retracing the steps of artists I admire, just taking it all in.
How can I make a change?
I want to fight for the world to be more inclusive. To be a space for everyone, not just a representation of some voices. Fighting for all diaspora, the people who are othered, and everyone who doesn’t feel represented. Music can make a big change. I want my music to comfort people, and to give company, the same way it does for me.
How can I inspire others?
I want to let people know it’s okay to ride their own wave, step outside the box, and live outside it. It’s okay to venture into spaces you’ve never ventured into before, especially when people tell you that you can’t do it. Never stop. Keep perfecting your art. It belongs to you, it is yours. Everyone has a destiny, we can’t let anyone - including ourselves - stop us from chasing it.
As Muslim women, people talk over us (metaphorically). Everyone has an opinion, and there’s so much dehumanization and categorizing that happens. I know girls that have had to fight that. I still fight it. But we’re still here, going. For us, It’s a movement.
How can I create in the current climate?
Because there have been no gigs, I’ve had so much time to write and experiment with sounds. I’m lucky because I’ve always recorded in my room so I’ve just been continuing that. I’ve had more time to think about how to present and reflect on my pieces too. There are so many ways to create, it’s just about being present with yourself, and knowing what story you’re trying to tell.
KANAH FLEX – DANCER / MOVEMENT ARTIST
Born-and-raised in south London born, self-taught dancer and movement artist Kanah Flex was discovered busking by FKA twigs in 2014. The autistic dancer struggled to express himself, before finding his calling in the world of dance. A free spirit with a dedicated following on social media, the father of two challenges society’s ideas of normality, pushing his followers to achieve their goals.
How has the current climate impacted your art and the way you create?
I feel as if climate change has forced me to exercise all of the other gifts that I have shunned in the past, due to sheer laziness or the comfort of being inside the box. I feel like even though my physical might be on lockdown, my spirit is free.
How can I make a change?
The only change I am going to start with is myself, it’s impossible to change anything before that  - I must start with me. Self-discipline is very key to change.
How can I inspire others?
By staying true to myself, my family, and my people
How can I create in the current climate?
I make things work with what I have and what I am surrounded by. I cannot play the victim in these times, even though the climate has changed, my creativity hasn’t. I’m always thinking of innovative ideas.
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tatauini-blog · 7 years
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what i'm interested according to facebook ads topics
Feb 19th
i’ve downloaded my facebook data today and it was very interesting to kind of go back in time while looking at things i’ve done on my digital/social life since i’ve created an account (nov 2006).
These are the ads topics that i’m interested in according to my facebook data:
Youth Lagoon
Athletics at the Summer Olympics
Aventura
Home video game console
Hour
Solidarity
Escape pod
McSweeney's
Federal University of Rio de Janeiro
Public broadcasting
60 metres
Vivo (telecommunications)
Guto Requena
Parsons School of Design
Artnet
Joan Cornellà
Table tennis at the Summer Olympics
Amazon Student
Vitis
Hammer throw
d3
Exame (magazine)
Humanities
Monologue
TV5Monde
AIESEC in Brazil
ClickBus
jerome jarre
A Mighty Girl
Baroque pop
Fernanda Lima
mofilm
Trama (mycology)
Simon & Garfunkel discography
Miles Davis
Observatório da Imprensa
Kelis
Badminton
Antônio Carlos Jobim
Tiny Furniture
Morgan Library & Museum
Weta Workshop
Motherboard
Torta
Goethe-Institut
Organism
Bamboo
BoA
Le Lis Blanc
Frank Ocean
Amy Poehler's Smart Girls
Quartz
Moringa
Latitude
Sketchbooks
Cutty Sark (whisky)
Flea
Totem
StreetArtGlobe
Independent record label
scarface
Funhouse
Republic
Panda (band)
Aion (Japanese band)
Road
Lisbon
Jinx (DC Comics)
Artforum
Hugo Weaving
The Creators Project
Brilliant.org
Degustation
Hostel (2005 film)
Mystery film
Livery
Planá (Tachov District)
Consortium
Simon & Garfunkel
Launch vehicle
Secret NYC
Exame
Nerds (candy)
childish gambino
Braun (company)
Deception Point
médicos sem fronteiras
H2 (TV network)
Tropicália
Workers' Party (Brazil)
Tisch School of the Arts
Zine
Governors Ball Music Festival
Printed Matter, Inc
WeWork
HuffPost Women
Andre (band)
Smot (chanting)
Decriminalization
Vine (service)
Garance Doré
Meta, Campania
MIT Media Lab
Taste of Cinema
New York University School of Law
Pole vault
Anthology film
Coconut Records (musician)
Frequency
Levant
Sensacionalista
Special effect
Artist-in-residence
Navigation
Bananal, São Paulo
States of Brazil
1900 Summer Olympics
Steering wheel
IEEE Standards Association
revista piauí
Pro Evolution Soccer
romantic comedies
D-A-D
the cool hunter
Flux
Getty Images
HuffPost Brasil
René Aubry
Kizomba
Knot (unit)
Palestine Liberation Organization
King Krule
Room
New Art Dealers Alliance (NADA)
Thread (computing)
Kite
News magazine
Rozendaal
Lincoln Center
SOS
Sigur Rós
Urbanus
Steeplechase (athletics)
Romário
Shaivism
Gilberto Gil
Museum of the Moving Image (New York City)
Olympic medal
Sochi
Formigueiro
2016 Summer Olympics
Landform
Tijuca
Arte
Dream pop
Opala .
Orquestra Voadora
Forum for Urban Design
Móveis Coloniais de Acaju
Fair
History of Europe
800 metres
Marcus Junius Brutus the Younger
Illuminated manuscript
Sociedade Brasileira para o Progresso da Ciência
Financial Times Global 500
Moog Music Inc.
The Intercept
Democratic Labour Party (Brazil)
Bossa nova
Western Europe
Rio, I Love You
Rama
Freak folk
Epic film
Protest
Psychedelic pop
New York University Graduate School of Arts and Science
Extremis
guardian
Mediterranean Sea
Operating system
El Hormiguero
Swimming at the 2000 Summer Olympics
Araucaria angustifolia
Shot put
Helianthus
Dr. Martens
Extended play
Nectar
Ariel Pink
do bem™
Breakfast at Tiffany's (film)
Plastic
Blake Edwards
2020 Summer Olympics
Laurus nobilis
London Organising Committee of the Olympic and Paralympic Games
Queremos
Carl Linnaeus
Selectism
Megaforce Records
Nike Soccer
Giorgio Moroder
Moog synthesizer
Chitty Chitty Bang Bang
400 metres hurdles
Portmanteau
Dance-punk
Prix Ars Electronica
enlace
The Awl
CreativeApplications.Net
DOS
Glossary of musical terminology
Jout Jout Prazer
Sensationalism
Rosin
100 metres
República
Marshmallow
void
Rodrigo Hilbert
Tank (magazine)
Deborah Colker
Fundação Estudar
Música popular brasileira
IEEE Electromagnetic Compatibility Society
AIESEC
Rio (2011 film)
Casablanca
Quentin Tarantino Movies
Cactus
CRESCER E VIVER
Brooklyn Museum
100 metres at the Olympics
Lego The Lord of the Rings (video game)
Beach House (album)
Helianthus annuus
Noisey
Infinitum
Nova (TV series)
Common quail
NOO
Woody Allen
Hudson River
Award
Samba-enredo
fear
The Week
The Proud Family
Bubblegum pop
Drive-through
110 metres hurdles
Guarda, Portugal
2010 Winter Olympics
ARTE Concert
W
The Party (film)
Mare
Ben Gibbard
AD Parla
Christopher Lee
International System of Units
Darcy Ribeiro
Sport Club Internacional
Brooklyn Academy of Music
Psychosis
GBK
Frank Ocean discography
Mini (marque)
It's Nice That
Study in Germany
Orient
IEEE Communications Society
Victoria Harbour
Acne Studios
Sea of Shoes
eMAG
Pagode
Réunion
Oboe
Fernando Gabeira
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Jornal Meia Hora
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Kings of Convenience
NewYorker
EF Brasil - Intercâmbio
Residency Unlimited
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Sagmeister & Walsh
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Hyperallergic
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The Tallest Man on Earth
Wednesday
Bachelor of Fine Arts
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2014 Winter Olympics
Olaria Atlético Clube
Cachaça
Smaller Earth
Kingston upon Hull
Plastic bag
Space Shuttle
Hyphen
One Million Voices Against FARC
Muda (Japanese term)
Lightning strike
Eunápolis
Sketchbook
Guillermo del Toro
Brazilian science and technology
Phonebloks
Silent film
John Mayer Trio
Paste (food)
Ralph Bakshi
Chevrolet Opala
vox
A&E Networks
Hunna
Levante UD
Brownie (folklore)
Mad Decent Block Party
Etapes
best vines
Hurdling
Piracy
Beautiful/Decay Magazine
Anima Mundi (event)
Trip hop
Long jump
Street
Perestroika
Winter Olympic Games
The Dodos
VFX Solidarity International
Green Party (Brazil)
Mobile, Alabama
Pali
Roman Forum
Party (role-playing games)
List of Sonic the Hedgehog characters
Moog Music
MUBI
Discus throw
Gold medal
Frontier
Ema (Shinto)
Xcaret Park
Sliced bread
Post-punk
Sambass
ClickBus
gus
Xcaret
Death Cab for Cutie
breakfast at tiffanys
Catcher In The Rye
Vuze
D3 road (Croatia)
Buga, Valle del Cauca
Loungerie Intimates
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Binders full of women
Carnival block
Social class
Médecins Sans Frontières
Local Natives
Maxxie Oliver
The Last King of Scotland (film)
End Homophobia
Dazed & Confused (magazine)
graduate
Individual Olympic Athletes at the 2000 Summer Olympics
Samba
Svetlana Kuznetsova
Toda Criança Pode Aprender
Little Joy
Girls Who Code
Pes
Munchies (film)
Robert Moog
Partido alto
Pictoplasma
New Art Dealers Alliance
Alto
Bois de Boulogne
Control key
Bus
uber
Cereal Magazine
Diego Ribas da Cunha
Dia Art Foundation
Bolt (2008 film)
Agência Pública
MOODs
Human Development Index
Z (Aion album)
MIMO
Power station
Marcelo Freixo
The Antlers (band)
Shiva
spicy food
Rhythm
(Le) Poisson Rouge
Boiler Room
Unidentified flying object
200 metres
Girls (comics)
Print on demand
That '70s Show (Official)
Sociedade Esportiva do Gama
Ondina
Colossal
Mae
Psychological thriller
Artsy
Escola Nacional de Belas Artes
Music Photographers
design-dautore.com
MTV Europe Music Awards
Vuze Bittorrent Client
Biographical film
Poorly Drawn Lines
Piauí (magazine)
Mac DeMarco
Non-governmental organization
Propaganda
StreetArtGlobe
Olympic Games ceremony
Vila-seca
Tijuca Forest
Sarah
Pedro (footballer, born July 1987)
Inhotim
Praia da Vitória
MyFrenchFilmFestival.com
Mandrake the Magician
Vector space
Convenience store
The Beach (film)
Indie folk
Multi-sport event
São Paulo
New York (magazine)
OZY
Midfielder
Action Bronson
Jerry Mouse
Philippines at the 2012 Summer Olympics
Vinicius de Moraes
npr music
Link (knot theory)
The Hobbit: The Battle of the Five Armies
British rock
Gaia (mythology)
I-D
Fountain
Italo disco
Skins (UK TV series)
James Blake (musician)
Nord (French department)
Token ring
Comparison of BitTorrent clients
Kinescope
Courage
Nõo
Helianthus annuus
e-flux
Cave
Seed
High jump
Cultural diversity
2000 Summer Olympics
Instituto Moreira Salles
2012 Summer Olympics
Alpine skiing at the 2014 Winter Olympics
Belgium
Designtaxi
Anima mundi
Academic journal
Military dictatorship
Dumont, New Jersey
Wilfred
Adaptations of The Lord of the Rings
Glass House
Somos tão Jovens
Domestic worker
Units of measurement
Porvir
Ars Electronica Center
Bubble wrap
Summer Olympic Games
Atlantic Records
Bon Iver discography
CCBB Rio de Janeiro
Sovereign state
Oriente (Ecuador)
Ministry of Education (Brazil)
Sigur Rós discography
Condé Nast
Nanotechnology
Emporium (antiquity)
CPI
Céu
Mark magazine
Thought Catalog
Spaceflight
Sanskrit
The City of the Sun
Sense
Temple
Student exchange program
Ciência sem Fronteiras
Grammatical mood
Comic strip
Third Man Records
Collection catalog
Devendra Banhart
Mammal
Tictail
Cell nucleus
Blue-eyed soul
Facebook Lite
Carona, Ticino
Celina, Ohio
Residency (medicine)
MGMT (album)
Pontifical Catholic University of Rio de Janeiro
Cronus
Heima
La Blogothèque
Public library
Help Kids with Cancer
Russia
Trem Desportivo Clube
Cooper Union
Professional wrestling promotion
Opening ceremony
binders full women
Bar da Praia
República (Nepalese newspaper)
Bento
Ethnic groups
The New School
Chico Buarque
Smile (band)
Institution
The Cure (The Cure album)
List of Girls episodes
Associação Quatro Patinhas
MyFonts
IEEE 1541-2002
Gus Van Sant
Fictional film
400 metres
MIT Technology Review
International Olympic Committee
Port
Computing
Fuerza Bruta Wayra
awl
Design Milk
Studio
Earth, Wind & Fire
Ian Holm
Pingu
Middle-distance running
Foster the People discography
European Union
Parque Lage
Mixcloud
Jah Wobble
Vox (blogging platform)
John Mayer discography
Videos
Hue
Unbreakable
Tempo
Piauí
Archive
Middle Ages
Skill
Academic publishing
Incendies
Nice
Air (French band)
Grizzly bear
Somos Tão Jovens - O Filme
Deckdisc
Urban area
Caetano Veloso
Dirty Projectors
Triple jump
Musical film
Astronaut
Chameleon
Salário digno aos PROFESSORES do Brasil
Code Club
1996 Summer Olympics
O Terno
Ear
Konbini
Rockland County, New York
Apartamento
Public university
FIBA Americas League
Land use
Jinx
Penny
Nothing
Sukha
Bronze medal
Video hosting service
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downthetubes · 2 years
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Gosh! Comics announces “The A to Z of British Newspaper Strips” signing
Paul Hudson’s much anticipated new book on British newspaper strips should prove an invaluable reference work - and you can get it signed, too!
Paul Hudson, former owner of the much-beloved and sorely missed London comic shop Comics Showcase, is releasing a concise and expansive book covering the world of British newspaper cartoons, The A to Z of British Newspaper Strips. To celebrate it’s release, Gosh! Comics will be welcoming Paul to the shop for a signing on Saturday 30th July, from 1.00 – 2.00pm. This extensive and comprehensive…
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downthetubes · 2 years
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In Review: The A to Z of British Newspaper Strips by Paul Hudson
If you're a British newspaper strip fan, you don't want to miss out of getting a copy of this invaluable guide... but you'll have to save your pennies!
After a fortnight of absolute non-stop craziness here in the downthetubes bunker, including my trip to London Film and Comic Con, I can’t tell you what a pleasure it was to receive a copy of Paul Hudson‘s brilliant new reference work, The A to Z of British Newspaper Strips, in the post yesterday. It has been a real treat to sit down and have a trawl through this massive, 320-page tome, which…
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causeiwanttoandican · 3 years
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The Telegraph - Camilla Tominey
William is quietly winning the battle of the royal brothers
Their responses to Bashir revelations are as different as they are as people, but we knew they would be
Camilla Tominey21 May 2021 • 8:00pm
It must frustrate Prince Harry that his own popularity has become so obviously inversely proportional to his brother’s. They had a highly competitive relationship before Harry and Meghan decided to throw a grenade under the Queen and the Royal family in favour of earning Kardashian cash in the US. It often appeared that a large part of the Sussexes’ beef with the monarchy was that they constantly felt in the Cambridges’ shadow.
Yet their bid to seek “financial independence” in California has cast them completely in the shade in the minds of the majority of Brits, many of whom would prefer it if they disappeared from view altogether.
The more they have accused the “racist” Royal family of “total neglect”, the more they have succeeded in encouraging the British public to throw their support behind the institution – as shown by a YouGov poll last week finding six in 10 people want them to be stripped of their titles or to stop using them.
The better William and Kate perform, the worse Harry and Meghan look for breaking up the Fab Four in the first place. The Yanks might not see it like this, but we do because, unlike naive Americans prone to endless psychobabble, we were never under any illusions about the dysfunctionality at the heart of the Royal family (or any family, for that matter).
In his latest outpouring for his new Apple TV documentary series, Harry voiced his resentment at being told to “play the game” to make life easier in the House of Windsor.
“I’ve got a hell of a lot of my mum in me,” he boasted. “The only way to free yourself and break out is to tell the truth.”
Yet, ironically, the one person in The Firm who “played the game” better than anyone else was Diana, Princess of Wales. That was until she took the disastrous decision to pour her heart out to deceitful Martin Bashir – albeit under what we now know were false pretences.
By continuing to stoke the flames of publicity with his smug, self-pitying and at times, spiteful rhetoric, Harry shows he has actually learned nothing from his mother’s experience.
For in trying to emulate her doe-eyed confessionals to speak his “truth”, he is repeating her mistake of squandering popularity for the sake of evening the score. While there’s no doubting Harry’s noble intentions in wanting to raise awareness of mental health issues – let’s make no mistake here, like Diana deciding to air her dirty linen on the BBC, this is a man out for vengeance.
With his team of officious LA-based PRs and unwillingness to appear on any platform that actually offers a right of reply to the people he trashes, he’s hypocritically playing his own, one-sided games.
Exactly like his mother at her lowest ebb, Harry seems to think the world is out to get him.
Yet far from it being personal, there is a word for what has happened to him over the years. It’s called “life”.
While he was a 12-year-old walking behind his mother’s coffin in 1997, there were literally hundreds and thousands of other children also coming to terms with the loss of a parent.
Around the same time, I was a teenager, scraping my alcoholic mother off the pavement. As any therapist worth their salt will tell him – you can either hold onto the past and let it dictate your future, or let go and truly “find your freedom”.
William has had to endure exactly the same fate as Harry. In fact, as the elder brother and “heir” rather than “spare” it has arguably been even more difficult for him.
As his dignified statement on Thursday night made clear, he vividly remembers “the fear, paranoia and isolation” of his mother’s final years. It was his shoulder upon which she cried about the breakdown of her marriage.
It was he who promised her, after she lost the HRH style, that he would “give it back to you one day when I am king.”
As the child of divorced parents myself, I know all too well that while every child is adversely affected, the oldest is often at the coalface, shouldering most of the burden.
Despite this, and having to come to terms with being tethered to a life mapped out at birth, William has borrowed from the best of his mother’s playbook.
He has resolved to serve others, rather than himself. Instead of growing up to resent the rules of the game, he has used them to his advantage, realising – as all the best royals do – that it is never really about “them”, but about “us”.
Unlike Harry, who has misinterpreted the Queen’s “never complain, never explain” mantra as a gagging clause – William has used it as it was intended, as a protection order to ensure the lines between the professional and the personal do not become too blurred.
Like the mute button on Twitter, he has silenced his critics not by taking them on, but keeping calm and carrying on regardless. And in stark contrast to his brother, William has shown he understands the press as well as Diana did.
By actually reading the newspapers (rather than obsessing over the online comments like Harry), the second-in-line to the throne has come to the sensible conclusion that the media, while imperfect, can be used as a considerable force for good.
While his brother was using Lord Dyson’s report as a stick with which to once again beat the tabloid press, William was mature enough to acknowledge that if it wasn’t for the newspapers, Bashir would have got away with his rogue reporting for even longer.
“Public service broadcasting and a free press have never been more important,” he magnanimously declared. Harry’s nonsense claim that “practices like these – and even worse – are still widespread today” only serves to highlight just how unqualified he is to act as referee on matters as serious as the First Amendment, which he described as “bonkers” on a recent podcast.
Both these royal brothers are playing a game – but only one of them is winning.
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downthetubes · 2 years
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British Newspaper Strips documented in bumper new book
British Newspaper Strips documented in bumper new book
Independent publisher Book Palace has begun teasing a new book, The A to Z of British Newspaper Strips by Paul Hudson, a 320-page guide to strips as diverse as Andy Capp, Flook, Garth, George and Lynne, Jeff Hawke, Pip, Squeak and Wilfred, Tamara Drewe and Varoomska. The A to Z of British Newspaper Strips – Not Final Cover Written by Paul Hudson, former owner of the much-missed London comic…
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